1970s Prints and Multiples

Artist: Karel Appel Title: Devil Cat Suite: Cats Portfolio Year: 1979 Medium: Original lithograph in colors on Japon paper Edition: From the limited edi...

Etching and aquatint, 1973 Edition : 121/200 76.00 cm. x 56.50 cm. 29.92 in. x 22.24 in. (paper) 49.00 cm. x 39.00 cm. 19.29 in. x 15.35 in. (image) Arches paper Dry stamp “Cercl...

Set within a thick border, Tighe O'Donoghue's scene of a boat accompanied by two spirits floating near the stars in the sky demonstrates his unique take on Magical Realism. Dialect...

This original etching and aquatint is hand signed in pencil by the artist "David Hockney" at the lower right margin. It is also hand numbered in pencil from the edition of 90, at th...

Artist: Jacob Lawrence Title: The Swearing In Portfolio: Inaugural Impressions Medium: Screenprint Date: 1977 Edition: 63/100 Sheet Size: 20" x 30" Frame Size: 27" x 37" Signature: H...

Artist: after Ed Ruscha Title: America: Her Best Product (Made in USA) from the Kent Bicentennial Portfolio Year: 1975 Medium: Offset Lithograph (unsigned as issued) Image: 13 x 9 in...

Salvador Dali (1904-1989) - Sainte Lucie Etching and watercolour from 1974. The edition 219/450. Dimensions of work: 90 x 63.5 cm. Hand signed. Reference: Field, 73-3; Michler, ...

Joan Miro (1893-1983) Cat, Small Bird and Black Hand, 1970 Original lithograph Printed signature in the plate On vellum 83 x 60 cm (c. 33 x 24 in) Excellent condition

"Fabled Ambassador (Bird Suite)" is an original color lithograph by Michael Knigin. The artist signed the piece in the lower right and wrote the edition num...

An original lithograph in six colors by Henry Moore, created in 1978. It is hand signed and numbered in Roman numerals from an edition of 15 proofs, aside the edition of 50 on Rives...

Joan Miró Original Lithograph VI from Joan Miro Lithograph II, 1975 Color Lithograph Size: 32 x 50 cm Folded as issued Catalogue Raisonné: Cram...

Lithograph in colors on Arches paper Published by George J. Goodstadt, Inc., Ridgefield, Connecticut (with their blindstamp) 29.5 x 41.3 inches Signed and numbered in pencil, editio...

Artist: Rivers, Larry Title: The Last Civil War Veteran Date: 1978 Medium: Lithograph Framed Dimensions: 52" x 44" Signature: Pencil signed

JOAN MIRÓ Arlequin Circonscrit, 1973 Color lithograph on Arches Paper Edition "HC" lower left Hand signed lower right Sheet size 75.5 x 52.5 cm P...

Hand signed and numbered by the artist. Artwork is in excellent condition. Edition of 100. All reasonable offers will be considered.

Karel Appel Looking Around Signed Limited Edition Lithograph 1971 39.25 x 28.25" inches Signed, marked 12/100 and dated 71 Karel Appel is one of the founding members of the CoBrA ...

Douglas C. Backhaus - Unicorn in Field, Year: 1978, Medium: Hand colored Etching, signed, dated and numbered in pencil, Edition: AP, Image Size: 11 x 13.75 inches, Size: 15 x 17.75 i...

Vintage original Alexander Calder Three Legged Man Lithograph 1975: Lithograph in colors. 15 x 11 inches. Very good overall vintage condition. Unsigned from an edition of unknown. ...

Offered at an exceptional price, this piece is in excellent condition and will ship rolled. Edition number 49 / 200. There are 200 pieces in the edition all signed and numbered by...

A very good impression of this scarce offset lithograph on cream wove paper. Artist's proof, aside from the edition of 100. Signed in ink, lower right, and inscribed "A/P" in pencil,...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, XXXIIIe Annee, No. 37, Decembre 1971, originates f...

Complete set of seven lithographs with embossment, 1978, on Richard de Bas mould-made paper, initialed and numbered in pencil from the edition of 40 verso, printed by Matthieu Studio...

Appareil et Main is an artwork realized after a painting by the Surrealist Catalan artist Salvador Dalí (Figueres, 1904-1989). This is a color lithograph on wove paper, properly e...

Salvador Dali John (Knight of the Sparrow-Hawk) from The Twelve Apostles, 1977 Lithographs in colors with embossment on Arches paper Hand signed lower right Edition EA lower left She...

Artist: Josef Albers Title: Homage to the Square Medium: Screenprint Date: 1977 Edition: 1500 Image Size: 8 1/4" x 8 1/4" Sheet Size: 9" x 9 1/2" Frame Size: 14 7/8" x 14 7/8" Signat...

Artist: Robert Rauschenberg Title: 1977 Presidential Inauguration Portfolio: Inaugural Impressions Medium: Lithograph Date: 1977 Edition: 63/100 Sheet Size: 30 3/4" x 20 1/2" Frame S...

Billy Al Bengston Turkey Dracula, 1973 Color lithograph with hand coloring and watercolor (unique variant) on Lanaquaralle paper with deckled edges Hand signed and numbered A.P. #6, ...

"Le Bouclier" is an original drypoint etching by Claude Weisbuch. The artist signed the piece lower right and wrote the edition number (25/100) in the lower left. This piece depicts ...

Includes a Certificate of Authenticity

Vintage 1971 New York Rangers Linen-Backed Hockey Poster – Original NHL Collectible. Excellent condition. Score big for your collection—order now and r...

Artist: Norman Rockwell Title: Fidos House Year: 1973 Dimensions: 26 x 20 Edition: 165/200 Medium: Lithograph Condition: Very Good , please reveiew all pictures Signature Details: Ha...

John Stobart "St. Louis, A View Through the Arches of the Eads Bridge" 1979 Color Lithograph 32.5 x 37.5 inches framed Signed in Pencil and Numbered 221/75...

This exquisite lithograph by Joan Miro (1893–1983), titled Miro a l'encre II (Miro in Ink II), originates from the 1972 album Indelible Miro. Published by Societe Internationale d'Ar...

Color lithograph realized by Max Ernst in 1974. Not signed. as issued. Printed by  Atelier Pierre Chave in Vence, France. Excellent condition.  This lithograph was realized  by th...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1974 album miro sculpture (Miro Sculpture). Publi...

Salvador Dali Saint Mathew from The Twelve Apostles, 1977 Lithographs in colors with embossment on Arches paper Hand signed lower right Edition EA lower left Sheet size 64.5 x 47.5 c...

ROY LICHTENSTEIN (1923-1997) Lithograph and line-cut in colors with embossing, 1970, signed in pencil, dated and numbered 30/100 (total edition includes seven artist's proofs). This...

The horse "Lampo" is a modern artwork realized by Giorgio De Chirico in 1971. Mixed colored lithograph. Hand signed, titled and numbered on the lower margin. Edition of 30/48 inc...

Raymond Pettibon Captive Chains, 1978: Featured in its entirety at The New Museum in New York, Pettibon's well documented first artist book is widely regarded as a seminal piece in the development of the artist's style and themes. Offset printed. 68 pages. 7.25 x 10.5 inches (26.6 x 18.4 cm). Good to very good overall vintage condition; normal signs of aging commensurate with medium. Published by Black Flag's label SST Productions in 1978. Literature/References: Raymond Pettibon: the Books 1978-1998 (New York: D.A.P. c. 2000). Raymond Pettibon: Homo Americanus (David Zwirner Books). Raymond Pettibon: A Pen of All Work (Massimialiano Gioni 2017). Exhibited: Raymond Pettibon, A Pen of All Work, The New Museum 2017 More on Raymond Pettibon: Raymond Pettibon is a contemporary American artist known for his stylized ink drawings combining images and text. His inventive narratives blend historical content with consumer culture to yield incisive critiques of contemporary society. “I was making my work as transparent as possible, without equivocations, without calling attention to itself, without apology,” he explained. “There's a lot of conventions in the art world that are not to be transgressed, but my economy of means doesn't abide by those strictures.” Born Raymond Ginn on June 16, 1957 in Tucson, AZ, the artist is self-taught, but cites drawings by William Blake, Edward Hopper, Francisco Goya, and John Sloan as instructive to his practice. Deriving inspiration from comics, cartoons, and other pop culture iconography, Pettibon began designing album covers and ephemera for his brother’s band Black Flag in the mid-1970s. He went on to produce cover art for Sonic Youth, the Minutemen...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1974 album miro sculpture (Miro Sculpture). Publi...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original screenprints that are a definitive survey of the artis...

Joan Miro Miro Original Abstract Lithograph Artist: Joan Miro Medium: Original lithograph on Rives vellum Portfolio: Miro Lithographe IV ...

Coloured lithograph on Arches paper. Limited edition, numbered as 133/250 Eu. Signed in pencil by artist. Paper size: 47,5 x 64 cm Framed size: 73 x 91 cm very good condition, some ...

Seahorse, 1975 Signed and numbered in pencil Color lithograph 29.5 x 21.25 inches Edition 100 of 125

Original Munich Olympic Poster after David Hockney David Hockney, a prominent British artist, is celebrated for his versatile and innovative contributions to 20th-century art. Known...

Silkscreen, 1979 Edition : 8/15 Publisher : Editions F. B. Printer : Bernard Frize Catalog : [BNF 103] 52.00 cm. x 36.00 cm. 20.47 in. x 14.17 in. (paper) 35.00 cm. x 24.00 cm. 13....

Original Mudd Club poster, New York 1979: A must have for any true Jean Michel Basquiat, Keith Haring collector - this piece is featured in the 2017 Jean-Michel Basquiat documentary, 'Boom For Real.' Promotional poster. 1979. Dimensions: 18x24 inches. Very good overall vintage condition condition; some minor fading consistent with age. Provenance: Obtained directly from the original art designer. The Mudd Club was founded by filmmaker Steve Mass, art curator Diego Cortez, and downtown punk scene figure Anya Phillips in 1978. Mudd Club featured an art gallery curated by Keith Haring on the upper floor. Live performances by New York No Wave bands such as, DNA, the Contortions, Talking Heads & Basquiat's band Gray. On the dance floor, DJs, Anita Sarko and Johnny Dynell played an eclectic mix of punk, funk and curiosities. From the start it functioned as an antidote to the uptown disco glitz of Studio 54. Six months after it opened, the Mudd Club was mentioned in People: "New York's fly-by-night crowd of punks, posers and the ultra-hip has discovered new turf on which to flaunt its manic chic. It is the Mudd Club ... . For sheer kinkiness, there has been nothing like it since the cabaret scene in 1920s Berlin". After its first few years, Studio 54 celebrities like Andy Warhol, Grace Jones and David Bowie began to show up. In 1981, the Mudd Club's Steve Mass began showing up at the more informal Club 57 on St. Mark's Place, and began hiring Club 57 regulars including Keith Haring to help attract the downtown art & music scene. The Mudd Club was frequented by many of Manhattan's emerging emerging cultural figures, such as, Lou Reed, Johnny Thunders, David Byrne, Debbie Harry, Arto Lindsay, John Lurie, Nico with Jim Tisdall, Lydia Lunch, X, the Cramps...

King of Coins is an etching realized by Franco Gentilini (Italian Painter, 1909-1981) in the 1970s. The state of preservation of the artwork is good. Hand-signed. Numbered, editio...

Drypoint etching on Lana paper, edited in 1970. Limited edition of 175 copies, numbered as 150/175 in lower left corner. Hand-signed by artist in pencil in the lower right corner. P...

"Galerie Maeght" lithograph poster. This poster holds Bazine's name in harsh orange lines near the top of the piece. Diagonally bisecting the b and a in Bazaine is a teal line. Bellow this horizontally against the white backgrounds are two lines, one painted yellow and the other blue. Unsigned. Image: 29 x 21 in Jean Bazaine was a French painter, designer of stained glass windows, and writer. He was the great great grandson of the English Court portraitist Sir George Hayter. In 1949/1950 he had his first major one man show at the Galerie Maeght, who remained his art dealer thenceforth. From then on it was a steady progress of major exhibitions: Bern, Hanover, Zürich, Oslo... 1987 a retrospective exhibition in Galerie Maeght, 1988 a retrospective of his drawings in the Musée Matisse and finally in 1990 the Exposition Bazaine in the Galeries Nationales du Grand Palais, Paris., which was accompanied by the reissue of his major texts on painting in art theory as Le temps de la peinture (Paris, Aubier 1990). "The motley crowds of international tourists and souvenir-shoppers who fill the ancient streets of the Latin Quarter in Paris spend most of their time admiring the open-air displays of seafood outside the Greek restaurants in the rue de la Huchette. They ignore the beautiful church of St Severin in the same street, for have they not already "done" Notre Dame? So they miss one of the most wonderful series of stained-glass windows in France: Jean Bazaine's vivid, dynamic works irradiating the sombre ambulatory and apsidal chapels. These windows represent the seven sacraments of the Church, portrayed as essential forms from nature in all its glory and symbolising Water, Fire and Light, sacred emblems of Divine Grace. An appropriate biblical verse is inscribed beneath each. Only Pierre Soulages with his "luminous black" windows at l'Abbaye de Conques (1998) can stand comparison with the majesty of these contemporary works by Bazaine, created between 1965 and 1970. Bazaine was fortunate in his friends. He received at an early stage in his student career support and advice from another master colourist, Pierre Bonnard. In his youth he knew Leger, Braque, James Joyce and Marcel Proust. One of his great personal friends was Jean Fautrier, with whom he shared his first exhibition in 1930. His work gradually developed as a form of bold tachisme - brilliantly composed but well-controlled "splashes" of sumptuous colour. He rejected the term "abstract" which he considered a denial of the essentially intimate relationships between art and reality. He quoted his friend Braque: "The canvas must efface the idea behind it." In 1941, during the Nazi occupation, at a time when Hitler was destroying many works of modern art, Bazaine had the courage to organise in Paris a first "avant-garde" exhibition of 20 French artists. In 1948, he wrote his first book, an unpedantic, unacademic view of contemporary painting, Notes sur la peinture d'aujourd'hui. He quotes Braque on Cezanne: "He's a painters' painter - other people think it's unfinished." Bazaine, too, reverenced Cezanne: Three lines drawn by Cezanne overturn our whole concept of the world, proclaim the liberty of man, his courage. The great painters have never had any other aims. The painter says: "I exist, therefore you exist. I am free, therefore you are free. Or at least he tries to. It's his one aim in life." After the Second World War, Bazaine produced vast compositions with virtuoso colour structures, mostly with references to nature, like the breathtaking Vent de mer (1949, now in the Museum of Modern Art, Paris) and Orage au jardin (1952, now in the Van Abbemuseum at Eindhoven). His Earth and Sky (1950) is in the Maeght Foundation at Saint Paul de Vence. One of his greatest works, L'Arbre tenebreux (1962), was sold to the Sonja Henie...

Jean Carzou (1907-2000) - Princesse d'Azur Lithograph from 1976. Dedicated to Charles Sorlier, on Arches paper. Dimensions of work: 78 x 54.5 cm. Hand signed. The work is in Goo...

Poster. Measures 22.5 x 16.25 inches and is Unframed. Good Condition-signs of wear consistent with age and handling/pencil-mark near Title.

Hand signed, numbered and dated in yellow felt pen. Mixed media with handmade paper, bamboo and fabric mounted on black board and framed. Published by Gemini G.E.L., Los Angeles. Cer...

ARTIST: Salvador Dali TITLE: Our Historical Heritage Elijah MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 175/400 MEASUREMENTS: 19.87" x 26" YEAR: 1975 ...

Limited Edition Lithograph (available is multiple editions and AP-Artist Proof). Pencil-signed, numbered and dated by the artist. Good/Fair Condition.

Richard Anuszkiewicz (American, 1930 - ) created the "Inward Eye" portfolio after a conversation with a friend who said that Anuszkiewcz's works reminded him of William Blake's work....

Conrad Marca Relli - Composition VI Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition: 75 + AP + HC Size: 56 x 76 cm Condition: In very good conditions and ...

Silkscreen printing on paper, edited in 1978. Limited edition of 100 copies, numbered as 19/100 in lower left corner. Hand signed by artist in pencil in the lower right corner. Pape...

serigraph, Edition of 100 image of abstract flower from KINETIC PORTFOLIO

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró VI Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Observations: L...