21st Century and Contemporary Portrait Prints

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

The Red Host is a colored lithograph from the portfolio " Erotica" by Egon Schiele. It deals with a reproduction of the homonym artwork realized in watercolor and pencil by the Aus...

Two-color screen print, painted museum box (Edition of 3 + 2 APs) Signed and numbered on label, verso From the series, "Final Girls" This artwork is offered by ClampArt, located in...

Charles Uzzell-Edwards aka ‘Pure Evil’ (*1968), Marlene Dali, around 2010. Color silkscreen, 35.9 x 24.5 cm, signed in pencil lower right with artist's name and artist's signet, iden...

Medium: Screenprint Edition size: 69 Year: 2009 Clown with two nude women. Created at Richard Duardo's Modern Multiples Fine Art Editions. Reyes is a Chicano artist, born in the Lo...

David Hunt Tiger 1 Limited Edition Giclee Print Edition 10 Framed Size: H 84cm x W 84cm x D 3.5cm Sold Framed Please note that in situ images are purely an indication of how a piece ...

Medium: Intaglio and Chine Colle Year: 2023 Image Size: 10.5 x 7 inches Edition of 15 Signed, titled and numbered by the artist. A young woman contemplating small plants and animals...

Chris Ofili (British, b. 1968) Untitled, 2000 Medium: Etching, aquatint and drypoint, on Hahnemühle wove paper Dimensions: 25.7 × 20.8 cm (10 1/10 × 8 1/5 in) Edition of 100: Hand-si...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. Anna Julia Cooper, monoprint with Chine collé, 27 x 19 3/4 inches, 2020 1858-1964 An educator, administrator, and social reformer, Anna J. Haywood Cooper was born a slave in Raleigh, North Carolina, and spent fourteen years fighting to gain access to Latin and Greek classes reserved for men at St. Augustine's Normal School and Collegiate Institute, from which she graduated in 1877. She married the Reverend A. C. Cooper at St. Augustine's, where each taught, but after his death in 1881, she began the second phase of her education at Oberlin. That year she joined Mary Eliza Church (Terrell) and Ida A. Gibbs Hunt in the "gentleman's" collegiate course and graduated in 1884. One of the pioneer African-American women who earned a B.A., she returned to Oberlin for an M.A. in Mathematics, which she received in 1887. Continuing her trailblazing for race and gender issues, Cooper wrote the feminist manifesto, A Voice from the South, spoke at feminist and educational conferences, and achieved many honors such as membership in the American Negro Academy. She was a leader in the National Association of Colored Women. Aligned with DuBois's philosophy, she spoke at the 1900 Pan African Conference in London, arguing for self-determination for African-Americans and an end to colonialism in Africa and apartheid in South Africa. Anna Cooper received a Ph.D. at the Sorbonne in 1925 after a decade of study while she also maintained a full-time teaching load. Her thesis was on French policies during slavery. She had been shaping Frelinghuysen University in Washington, D.C., an interdenominational Bible college, and became its president in 1930, at the age of 72. She died in 1964 at the age of 105. In preparation for this ongoing series the artist received images from Legacy Magazine’s photo archive of 19th Century women writers, understanding that she’d obtain permission from each source to use the photos in her artworks. Permissions were received and she began the series in 1992. The Harvard/Radcliffe Schlesinger library then offered Suzanne access to relevant microfiche images that were employed in subsequent works. In addition, the library exhibited the in 1992. The collector Vivien Leone purchased and donated one to the library, and the library subsequently purchased two more. The Women’s Rights Historical Park in Seneca Falls, NY, exhibited the growing series in 1995 during the 75th anniversary of women’s suffrage. The Oberlin College...

The Red Host is a colored lithograph from the portfolio " Erotica" by Egon Schiele. It deals with a reproduction of the homonym artwork realized in watercolor and pencil by the Aust...

LA Art Show exclusive fine art wood print on 1/2" sustainable Birch wood, vintage matte finish honoring 2017 award recipients Mel Ramos, Britt Salvesen & Ben Goretsky. Featuring ar...

Reclining Nude, Left Leg Raised is a lithograph from the portfolio " Erotica " after Egon Schiele, realized in 2007. It is a reproduction of the homonym pencil drawing realized by ...

The encounter is an artwork realized by Ferdinando Codognotto in 2023.  Woodcut based on stencil of 1971. 50 x 36 cm. Hand signed in the lower right margin. Good condition. 

The Red Host is a colored lithograph from the portfolio " Erotica" after Egon Schiele. It deals with a reproduction of the homonym artwork realized in watercolor and pencil by the Au...

A mixed media work by Russel Young. “Brando Portrait” is a black and white screenprint on linen with diamond dust by UK Pop artist Russel Young. The work ...

Signed and numbered from the edition of 10. Yuji Hiratsuka was born 1954 in Osaka, Japan. In 1985 he moved to the United States to pursue graduate degrees in printmaking at New Mexico State University (M.A.) and at Indiana University (M.F.A.). Since 1987 Hiratsuka has been teaching printmaking and drawing at several universities. He currently serves as a Professor of printmaking at Oregon State...

Ben Frost's "Sick Puppy" is a striking example of his provocative and bold artistic style, blending pop culture references with sharp social commentary. Created in 2020, this archiva...

Benjamin Parks is a Kansas City based artist whose primary focus is painting large-scale portraits and figurative work, though he also produces illustrations, interactive installatio...

Medium: Etching Year: 2021 Image Size: 7.9 x 13 Edition Size: 50 Lawlor's early etchings were often landscapes combining elements from old Master paintings. Later he started to in...

Signed, titled and numbered screenprint by gay Chicano artist Miguel Angel Reyes. He currently is instructor of model drawing in the Fashion Department of the Otis College of Art. M...

Blondie Peach - Hand Signed Limited Edition Archival Pigment Print This piece is a modern reworking of Debbie Harry, from Blondie. BATÍK is a London based contemporary pop art im...

Young Blue Eyes Oversize Signed limited edition - Pop Art - Frank Sinatra by the London based contemporary pop art image creator and artist, BATIK. Measures approximately 40 x 30" ...

Acting Tough by BATIK signed limited edition POP ART print Paper Size Oversize 24 x 20" inches / 61 x 51 cm Signed & numbered by artist on front Archival Pigment print Limited t...

The Dance is an original colored lithograph print, hand retouched realized by the Belgian artist Martine Goeyens. On the back, the label of the certificate of authenticity by the "F...

Medium: Screenprint Edition size: 38 Year: 2009 Albert was born in the Los Angeles suburb of Panorama City in 1971 and grew up in the working class neighborhood of El Sereno. After...

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

Edition Details: Year: 2021 Class: Diptych Run: 171/450 Technique: Screen Print Paper: Speckletone Size: 24 X 33 Markings: Signed & Numbered in pencil by both Artists. Shepard Fair...

Explore a modern twist on a timeless classic with Mimi Yoon's "Once Upon a Time No More," an urban reinterpretation of Disney's Snow White. This sold-out mint condition canvas galler...

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

Artists: Shepard Fairey: Bands: David Byrne Talking Heads Edition Details: Year: 2024 Class: Art Print Status: Official Edition 153/550 Technique: Screen Print with Gold Metallic I...

15-colour silkscreen plus glaze on Somerset Velvet Warm White 400gsm, hot pressed paper 42 x 30cm Edition of 60, signed and numbered by the artist Lisa Brice is a South African-born...

Ryan Hewett Lunar, 2021 Multi-layered Flatbed Giclée with silkscreen varnishes and textures on Somerset Satin 410gsm, with deckled edges to finish. 35 4/5 ...

Nude Girl With Raised Arms is a lithograph from the portfolio " Erotica " by Egon Schiele. It is a reproduction of the homonym pencil drawing realized by ...

Red-Haired Girl with Spread Legs is a lithograph from the portfolio " Erotica " by Egon Schiele. It is a reproduction of the homonym painting realized in gouache, watercolor, and p...

Signed, titled and numbered from the edition of 50. Part of a group of prints used to illustrate the book The Ballad of Huck and Miguel, which is a re-telling of the Adventures of Huck Finn...

Red-Haired Girl with Spread Legs is a beautiful lithograph from the portfolio "Erotica" by Egon Schiele. It is a reproduction of the homonym painting realized in gouache, watercolor,...

Thomas Wimberly III is an artist and designer from southern Louisiana. After earning his BFA in Graphic Design from Louisiana State University he has been acting as an art director a...

Prefab77 (British, 20th c.) Heavy Crown Archival pigment print on luxuriant 300gsm Somerset art paper Edition of 100 Signed in plate lower left. Signed by artist in white ink with embossed artist's stamp lower right Unframed: 29. 3/4in H x 22in L *Framed image is for inspirational purposes only Prefab77 a.k.a. Peter Manning...

Signed, titled and numbered from the edition of 30. One from a series of six pet portraits. Viramontes was the subject of a 1-hour documentary "Xavier Viramontes, A Life in Print" w...

Medium: Intaglio and Chine Colle Year: 2023 Image Size: 10.5 x 7 inches Edition of 15 Signed, titled and numbered by the artist. A young woman with chocolate and marshmallow figures...

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...

I have been a fan of the Ramones since I got into punk rock in 1984. The Ramones always impressed me with their style, blending a sense of humor with aggression and pop melody. I did...

Original Illustration based on photograph by Karen Bystedt. Signed by Shepard Fairey and Karen Bystedt. "I’ve been a fan of Andy Warhol’s art since high school. At first, his works’...

Signed and numbered. Flores Para Juarez pays homage to the women in Juarez, Mexico. The female figure in the image is a friend of Magallanes who had witnessed a lot of abuse growing up in Juarez, and emerged from her experience a very strong woman. Magallanes’ piece is part of an ongoing series of portraits of personal heroes and martyrs that also serves as a mapping of the artist’s own psyche through his cultural, historical and political influences. Oscar Magallanes was born in 1976 in Duarte, CA. He recalls, “The first art I saw were murals of Zapata and Mexica glyphs from the Chicano movement. These were juxtaposed next to homeboy role calls and Old English writing. I didn’t see a gallery or museum until I was 15.” After a troubled youth and his expulsion from high school at the age of fifteen, Oscar was accepted into the Ryman Arts program which he credits with encouraging him to pursue a career in art. From 1998 to 2003 Oscar’s studio was located in the thriving Pomona Artist Colony. Oscar also worked closely with the late Gilbert “Magu” Lujan...

AJ Masthay - Adoration of the Mother - Wood Panel - Contemporary Prints Artists: Masthay, AJ Manufacturer: Furnace, The - Hartford, CT Edition Details ...

Illustration on paper (giclée print) realized by the Italian artist Sara Franzese in 2022. Edition of 5. Hand-signed and numbered She represents a godd...

Embrace Me is a beautiful illustration on paper (giclée print) realized by the Italian artist Sara Franzese in 2022. Edition of 5. Hand-signed and numbe...

Present & Past is a beautiful illustration on paper (giclée print) realized by the Italian artist Sara Franzese in 2022. Edition of 5. Hand-signed and n...

Signed lower right "Michael McNaught" and dated 2014. Inscribed with edition and limitation lower left, 4/11, and titled, lower center, "La Sorcière". A colorful, modernist portr...

Two-color screen print, painted museum box (Edition of 3 + 2 APs) Signed and numbered on label, verso From the series, "Final Girls" This artwork is offered by ClampArt, located in...

'Redux Series: Quansho' by Fin DAC, 2021 34.6 x 24.6 Inches 88 x 62.5 Centimeters Giclée + 12-color screen print on 300gsm Somerset fine art paper. Limited Edition of only 2 (#1/2) H...

The Dance is an original colored lithograph print, hand retouched realized by the Belgian artist Martine Goeyens. On the back, the label of the certificate of authenticity by the "F...

Heavily embellished with raised texture on canvas. Hand signed and numbered on front by Otto Aguiar. Frame size approx 40 x 32.5 inches. Canvas size 30 x 22 inches. From the edition of 245. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be considered. About the Artist: Otto de Souza Aguiar (Brazilian 1938–2006), the son of a highly respected Brazilian general, graduated with honors and was awarded a Master's Degree in Graphic Art and Drawing from the University of Fine Arts in Rio de Janeiro, Brazil. After teaching drawing and design to aspiring architects, Otto began the extensive travels through Europe that were his induction into the world of High Fashion and Interior Design. As one of Brazil's top models, his engagements took him to Milan, Paris, and London. There, with his assignments in Harper's Bazaar Italia and others of the world's most prestigious publications, Aguiar developed an inspired aesthetic perception, which manifests itself boldly in his dramatic blending of sumptuous color, texture and gilding. Uncompromising in his thirst for creativity, Otto has combined his vast fashion and theatrical background with his diversified experience in the Visual Arts. Thus, his work has been characterized by the portrayal of elegance and grace. His inner tranquility manifests in his paintings as he recaptures the lush topical beauty of the Brazilian beaches...

The Mojo poster was part of VIP ticket packages for the tour. Artists: Shepard Fairey Bands: Tom Petty & The Heartbreakers Edition Details Year: 2010 Class: Fine Art Print Status: Official Tour Print Run: 175/250 Paper: Holographic Fine Art Foil Paper Size: 18 X 24 Markings: Numbered by the artist in black felt marker. Print measures 18X24 and is in perfect condition with no visible flaws. Any questions please let us know. Thank you Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One...