1980s Prints and Multiples

Medium: original lithograph. Executed in 1982 for what was planned to have been the very last issue of Derrière le Miroir (issue No. 250), and published in Paris by the Maeght atelie...

Serigraph in colors on paper from the Alphabet Suite. Hand signed by Erte lower right. Hand numbered 198/350 lower left. Sheet size: 25.25 x 18.62 inches. Image size: 15.75 x 10....

This striking original exhibition poster was published in 1987 to promote one of the most iconic Egyptology exhibitions of the decade: Tanis, L’Or des Pharaons, held at the Grand Palais in Paris from March 26 to July 20. Organized by the Association Française d’Action Artistique, this event unveiled to the French public the dazzling treasures unearthed from the ancient necropolis of Tanis, Egypt’s northern royal city. At the heart of the poster is the luminous gold funerary mask of Psusennes I, an artifact often compared in splendor to the treasures of Tutankhamun...

Judy Chicago (b. 1939) is a world-renowned American artist and preeminent figure of the Feminist Art movement of the 1970s. Throughout her career, Chicago has challenged the (male-d...

Double Decoy Hunt Slonem, American (1951) Date: 1980 Screenprint, signed and numbered in pencil Edition AP 30 Image Size: 22 x 26.5 inches Size: 26 in. x 30.5 in. (66.04 cm x 77.47 c...

Barbara Kruger Annina Nosei Gallery 1983-1986: A set of 2 rare, historic Barbara Kruger announcement cards published on the occasion of: - Barbara Kruger, Annina Nosei Gallery, New ...

Colored lithograph on wove paper realized by Enrico Benaglia in 1980s. Edition of 130. Hand signed and numbered in pencil. Very good condition. This expressive lithograph by Enri...

Etching realized in the early 1980s. Hand signed and numbered. Edition of 30. Very good condition.

Etching realized in 1989. Hand signed, titled, dated and numbered. Edition of 90. Very good condition.

Sam Gilliam Buoy Landscape IV, 1982 Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper 31 1/2 × 24 inches Hand signed and numbered 3/25 in graphite pencil Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto Unframed with elegant deckled edges Rare vintage intaglio and relief, all from deeply etched copper plates. Other works from this series are in the permanent collections of major museums institutions like the Smithsonian, so they are quite scarce on the open market. Steven M. Andersen (Printer) Philip Barber (Printer) Hang Nguyen (Printer) Stephanie Nowack (Printer) Michael Reid (Printer) Daniel Rounds (Printer) Vermillion Editions Limited (Publisher) Sam Gilliam Biography: Sam Gilliam was one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam pursued a pioneering course in which experimentation was the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions took on an increasing variety of forms, moods, and materials. In addition to a traveling retrospective organized by the Corcoran Gallery of Art, Washington, D.C. in 2005, Sam Gilliam was the subject of solo exhibitions at the Museum of Modern Art, New York (1971); The Studio Museum in Harlem, New York (1982); Whitney Museum of American Art, Philip Morris Branch, New York (1993); J.B. Speed Memorial Museum, Louisville, Kentucky (1996); Phillips Collection, Washington, D.C. (2011); and Kunstmuseum Basel, Switzerland (2018), among many other institutions. A semi-permanent installation of Gilliam’s paintings opened at Dia:Beacon in August 2019. His work is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago. Sam Gilliam, Green April, 1969, acrylic on canvas, 98 x 271 x 3 7/8 inches (248.9 x 688.3 x 9.8 cm), Collection of Kunstmuseum Basel, Basel, Switzerland, Courtesy of David Kordansky Gallery, Los Angeles, photography by Lee Thompson...

The Departure of the Argonaut (1918) is the travelogue and wartime diary of Alberto Savinio, one of the seminal figures in twentieth-century Italian arts and letters. Clemente's acco...

Fascinating black and white etching of an otherworldly creature, 1983. Signed and dated lower right and numbered 42 of 45 lower left. Original artwork on paper displayed on a white ...

Original poster created for the Minneapolis experimental music group The Wallets, promoting their release How to Keep Time to Music / Totally Nude. The Wallets were active during the...

This exquisite lithograph by Renato Guttuso (1911–1987), titled Anguria (Watermelon), from the album XXe siecle, Nouvelle serie, XLIIIe Annee, No. 57, Hommage a Guttuso, originates f...

Woman is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1952. The print suite was realized in 1985 in a limited edition of 2500, a...

Artist: Thomas McKnight (American, 1941-) Title: "Westhampton" Portfolio: The Hamptons *Signed by McKnight in pencil lower right Year: 1987 Medium: Original Screenprint on soft-white...

Paper Size: 23.75 x 18.25 inches ( 60.325 x 46.355 cm ) Image Size: 15.75 x 13.25 inches ( 40.005 x 33.655 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...

Lithograph on paper realized by Franco Azzinari in 1980s. Hand signed and numbered in pencil. Edition of 130. Excellent condition.

Martha Diamond (1944-2023) was a Contemporary American painter best known for cityscape abstractions in sweeping, gestural brush strokes. Skyscrapers is...

With expressive fervor and graphic impact, this striking work demonstrates Miro's exquisite use of line. Heavy-handed black contours figure an otherworldly face, colored with vibrant...

PANTO DAME is a hand drawn, limited edition lithograph created in 1987 by the well known and loved British artist and humorist, Beryl Cook(1926-2008). PANTO DAME hand proofed and printed in bright vivid colors of blue, green, yellow, red, brown, black inks on archival Arches paper, 100% acid free. In this amusing depiction, PANTO DAME presents a lighthearted, comical theatric scene of a woman dancing before a laughing audience totally entertained by her bawdy performance. PANTO DAME thrills the theater crowd as she flashes her patriotic red, white, and blue British Union Jack bloomers worn beneath her ruffled, intense blue dress accentuated with green and black striped tights and pointy red boots...

A dazzling celebration of Parisian elegance and festive glamour, this 1988 original poster designed by Mouchy was created for Joyce Paris, the iconic French fashion and lifestyle mag...

This beautiful hand colored etching imaginatively depicts a historical time / place of the nation’s first transcontinental railroad where Union P...

This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...

Artist Name: Don Eddy Title: "STRICTLY KOSHER Year: 1980  Medium Type: Lithograph Size-Width Size-Height: 22" x 27" Signed Edition Size: signed in pencil and marked 26/250 Unfram...

Hand signed & numbered by the artist. Sheet size: 31 x 27 inches. Image size: 24 x 24 inches. Edition of 275. Artwork is in excellent condition. Certificate of authenticity includ...

Quiet winter scene on a frozen lake by listed artist Bernard Gantner (France, b. 1928). Presented in a rustic wood frame. Signed and numbered in pencil: edition number "149/275" lowe...

Lithograph realized in 1980s. Hand signed in pencil. Hand retouched. Not numbered.

Delphic Oracle features a postcard of Greek ruins--the temple of Apollo. Greek language text regarding the Oracle of Delphi in multicolor with a labyrinth design. The Delphic Oracle ...

Screen print realized in 1981 Hand signed and numbered in pencil. Edition of 150. Very good condition.

Offset print realized in occasion of the exhibition at Galleria Marescalchi. Very good condition.

Billy Al Bengston LA 1984 (with official COA from Olympic Committee), 1982 Offset Lithograph and lithograph on Parson's Diploma paper (hand signed), with COA from Olympic Committee &...

This reproduction of De Kaartspelers (The Card Players) by Theo van Doesburg was published in the Netherlands by Art Unlimited. The original painting, created between 1916 and 1917, ...

Serge FENECH (1951-) Riviera : Beautiful Flowers at Santorini, 1982 Original Lithograph Handsigned in pencil Numbered / 390 (the number you can see can be different) On Vellum 56 x ...

Hand signed & numbered by the artist. From the edition of 180. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be considered.

Wayne Ensrud, American (1934 - ) - Quiet Sunday, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Image Size: 30 x 25 inches, Size: 33 in. x 2...

Wayne Ensrud, American (1934 - ) - Untitled Flowers 18, Year: 1980, Medium: Hand-Painted Lithograph, signed lower right, Edition: I/I, Size: 35 in. x 26 in. (88.9 cm x 66.04 cm)

Joan Miro (1893-1983) - La Mélodie Acide, Planche IV Lithograph from 1980. The edition 777/1500. Dimensions of work: 32 x 24 cm. Plate signed. Publisher: Au Pont des Arts and Ga...

Hand signed and numbered by the artist. From the edition of 250. Screenprint in colors on paper. Commissioned to commemorate the opening of The Severin Wunderman Foundation in Ir...

Lithograph on paper realized by Franco Azzinari in 1980s. Hand signed and numbered in pencil. Edition of 130. Excellent condition.

Bernard Buffet Crocus jaunes, 1987 Lithograph Hand signed low right Numbered 15/150 Image 67 x 50 cm Sheet 75 x 58 Framing is an option, will be framed with an aluminium frame, an a...

Gilbert Portanier ( 1926 - 2023 ) " le magicien des couleurs " " Nues " white tone , Hand painted and with a Ritzdecor , figure composition in classic -surrealistic manner . appa...

Serge LASSUS (1933-) Horses : Horse Riding in Autumn, 1983 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Vellum 56 x 76 cm (c....

Screen print realized by the italian painter Rolandi, in the 1980s. Hand signed in pencil on the lower right margin. Artist's proof (as reported in the lower left margin) Dry stam...

This photo poster was made by Stuart Franklin, a British photojournalist who became famous through this photo. Nicknamed the Tiananmen Square Man or "Tank Man...

Original lithograph. Allen Jones "High Society". From first owner. Numbered and signed. Dimensions including original frame.

First edition exhibition poster by Peter Blake for Galerie Claude Bernard in 1984. First and only printing. Large dents on right side of poster. Paper Size: 28.75 x 21 inches ( 73.0...

Lithograph with Roman portrait bust. Will Petersen, a painter, master printer and a poet, was born in Chicago. (Amer. 1928-1994) created this limited edition LITHOGRAPH at the Lakeside Studio. The LITHOGRAPH PRINT is from a limited edition THE LITHOGRAPH IS SIGNED TITLED AND ANNOTATED BY THE ARTIST in pencil EXCELLENT condition. Will's formal art education began with classes at the Chicago Academy of Fine Arts. As a student at the city's Steinmetz High School, Petersen succeeded Hugh Hefner (of Playboy magazine fame) as the HS newspaper cartoonist, the Steinmetz Star. During this time, Petersen recovered from polio. In 1947 Petersen enrolled at Chicago's Wilbur Wright College. While there, he painted with oils for the first time. Two years later he enrolled at Michigan State University where he developed a strong interest in literature and writing and began printmaking. By 1951 he had begun to exhibit paintings and prints nationally. A year later he completed his master's degree. Petersen served in the United States Army from 1952-54, spending one year as an education specialist in Japan. This encounter with the Japanese culture affected his entire life. He became interested in calligraphy and Noh, classical Japanese Buddhist performance that combines elements of drama, music and poetry. Upon completion of his military service in Japan in 1955, Will Petersen settled in Oakland, California, where he met some of the most active poets of the Beat Generation: Gary Snyder, Allen Ginsberg, Jack Kerouac, Phil Whalen, Mike McClure and others. Petersen was attracted to the group by their intelligence and belief in Zen Buddhism. In 1956 in his small studio in Oakland, he printed the poems of Jack Kerouac. He attended for the first time, the reading of Ginsberg's Howl at Six Gallery. His relationship with Gary Snyder had begun when both were in Kyoto, Japan; later Snyder wrote for the Plucked Chicken. Petersen returned to Japan in 1957, pursuing painting, printmaking and writing for eight years while living in Kyoto. In 1965 he accepted a faculty appointment at Ohio State University, teaching drawing, painting and printmaking. Four years later Petersen took his teaching skills to West Virginia University in Morgantown, where he concentrated on printmaking. He taught there until 1977 when he began publishing Plucked Chicken, a journal of art and poetry. In 1978 in Morgantown, Petersen and his wife, Cynthia Archer, established Plucked Chicken Press, which they later moved to Chicago and then Evanston. Petersen operated the Press until his death on April 1, 1994. 1956 In storefront studio in Oakland, California, creates serigraphs and lithographs. Prints poems of Jack Kerouac. 1961 Back in Japan, acquires a lithography press and stones and resumes printing lithographs. Exhibits regularly with Kyoto Printmakers. 1969 Resident lithographer at the Lakeside Studio, Lakeside, Michigan. Prints for the first time Richard Hunt lithographs. 1978 Establishes Plucked Chicken Press in Morgantown, West Virginia. Resident lithographer at Lakeside Studio in Michigan. 1980 Plucked Chicken Press moves to Chicago. Publishes lithographs by Don Crouch and Art Kleinman. 1982 Publishes Blossom, a lithograph/collage by Tom Nakashima. 1983 Series I of Plucked Chicken Press is published with work by Archer, Duckworth, Godfrey, Heagstedt, Himmelfarb, Hoff, Hunt, Martyl, Miller, Nakashima and Petersen. 1984 Plucked Chicken Press moves to Evanston. Series II of Plucked Chicken Press is published with works by Croydon, Ho, Archer, Torn, Osver, Middaugh, Roseberry, Petersen, Spiess-Ferris and Hoppock. 1985 Series III of Plucked Chicken Press is published with works by Driesbach, Hunt, Trupp, Gregor, Pattison, Conger, Evans, Weygandt, Archer, Ho and Petersen. Prints Suite I, Northern Illinois University Collectors Series, with lithographs by Renie Adams, David Bower, David Driesbach, Carl Hayano and Ben Mahmoud...

Artist: Victor Vasarely (1908-1997) Title: Vega Blue Year: Circa 1982 Medium: Silkscreen on Arches paper Edition: 190/300, plus proofs Size: 30 x 22 inches Condition: Good Inscriptio...

Lithograph hand retouched. Hand signed in pencil. Edition of 250. Very good condition.

Lithograph hand retouched realized in 1980s. Hand signed and numbered. Edition of 100. Very good condition.

Lithograph hand retouched. Hand signed in pencil. Edition of 250. Very good condition.

Lithograph hand colored, realized by Bartolini in 1980s. Hand signed and numbered. Edition of 50. Very good condition except for some foxing.

Lithograph hand colored. Hand signed and numbered in pencil Edition of 100. Very good condition.

Artist: Robert Rauschenberg (1925-2008) Title: International Very Special Arts Festival Year: 1989 Medium: Lithograph on wove paper Edition: 190/275, plus proofs Size: 35.5 x 26.5 in...

This exhibition poster, titled Detail from Cubistic Bar, was designed by David Hockney for a 1982 exhibition of his work held at the City of London Barbican Centre for the Arts. The ...

Biagio Civale, Italian/American (1936 - ) - Tarots, Medium: Screenprint, Signed and Numbered in Pencil, Edition: 45/75, Size: 27 x 19.5 in. (68.58 x 49.53 cm)

This lithograph (after the 1947 pochoir) is from the 1983 edition, published in New York by The Museum of Modern Art. The original 1947 edition of Matisse "Jazz" is now so rare it is...

Max Papart, French (1911 - 1994) - Enchanted Dream, Year: 1984, Medium: Etching with Carborundum, Aquatint, and Collage, signed and numbered in pencil, Edition: XIV/XXV, Size: 22...

Untitled is an original artwork realized by Sam Francis in 1982. Lithograph and monotype in colors on BFK Rives. Hand signed and annotated CTP (Color trial proof). The Litho Shop p...