20th Century Portrait Prints

Jean Jansem (1920-2013) Les acadiens, 1993 Lithographie sur papier Arches, justifiée E/A 16/30 Signée en bas à droite 65,5 x 50 cm / 76 x 56 cm Bibliographie: CR Jansem, 2000, n°9...

Lithograph of a figure of a woman by Jim Smyth (American, b. 1938). Numbered, titled, signed and dated "3/12", "Study 8", "Smyth 74” along the bottom edge. Unframed. Jim Smyth has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy, and the Art Students League. He is also a graduate of UC Berkeley with a degree in Fine Art. Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on the Alla Prima technique. He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels. When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable. On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deeply etched plate. Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model. In addition to studies at Berkeley, Smyth has studied at the College of San Mateo, Foothill College, De Anza College, Mission College, and West Valley College, all in California. One of the pivotal points in his career was studying with Mr. Maynard Dixon Stewart at the University of San Jose, California. He spent a year at the New York Academy of Art where he was offered a full scholarship and at the Art Students League of New York. He concurrently attended classes at the National Academy of Design in New York. Among others, Smyth studied with M. Andrejivec, Ted Schmidt, Elliot Goldfinger, Gary Fagin, Ted Jacobs, Leo Neufeld, David Leffel, Jack Ferragasso, Jim Childs and Everett Raymond Kinstler and Kim English. Smyth has also studied with the noted painter and colorist, Ovanes Berberian...

Study for Self-portrait is an original lithograph realized by Raoul Dufy in 1930s. Good conditions. No signature. Raoul Dufy (3 June 1877 – 23 March 1953) was a French Fauvist pai...

Countess Portrait   is a lithograph realize by Virgilio Guidi. Good conditions. Hand-signed on the lower right. Numbered, edition 10/75. The artwork represents a feminine portrai...

Ex-Libris - Sylvio Moreaux i is an Artwork realized in The 20th Century. Woodcut on paper.  Good conditions.

Down by the River Clarence Holbrook Carter American (1904–2000) Date: 1981 Lithograph, signed, numbered, and dated in pencil Edition of AP 30 Size: 25 x 32 in. (63.5 x 81.28 cm)

Artist: Enrico Baj, Italian (1924 - 2003) Title: Baj Chez Picasso 3 Year: 1969 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 86/100 Image Size: 18.5 x 15 inch...

Manuel Robbe (French 1872-1936) Lady Examining Prints circa 1900 etching with aquatint pencil signed lower right. Plate size 15 x 10 inches. Paper size 24x17 inches Overall (with fra...

Carol Channing HELLO DOLLY Tony Awards Broadway Legend NYT Published Caricature Al Hirschfeld (1903-2003) Carol Channing in "Hello Dolly" Plate Size: 12 1/2 x 9 1/2 Paper Size: 20 x...

Portrait of a Woman is an original lithograph on paper, realized by Franco Gentilini (Italian Painter, 1909-1981), in Late 20th Century. The state of preservation of the artwork is ...

Ex-Libris - Dr. Stefan Csanyi is an Artwork realized in The 20th Century. Woodcut on paper.  Good conditions.

Hommage to Gustave Courbet is a lithograph realized by Renato Guttuso in 1980. Hand-signed on the lower. Numbered, edition of 100. Drystamp "La Spirale".

Ex-Libris - Karlis Rozenbergs is an Artwork realized in the 20th Century. Woodcut on paper.  Good conditions. The artwork represents a minimalistic, clean design, through precisen...

Artist: Jon D'Orazio, American (1942 - ) Title: Piscean's Dream Year: circa 1979 Medium: Serigraph, signed and numbered in pencil Edition: 300, AP 45 Image Size: 23 x 30.5 inches P...

Study for Self-portrait is an original lithograph realized by Raoul Dufy in 1930s. Good conditions. No signature. Raoul Dufy (3 June 1877 – 23 March 1953) was a French Fauvist pai...

Pencil signed lithograph by Costa Rican Master Francisco Zuniga (1921-1998) Works by Zuniga are instantly recognizable. He is mostly known for his paintings of rural indigenous wome...

Jean Cocteau White Book - Autobiography about Cocteau's discovery of his homosexuality. The book was first published anonymously and created a scandal. Original Handcolored Lithograph...

J.M.W. CHRZANOSKA (American, b. 1948) Art Expo 1980 Poster 39.75 x 25.75 in. Unframed Plate signed Publishing Information: Cosmic Pilgrim Productions Good/Fair Condition-discolorat...

The self-portrait is an original photolithograph on paper realized by Raoul Dufy in 1940s. From the edition of 100 prints, edition of Sirene. Good condition, except for horizontal ...

Still Life is an original colored lithograph realized by the artist Roger Chapelain-Midy in the 1970s. Hand-signed by the artist on the lower right. Numbered on the lower left. E...

Landscape is an Etching realized by Enotrio Pugliese in 1969. Hand-signed by the artist on the lower. Numbered, Limited edition of 45 prints. Good conditions. Enotrio Pugliese (M...

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

The Virgin and the Child is a Woodcut print on cream-colored paper realized after Albrecht Durer, a reproduction of the early 20th Century fro...

Bold, slightly abstracted etching of an elderly woman titled "Amazing Grace" by Claudette McElroy (American, b. 1943). Signed on verso "Claudette McElroy" in the lower right corner, ...

Medium: lithograph (after Matisse). Printed in sanguine ink on cream laid paper from the Papeteries Casteljoux and published in Geneva by Edito-Service in 1970. This reproduces one o...

This original lithographic poster by David Hockney is a portrait of Gregory Evans, his longtime friend, onetime romantic partner and curator. He has been a consistent model, inspiration and support to the artist. Aside from the poster edition of 500, there was a signed and numbered edition of 90 proofs published by the Lelong Gallery in Paris. Certificate of Provenance: Each individual work of art carefully curated by Mourlot Editions comes with a Certificate of Provenance, signed, dated, stamped, and numbered by Eric Mourlot...

Pop Art portrait of a young Bob Dylan, a 1967 etching by Marc Foster Grant (American, 20th Century). Signed and dated "Marc Grant '67" lower right. Titled "...

Hand Signed and numbered. Edition of 125 prints. Published in the Suite: "Giacomo Manzù: Fifteen etchings and aquatints", by Touchstone Suite, New York, 1970. Giacomo Manzù (Bergam...

Artist: Jean-Pierre Vasarely - "Yvaral", French (1934 - 2002) Title: Salvador Dali Year: 1977 Medium: Screenprint, signed and numbered in pencil Edition: 200 Size: 35 in. x 24.5 in. ...

This artwork titled "The Zealot" c.1950 is an original woodcut by Hungarian/American artist Julius F. Faysash, 1904-1977. It is hand signed, titled and numbered 4/50 in pencil by the artist. The image (woodblock mark) is 10 x 8 inches, framed size is 18 x 15 inches. Custom framed in a wooden grey frame and light beige matting. It is in very good condition. About the artist: Julius F. Faysash was born 1904 in Budapest Hungary. He and his family moved to the United States in 1914. His father, Emanuel Faysash was a cabinet maker and settled in Cleveland Ohio area. A short time later the family moved to Akron, Ohio where Faysash remained the rest of his life. Julius graduated from the Cleveland School of Art and attended Akron University in 1927. He was a founding member of the Akron Society of Artists in 1931 and was the president of the Society in 1934 and 1946. He was an illustrator for the Firestone Company from the 1940's until his retirement from the company in 1969, mainly working in watercolor for this time period. After retirement he began traveling to Mexico 6 months out of the year and began working in oils, acrylics and printmaking. He received an M.F.A. in 1973 from the Instituto Allende/University of Guanajuato, Mexico. He also had further studies under Henry G. Keller and in portraiture with Wayman Adams, Sandor Vago...

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his mas...

Mademoiselle Sablon, MUSCIAL ACTRESS Lithograph, 1907 Unsigned Provenance: estate of the artist Reference: Belleroche No. K383 Albert Belleroche Log of lithographs, AB698 Edition: c. 10 Condition: excellent Image size: 20 x 17 inches Sheet size: 24 1/4 x 18 1/2 inches Albert Gustavus de Belleroche, also known as Albert Belleroche, (22 October 1864 – 14 July 1944) was a Welsh-born painter and lithographer, who lived most of his childhood and his adulthood in Paris and England. He began as a painter, but at the turn of the century focused on lithography, for which he is most well-known. He was awarded the Chevalier de l’Ordre de Leopold by King Albert I of Belgium in 1933. Early life Albert de Belleroche, Lithograph of the artist's mother, Mrs. Harry Vane Milbank, circa 1900 Albert Gustavus De Belleroche was born on 22 October 1864 in Swansea. His parents were Brusseler Alice and Edward Charles, the Marquis de Belleroche, who died when he was three years old. His mother was the daughter of Desire Baruch. In March 1871, she married Harry Vane Millbank, the son of MP Frederick Milbank. He grew up in Paris and London and he used the surname Milbank until he was 30 years of age. He attained the title of count from his father's family of French Huguenot ancestry. Career and personal life La Danseuse (model Lili Grenier), circa 1890 In 1882, Belleroche studied briefly at Carolus-Duran's art school in Paris, preferring to study the masters like Johannes Vermeer and Sandro Botticelli at museums. He was a friend and studio-mate of John Singer Sargent in Paris and London, with the men making many sketches and paintings of each other. Some of the works that Sargent made of Belleroche are suggestive of an emotional relationship between the men and Belleroche may have been the love of Sargent's life. Dorothy Moss, an art historian, states "Sargent's portraits of Belleroche, in their sensuality and intensity of emotion, push the boundaries of what was considered appropriate interaction between men at this period." Belleroche was financially independent and did not need or desire to obtain work through commissions. Instead, he chose who he would paint, which included Japanese wrestler...

Bold woodblock print of a woman by J. Duffy (American, 20th Century). The subject is staring directly at the viewer, creating a compelling yet delicate composition. The ink appears t...

In Dream is a Contemporary Artwork realized in Italy by Guelfo Bianchini (Ancona, 1937) in 1995 . Colored Etching on paper. Hand-signed and dated in pencil on the lower corner: G...

Chinois inventa, dit-on, la poudre a canon, nous en fit don (The Chinese invented gunpowder, they say, and made is a gift of it) Aquatint, roulette, drypoint, acid bite, and scorper...

Drypoint printed in dark, brownish black on cream wove paper. Signed by the artist in pencil, lower right.

Mid-century portrait of a young girl by a window by acclaimed California artist Ben Messick (American, 1891-1981). Signed "Ben Messick" in plate, and in pencil in the lower right corner, by the estate. Presented in an off-white mat. Unframed. Paper size: 12"H x 12"W The following is submitted by Jim Lafferty whose sources include the autobiography of the artist: William Washington Messick married Sarah A. Bristow January 2,1889 and from this marriage a son, Benjamin Newton Messick was born on January 9, 1891 on a farm near Strafford, Missouri. His art talent was apparent from the time he was a child and later recognized by his commanding officer in World War I. He completed his training in Los Angeles at Chouinard in the late-1920s and is well-known for his Regionalist scenes and Modernist paintings. He was an instructor at Chouinard through the 1950s & influenced a generation of LA Modernists. Little is recorded in his autobiography about Messick's life from his teen years and service during the War. He enrolled at Chouinard Institute in the Fall of 1925, and was given a three-year scholarship by Mrs. Chouinard. In 1925 he won a cash award at the Los Angeles County Fair for a group of pen and charcoal drawings done in the parks and streets of Los Angeles. These works give the appearance of being spontaneous and fluid. In 1930 Messick left Chouinard as a full-time student and rented an apartment on West Eighth Street to use as a studio and living quarters. He had his own ideas on what he was trying to accomplish in art. "If you should ask what is the message of my drawings, I should say that they may explain themselves or may be just a technical exercise." By the mid 1940s, Messick's position in the art world had been well established as a teacher, painter, printmaker, writer and critic. Over his life time he had over 400 shows and exhibitions. Starting in 1939 he produced a number of stone lithographs that appear to the untrained eye as original drawings. To Messick the image was the most important aspect of his lithographs, and his signature in the plate was sufficient. Hand signing each lithograph did not seem necessary to him. He exhibited prints widely including the Albany Print Club and the Metropolitian Museum. To further substantiate the authenticity of Messick's prints the Eclectic Gallery under the authority of the Messick family posthumously pencil signed each estate-acquired stone lithograph. Messick had a childhood fascination with the circus and started drawing and painting the circus in 1935. His circus work, especially his clown studies, and his lithographs became his trademark work for in the 1940s and 1950s. A critic for ART REVIEW described his Big Top work this way: "His circus canvases...

Artist: Itzchak Tarkay, Yugoslavian/Israeli (1935 - 2012) Title: Elegant Lady Seated Medium: Watercolor on paper, signed lower right Size: 15 in. x 11 in. (38.1 cm x 27.94 cm) Frame ...

Artist: Salvador Dali Title: Jude (Excalibur) Portfolio: 1972 The Twelve Apostles (Knights of the Round Table) Medium: Lithograph Year: 1972 Edition: 38/350 Frame Size: 29 7/8" x 26 ...

Steve Leal, American (1962 - ) - Desiree, Year: circa 1983, Medium: Offset Lithograph, signed in ink and numbered in pencil, Edition: 166/200, Size: 27 x 20.5 in. (68.58 x 52.07 cm)

Steve Leal, American (1962 - ) - Dominique, Year: circa 1983, Medium: Offset Lithograph, signed in ink and numbered in pencil, Edition: 184/200, Size: 27 x 20.5 in. (68.58 x 52.0...

Mick Jagger III - After Andy Warhol. In this print, Warhol incorporated solid abstract shapes to emphasize Jagger's features - here, focusing on the singer’s famous lips, along with...

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

La Soirée - from "Le Croquis du Front Italien" is an Etching and Drypoint realized by the Italian Artist Anselmo Bucci, in 1917 s. Hand signed on the right margin . Edition n. 37/100 specimens on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions. Good conditions, except for a light yellowing of the paper. Anselmo Bucci (1887-1955) was an Italian painter and printmaker. He took part in the Salon des Indépendants from 1910 on. He enlisted in the Volunteer Cyclist Battalion in 1915 and he became one of the most famous Italian war...

This lithograph from the portfolio "Egon Schiele" is a reproduction of " Melanie Schiele ", a drawing realized by Egon Schiele in 1906. The portfolio, that includes 10 lithographs on...

Woman is an original Linocut Print realized by Mino Maccari in 1951. Very Good condition. No Signature. Mino Maccari (1898-1989) was an Italian writer, painter, engraver and journ...

Woman Portrait is a splendid lithograph realized by Jacques Marie Gaston Onfroy de Bréville, known by the pen name Job after his initials (1858 - 1931). ...

Poet L. Strelevits portait. 1972, paper, screen print, 69x51 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1947, she b...

Kuhn, Walt, (American, 1877-1949). PEGGY. Lithograph, not dated, but likely 1925-1930. Edition size not stated, but likely 50. Signed in pencil, and inscribed at the lower edge of th...

This screenprint and collage was created by Ivan Chermayeff, a noted graphic designer who created the now-famous logos for companies and institutions such as the Smithsonian, Nationa...

Marcelle Lender en Buste is a lithograph realized after the homonymous work by Toulouse-Lautrec of 1895. Limited edition of 1.000 specimens. Very good conditions. Henri de Tolous...

Image dimensions: 16 x 12.5 cm. Henry de Montherlant Portrait is an original black and white lithograph realized by Yves Brayer (1907-1990) in the second half of the 20th Century. ...

Original poster: TREKKERS HIER UW ADRES!. Size: 21" x 31.5". Professional acid-free archival linen backing; ready to frame. The basic translation is 'hikers, here is your address...

Portrait de Jeune Fille is a haunting portrait of a young girl also known as .. Justine… she could be either fading into the distance or just materializing out of a dream state. Her hair and the air around her is in shades of pale blue and the background is the white of the paper. This is a limited edition ( 170/300) aquatint , signed in the plate. In good condition with a 1" repaired tear midway on the right border which will not show when framed. Argentinian-born artist Leonor Fini (1907-1996) is considered one of the great female artists of the twentieth century. She moved to Paris in the early 1930’s where she spent most of her life and almost immediately formed friendships with Salvador Dali, Cartier- Bresson, Max Ernst and other intellectuals of the time. At twenty five she had her first one person show in Paris and was included in the 1936 pivotal exhibition at MOMA…Fantastic Art, Dada and Surrealism…..and that same year had an exhibition at a famous avant garde gallery in New York. Although Fini never considered herself a Surrealist she maintained close personal relationships with several members of the group. One can see how their ideology influenced her work but she remained firmly rooted in the tradition of Symbolism, Metaphysics and Italian and German Romanticism Her works can be found in most important collections of modern art around the world. Fini was renowned as a portraitist and as a painter of erotic sexual tensions with a mysterious atmosphere. She was adamant about being independent and not belonging to any one group. She lived life on her own terms and is sometimes referred to as …..the female Dali. She was also involved with designing for fashion and creating elaborate sets for opera and theatre. As a feminist she was definitely ahead of the times. She produced the first erotic male nude...

Arab Man is an original black and white etching on paper, realized by the Italian artist Giacomo Porzano (1925-2006). Hand-signed and dated on the lowe right...

WOMEN TOGETHER is a color lithograph by the American artist/sculptor Chaim Gross presenting an endearing figure study of seated female figures printed on archival white paper in watercolor shades of cream, light terra cotta, warm gray, light blue, light red and graphite black for the drawing. WOMEN TOGETHER is a freely expressed group portrait portraying the gathering of women seated together; their rounded cloud like body forms, gentle facial expressions and curly hair seem to flow in unison across the horizontal composition creating an almost heavenly air. Print size - 20 x 29 inches, unframed, pencil signed by Chaim Gross Edition size - 100, plus proofs Year published - 1979 Chaim Gross,(1904 - 1991) was a sculptor, artist, and teacher, known for his wood carvings, sculptures of moving human figures, religious imagery, acrobats, mothers and children. Chaim was born on March 17, 1904 to a Jewish family in Austrian Galicia, in the village of Wolowa in the Carpathian Mountains. In 1911, his family moved to Kolomyia. During World War I, Russian forces invaded Austria-Hungary; amidst the turmoil, the Grosses fled Kolomyia. They returned when Austria retook the town in 1915, refugees of the war. When World War I ended, Gross and brother Avrom-Leib went to Budapest, where Gross attended the city's art academy and studied with painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna shortly before emigrating to New York City in 1921. In the U.S., Gross's studies continued at the Beaux-Arts Institute of Design, where he studied sculpture with Elie Nadelman and others, and at the Art Students League, with sculptor Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky. In the late 1920s and early 1930s Gross exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club (the precursor to the Whitney Museum of American Art). In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. Also in 1932, Gross married Renee Nechin (1909-2005), and they had two children, Yehuda and Mimi (Mimi Gross is a New York-based artist, and was married to the artist Red Grooms from 1963-1976). In 1933, Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration). Under these programs Gross taught and demonstrated art, made sculptures for schools and public colleges, and created works for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the 1937 Exposition universelle in Paris. Chaim Gross, Sculptor by Josef Vincent Lombardo, the first major book on Gross, came out in 1949 and included a catalogue raisonne of his sculpture. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1963, Gross and his family moved from their longtime residence at 30 W. 105th Street to Greenwich Village, following the purchase of a four-story historic townhouse at 526 LaGuardia Place, which is now the Renee Chaim Gross Foundation. In 1974, the Smithsonian American Art Museum held the exhibition, Chaim Gross: Sculpture and Drawings, and in 1976, a selection from Gross's important collection of historic African...

Portrait of Jules Barbey d'Aurevilly is a modern artwork realized by Pierre Gandon. Black and white etching on creamy-colored paper. Signed on the plate. Good conditions. The Por...

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

This untitled artwork is an original etching realized by Carlo Alberto Petrucci, around 1960. The print rapresents a portrait of an old woman. Good conditions except for some foxin...