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Gerard Marti"Johnny Cash Mugshot" Print on canvas 39 x 36 inch Ed. of 75 by Gerard Marti2019
2019
$2,280
$2,85020% Off
£1,736.22
£2,170.2720% Off
€1,982.65
€2,478.3120% Off
CA$3,203.68
CA$4,004.6020% Off
A$3,515.05
A$4,393.8120% Off
CHF 1,851.56
CHF 2,314.4520% Off
MX$41,815.22
MX$52,269.0220% Off
NOK 23,718.25
NOK 29,647.8120% Off
SEK 21,658
SEK 27,072.5020% Off
DKK 14,812.31
DKK 18,515.3920% Off
About the Item
"Johnny Cash Mugshot" Print on canvas 39 x 36 inch Ed. of 75 by Gerard Marti
Giclee print on canvas
Stretched on wooden bars.
Signed and numbered by the artist.
Mugshot of Johnny Cash taken at Folsom Prison in 1966, the first time he performed there, apparently taken as a joke with the guards.
Mugshot portrait of Johnny Cash joking around at Folsom Prison. While there to perform in 1966, he had his mug shot taken in jest of his actual past arrests. The band-aid was added for good measure. It's an incredible piece of country music memorabilia, where the historic recording took place.
- Creator:Gerard Marti (1956, French, American)
- Creation Year:2019
- Dimensions:Height: 39 in (99.06 cm)Width: 36 in (91.44 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Culver City, CA
- Reference Number:1stDibs: LU1085114144712
Gerard Marti
Born and raised on the French Riviera, Gerard Marti attended the Ecole des Beaux-Arts in Marseille, where at the age of 18 he studied Fine Art and the History of Arts. A couple of years later, he moved to Paris to pursue a career in the music industry. First as a songwriter, then as a record producer and video director for E.M.I. Records is one of the largest record companies in Europe. In 1991, fed up with the changing music industry, he moved to the United States, making Maui his home.
In Hawaii, Gerard Marti finally went back to where he first started and began painting again. In a typical style of Postmodern Eclecticism, Symbolism, and Pop Art, he creates paintings in a style that collapses into fragmented components, pop music, advertising, technology, and urban street poetry. Marti is engaged in an exercise of free association, where images and icons of contemporary culture collide, in a haphazard juxtaposition of style and traditions that give his work a distinctly European flavor.
“Pop Art should be glamorous, expendable, mass-produced, and popular". "My pieces combine all of these elements, people who look for symbolic meanings fail to grasp the inherent poetry and mystery of the images," I question the idea of authority and the traditional role of the artist. I like to take something from the everyday world and transform it into art. Most of my paintings involve the post-modernist technique of appropriation of anonymous images. My inspiration comes from the imagery of consumer society and popular culture.” Marti’s works combine anonymous images of women from film stills, advertisements, and erotic icons. It is sexy, gimmicky, and glamorous. Some of the pieces might shock the viewer by forcing them to face their mortality. “The role of an artist is to make the invisible, visible. Art is an open window in your mind.”
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