Auguste Renoir

Jeune Fille au Chapeau ( Young Girl with Hat) by Auguste Renoir --lithograph

1893

Pierre-Auguste Renoir (French 1841-1919) Le Chapeau Épinglé, 2e planche (Delteil 30) Lithograph in colours on laid paper. Signed in stone. From the edition of 200 59.9 x 49.6cm (shee...

Beniamino Benvenuto Bufano (1898-1970) "Tete d' Infant" Lithograph c.1970 Fine signed lithograph by noted American artist Beniamino Bufano. From a limited edition of 145. Dimensio...

Charles Banks Wilson (American, 1918-2013) was an American artist. Born in Springdale, AK in 1918, he moved to Oklahoma, where he spent his childhood. He was a painter, printmaker, t...

Original American work incentive poster: ‘HE IS RISEN”. Artist: Willared Frederick Elmes. This isn't actually a war/propaganda poster per se, but it was produced by Mather & Co. Elmes was an artist similar to Mather in that they were both prolific with their morale + work incentive posters in the 1930s. Elmes also created other pieces done for the early railway posters. The poster with the stained-glass panel in the back and the ray of light shining in is the last Mather & Company poster printed (1930). All others were printed in 1929 and earlier. The very last in the Work Incentive Mather’s posters...

Original poster: The Sesquicentennial International Exposition Philadelphia. June First to December First, 1926. "The Voice of the Liberty Bell." Original vintage poster, line...

Original American Red Cross vintage poster. Linen backed and ready to frame. The Red Cross nurse warming thousands, feeding thousands, hea...

Original "Beware Spreading Vital Information Will Undermine Our War Effort. Do your Part In Silence" vintage World War 2 poster. Ori...

Original Beat Back the Hun with Liberty Bonds vintage military poster.. Artist F. Strothmann. Original World War 1 antique vintage poster; archival linen backed and ready to fram...

Original poster, lithograph, linen-backed, Nathan Hale poster reading," I only regret that I have but one life to lose for my country." Step into history with this 1939 Kelly Read & Co. Rochester (NY) poster, a testament to the principles our patriots died for. This very rare original poster is the only documented copy remaining. Archival linen-backed and ready to frame. The poster features a stylized image of Nathan Hale, an American Revolutionary War soldier...

Mademoiselle Sablon, MUSCIAL ACTRESS Lithograph, 1907 Unsigned Provenance: estate of the artist Reference: Belleroche No. K383 Albert Belleroche Log of lithographs, AB698 Edition: c. 10 Condition: excellent Image size: 20 x 17 inches Sheet size: 24 1/4 x 18 1/2 inches Albert Gustavus de Belleroche, also known as Albert Belleroche, (22 October 1864 – 14 July 1944) was a Welsh-born painter and lithographer, who lived most of his childhood and his adulthood in Paris and England. He began as a painter, but at the turn of the century focused on lithography, for which he is most well-known. He was awarded the Chevalier de l’Ordre de Leopold by King Albert I of Belgium in 1933. Early life Albert de Belleroche, Lithograph of the artist's mother, Mrs. Harry Vane Milbank, circa 1900 Albert Gustavus De Belleroche was born on 22 October 1864 in Swansea. His parents were Brusseler Alice and Edward Charles, the Marquis de Belleroche, who died when he was three years old. His mother was the daughter of Desire Baruch. In March 1871, she married Harry Vane Millbank, the son of MP Frederick Milbank. He grew up in Paris and London and he used the surname Milbank until he was 30 years of age. He attained the title of count from his father's family of French Huguenot ancestry. Career and personal life La Danseuse (model Lili Grenier), circa 1890 In 1882, Belleroche studied briefly at Carolus-Duran's art school in Paris, preferring to study the masters like Johannes Vermeer and Sandro Botticelli at museums. He was a friend and studio-mate of John Singer Sargent in Paris and London, with the men making many sketches and paintings of each other. Some of the works that Sargent made of Belleroche are suggestive of an emotional relationship between the men and Belleroche may have been the love of Sargent's life. Dorothy Moss, an art historian, states "Sargent's portraits of Belleroche, in their sensuality and intensity of emotion, push the boundaries of what was considered appropriate interaction between men at this period." Belleroche was financially independent and did not need or desire to obtain work through commissions. Instead, he chose who he would paint, which included Japanese wrestler...