Late 19th Century Prints and Multiples

The conversation is an original lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in Par...

The Plague Kings is an original etching on the Japanese paper, realized by James Ensor in 1895, signed on the plate and dated, unique state, with the second signature on the reverse ...

This beautiful, original hand-colored orchid lithograph entitled "Trichosma Suavis" Orchids by John Nugent Fitch is plate 114 in Robert Warner's publication 'The Orchid Album, Compri...

This beautiful, original hand-colored orchid lithograph entitled "Lycaste Harrisoniae Eburnea" Orchids by John Nugent Fitch is plate 100 in Robert Warner's publication 'The Orchid Al...

Boulevard du Temple, Paris, France - Hand Colored Lithograph Detailed lithograph of a Paris street scene by Louis Valentin Emile de La Tramblais (French, 1821-1892). This piece is f...

"Hyde Park on Sunday" - Hand Colored Etching from "Old and New London" Detailed etching of a typical Sunday in Hyde Park around 1800 after an etching by Ed...

This beautiful, original hand-colored orchid lithograph entitled "Laelia Anceps Williamsii" Orchids by John Nugent Fitch is plate 100 in Robert Warner's publication 'The Orchid Album...

La Lidia, the oldest and most popular bullfighting magazine was founded by Julian Palacios the owner of a prestigious lithograph and engraving workshop in Madrid. These colorful...

The 1895 original poster by Fernand Fau for the Salon des 100 14th Exhibition is a fascinating piece of art that captures the spirit of the Belle Époque in France. The Salon des 100 ...

Visit is an original artwork realized by Jules Chadel (1870-1941). Woodcut print. Hand signed on the lower right. Is not dated but we can attribute the period late 19th Century. Passpartout cm 44,5x32,5 The artist presents an interior of a room with men talking around a bad. Good condition. Jules Chadel (1870-1941) was a french artist who was born in 1870. He studied in Paris at the Ecole des Arts Décoratifs. Around 1903 his skills as a draftsman landed him jobs with jewelry designers. This also led him to discover Japanese...

Una Reina del Circo is a modern artwork realized by Francisco Goya. Etching and Aquatint, from the Series "Los Proverbios", realized in 1815. Thi...

The 1896 original poster by Henry Detouche for the "22e Exposition des Cent" organized by La Plume is a remarkable piece of art nouveau. This poster advertises the 22nd exhibition of...

Mary Cassatt 1844 - 1926 "By the Pond" (Breeskin 161; Matthews & Shapiro 21) Drypoint and aquatint printed in colors, circa 1896, on laid paper, framed Fourth state of four. Plate:...

They spin finely (Hilan delgado) is a black and White aquatint, drypoint, and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-188...

Ya van desplumados is a black and White aquatint, drypoint, and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886. 6th Editio...

Bellos Consejos is a black and White aquatint, drypoint, and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886. 6th Edition. ...

An original chromolithograph from the Celebrated Dogs of America by Alexander Pope Jr. and published by S.E. Casino, Boston,1882. This compositio...

RENOIR, PIERRE AUGUSTE (1841 -1919) "La Danse à la Campagne", 2nd plate (The Country Dance (second plate)) Delteil 2, Stella 2 Soft-ground Etching in black ink, c. 1890 Only State on smooth wove paper With the stamped signature, as issued Image Size: 8 5/8” x 5 1/3” Fine strong and tonal impression with full margins The most famous etching...

Hand signed and signed on plate. A copy of this print is in the collection of the Van Gogh Museum in Amsterdam. Includes passepartout : 53 x 37cm Image Dimensions : 23.5 x 15.5 cm H...

Neue Träume von Glück (New Dreams of Happiness) Etching on heavy laid paper without watermark, 1887 Unsigned, as usual From: Eine Liebe (Opus X) [A Love (Opus X)], Plate No. 7 fourth...

Etienne Prosper BERNE BELLECOUR (1838-1910) Woman in Traditional Japanese Suit Looking at the Sea Original etching Printed signature i...

Giovanni Mataloni Incandescence, 1897 Original lithograph Printed signature in the plate Printed on paper vélin Size 40 x 29 cm (c. 15.7 x 11.4") INFORMATION : Plate 72 of "Les Maîtres de l'Affiche", Paris, 1897, printed by l'Imprimerie Chaix. Bears the blind stamp of the editor bottom right. This image was created for an Italian advertisement...

Commissioned by The Ault & Wiborg Co., USA. Color Zincograph on wove paper, 1896. Hand-signed in black crayon. Wittrock C (of C) edition. Reference: Wittrock; P28, vol. 2 pg 810. ...

The original 1896 poster by H. G. Ibels, titled "Demi Cabots le café-concert le cirque les forains," offers a vivid glimpse into the colorful world of Parisian café-concerts and circ...

Image dimensions: 20,5 x 15,5 cm A Little Duckling is an adorable lithograph printed on poussins rigid paper. Signed on plate: G. Süs. Original Title: Das Erste Sturihad. Good con...

La Phalane is a print realized by Mary Renan in 1895. Lithograph on paper. Stamped on the plate on the lower. Good condition with slight foxing.

This elegant lithograph on two sheets of wove paper, as issued, by Alphonse Mucha (1860–1939) and published by The Strobridge Lith, Co., Cincinnati, and New York was created to promo...

Todos Caeran is a black and White aquatint, drypoint, and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886. 6th Edition.  T...

Bathing at Long Branch-“Oh, Ain’t it Cold” Wood engraving, 1871 Signed in the block with the artist's initials "WH", see photo Published in: Every Saturday, Aug. 16, 1871 Condition: ...

Henri Rivière's circa 1895 creation for "Le Théâtre du Chat Noir: L'Enfant Prodigue" stands as a whimsical masterpiece that invites us to step into the magical realm of Parisian caba...

Malory, Thomas. MORTE D'ARTHUR. J. M. Dent, London, 1893. First Edition thus. Edition of 300 printed on Dutch handmade paper, this copy Numbered "72." (There was a "regular" editi...

Girl and Child is an original Modern artwork realized by James Tissot, in full James-Joseph-Jacques Tissot, (born Oct. 15, 1836, Nantes, France—died Aug. 8, 1902, Buillon Abbey, near...

Si Sabrá Mas is a black and White aquatint, drypoint, and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886. 6th Edition.  T...

Disparate furioso - from Los Proverbios is an original black and white etching realized by Francisco Goya (1746-1828). The artwork is the plate n. 6 from of the second edition of t...

Thirsty: The Appearance of a Town Geisha - a So-Called Wine-Server - in the Ansei Era Color woodcut, 1888 Signed; Seal: Taiso (see photo) Plate 22 from the series "Thirty-two Aspects...

Georges de Feure's original lithograph "Retour", created in 1897, is an iconic work of art that reflects the artist's characteristic Symbolist aesthetic and Art Nouveau style. This l...

Hasta La Muerte is a black and White aquatint, drypoint, and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886. 6th Edition. ...

Quema La Casa is a black and White aquatint, drypoint, and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886. 6th Edition.  ...

Here comes the bogey-man is a black and White aquatint, drypoint, and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886. 6th ...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - Venus et l'Amour I, Year: 1875, Medium: Heliogravure, Size: 4.75 x 3.25 in. (12.07 x 8.26 cm), Printer: Amand ...

Aquarius-The Water Bearer From: Les Douze Mois de 1889 As published in Vol. 9, No. 425 of Les Hommes d'Aujourd'hui. Published by Sagot, Paris Proof before letters without the calend...

Hans Thoma (1839 Bernau - 1924 Karlsruhe), Boy at the source, 1897. Algraph on strong wove paper after a drawing from 1897, published by Breitkopf und Härtel in Leipzig as ‘Zeitgenös...

The delightful chit-chatis an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 18...

Jane Hading Lithograph, 1898 Monogramed in the stone upper left corner (see photo) From the First Edition, printed posthumously before 1906 c. 400 impressions (per Wittrock) The sitt...

El grabado va firmado a lápiz y con justificante del tiraje que en este caso es un tiraje de 500 ejemplares, siendo este el número 114 Se presenta enmarcado El estado del grabado e...

Soldier is an lithograph realized by Alphonse de Neuville in 1883. Signed on Plate. Good conditions. The Artwork is depicted through soft strokes.

Por Que Fue Sensible is a black and White aquatint, drypoint, and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886. 6th Edit...

There are certain poster images that transcend the medium in their beauty and importance; this is one such piece. Cacao Van Houten by Henri Privat-Livemont is acknowledged as one of ...

Whistler, James A. M. THE LITTLE COURT CLOTH FAIR. Spink 22. Lithograph, 1887. A lifetime impression, one of 12 printed by Way and signed in pencil with the Butterfly. Printed on Ivory colored wove paper without watermark. The sheet 11 9/16 x 6 inches. In very good condition with slight discoloration from the mat in the areas outside the mat window. Provenance: Collection of Otto Gerstenberg (see below) with his collectors stamp, Lugt 2785, the Secretary Montag's "M" and the inventory numbers 61248 KO5182 all on the verso; Horizon Gallery, Rockport, MA, with its label and annotations on the frame backing. Framed. Very rare. The following are translations from the entry on Gerstenberg in Lugt: Lugt 1921: O. GERSTENBERG (born 1848), director of the Insurance Company "Victoria", lives in Berlin. Old and modern prints. Otto Gerstenberg, born in Pyritz, studied mathematics and philosophy at the University of Berlin. After having been employed at the Prussian Statistical Office, in 1873 he entered the insurance company "Victoria" in Berlin as a mathematician-calculator, and became its director in 1888. He developed it in the following years and brought it up. to its present importance. Around 1900 he began to collect prints of which he now has a very large cabinet; as elders especially Schongauer, Dürer and Rembrandt, then Lucas de Leyde, Hirschvogel, van Dijck, Ostade and the French portrait painters. As modern it is necessary to point out, among the Germans »Greiner, Klinger, Leibl, Liebermann, Menzel, Stauffer-Bern; among the French, Corot, Daumier, Degas, Forain, Lepère, Manet, Meryon, Toulouse-Lautrec; among the English, Bone, Dodd, Goff, Haden, Strang; then an important work by Whistler and Goya and leaves by Rops and Zorn. Also has beautiful paintings. Lugt 1956: During the 1914-1918 war, the collectort had his collection transported to Switzerland and, when the war was over, he decided, quite reluctantly, to sell it. In the spring of 1922 the sale was concluded in Zurich with the merchants Gust. Mayer, of Colnaghi & C ° of London, and Mr. A. MacDonald, then a partner of Harlow & C ° of New York, who bought the set at a price corresponding roughly to the total prices paid by Gerstenberg. This was a large sum, because he had acquired several of his finest pieces in the big sales between 1900 and 1914 against the big enthusiasts of the time such as Morgan, Gutmann, Rothschild etc. It was Gaiser, of the firm H. G. Gutekunst in Stuttgart, who had generally carried out his orders in the sales. MacDonald believed he had a buyer for the set in America, but when the collection arrived there those hopes were dashed by a change in economic conditions. He then sold the parts separately. We will get an idea of ​​the importance of this collection by the following enumeration of the most beautiful pieces: among the Dürer, the Adam and Eve (from the Buccleuch and Hubert collections), the Saint-Eustache, the Mélancolie (from the collection Behaim, Dumesnil and Scholtz), the Knight of Death (from the Barnard and Hubert collections) and the Life of the Virgin series (from the St. Aubin collection); Dürer's work was almost complete. Quite remarkable was the Rembrandts' series, in which we note the Piece aux cent florins, sur Japon (collection Weber and Hubert), the Three Crosses, 1st state and 2nd state (collection Artaria and Hubert), the Little Tomb ( coll. John Wilson) and another proof on Japan, Death of the Virgin in Irstate (Josi coll.), St. Jerome, B. 103, unstead (Josi, Aylesford, Buccleuch and Hawkins coll.), the St. François (coll. Theobald); the series of portraits by Rembrandt was superb: Rembrandt himself drawing, B. 22, Ir état (from the Worlidge, Brit. Mus., Dighton and Theobald collections) and the same in the second state on Japan (Morrison collection), all the states of Clement de Jonghe, Jan Asselijn, Irtat (Josi, Aylesford, Buccleuch and Hubert coll.), old Haaring, 2nd state (same sources) and the young, 2nd state in Japan (Brodhurst and Lanna collection) , the Lutma in 1st state on japan (Josi, Aylesford, Baccleuch and Hubert collection) and a superb 2nd state (from the Firmin-Didot and Hubert collections), the Six in 3rd state (Ploos van Amstel collection); in landscapes: the three Trees (coll. Theobald), the three Chaumières (coll. Morgan and Lesecq des Tournelles), the Landscape with the tower, Ir état (coll. Aylesford, Holford and Hubert), the Campagne du peseur d ' gold, on Japan (Barnard, Holford and Theobald collection) and a State of Landscape with the drinking cow, on Japan (Theobald collection). Then a series of 51 Schongauer, including several of the first order, 8 of Hirschvogel, the portraits by van Dijck himself in first states (except D. 10 and 15, the most beautiful of the collection Theobald), beautiful series by Claude and van Ostade. The purchase included neither the important modern prints that Gerstenberg owned, nor his beautiful prints by Goya, nor a few drawings by the latter and Rembrandt. Gerstenberg was an enthusiastic collector who passionately loved his collection. When in 1922 the buyers announced their decision to acquire his old prints at the agreed price, he could not contain his tears. He later consoled himself by developing his series of watercolors and drawings of the French school of the nineteenth century, and he managed to own a magnificent set of Delacroix, Daumier, Degas, Monet and, in general, the Impressionists. . We do not know, at the present time, what happened to this part of his collection, but it is feared that part of it was lost or destroyed in the offices of the insurance company "Victoria" in Berlin or in its property in Silesia during the Russian invasion in 1945. The Toulouse-Lautrec which had been evacuated to Denmark were sold out of court after the war from 1939 to 1945. Gertstenberg died ,very old in 1935. The mark reproduced by us in L.2785 has rarely been used, but the origin of the prints is more easily recognized by the initial M, followed by a number (see L.1840c...

That certainly is being able to read (Esto si que es leer) is a black and White aquatint, drypoint, and etching printed in blue-black ink on laid paper from Caprichos realized after ...

Bien Triada Esta is a black and White aquatint, drypoint, and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886. 6th Edition....

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - Jupiter embrassant l'Amour, Year: 1875, Medium: Heliogravure, Size: 13.5 x 8.5 in. (34.29 x 21.59 cm), Printer...

Las Chinchillas is a black and White aquatint, drypoint and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886 . 6th Edition.V...

Image dimensions: 18 x 14.9 cm. An Election Day in New Orleans is a wonderful black and white lithograph on paper, realized in 1880 by Henry Théophile Hildibrand...

The Portrait is an Original lithograph on paper realized by Lucien Lévy-Dhurmer (1865-1953) in 1909 ca. Signed in the plate. Good conditions. Included a Passepartout: 42 x 35 cm

Image dimensions: 23 x 35 cm. Original Title: Von Piraten überfallene Burg am Meer Pirates attack the Castle on the sea is a black and white xylograph on Japon applied on ivory-colored paper, after Arnold Böcklin...

This is a 19th century color lithograph entitled "Palais de Glace, Champs-Elysees" (Ice Palace, Champs-Elysees) created by Jules Cheret and published in 1896 in Paris, France by Cher...

The conversation is an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866...

Artist: Charles Amand-Durand, French (1831 - 1905) after Albrecht Dürer, German (1471 - 1528) Title: La Grande Fortune Year: 1873 (original circa 1502) Medium: Heliogravure on thin l...

"Vachere au Bord de L'Eau" is an original etching and aquatint by Camille Pissarro, the 8th state. It can be found in the catalogue raisonne Delteil #93. It features a woman sitting ...