1970s Prints and Multiples

Mary Bauermeister Mary Bauermeister at Galleria Schwarz Milano (Hand signed, dated and inscribed), 1972 Offset lithograph on exhibition catalogue (hand signed, dated and inscribed in...

Judith Bledsoe, American (1938 - 2013) - An Exultation of Larks. Year: circa 1974, Medium: Lithograph, signed and numbered in pencil, Edition: EA 60/60, Image Size: 13 x 8.5 inches,...

"This work was created with two separate entities that play against each other, in real and illusionary space, thus combining two separate realms that come together and play with one...

Genre: Israeli Batia Adith Subject: Biblical Medium: Print Surface: Paper Dimensions w/Frame: 30 1/2" x 21 1/2"

Artist: Jean Sariano Title: Working Proof Year: 1979 Medium: Intaglio Etching with Aquatint, signed and numbered in pencil Edition: 300 Paper Size: 25 x...

Alexander Calder 'La Grenouille et Cie' Vintage original 1971 poster for the exhibition Pace Columbus (Ohio) featuring a printed Calder signature. Medium: Offset lithograph Dimensions: 25 x 32 inches An original 1st printing in very good vintage condition. Plate signed on the lower right from an edition of unknown. This is an original 1970s poster and not a recent reproduction of any kind. Related Categories Calder prints. Calder Mid Century Modern. 60s. Alexander Calder and Contemporary Art. Calder figurative. Vintage Calder.

Artist: Norio Azuma Title: Day Year: circa 1970 Medium: Serigraph on Canvas, signed l.r. Edition: 50 Size: 42 x 42 inches Frame: 44 x 44 inches

Theodoros Stamos was one of the original Abstract Expressionist artists working alongside Jackson Pollack and Willem de Kooning in New York City. His ...

Luis Camnitzer and Martin Buber (1878-1965), New York: JMB Publishers Ltd, 1970. Printed at The New York Graphic Workshop. Hand signed on Arches paper. (Edition 24/100, numbered on Justification page) Woodblock prints based on folktales from the Hasidic Jewish tradition in Eastern Europe, selected by Camnitzer from the early masters section of Buber’s Die chassidischen Bücher as translated by Olga Marx. German Expressionist style Jewish woodcuts...

Artist: Budd Hopkins, American (1931 - ) Title: Jutland III Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: AP 45 Image Size: 21.5 x ...

Andy Warhol (1928-1987) Beach Scene (1975) Unique polaroid print Size: 4.25 x 3.5 in (10.8 x 8.9 cm) Frame size: 11 x 8.875 in (27.9 x 22.5 cm) Unsigned Authenticated by the Authen...

BASF Luran mounted on aluminum. Hand signed lower front by Victor Vasarely; Signed, titled, dated and numbered on label to verso. From the edition of 8. Additional images availa...

LEONOR FINI Cat with Hat 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Derriere Le Miroir-Page 6-7 Color lithograph, 1973 Unsigned (as issued) From: Derriere Le Miroir, No. 201, January 1973 Publisher: Maeght Editeur, Paris Printer: L’Imprimerie Arte, A...

Lithograph on vélin bouffant des Papeteries de Hauteville paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Fernand Léger mes voyages avec un poème d'...

Artist: Wassily Kandinsky Medium: Lithographic Poster, 1972 Dimensions: 28 x 21.8 in, 71 x 55.4 cm Classic Poster Paper - Excellent Condition A Here is a near angelic representat...

Malcolm Morley, British (1931 - 2018) - Asteroid, Year: 1974, Medium: Screenprint and mixed media on Arches, signed, numbered and dated in pencil, Edition: 32/100, Image Size: 30 x 2...

Artist: Josef Albers Portfolio: Formulation: Articulation (Double Portfolio) Title: G-Cleft Variation - P1, F16, I1 Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol paper E...

André Planson - French Province Original Lithograph Handsigned Dimensions: 38 x 28 cm Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture...

Victor Vasarely (1906-1997) - Ménerbes Lithograph from 1971. Dimensions of work: 48 x 40 cm. The work is in Excellent condition.

ALEX KATZ (1927-Present) Sara, from Three Portraits Silkscreen Suite 32-color silkscreen on Rising museum board signed and numbered 23/60 in pencil. Published by Lococo Fine Art Pub...

Georges Braque, French (1882 - 1963) - Astra et l'Oiseau, Year: circa 1970, Medium: Poster, Size: 26 x 35 in. (66.04 x 88.9 cm), Publisher: Editions des Nouvelles Images.

Artist: Dali, Salvador Title: Mission Dolores Series: San Francisco Date: 1970 Medium: Drypoint with lithographed color Framed Dimensions: 33" x 27" Signature: Pencil signed E...

Vincent Longo, American (1923 - 2017) - Yellow, Blue and Green Composition, Year: 1979, Medium: Screenprint, signed, dated and numbered in pencil, Edition: II 24/25, Image Size: 15.7...

Desert II Variation Joseph Grippi, American (1924–2001) Screenprint, signed and numbered in pencil Edition of 33/50 Image Size: 14 x 36.25 inches Size: 16 x 38.25 in. (40.64 x 97.16 cm)

Artist: John Kacere, American (1920 - 1999) Title: Reina Year: 1979 Medium: Lithograph, signed and numbered in pencil Edition: 300, 40 AP Image Size: 15 x 25.5 inches Size: 22 in. x ...

Pen and ink on paper Signed and dated (lower right) 28cm × 38cm (42cm × 50cm framed) A Colombian painter, draughtsman and lithographer, known for his depictions of the male nude, wi...

Artist: Andre Minaux, French (1923 - 1986) Title: Passante from the Helene Portfolio Year: 1974 Medium: Lithograph, signed and numbered in pencil Edition: 150, XXX Size: 25.75 in. x ...

Artist: Jack Brusca, American (1939 - 1993) Title: Magnolia Year: 1978 Medium: Serigraph, signed and numbered in pencil Edition: 200, AP 30 Size: 28 in. x 26 in. (71.12 cm x 66.04 cm)

Artist: Hans Bellmer, German (1902 - 1975) Title: Les Milles en Feu Year: 1970 Medium: Etching, signed in pencil Image Size: 12 x 15 inches Paper Size: 20 x 26 inches

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Salvador Dalí­ The Blood of Yin and Yang from Conquest of the Cosmos II, 1975 Lithographic in colors with drypoint on BFK Rives. Hand signed lower right Numbered XXVII / CLXXXXV S...

Artist: Romare Bearden Title: Louisiana Serenade (From the Jazz Series) Year: 1979 Medium: Lithograph, signed and numbered in pencil Edition: 175 Paper Size: 24.5 x 33.75 inches Fram...

Artist: Karel Appel Title: Walking Cat Portfolio: 1978 Cats Medium: Lithograph in colors on Japon paper Date: 1978 Edition: XV/LXV Sheet Size: 24 3/4" x 32 1/4" Signature: Hand signe...

ARTIST: Salvador Dali TITLE: Tristan & Isolde MEDIUM: Lithograph on Rowlux with added color SIGNED: Hand Signed on seperate certificate with corresponding number PUBLISHER: Nabus Fine Art EDITION NUMBER: 307/500 MEASUREMENTS: 25" x 25" Framed: 36" x 40" YEAR: 1972 FRAMED: Yes, museum quality gold...

Judith Bledsoe, American (1938 - 2013) - Taurus from the Zodiac of Dreams Series. Year: circa 1970, Medium: Lithograph with Embossing, signed in pencil, Edition: EA, Size: 21 x 14.5...

Judith Bledsoe, American (1938 - 2013) - Libra from the Zodiac of Dreams Series. Year: circa 1970, Medium: Lithograph with Embossing, signed in pencil, Edition: EA, Size: 21 x 14.5 ...

LEONOR FINI Seahorse Cat 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

LEONOR FINI The Outfit 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Up towards the sun. 1972, paper, lithography, 15x12.5 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1947, she began he...

Artist: Jack Brusca, American (1939 - 1993) Title: Springtime Year: 1978 Medium: Serigraph, signed and numbered in pencil Edition: 200, AP 30 Image Size: 24 x 24 inches Size: 27 in. ...

Etching on paper, edited 1976 Limited edition of 30 copies, numbered as 27/30 in lower left corner. Signed in pencil by artist in lower right corner. Paper size: 30.8 x 21.5 cm Plat...

Tom Wesselmann (1931-2004) remains one of the most iconic, collected--and sexy American Pop artists. During the movement's key years, Wesselmann was ambivalent if not critical of hi...

Artist: Lester Johnson Title: Street Scene 4 Medium: Lithograph Signed: Hand Signed Edition: Edition of 175 Measurements: 29" x 21" Year: 1978 Note: This piece is sold UNFRAMED Con...

Playful, tender, and steeped in dreamlike emotion, this original 1970 lithograph by Marc Chagall was created as a contribution to the French art review XXe Siècle—an influential publ...

"Original Lithograph V" is an original color lithograph by Joan Miro, published in "Miro Lithographs III, Maeght Publisher" in 1977. It depicts Mir...

Artist: Jack Sonenberg, American/Canadian (1925 - ) Title: Perimeter Year: circa 1965 Medium: Etching with Aquatint, signed and numbered in pencil Edition: AP Size: 36 x 29.5 in. (9...

Vintage gallery exhibition poster. The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was founded in 1936 in Cannes. The Paris gallery was started in 1946 by Aimé Maeght. The artists exhibited are mainly from France and Spain. Since 1945, the gallery has presented the greatest modern artists such as Matisse, Bonnard, Braque, Miró, and Calder. In 1956, Adrien Maeght opened a new parisian venue. The second generation of “Maeght” artists was born: Bazaine, Andre Derain, Giacometti, Kelly, Raoul Ubac, then Riopelle, Antoni Tapies, Pol Bury and Adami, among others. Jean-Paul Riopelle, CC GOQ (7 October 1923 – 12 March 2002) was a painter and sculptor from Quebec, Canada. He became the first Canadian painter (since James Wilson Morrice) to attain widespread international recognition. Born in Montreal, Riopelle began drawing lessons in 1933 and continued through 1938. He studied engineering, architecture and photography at the école polytechnique in 1941. In 1942 he enrolled at the École des beaux-arts de Montréal but shifted his studies to the less academic école du Meuble, graduating in 1945. He studied under Paul-Émile Borduas in the 1940s and was a member of Les Automatistes movement. Breaking with traditional conventions in 1945 after reading André Breton's Le Surréalisme et la Peinture, he began experimenting with non-objective (or non-representational) painting. He was one of the signers of the Refus global manifesto. In 1947 Riopelle moved to Paris and continued his career as an artist, where, after a brief association with the surrealists (he was the only Canadian to exhibit with them) he capitalized on his image as a "wild Canadian". His first solo exhibition took place in 1949 at the Surrealist meeting place, Galerie La Dragonne in Paris. Riopelle married Françoise Lespérance in 1946; the couple had two daughters but separated in 1953. In 1959 he began a relationship with the American painter Joan Mitchell, Living together throughout the 1960s, they kept separate homes and studios near Giverny, where Monet had lived. They influenced one another greatly, as much intellectually as artistically, but their relationship was a stormy one, fueled by alcohol. The relationship ended in 1979. His 1992 painting Hommage à Rosa Luxemburg is Riopelle's tribute to Mitchell, who died that year, and is regarded as a high point of his later work. Riopelle's style in the 1940s changed quickly from Surrealism to Lyrical Abstraction (related to abstract expressionism), in which he used myriad tumultuous cubes and triangles of multicolored elements, facetted with a palette knife, spatula, or trowel, on often large canvases to create powerful atmospheres. The presence of long filaments of paint in his painting from 1948 through the early 1950s[8] has often been seen as resulting from a dripping technique like that of Jackson Pollock. Rather, the creation of such effects came from the act of throwing, with a palette knife or brush, large quantities of paint onto the stretched canvas. Riopelle's voluminous impasto became just as important as color. His oil painting technique allowed him to paint thick layers, producing peaks and troughs as copious amounts of paint were applied to the surface of the canvas. Riopelle, though, claimed that the heavy impasto was unintentional: "When I begin a painting," he said, "I always hope to complete it in a few strokes, starting with the first colours I daub down anywhere and anyhow. But it never works, so I add more, without realizing it. I have never wanted to paint thickly, paint tubes are much too expensive. But one way or another, the painting has to be done. When I learn how to paint better, I will paint less thickly." When Riopelle started painting, he would attempt to finish the work in one session, preparing all the color he needed before hand: "I would even go as far to say—obviously I don't use a palette, but the idea of a palette or a selection of colors that is not mine makes me uncomfortable, because when I work, I can't waste my time searching for them. It has to work right away." A third element, range of gloss, in addition to color and volume, plays a crucial role in Riopelle's oil paintings. Paints are juxtaposed so that light is reflected off the surface not just in different directions but with varying intensity, depending on the naturally occurring gloss finish (he did not varnish his paintings). These three elements; color, volume, and range of gloss, would form the basis of his oil painting technique throughout his long and prolific career. Riopelle received an Honorable Mention at the 1952 São Paulo Art Biennial. In 1953 he showed at the Younger European Painters exhibition at the Solomon R. Guggenheim Museum in New York City. The following year Riopelle began exhibiting at the Pierre Matisse Gallery in New York. In 1954, works by Riopelle, along with those of B. C. Binning and Paul-Émile Borduas represented Canada at the Venice Biennale. He was the sole artist representing Canada at the 1962 Venice Biennale in an exhibit curated by Charles Comfort...

Artist: Frank Roth, American (1936 - ) Title: Untitled - Four Green Shapes in Continuous Space Year: 1978 Medium: Screenprint, signed and numbered in pencil Edition: 125, AP 30 Image...

Color etching and aquatint, 1970. Signed by the artist in pencil, lower right. Numbered 2/50 in pencil, lower left. Titled in pencil, lower central. With the artist's blind stamp, l...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Artist: Lowell Nesbitt Title: Iris Medium: Screenprint Signed: Hand Signed Edition: From the edition of 175 Year: 1978 Measurements: 24" x 31" Note: This piece is sold unframed...

Les Revolutions Sceniques du XXe Siecle - II (Cramer 207) Joan Miro, Spanish (1893–1983) Date: 1975 Lithograph Image Size: 12 x 9.5 inches Size: 14.5 in. x 10 in. (36.83 cm x 25.4 cm...

Printed on a slightly reflective metallic silver finished paper. there is a companion piece on a money green paper. A depiction of a ballet dancer, superimposed upon canceled dance c...

Pablo PICASSO (1881-1973) The 156, Midnight Swim. Women Surprised by a Laughing Sailor (plate 123), 1978 Original etching (Crommelynck workshop) Signed with stamp Justified HC B/C O...

Pablo PICASSO (1881-1973) The 156, The Ladies are Gossiping... (plate 127), 1978 Original etching (Crommelynck workshop) Signed with stamp Justified HC B/C On vellum, 50 x 66 cm (c....

16 Green Circles from the Eight Variants series, 1970 This work is number 51 from the edition of 165 printed by Hans Mayer, Krefeld, Germany. screenprint 28"x28" Julian Stanczak American/Polish, 1928-2017. explores the visual, psychological, and emotional resonance of color in his Op art paintings, through which he aims to induce a “color meltdown,” as he describes: “I want to fuse many colorants and their gradations into a single color experience.” Influenced by Josef Albers and Russian...

Richard Anuszkiewicz (American, 1930 - ) created the "Inward Eye" portfolio after a conversation with a friend who said that Anuszkiewcz's works reminded him of William Blake's work....

Artist: Clayton Pond, American (1941 - ) Title: Column Study from Capital Ideas Portfolio Year: 1974 Medium: Serigraph on Museum Board, signed and numbered in pencil Edition: 150 Ima...