Portrait Prints

Edition of 50 The Françoise Nielly limited editions are available as pigment prints on aluminium: durable and colourfast hi-definition images with a smooth glass-like luminescent ef...

Engraving on cream laid paper laid down to wove paper, 4 1/4 x 2 5/8 inches (109 x 68), trimmed inside the platemark. Scattered discoloration and uniform age tone, all consistent wit...

Guillaume Corneille Summer 1981 L'Ete Exalte Print, Signed Lithograph on wove paper 25.5 x 20 " inches Signed in pencil and dated and marked AP 20/25 ( Artist Proof ) As a co-fo...

Unsigned. Estate stamped on verso. Artwork is in excellent condition. Certificate of Authenticity included. Please do not hesitate to ask additional questions. All reasonable offers...

Screen print on paper realized by Aldo Palma in 2018. Hand signed and numbered in pencil. Edition of 100. Excellent condition.

"Mlle Landsberg" (grade planche, pl. 16), 1914 Henri Matisse (French, 1869-1954) Signed and Numbered Lower Right Edition 12/15 Image size: 7 7/8 x 4 5/16 inches Sheet size: 17 11/16 x 12 1/2 inches With frame: 19 1/2 x 14 1/2 inches Henri Matisse came from a family who were of Flemish origin and lived near the Belgian border. At eight o'clock on the evening of December 31, 1869, he was born in his grandparents' home in the town of Le Cateau in the cheerless far north of France. His father was a self-made seed merchant who was a mixture of determination and tightly coiled tension. Henri had no clear idea of what he wanted to do with his life. He was a twenty-year-old law clerk convalescing from appendicitis when he first began to paint, using a box of colors given to him by his mother. Little more than a year later, in 1890, he had abandoned law and was studying art in Paris. The classes consisted of drawing from plaster casts and nude models and of copying paintings in the Louvre. He soon rebelled against the school's conservative atmosphere; he replaced the dark tones of his earliest works with brighter colors that reflected his awareness of Impressionism. Matisse was also a violinist; he took an odd pride in the notion that if his painting eye failed, he could support his family by fiddling on the streets of Paris. Henri found a girlfriend while studying art, and he fathered a daughter, Marguerite, by her in 1894. In 1898 he married another woman, Amelie Parayre. She adopted the beloved Marguerite; they eventually had two sons, Jean, a sculptor and Pierre who became an eminent art dealer. Relations between Matisse and his wife were often strained. He often dallied with other women, and they finally separated in 1939 over a model who had been hired as a companion for Mme. Matisse. She was Madame Lydia, and after Mme. Matisse left, she remained with Matisse until he died. Matisse spent the summer of 1905 working with Andre Derain in the small Mediterranean seaport of Collioure. They began using bright and dissonant colors. When they and their colleagues exhibited together, they caused a sensation. The critics and the public considered their paintings to be so crude and so roughly crafted that the group became known as Les Fauves (the wild beasts). By 1907, Matisse moved on from the concerns of Fauvism and turned his attention to studies of the human figure. He had begun to sculpt a few years earlier. In 1910, when he saw an exhibition of Islamic art, he was fascinated with the multiple patterned areas and adapted the decorative universe of the miniatures to his interiors. As a continuation of his interest in the "exotic", Matisse made extended trips to Morocco in 1912 and 1913. At the end of 1917, Matisse moved to Nice; he would spend part of each year there for the remainder of his life. A meticulous dandy, he wore a light tweed jacket amd a tie when he painted. He never used a palette, but instead squeezed his colors on to plain white kitchen dishes...

This vibrant serigraph by Andy Ledesma, created for the 1996 Día de los Muertos celebration at Self Help Graphics, encapsulates the spirit of the Day of the Dead through its dynamic ...

Divan Japonais is a modern artwork realized in the mid-20th century. Mixed colored lithograph after H- de Toulouse-Lautrec. The artwork is a reproduction of the original affiche re...

El Mercado de Pátzcuaro II captures a glimpse of daily life in the highland town of Pátzcuaro, Michoacán. The scene shows three Indigenous figures, rendered with bold lines and earthy tones, standing amid the bustle of the market. Two men in traditional white cotton clothing and wide-brimmed straw hats stand in conversation, their woven baskets and bundles suggesting they are either arriving to sell goods or preparing to return home with their purchases. Beside them, a woman cloaked in a dark rebozo gazes outward, her expression reflective and steady, grounding the composition with a quiet dignity. The strong woodcut textures emphasize folds of fabric, rough straw, and woven fiber, reminding the viewer of the handmade traditions that sustain the culture. The marketplace of Pátzcuaro has long been a hub of commerce and cultural exchange, and Oñate’s print conveys both the social energy and the rooted traditions of this setting. The figures are depicted not as anonymous passersby but as individuals whose posture, clothing, and belongings tell stories of community, resilience, and labor. The muted yet warm palette, accented with yellows and reds, suggests early morning light spilling across the plaza’s cobblestones, while the abstracted background blocks provide rhythm and structure without distracting from the human presence. Francisco Rodríguez Oñate (1940–2019) was a distinguished Mexican post-war and contemporary artist whose career extended over several decades throughout Mexico, the United States, and Latin America. Born in Michoacán, he received his education at the Escuela Popular de Bellas Artes at the University of Michoacán, where he studied under esteemed artists such as Alfredo Zalce, Roberto Martínez, and Javier Arévalo...

Portrait of Yvette Guilbert is a refined 1954 lithograph after Henri de Toulouse-Lautrec, printed by the legendary Mourlot Frères in Paris. This elega...

Maria Rivans is a contemporary British artist, known for her scrapbook-style collage aesthetic. A mash-up of Surrealism meets Pop-Art, Rivans’s work re-ap...

Adam and Eve hiding from the Lord (and hiding their nudity with branches) after being successfully tempted by the serpent that lays nearby watching the scene. Signed, titled and num...

Dans les Cendres (In the embers). 1887. Delteil catalog 67 state iii. State after the plate was cut down and a second figure eliminated (the two earlier states are of the greatest rarity). Etching, drypoint and roulette. 16 3/4 x 12 1/8 (sheet 19 1/2 x 14). Edition 50. Illustrated: Print Collector's Quarterly 9 (1921): 254. A very rich impression with plate tone and drypoint burr, printed on simili-japon. Provenance: Frederick Keppel & Co. This is one of the artist's most striking images. Signed in pencil. Housed in 25 x 20-inch archival mat, suitable for framing. Paul Albert Besnard, was an impressionist painter. In 1866, the seventeen-year-old son of artist parents began his studies at the École des Beaux-Arts Paris. In 1874, Besnard won the important Prix de Rome, with which the academy distinguished young talent. A portion of the scholarship is a stay of several years in Rome. Besnard married Charlotte Dubray, a sculptress, during this time in Rome. The couple lived in England, where Besnard exhibited at the Royal Academy London, between 1881 and 1884. He became involved with English portrait painting during this period, which had a lasting influence on his work. In the years that followed, Besnard broke with the academic tradition. In 1886, he presented the portrait of Madame Roger Jourdain...

Fantassin Regulier d'Abdel Kader is a hand colored lithographs realized by Auguste Wahlen in 1844. Good conditions. The artwork belongs to the Suite Moeurs, usages et costumes de t...

Shepard Fairey "Raise the Level" Silkscreen Print Contemporary Art Materials: Screen Print On Fine Art Print Size: 24 × 36 in 61 × 91.4 cm Condition: Print is in pristine condition with four sharp corners and has been stored flat since purchase in Los Angeles. Signature: Hand-signed by artist, Signed and Numbered in Pencil by the Artist, Shepard Fairey. Edition 549/550 Publisher: Obey Giant Studio...

Medium: lithograph (after the painting). Printed in Paris on smooth wove paper at the atelier Mourlot and published in 1954. Size: 10 x 6 1/2 inches (257 x 163 mm). Not signed. Con...

Alberto Giacometti, Swiss (1901 - 1966) - Profile Of Standing Woman Derriere Le Miroir no. 127, Year: 1961, Medium: Lithograph, Edition: ~2500, Size: 15 x 11 in. (38.1 x 27.94 cm...

The Law vs. Billy the Kid, is an original 1954 vintage movie poster. Dead for six dollars! Archival linen backed and ready for framing. This The Law...

'John Evelyn Esq' Copper-line engraving, by WH Worthington after Robert Walker. John Evelyn FRS was an English writer, landowner, gardener, courtier and minor government official, ...

One of eight prints completed for this set based on Henry James Aspern Papers. Signed and numbered digital print from the editon of 75. Peter Milton is one of the most honored and respected printmakers in the world today. His work is in most major museums, and he continues to produce stunning and masterful prints in his 6th decade of printmaking. Since 2008 he has been a major proponent for digital printmaking. THE ASPERN PAPERS is a classic tale by Henry James of duplicity foiled and love denied. Taking place in Venice, this is one print from a portfolio set of eight prints...

Artist: Ralph Steadman Title: Spirit of Gonzo Medium: One color silkscreen on White Rising Stonehenge Deckle Edge Paper Size: 22 x 30 Inches Edition: of 250 Year: 2006 Notes: Hand S...

Billy Name Viva, Susan Bottomly and Ultra Violet at the Factory, (exhibited at "Andy Warhol: A Factory", The Guggenheim Museum, NY and Bilbao, with exhibition labels), 1968 Gelatin silver print (printed in 1996) Hand signed by Billy Name on the front; bears the original exhibition labels from the Guggenheim Museum and Guggenheim Bilbao on the back. Frame included This very work was included in the exhibition: "Andy Warhol: A Factory" at the Guggenheim Museum in New York. October 19, 1999–January 16, 2000 and the Guggenheim Museum in Bilbao, Spain, Organized by the Solomon R. Guggenheim Museum, New York, and the Kunstmuseum Wolfsburg, Germany. It bears labels on the back from The Guggenheim Museum and Guggenheim Bilbao Literature: Reproduced in the catalogue Andy Warhol: a factory, by Germano Celant, published on the occasion of the exhibition Andy Warhol: A Factory, organized by the Solomon R. Guggenheim Museum in New York in collaboration with the Kunstmuseum Wolfsburg, at the Palais des Beaux-Arts de Bruxelles, June 1 - September 10, 1999, reproduced on page 329 Measurements: Framed: 15 inches vertical by 19 inches by 1.5 inches Photograph: 9.25 inches by 13.5 inches Provenance Originally lent by the artist for the exhibition Below is more information about the photographer, Billy name, and the three Warhol superstars featured in this silver gelatin print: Unnumbered (unknown edition) BILLY NAME (Photographer) William George Linich (February 22, 1940 – July 18, 2016), known professionally as Billy Name, was an American photographer, filmmaker, and lighting designer. He was the archivist of The Factory from 1964 to 1970. His brief romance and subsequent friendship with Andy Warhol led to substantial collaboration on Warhol's work, including his films, paintings, and sculptures. Linich became Billy Name among the clique known as the Warhol superstars. He was responsible for "silverizing" Warhol's New York studio, the Factory, where he lived until 1970. His photographs of the scene at the Factory and of Warhol are important documents of the pop art era VIVA Janet Susan Mary Hoffmann (born August 23, 1938), known professionally as Viva, is an American actress, writer and former Warhol superstar. She was given the name Viva by Andy Warhol before the release of her first film but later used her married last name (Auder). She appeared in several of Warhol's films and was a frequent guest at the Factory. Viva was on the phone with Andy Warhol when he was shot by Valerie Solanas in 1968 Susan Bottomly (aks International Velvet...

Militarisimus is one of sixteen color mezzotints from James Groleau’s acclaimed suite Flowers of Turbulence, a series composed of eight portraits and eight floral studies. Each portrait was inspired by nineteenth-century daguerreotypes and reimagined as a symbolic product of a turbulent society—traits such as greed, compassion, obedience, or, in this case, the psychological imprint of militarism. The title of the suite, Flowers of Turbulence, intentionally echoes the structure of Baudelaire’s Les Fleurs du Mal...

Exquisitely attired in an elegant bespoke jacket c1920/ 30s Art Sz:12 1/2" x 8 1/2" Frame Sz: 16 1/2" x 12 1/2"

Artist: Ralph Steadman Title: Historical Document - Hunter Thompson Medium: One color silkscreen on White Rising Stonehenge Deckle Edge Paper Size: 13 x 22 Inches Edition: of 300 Ye...

Original 1947 “This Time For Keeps” vintage American movie poster. NSS: 47/486. Archival linen backed in very good condition, ready to frame. The original theater issued fold ...

YOU ARE HERE by Ramona Nordal, 2022 Size: Image 12 x 16 inches, Paper 14 x 18 inches Giclee Print on Hahnemühle Photo Bright White Rag Numbered (2/5) and signed by the artist COA (Ce...

Artist: Salvador Dali Title: James the Lesser (Vicar of Britain) Portfolio: 1972 The Twelve Apostles (Knights of the Round Table) Medium: Lithograph Year: 1972 Edition: 41/350 Frame ...

Etching realized by Castiglione (Il Grechetto) in 1640 ca. From the Series Small Studies of Heads Good condition. Ref. Bartsch 46.43

Original Greta Garbo vintage movie-star personality poster. Archival linen backed in B condition, ready to frame. There is some minor damage in the lower left corner (shown) and on t...

This delicate composition in black and tan features layers of sheer brushwork, inky daubs, and thin lines. Mark Tobey, one of the founders of the American Mystical school of painting...

This work was published for the exhibition, American Jesus, held 13 July - 18 September 2010 at Paul Kasmin, New York in cooperation with Fred Torres Colla...

Shipping Procedure Unmounted artwork Ships in a well-protected tube from Nigeria Accompanied by a Certificate of Authenticity. About Artist Tosin Oyeniyi is an intrinsically talente...

Medium: original lithograph. Printed by Mourlot and published in Paris by Teriade for Verve in 1960 for a special edition devoted exclusively to Chagall's original Bible art. Size: 1...

"The Smoker" After Shakespeare's "The Taming Of The Shrew" Petruchio - Antique Lithograph Lithograph titled "The Smoker," after the character ...

Original poster: The Martian. Vintage 1897 lithograph by Edward Penfield. Reference: Kiehl 205, DFP-I 412. Art nouveau, turn of the century America...

The portrait of the David Hockney’s mother featured on this vintage David Hockney poster is currently on view at the National Portrait Gallery’s e...

Mary Tyler Moore Show Hollywood Emmy Award TV Legends Ed Asner Valerie Harper Al Hirschfeld (1903 – 2003) Mary Tyler Moore Show Sight Size: 17 1/2 x 13...

Richard Lindner, German/American (1901 - 1978) - Uptown, Year: 1969, Medium: Lithograph Poster, Image Size: 23.5 x 19.5 inches, Size: 30 in. x 25 in. (76.2 cm x 63.5 cm), Publish...

'Strangford Apollo' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of the i...

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Henri Matisse created a series of posters at the atelier of Mourlot Frere...

'Apollo from Cyrene' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of the ...

"Valerio Adami (Italy, 1935) 'L´Univers j´aimé', 1979 Original poster from 1979 lithograph on paper 29.2 x 21.1 in. (74 x 53.5 cm.) Unframed Ref: ADA100-203 Valerio Adami Italian p...

Medium: original color lithograph. Catalogue reference: M 646. Printed in Paris in 1972 at the Mourlot atelier. Size: 12 1/2 x 9 3/8 inches (320 x 238 mm). Not signed.

Andy Warhol Rare broadside for Gotham Bookmart exhibition "Andy Warhol His Early Works, 1947 - 1959", 1971 Offset lithograph poster 18 × 12 1/2 inches Unframed (not signed) Accompan...

New York: Associated American Artists, 1950. Drypoint and aquatint on white wove paper, 5 7/8 x 3 15/16 inches (150 x 100 mm), full margins. Signed in pencil in the lower margin. Pri...

"Sister Water" - St Francis of Assisi Linocut Wood Black pring of St Francis by Italian artist (printer of Assisi) Gastone Vignati (Italian, 20C)...

Max Beckmann (Leipzig 1884 – New York 1950), Portrait of Baron Simolin II (large version)(1928) Drypoint, 38 x 25 cm (plate), 48 x 40 cm (sheet), signed and dated lower right.

AT THE CAT CLUB by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques(not a photo reproduction or digital print) on ar...

Ohh Baby ! - Oversize Signed limited edition - Pop Art - Kate Moss by the London based contemporary pop art image creator and artist, BATIK. Measures 30 x 20" inches / 76 x 51 cm...

Dream It I by BATIK signed limited edition Oversize POP ART Paper Size OVERSIZE 40 x 30" inches / 101 x 76 cm Signed & numbered by artist on front Archival Pigment print Limited t...

William Woollett, Engraver Proof before letters. Etching by Francesco Bartolozzi after Thomas Hearne, 1795. Wove paper. William Woollett (1735-85) was an important English 18th cen...

Lithograph from the 1954 book The Posters of Toulouse-Lautrec, printed by Mourlot Frères in Paris. This masterful reproduction captures one of Lautrec’s rare multi-color, single-pass...

Medium: lithograph (after Matisse). Printed in sanguine ink on cream laid paper from the Papeteries Casteljoux and published in Geneva by Edito-Service in 1970. This reproduces one o...

Manuel Izqueirdo, Spanish (1925 - 2009) - Marine Garden (Red), Year: 1980, Medium: Woodcut, signed and numbered in pencil, Edition: 100, AP, Image Size: 27 x 19.5 inches, Size: ...

Signed, numbered and titled in pencil, from the edition of 30. Sueño Despierta (“Awake Dream”) is a visual meditation on identity, resilience, and cultural memory. Blending symbolic imagery with portraiture, the piece features a central figure whose eyes are open in a state of alert dreaming. Surrounding elements such as plants, spiritual motifs, and historical references evoke a deep connection to ancestral roots and collective struggle. Fuentes' intricate line work and layered textures create a dreamlike yet grounded atmosphere, emphasizing awakening not as an escape, but as a call to consciousness. The turbulent times of the 70’s set the tone for Fuentes' approach to creating social art...

This exquisite lithograph by Henri Matisse (1869–1954), titled Lithographie X (Lithograph X), from the album Repli, Gravures de Henri Matisse (Repli, Engravings by Henri Matisse), or...

Medium: original lithograph. Signed in pencil and numbered 47/100. Printed in Neuchatel, Switzerland in 1977 at the Imprimerie Paul Attinger. This signed and numbered lithograph was ...

Oxygeno en Marte is an original contemporary artwork, plate n. 52 from the series "Les Caprices de Goya". Heliogravure with pochoir by J.J.J. Rig...

Lithograph realized by Mario Bardi in 1979. Edition of 99. Hand signed and dated in pencil. Excellent condition.