Early 20th Century Prints and Multiples

Pierre BONNARD (1867-1947) On the Street of Paris, 1927 Original lithography Signed in the plate Limited to 225 copies (not numbered) On BFK Rives vellum 33 x 25 cm (c. 12.9 x 9.8 ...

Sybil Andrews, 'Le Petit Bay, St. Malo', color monotype, c. 1925; edition 3, print 2. Signed 'Sybil Andrews pinx et imp' annotated 'No 2' and titled in pencil. A superb, luminous imp...

'158. Psalliota Bernardii 159. Psalliota arvensis' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," an atlas of French,...

Image dimensions: 20.2 x 15.3 cm. The Old Horse is a superb original etching (on copper matrix) on paper, signed on plate by the Italian Macchiaioli master...

This artwork titled "Seebenstein Castle, Austria" 1920 is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower center. The plate mark (image) size is 15.75 x 22.25 inches, Framed size is 27.25 x 33 inches. Custom framed in a wooden silver frame, with brown/green matting and red/brown fillet. It is in excellent condition, the frame has a very minor restoration, practically invisible. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes...

Kinder der strasse is a modern rare book illustrated by Heinrich Zille (Radeburg, 10 January 1858 - Berlin, 9 August 1929) in 1908. Original First Edit...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

Color lithograph after the watercolor illustrations by Antoine de Saint-Exupéry from his beloved masterpiece "The Little Prince". This lithograph was printed and published in 2009 ...

With bold simplicity and architectural clarity, this rare 1908 German poster promotes a model home exhibition showcasing summer and holiday houses from a design competition held by t...

Kyoka-Tokaido is an original modern artwork realized after Utagawa Hiroshige (1797 – 12 October 1858) in 1925. Woodcut Print Chuban Yokoe Format. Repri...

'The Century Atlas. California, Northern Part' Inset maps of 'Yosemite Valley' and 'San Francisco and Vicinity'. Original antique map, 1903. Central fold as issued. Map name and nu...

Max Weber, Untitled 'Feast of Passover', woodcut, 1920, edition proofs—this impression from the edition of 25 printed in 1956, Rubenstein 30. Signed in pencil...

Coquette Pochoir (silk screen) printed in colors, c. 1923-1925 Signed by the artist in pencil lower right; numbered in ink on the image, (see photo) Edition: 250 (100/250) in pencil in image (see photo) Image size: 10-1/2 x 12-3/4" The artist won a gold medal in Paris in 1925 for his porchoirs Victor Max Ninon (Vittorio Accornero de Testa, Italian, 1896-1982) Biography Vittorio Accornero de Testa was born in Casale Monferrato in 1896. He completed his first studies at the "Leardi" institute, but was forced to interrupt them due to the war events of the First World War . At 19 he was second lieutenant of the Alpine troops and in 1916 he took one of the first pilot's licenses. During the war he knows the bitterness of shooting down in air combat (for which he is decorated), but also the good fortune to stay alive, albeit with a disability. His art blossomed in the postwar period, first signing his works simply Ninon and then, probably at the suggestion of a French publisher, under the pseudonym of "Victor Max Ninon" (Victor and Max indicate strength and masculinity, Ninon boyhood) .In 1919 and 1924 he made illustrations for theGiornalino della Domenica , also together with his first wife Edina Altara , for Ardita and La Lettura . In 1923 he won the cover competition organized by the magazine El Hogar of Buenos Aires and in 1925 with his pochoirs he imposed himself in Paris at the international exhibition of modern decorative and industrial arts , obtaining a gold medal. In the same year he made two covers for the US magazine The Smart Set . In the 1920s he made numerous series of art deco style postcards for the Milanese publishing house Degami . On June 4, 1929, aGenoa embarks on the Conte Grande together with his wife Edina Altara , for New York . The two stayed in the American metropolis for a few months: in this period Accornero worked on the creation of theatrical sets and created some covers for Country Life magazine . Accornero gets awards and prizes, but the great economic crisis of the time and the nostalgia for Italy convince the two to return to their homeland, where they resume their activity as illustrators. In 1934 Accornero moved to Milan, separated amicably from his wife and continued to dedicate himself to the illustration of children's books, abandoning the pseudonym Victor Max Ninon. It illustrates about 60 books, from the fables of Andersen , Perrault and Grimm , to the tales of Poe , as well as the famous Pinocchio and Cuore published by Mondadori, Mursia, Hoepli, Martello. Several books illustrated by Accornero have been published in French, Spanish, German and English. In addition to the periodicals already mentioned, he collaborates on the first edition of the Encyclopedia of Boys , Mondadori, and with the Italian magazines Lidel , Il Secolo XX, The Italian Illustration , Fantasies of Italy , The Woman , Cordelia , For You Lady , Grace , Metropolis , La Domenica del Corriere , The Corriere dei Piccoli . In 1936 enters the world of cinema, creating sets and costumes for Wedding Vagabonde of Guido Brignone and The White Squadron of Augustus Genina . From 1935 to 1950 he also devoted himself to the theater, taking care of sets and costumes for numerous operettas, ballets and performances at the Scala in Milan and for the Milanese theaters Manzoni, Lirico and Olympia. Stages Marcello di Giordano, Nina pazza d'amore by Paisiello, I cantori di Nurimberga by Wagner, La Bohème by Puccini and other works. For this activity he is also cited in the Theater encyclopedia. In the 1940s and 1950s he wrote and illustrated six books for children for Mondadori: Tomaso (1944), Giacomino (1949), Tomaso Cacciatore (1950), Zio Stefano (1950), In Campagna che delizia! (1953), Tomaso, dear Tomaso (1955). His illustrations of Perrault's Tales published in those years by Hoepli are famous. His art in the fifties evolves towards hyperrealism . There are many personal exhibitions in Italy and abroad, including those at the Gallerie Gussoni (1959) and Bolzani (1963 and 1966) in Milan and Walcheturm (1962) in Zurich. Eminent critics praise his work, from Orio Vergani to Enrico Piceni, from Reto Roedel to De Chirico himself. On the Domenica del Corriere , the journalist, writer and painter Dino Buzzati...

Original Chemin de fer du Nord "Beauvais" Vintage French Poster — Artist: Manceaux (c. 1920s). Size: 24.5" x 39.25" Linen Backed, Excellent Condition, Ready to Frame Bring a touch of early 20th-century French elegance to your home or collection with this stunning, original Chemin de fer du Nord travel poster for the scenic city of Beauvais. Designed by the renowned artist Manceaux, this striking piece of railway history is a true treasure for collectors. Central to the image is a commanding view reminiscent of the Cathédrale Saint-Pierre de Beauvais—famous for its soaring Gothic choir. Tall, lancet windows and flying buttresses emphasize height. Delicately suggested tracery, pinnacles, and a luminous stone façade that captures warm light. Classic French railway poster...

Landscape is an original modern artwork realized by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original woodcut on Ivory paper. Excellent conditions. Cat. Electa....

This exquisite lithograph after Pablo Picasso (1881–1973), titled Portrait de Paul Valery (Portrait of Paul Valery), from the album La Jeune Parque, avec un portrait de l'auteur en l...

'Repton, Oxford & Somerset' Vanity Fair portrait of Lionel Charles Hamilton Palairet (1870-1933) who was an English amateur cricketer who played for Somerset and Oxford University....

Girl is an original etching artwork on paper, realized by an Anonymous artist of the Early 20th Century. The state of preservation of the artwork is good. The artwork represents a...

Henri LE SIDANER (1862-1939) House in the Woods, 1928 Original drypoint etching Signed in the plate On vellum, 28 x 20.5 cm Very good condition, minor flaws at the edges of the page

Etching and sand ground on cream laid paper, 10 1/2 x 7 5/8 inches (262 x 193 mm), full margins. Inscribed "No. 29" in black ink, lower right margin. In good condition with minor tim...

A lovely dark and inky impression, signed by the artist. Drypoint etching on cream laid paper, 10 7/8 x 8 5/8 inches (275 x 218 mm), full margins. Signed in pencil, lower center marg...

The early 20th century was a period of intense ideological struggle in France, particularly between Catholics and secularists. The 1905 Law on the Separation of Church and State had ...

This artwork titled "Seebenstein Castle, Austria" 1920 is a color etching on watermarked Kasimir Vienna paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower center. The plate mark (image) size is 15.75 x 22.25 inches, the sheet size is 23.25 x 29.5 inches. with full margin. it is in excellent condition, has never been framed. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...

'230. Clavaria cristata 231. Clavaria Botrytis 232. Clavaria cinerea 233. Clavaria rugosa' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, ...

'45. Clitocybe clavipes 46. Clitocybe cartilaginea 47. Clitocybe nebularis' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgi...

'265. Helvella sulcata 266. Helvella lacunosa' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swi...

'209. Polyporus lucidus' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swiss, and Belgian fungi,...

Delightful black and white engraving of a small child peacefully sleeping in bed, circa 1930. Signed lower right. Original one-of-a-kind artwork on paper displayed on a white mat wi...

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Artist: Jean-Louis Forain (French, 1852-1931) Title: Loin du Front Year: 1918 Medium: Lithograph Edition: Numbered 85/300 in pencil Paper: Wove Sheet size: 15 x 22.25 inche...

Image dimensions. 30x40.5 cm Hand signed. Edition of 10 prints and one artist's proof. This is a rare and beautiful lithograph belonging the serie "Metamorphosis: Suite de Six Lithog...

This poster was created to advertise Les Parfums de J. Daver, Paris, a French perfume house active in the early 20th century. J. Daver was known for producing elegant fragrances duri...

"Weddigen" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Mappe...

Image dimensions: 11 x 8.5 cm. Hand signed. Edition of 100 prints on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions. Anse...

'The Century Atlas. South Dakota.' Original antique map, 1903. Central fold as issued. Map name and number printed on the reverse corners. Sheet 29.5cm ...

'Furze (Ulex Europaeus, Linne)' Colour lithograph, 1909.

Original poster: Haddon Hall. Original theater vintage poster, archival linen backed. Printed in the United Kingdom. Vintage theater poster...

Jules Robin was born in 1815 under the name of André Jules Robin and in 1850, together with Edmond Jaulin, he founded the famous cognac house which was called Jules Robin. Jules Rob...

Beautiful advertising poster of the beginning of the XXth century and of Art Nouveau style, signed P. F. Grignon. It is an advertisement for the brand A. A. Tunmer & Co and its vario...

Oberbayrische Landstrasse is a black and white etching on ivory-colored paper, realized in 1901 by the German artist, Heinrich Reifferscheid. Monogrammed and dated on plate on higher left margin. From the portfolio “Deutscher Kunstverein zu Berlin “ published by Vereinsgabe, Berlin, in 1904-1905 and composed by a frontispiece, a index, and eleven etchings by Karl Koepping, Leopold Graf Kalckreuth, Hans Herrmann, Max Slevogt, Ludwig Hofmann, Reinhold Lepsius, Fritz Klimsch, Franz Skarbina, Heinrich Reifferscheid, Arthur Kampf. This beautiful etching representing a natural landscape, a country road of the North bavaria as the title suggests, demonstrating a full mastery of this artistic medium, is titled in blue ink on lower left margin and on lower right has the inscription in ble ink “D.K.V.”. In excellent condition, except for a usual yellowing of the paper on the edges, this wonderful modern original print could be a precious piece for your home collection. Heincrich Reifferscheid (German, 1872 - 1945) The German artist, heinrich Reifferscheid was born in Breslau in 1872 and studied in Berlin under Ernest Hancke and in Munich under Peter Halm, Albert Lang...

Artist: Jean-Louis Forain (French, 1852-1931) Title: l' Emprunt Pour la Victoire Year: 1918 Medium: Lithograph Edition: Numbered 266/300 in pencil...

'Rocamadour' (French Church Series # 10), etching, 1927, edition 50, Fletcher 186. Signed, dated, and annotated 'First State' in pencil. Titled and dated 'Rocamadour 1926' in the plate, bottom right. A superb, finely detailed impression, in dark brown ink, on buff laid Japan paper, with full margins (1 to 1 7/8 inches), in excellent condition. Image size 13 3/4 x 10 inches (349 x 254 mm); sheet size 15 3/4 x 13 5/8 inches (400 x 346 mm). Matted to museum standards, unframed. Literature: illustrated in Dorothy Noyes Arms, 'Churches of France', The Macmillan Company, 1929. Impressions of this work are in the permanent collections of the Blanton Museum of Art, Chrysler Museum of Art, Cleveland Museum of Art, Davis Museum (Wellesley), McNay Art Museum, Metropolitan Museum of Art, Rhode Island School of Design Museum, and the Whitney Museum of Art. ABOUT THE SUBJECT Rocamadour is a small clifftop village in south-central France. It is known for the Cité Réligieuse complex of religious buildings, accessed via the Grand Escalier staircase. It includes the Chapelle Notre-Dame, with its Black Madonna statue, and the Romanesque-Gothic Basilica of St-Sauveur. ABOUT THE ARTIST “John Taylor Arms will live on and on and future generations centuries from now will marvel at his work... . As a friend and as a man, he fully matched his superb work.” —John Winkler, printmaker Born in Washington, D.C. in 1887, John Taylor Arms attended the Lawrenceville School and began the study of law at Princeton University. In 1907, he transferred to the Massachusetts Institute of Technology and took up the study of architecture. Arms evolved his unique drafting style, with its highly realistic, precise detail and exquisitely rendered effects of light, from his experience and practice as an architectural student. He graduated in 1911 and completed a master’s degree the following year. He then worked as a draftsman with the well-known Carrere and Hastings Company in New York. In 1913 Arms was given a hobbyist’s etching set, and he began to dabble with copperplate and acid. In 1915, after copying a handful of prints by Jongkind and other Etching Revivalists, Arms created his first original etching. His early experiments were picturesque views of European villages, reflecting the influence of Whistler. He inked and printed several of these plates in color in the manner of Charles Mielatz...

En Pension. 1929-30. Drypoint. Appleby 142. 8 1/2 x 12 1/8 (sheet 11 1/2 x 18 5/16). Edition 100. A rich impression printed on cream wove paper with wide margins. Signed in ink. H...

'Bindweed (Convolvulus arvensis)' Colour lithograph, 1909.

Original WW1 vintage poster: Victory Liberty Loan To the folks back home - We are finishing our job. Are you finishing yours? Original; linen backed. To...

'Mistletoe (Loranthus celastroides, Sieber) Colour lithograph, 1909.

In 1910, Geo Bric unveiled his original poster "Le Zodiac III", featuring an airship or dirigible balloon. This remarkable artwork depicted the sleek and majestic form of the airship...

At the dawn of the 20th century, Alphonse Mucha, master of Art Nouveau, created this exquisite cover for the 1903 edition of the Almanach Universel Artistique-Littéraire. Celebrating...

'Eudyptes Schlegeli (Royal or Macaroni Penguin)' Limited edition lithograph with original hand colouring by Henrik Gronvold. From Mathews 'The Birds of Norfolk and Lord Howe...

Artist: Aileen Mary Elliot (English, 1896-1966) Title: "Crab Boats, Southampton Water" *Signed by Elliot in pencil lower right Circa: 1925 Medium: Original Drypoint Etching on laid p...

Original Iolanthe vintage theatre poster: Gilbert and Sullivan Iolante stone lithograph vintage poster. Museum linen backed. Clear, clean, bright. Grade A condition. The poster features a central image of a character dressed in a traditional British Grenadier Guard uniform, complete with a bearskin hat. The character is depicted in a whimsical pose, which aligns with the comedic and satirical nature of the operetta. Above the main figure, there are smaller illustrations of various characters from the operetta, hinting at the fantastical and fairy-tale elements of the story. The title "Iolanthe" is prominently displayed in bold, stylized lettering at the bottom. "Iolanthe, or The Peer and the Peri," is a comic opera by the famous duo W.S. Gilbert and Arthur Sullivan. The opera premiered on November 25, 1882, at the Savoy Theatre in London and is one of their most beloved works. "Iolanthe" tells the story of fairy Iolanthe, who was banished from the fairy kingdom...

Otto Kuhler, 'Bedrock', etching, 1928, edition 25, Kennedy 29. Signed and titled in pencil. A superb, richly-inked impression in brown/black ink, with skilfully wiped plate tone; on ...

'The Century Atlas. Alaska.' Inset maps of 'Sitka, Glacier Bay' and Aleutian Is.'. Original antique map, 1903. Central fold as issued. Map name and number printed on the reverse cor...

View of Rome is a vintage offset print on paper, realized by Godefroy Engelmann in the early 20th Century. In very good condition. The artwork represents the roman landscape " "Cam...

"St. Nicolas du Chardonnet" Etching in Ink on Paper Delicate and detailed etching by Katherine Kimball (American, 1866-1949). The Catholic church of St. Nicolas du Chardonnet is shown nestled in the streets of Paris. With clever use of line weight and clarity, the building is highlighted and cleanly stands out against the background and surroundings. Stamp with coat of arms on verso. Artist's info written on verso. Presented in a new black mat with foamcore backing. Mat size: 16"H x 12"W Paper size: 10.75"H x 6.75"W Katherine Kimball (American, 1866-1949) was born in Fitzwilliam, New Hampshire. She studied at the National Academy of Design in New York and exhibited in the San Francisco Panama-Pacific Exhibition of 1915. Listed in “Who Was Who in American Art, 1564-1975”; “North American Women Artists...

It's an original vintage poster. A beautiful stone lithograph that has a monogram signature of the artist. GUANO de POISSON FRANCAIS. Year; 1925. A French advertisement for fish guano that is produced in 18 factory locations. (Affiche publicitaire...

The circa 1910 original poster by Ernest Montaut, titled Szisz sur voiture Renault - Gagnant du grand prix de l'A.C.F., commemorates the victory of Hungarian-French driver Ferenc Szi...

This exquisite lithograph after Henri Matisse (1869–1954), titled Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 editi...

Adoration des Mages is an original artwork realized by Isidore Sage in the first decades in 1926. Original colored xylograph on paper. Image dimensions: 13 x 24 cm. Titled and numbe...

Bernard Sanders (1906-1967) was an extremely gifted portrait artist. and a master at showing us the sitter's age. This is clearly not a young woman. She's, well, early middle age? ...