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Otto DixDame mit Reiher (Woman with a Tuft of Heron Feathers) /// German Expressionism1923
1923
$14,000
£10,703.85
€12,263.82
CA$19,747.10
A$21,499.55
CHF 11,480.08
MX$259,533.29
NOK 144,325.10
SEK 134,239.14
DKK 91,604.77
About the Item
Artist: Otto Dix (German, 1891-1969)
Title: "Dame mit Reiher (Woman with a Tuft of Heron Feathers)"
Portfolio: Die Schaffenden, Vol. 5, No. 1
*Signed and dated by Dix in pencil lower right
Year: 1923
Medium: Original Lithograph on light cream smooth wove paper
Limited edition: approx. 120
Printer: likely the artist Dix himself, Düsseldorf, Germany
Publisher: Euphorion Verlag, Berlin, Germany
Reference: "Otto Dix: Das Graphische Werk" - Karsch No. 62/II c, pages 84, 147
Framing: Recently beautifully framed in a modern gold moulding with 100% cotton rag matting and Museum Glass
Framed size: 26" x 21.82"
Sheet size: 16.25" x 12.25"
Condition: In excellent condition
Rare
Notes:
Provenance: private collection - Robert Kuennen, Oberlin, OH. Euphorion Verlag chop mark/blind stamp lower right. "Dix Fraukopf" (Dix Woman Head) pencil inscribed lower center.
"The brim of her hat loops to make a shadow, the better to show her gaunt profile. Strands of hair writhe against her cheek and complement a fur stole on her shoulder. In 1923 Otto Dix went to Düsseldorf to learn new printing skills, including lithography which would show his drawing skills to better effect. He made a series of character studies, including this affecting portrayal of a pale woman reduced almost to a shadow of herself. Eyes closed to the exquisite world represented by those materials set out by the artist, she seems scarcely aware." - Sotheby's, London, UK
Biography:
Otto Dix (born December 2, 1891, Untermhaus, Thuringia, Germany—died July 25, 1969, Singen, Baden-Württemberg, Germany [then West Germany]), has been perhaps more influential than any other German painter in shaping the popular image of the Weimar Republic of the 1920s. His works are key parts of the Neue Sachlichkeit ("New Objectivity") movement, which also attracted George Grosz and Max Beckmann in the mid 1920s. A veteran haunted by his experiences of WWI, his first great subjects were crippled soldiers, but during the height of his career he also painted nudes, prostitutes, and often savagely satirical portraits of celebrities from Germany's intellectual circles. His work became even darker and more allegorical in the early 1930s, and he became a target of the Nazis. In response, he gradually moved away from social themes, turning to landscape and Christian subjects, and, after serving in the army during WWII, enjoyed some considerable acclaim in his later years.
- Creator:Otto Dix (1891-1969, German)
- Creation Year:1923
- Dimensions:Height: 26 in (66.04 cm)Width: 21.82 in (55.43 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Saint Augustine, FL
- Reference Number:1stDibs: LU121217297092
Otto Dix
Otto Dix (born December 2, 1891, Untermhaus, Thuringia, Germany—died July 25, 1969, Singen, Baden-Württemberg, Germany [then West Germany]), has been perhaps more influential than any other German painter in shaping the popular image of the Weimar Republic of the 1920s. His works are key parts of the Neue Sachlichkeit ("New Objectivity") movement, which also attracted George Grosz and Max Beckmann in the mid 1920s. A veteran haunted by his experiences of WWI, his first great subjects were crippled soldiers, but during the height of his career he also painted nudes, prostitutes, and often savagely satirical portraits of celebrities from Germany's intellectual circles. His work became even darker and more allegorical in the early 1930s, and he became a target of the Nazis. In response, he gradually moved away from social themes, turning to landscape and Christian subjects, and, after serving in the army during WWII, enjoyed some considerable acclaim in his later years.
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