Miniature Portrait Prints

Leonard Tsuguharu FOUJITA Young Veterinarian, 1959 Héliogravure (atelier Draeger) Handsigned in pencil Linen on Japan paper 36.5 x 22 cm (c. 14.1 x 8.6 in) INFORMATION : Artwork cr...

Deuchar, David (after van Ostade). The Couple Walking. Edinburgh: c1800. Etching on cream wove paper, 3 x 2 1/8 inches (75 x 54 mm), trimmed at the platemark. Minor condition issues ...

The Beatles at Abbey Road Studios, March 30th 1967 during the recording of Sgt Pepper's Lonely Hearts Club Band, take a lunch break. Later that day they after recording they made their way to Michael Cooper's Flood Street Studios to pose for the famous album cover. This is an original traditional silver gelatin print signed by the photographer, printed in 2008 for inclusion in Herrmann's sol show The Unseen Beatles at The Saint Giles Street Gallery in Norwich. Though is says 1/25 the other prints in the edition were never printed and this image is not available anywhere else. Rare image hand printed. paper size 20 x 16, Image size 18 x 12 inches. This print is embossed with the photographers stamp, numbered and signed by the photographer Frank Herrmann in pencil on lower right margin. Frank Herrmann is widely regarded as one of the outstanding photojournalists of the latter part of the twentieth century, with an illustrious thirty year career at The Sunday Times. Covering stories as diverse as the UDI in Rhodesia in 1966, the Paris riots in ’68, the Yom Kippur War of '73, the U.S Presidential elections of ’75 and the birth of Zimbabwe in 1980, he has travelled to Africa with Bob Geldof to record the famine relief work of Band Aid, has been to the South Pole to photograph the trans-Arctic expedition and has worked with Hunter Davies on several books including The Glory Game and Great Britain – a Celebration as well as his text book book on portraiture titled Portrait photography. His many portrait sittings include,  amongst others, Orson Welles, Maggie Smith, Sean Connery, William Burroughs, Winston Churchill, Duke Ellington, Harold Macmillan, Ronald Reagan, Arthur Miller, Samuel Beckett, Henry Moore, Judi Dench...

'Asclepios' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of the image. ...

Pablo PICASSO Carmen, The Smiling Face, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Catalog...

Hamburg: Lippmann, 1895. Copperplate engraving on cream wove paper with a deckle edge, 10 1/8 x 13 1/2 inches (256 x 342 mm), full margins. In generally good condition with some lig...

The Cardinal is an Artwork realized in 1828 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate and dated on the right margin...

Zaida del Rio (Cuba, 1954) 'Untitled ', 2016 digital print on paper 11.1 x 8.3 in. (28 x 21 cm.) ID: DER-207

Medium: original lithograph. Printed in 1972 on Rives wove paper at the atelier of Michel Casse and published by Philippe Lebaud in a limited edition of 190 for the "Variations sur l...

This print depicts a hand adorned with ornate jeweled rings, printed in teal turquoise. Underneath the hand is written “Study for the Rings on Dorian Gray’s Hand”. In Oscar Wilde’s novel The Picture of Dorian Gray...

Portrait  is a Screen Print Artwork realized by Salvatore Fiume in 1970s. Very good condition on a cream colored cardboard. Hand-signed and numbered with pencil by the artist on th...

Portfolio of eleven prints. Photoengraving and aquatint on Twinrocker handmade 400 gsm paper. Sheet: 17.25 x 14 in. Image: 12 x 9 in. Edition 12/30. Order of prints: Ada, Ahn, Alba, ...

Pablo Picasso (after) Man With Sailor Blouse (Garçonnet III) Stone lithograph in colors Printed signature in the plate On vellum 38 x 28 cm (c. 15 x 11 ...

Jean-Gabriel DOMERGUE Girl with a scarf, 1956 Original lithograph (Mourlot workshop) Printed signature in the plate On Japan paper 40 x 31 cm (c. 16 x 12") INFORMATION : This litho...

Full title: Au Theatre de la Renaissance: Sarah Bernhardt dans "Phèdre" de Racine. Original lithograph on wove paper by Henri de Toulouse-Lautrec, with red monogram stamp of the arti...

Sara Rosa Corazon Female Portrait Archival Pigment Print on Heavy Paper 2020 16.5 x 11.5 inches Signed and dated by hand, lower right COA provided Sara Rosa Corazon, an Argentine ta...

Seated beggar and his dog is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late editi...

Etching on cream laid paper, 3 x 2 1/4 inches (76 x 57 mm), margins. In very good condition with some minor losses at the extreme lower right corner. Pencil inscriptions on the ver...

Paris: Imprimerie Chaix, 1863. Stone lithograph in colors on light card stock, 15 1/2 x 11 1/4 inches (392 x 284 mm), full margins. Light mat tone and scattered edge wear, nicks and...

Medium: original lithograph. Printed in Paris in 1963 by the Mourlot Freres atelier. Size: 12 1/2 x 9 1/2 inches (320 x 240 mm). Not signed.

Etching, engraving and stippling on cream laid paper with an indiscernible watermark in the sheet center, 11 15/16 x 8 3/16 inches (302 x 207 mm), trimmed at the plate mark. A very g...

"Mlle Landsberg" (grade planche, pl. 16), 1914 Henri Matisse (French, 1869-1954) Signed and Numbered Lower Right Edition 12/15 Image size: 7 7/8 x 4 5/16 inches Sheet size: 17 11/16 x 12 1/2 inches With frame: 19 1/2 x 14 1/2 inches Henri Matisse came from a family who were of Flemish origin and lived near the Belgian border. At eight o'clock on the evening of December 31, 1869, he was born in his grandparents' home in the town of Le Cateau in the cheerless far north of France. His father was a self-made seed merchant who was a mixture of determination and tightly coiled tension. Henri had no clear idea of what he wanted to do with his life. He was a twenty-year-old law clerk convalescing from appendicitis when he first began to paint, using a box of colors given to him by his mother. Little more than a year later, in 1890, he had abandoned law and was studying art in Paris. The classes consisted of drawing from plaster casts and nude models and of copying paintings in the Louvre. He soon rebelled against the school's conservative atmosphere; he replaced the dark tones of his earliest works with brighter colors that reflected his awareness of Impressionism. Matisse was also a violinist; he took an odd pride in the notion that if his painting eye failed, he could support his family by fiddling on the streets of Paris. Henri found a girlfriend while studying art, and he fathered a daughter, Marguerite, by her in 1894. In 1898 he married another woman, Amelie Parayre. She adopted the beloved Marguerite; they eventually had two sons, Jean, a sculptor and Pierre who became an eminent art dealer. Relations between Matisse and his wife were often strained. He often dallied with other women, and they finally separated in 1939 over a model who had been hired as a companion for Mme. Matisse. She was Madame Lydia, and after Mme. Matisse left, she remained with Matisse until he died. Matisse spent the summer of 1905 working with Andre Derain in the small Mediterranean seaport of Collioure. They began using bright and dissonant colors. When they and their colleagues exhibited together, they caused a sensation. The critics and the public considered their paintings to be so crude and so roughly crafted that the group became known as Les Fauves (the wild beasts). By 1907, Matisse moved on from the concerns of Fauvism and turned his attention to studies of the human figure. He had begun to sculpt a few years earlier. In 1910, when he saw an exhibition of Islamic art, he was fascinated with the multiple patterned areas and adapted the decorative universe of the miniatures to his interiors. As a continuation of his interest in the "exotic", Matisse made extended trips to Morocco in 1912 and 1913. At the end of 1917, Matisse moved to Nice; he would spend part of each year there for the remainder of his life. A meticulous dandy, he wore a light tweed jacket amd a tie when he painted. He never used a palette, but instead squeezed his colors on to plain white kitchen dishes...

Leipzig: Zeitschrift für Bildende Kunst, 1904 Etching with aquatint printed in brownish black ink on cream laid paper, 9 3/8 x 7 inches (237 x 176 mm), full margins. In good conditio...

Lithograph in reddish brown ink on light cream wove paper, 10 4/5 x 7 3/10 inches (275 x 185 mm), full margins. Titled and inscribed "Shannon" in the lower margin. Significant corner...

'Flamsteed' Copper-line engraving by Joseph Baker after T Gibson. 1790. John Flamsteed FRS (1646 - 1719) was an English astronomer and the first Astronomer Royal. He catalogued ov...

The work comes directly from the artist, is numbered out of limited edition of 20, signed and made on sealed paper. RAFAŁ OLBIŃSKI (born in 1943) He graduated from the Faculty of Ar...

Louis JOU (1881-1968) Spanish Woman, 1929 Original woodcut Handsigned in pencil Numbered /125 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the editor 'Imagier d...

Medium: lithograph (after the drawing). This Picasso lithograph from the "Le Gout du Bonheur" portfolio (the French title translates to "The Taste of Happiness") was printed in Munic...

The Holy Family after Leonardo da Vinci is a print realized by Pierre-Auguste Lamy in the late 19th Century. Etching on paper. Stamped on the plate on the lower. Good condition wi...

A portrait of Maximilien de Bethune, Duc de Sully, the Ambassador from Henry IV of France to James I of England; by Gerard Edelinck, after Franz Pourbus the Younger Etching on fine ...

Helen Frankenthaler Hand signed and inscribed photograph, ca. 1987 Photograph printed on offset lithograph Hand signed and inscribed by Helen Frankenthaler on the front Frame Include...

'David Livingstone, The African Explorer' Steel-engraving. C1850. 160mm by 125mm (image) 260mm by 170mm (sheet) David Livingstone was a Scottish missionary and African explorer. ...

Chiaroscuro woodcut on cream laid paper with a partial anchor in a circle watermark, printed from two blocks in black and olive-green, 10 3/4 x 8 3...

Bando Mitsugoro as a Servant with a Sword Color woodcut, 1952 From The Series Shunsen Nigao-E Shu (Shunsen Portraits), Six Woodblock Prints Publisher: Watanabe Excellent condition Im...

'Queen of Rewa' Portrait of seated Fijian woman, draped from the waist in tapa cloth, holding a fan, wearing jewelry and an elaborate headdress. From Narrative of the United States...

Reiner Schwarz (*1940 Hirschberg), Little mouse, 1968. Lithograph, 30 cm x 21 (sheet size), signed “R.[einer] Schwarz” in pencil lower right, dated “[19]68”, identified as copy no. 1...

1960s Francis Bacon lithograph from Derrière le miroir: Well-suited for matting & framing, this original 1960's print is derived from Bacon's ...

Marquett. 1925. Etching. Fletcher 51. 8 7/16 x 6 7/8 (sheet 12 13/16 x 8 7/8). Trial proof, apart from the edition of 106 (total 113 impressions). A rich impression, printed on cream...

Edmond AMAN JEAN Art Deco : Woman with Flowers (Sous les fleurs), 1897 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in)...

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Kish-Ke-Kosh, Fox Brave", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart & Co. in Philadelphia in 1848. Kish-Ke-Kosh, means 'The Man with One Leg' or 'He with a Cut Hoof'. He had a reputation for being a fierce warrior. He was a representative of the delegation of Sioux and Fox and Sauk chiefs who attended the gathering with the War Department in 1837. The Fox tribe lived in the Great Lakes region of the United States and merged with the Sauk tribe. This original McKenney and Hall hand-colored lithograph is printed on a sheet measuring 10.38" high and 7" wide. There are tiny spots in the lower left margin, another in the right lower margin and mild smudging in the left margin, but the print is otherwise in very good condition. The original descriptive text pages, 119-120, from McKenney and Hall's 19th century publication are included. Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis...

Black and white etching of a young woman. This piece features Beth Secor's iconic swirling and knotted brushwork that echo the dense weave of a tapestry. Signed, titled, and editione...

Henri de Toulouse-Lautrec Portrait of M. X (Anonymous Man) Original drypoint etching Printed signature in the plate On thin vellum 25 x 19 cm (c. 10 x 8 inch) REFERENCES : Catalogu...

A superb 18th century engraved portrait of George Savile, Marquis of Halifax, Plate 82 in "The Heads of Illustrious Persons of Great Britain", written by...

Persians - Costumes  is a Hand-colored lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the g...

This exquisite lithograph by Henri Matisse (1869–1954), titled Guillaume Apollonaire, from the album Apollinaire, Henri Matisse (Apollinaire, Henri Matisse), originates from the 1952...

'Benj. West RA' Soft ground etching by William Daniell RA (1769-1837) after George Dance the Younger (1741-1825), 1809. Benjamin West PRA (1738 – 1820) was an Anglo-American painter of historical scenes around and after the time of the American War of Independence...

Brownish black ink on dark cream, handmade, laid paper, 8 1/4 x 10 1/4 inches (208 x 260 mm). Uniform age tone with several scattered, unobtrusive spots of brown discoloration, consistent with age. Right top corner loss, evenly trimmed, paper tape remnants at top left corner, recto. Collector's stamp in blue ink ("PRB"), lower left corner, recto. On the verso is a neoclassical graphite and brown ink study of a procession showing a woman being carried in a birthing sedan chair. The woman is being carried backwards, with putti, and horn players, leading her up an embankment, across a river. In her wake we see a crowned man...

Jean-Gabriel DOMERGUE Red hair girl with a bibi hat, 1956 Original lithograph (Mourlot workshop) Printed signature in the plate On Japan paper 40 x 31 cm (c. 16 x 12") INFORMATION ...

Drypoint etching on buff wove paper, 9 3/4 x 12 3/4 inches (250 x 322 mm), full margins. Signed in pencil, lower right margin. Some general age tone, and minor mat tone around the pe...

Etching on on laid paper, adhered along left sheet edge to archival wove paper. A rich inking impression in very good condition. From the Picart Edition of 1710. - Ex-collection Fer...

This an original 19th century hand colored McKenney and Hall Lithograph of a Native American entitled "A Chippeway Widow, No. 64", published by Rice, Rutter & Co. in 1865. Her name ...

Circa 1950. Etching with aquatint on cream wove paper, 6 x 4 3/4 inches (151 x 119 mm), full margins. Signed "Zavel" and numbered 2/55 in pencil, lower margin. In good condition wit...

'Endymion' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of the image. 1...

Osmosis refers to the assimilation of ideas Paolo Ciampini was born in Montopoli in Val d'Arno in 1941. After graduating from the Art Institute of Cascina (Pisa) in 1962, he comple...

'Kraft und Mut' (Courage and Strength) German wood-engraving, 1903. 320mm by 230mm (image) 280mm by 410mm (sheet)

Klaus Böttger, German (1942 -1992) - Blase, Year: circa 1965, Medium: Etching and Aquatint, signed, titled and numbered in pencil, Edition: 20/50, Image Size: 5.5 x 7.5 inches, S...

Medium: lithograph (after the drawing). This Picasso lithograph from the "Le Gout du Bonheur" portfolio was printed in Munich in the studios of Guenther Dietz under the personal supe...

Persian Nobleman is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original title "Noble Persan". The work is part...

AIRPLANE is a hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arches ...

Andy Warhol Mao. from the New York Collection for Stockholm (F&S II. 89), 1973 Sequential Xerox Print on Typewriter Paper Hand signed in ink and numbered 25/300 by Andy Warhol (uniqu...