Late 20th Century Portrait Prints

Countess Portrait is a lithograph realize by Virgilio Guidi. Good conditions. Hand-signed on the lower right. Numbered, edition 54/75. Virgilio Guidi  (Rome, 1892 - Venice, 1984)...

Countess Portrait is a lithograph realize by Virgilio Guidi. Good conditions. Hand-signed on the lower right. Numbered, edition 54/75. Virgilio Guidi  (Rome, 1892 - Venice, 1984)...

Countess Portrait is a lithograph realize by Virgilio Guidi. Good conditions. Hand-signed on the lower right. Numbered, edition 53/75. The artwork represents a feminine portrait,...

Tadanori Yokoo Man Powered Airplane Solomon (Jun Rope), 1967 Silkscreen poster 41 x 29 inches (image) 44 1/4 x 32 1/2 x 1 1/2 inches (frame) Signed and stamped with Artist's seal Wh...

"Le Philosophe Au Papillon", from Je Reve (I Dream) Portfolio, is an original color lithograph signed in pencil lower right by French Surrealist artist Andre Masson. This is H.C. XXV/XXV. It depicts a brightly colored man...

"Sophie-Broncheau" is an original lithograph by Leonard Baskin. This is a proof purchased directly from the artist. Baskin signed the work in the lower right margin and labelled the ...

"Red Cloud-Oglala" is an original color lithograph by Leonard Baskin. It is an artists proof, and signed in the lower right under the image. It is a portrait of one of the most well ...

One of 30 copies. FRANCISZEK BUNSCH (born in 1926) Franciszek Bunsch was born in Bielsko in 1926. He studied painting under the guidance of prof. Eugeniusz Eibisch and graphic art as...

Poster. Measures 22.5 x 17.5 inches and is Unframed. Good/Fair Condition-signs of wear consistent with age and handling. Exhibited at Sterling & Francine Clark Art Institute, Massac...

Countess Portrait  is a lithograph realize by Virgilio Guidi in the 1970s. Good conditions except for yellowing of paper. Hand-signed on the lower right.Numbered on the lower left....

Color Lithograph, Hand signed. Artist proof. Very good condition.

Serigraph in colors on paper. Hand signed and numbered by Linda Le Kinff. From the edition of 350. Image size 15.25 x 18.25 inches. Frame size approx 23 x 26 inches. Artwork is in e...

Dine, Jim. SELF-PORTRAIT IN A FLAT CAP (WINTER). Krens and Castleman, 181. Etching, 1974. First State, published by Petersburgh Press. The Bon A Tirer proof b...

Poster. Measures 25.5 x 16 inches and id Unframed. Good/Fair Condition-signs of wear consistent with age and handling. Printed by Alinari in Firenze, Italy (Florence)

The two women is an print realized by Massimo Campigli in the 1970/1971s. Beautiful etching and drypoint on paper. This artwork it is part of a series of works created in the last ...

The idol  is a print realized by Massimo Campigli in the 1970/1971s. Etching on paper. This artwork it is part of a series of works created in the last peri...

The idol  is a print realized by Massimo Campigli in the 1970/1971. Etching on paper. This artwork it is part of a series of works created in the last perio...

This is an original color lithograph created by Claude Weisbuch. It was designed to promote his show at Vision Nouvelle, a gallery in France. This show in particular was about his Ho...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. Antoinette B Blackwell in the Blue Circle, monoprint with Chine collé, 9 3/4 x 7 3/4 inches, 1996 (1825 –1921) Reverend Antoinette Louisa Brown Blackwell graduated from the Ladies¹Department in 1847 and returned to Oberlin to take theology courses, having been denied the right to participate as a member of the Theological Department.  When she completed the course of study in 1850, she was also denied ordination and recognition at commencement, but in 1853 was ordained in her home church in Butler New York and, despite Oberlin Collége...

Artist unknown "Gold and Blue Gun" c. 1970s Silkscreen on paper Image size 21.25"x17" paper size 26"x40" unframed $350 Unsigned *Listed price reflects custom framing selected by sell...

Francis, Sam. SELF-PORTRAIT. Lembark 52. Etching, 1982. Edition of 20, signed and numbered "1/20" in pencil. Printed on Fabriano Tiepolo paper, and published by 3EP, Ltd., Palo Alto,...

Bengt Lindström - Original Handsigned Engraving The Seven Deadly Sins. 76 x 56 cm Signed in pencil by Bengt Lindström Paris, ABCD, 1976. Original etching in color Limited edition 90 ex. This is the unique copy offered to Claude Manesse, The story of B. Lindström was collected by Frederick Towarnicki, assisted by Agathe Malet-Buisson. The engravings were drawn on the presses of Claude Manesse. Bengt Lindström (1925-2008) Bengt Lindström was born on September 3rd, 1925 in Storsjökapell, a small isolated village in the Swedish province of Norrland. The young child thus grew up in that vast, mythical and harsh expanse of mounts, glistening lakes and endless forests known as Lapland. His father was a primary school teacher who was fond of Lapps and who showed great interest in their ethnic group and culture. The child was only three days old when Lapp King Kroik, his godfather, administered the Baptism of the Earth, where the child is conveyed between two roots of a tree to grant him protection from the Gods. Lapps as well as local lumberjacks would occasionally abandon their silent ways to tell him and reveal the tales, legends and mysteries of the Great White North. 1935-1945 : He left Storsjökapell and headed to Härnösand, where he wrote short science-fiction novellas, became a renowned athlete and began to paint. 1944-1946 : Isaac Grünewald Art School in Stockholm, Sweden. Study drawing with Aksel Jörgensen at the Copenhagen Fine Arts School in Denmark. He realized his first two lithographs, Meditation and Le Modèle Etendu (The Stretched Model). 1947-1952 : He arrived in Paris. He travelled to Italy, where he visited Florence and Assisi, developing a deep fascination for Giotto and Cimabue. He was granted a scholarship by Swedish magazine Aftontidningen, which helped him move into a workshop in Arcueil, France. He began working on mosaics. 1953-1967 : He returned to Paris, once again taking up lithography and engraving, which holds a vital position in his work. He moved into a workshop in Rueil-Malmaison. This was the start of his collaboration with the Rive Gauche Gallery in Paris. London Tooth Sons Gallery Director M. Cochrane purchased a large number of his works. He left the workshop in Rueil-Malmaison to settle in Savigny-sur-Orge, France. He began taking to figurative art with Masks, Gods and Monsters. He exhibited with the Nouvelle Figuration Group at the Mathias Feld Gallery. He also began working with the Ariel Gallery in Paris. 1968-1978 : Lindström completed a series of 10 lithographs about Scandinavian mythology. He also completed a series of drypoint works. An association with the Protée Gallery in Toulouse, France, led to exhibitions at the Protée Gallery II in Paris starting in 1984. He executed a large mural painting the Grand Hotel in Härnösand, Sweden. He also made two large frescoes for the Nacksta-Sundsvall covered market in Sweden. He took to sharing his working time between the workshop in Savigny-sur-Orge and the one in Sundsvall. He began collaboration that was to last several years with the ABCD Gallery in Paris, which provided exclusive publication for his engravings and strong ink work. Les Hommes du Nord (Men of the North) was the first of the major tapestries. He published a boxed set album, Eddan, Eddan, Eddan, illustrating Scandinavian mythology. Together with Jacques Putman, he completed two editions of bronze sculptures, Les Enfants Sauvages (The Wild Children). 1979-1982 : He worked on glass, making thirty dishes and goblets for renowned Swedish glassmaker Kosta Boda. He painted a car for Volvo, Sweden’s leading car manufacturer. Then, close to his birthplace, he painted gigantic tarpaulins over forty metres high, covering the slopes of the neighbouring Våladalen Mountain, as a protest against the building of a dam. This action caused a sensation and provoked fierce reactions. He also created small painted papier mâché sculptures, Têtes (Heads), as well as some gold and silver jewellery. 1983 : He exhibited seven monumental 3x2.5m works at the Art and History Museum in Stockholm: Les Grands Dieux Ase (The Great Aesir Gods), depicting the gods from Scandinavian mythology: Thor, Odin, Frej, Balder, Ymer, Loki and Unknown God, as well as acrylic paintings about the Valkyries. Les Grands Dieux was ultimately exhibited in a purpose-built chapel adjoining the Midlanda Contemporary Arts Centre in 1996. He completed Thor’s Hammer, a monumental sculpture. 1985-1990 : He lived also in the Alicante region, where Spanish friends found him a new workshop. While there he completed Novelda, an album of lithographs featuring poems by Spanish poet Paco Pastor. He completed a new mural, 5mx5m, for the Västeras Science Institute in Sweden. He then started working with the San Carlo Gallery in Milan, Italy, which coordinated all of the Italian events. Major exhibitions and retrospectives were held in Italy, Belgium, Luxembourg, Germany and Spain. He created two boxed set albums, containing series of 10 aquatints, Monde Autre et Chamanes (Otherworld and Shamans), featuring poems by Michel Perrin. 1991-1994 : He went back to working in black and white, completing some very-large-format works. In Murano, in association with the San Carlo Gallery, he created Grands Verres (Large Glasses), a series of large vases and sculptures made of crystal. He painted Kåtan Mimi, an 8x9m Lapp tent, for the town of Arjeplog in Swedish Lapland. He completed a couple of 2m-high painted polyester sculptures, Lui et Elle (Him and Her). He then made a new series of crystal glasses and sculptures in Murano, Italy. He completed Présence (Presence), a new 3.5x2.7m tapestry for the municipality of Timrå, Sweden. He started on the Grands Initiés (Great Insiders) series, all large format and mixed black and white techniques. He finished the strong series about Norse gods. 1995-1996 : He moved into a new workshop in Paris. A retrospective was held at the Sundsvall Museum in Sweden, and on that occasion he painted a monumental 700-m² canvass, Le Géant sur la montagne (The Giant on the Mountain), which was hung all summer long on the mountain slope facing the town. He went on to complete a suite of six silkscreen prints on the same theme. Then he inaugurated the Y, a monumental sculpture. Lindström then completed Temps Zéro (Zero Time), a watch made for Swatch. One of his works, L’hiver (Winter), made the cover of the first 1996 issue of Telerama, the leading French weekly. In association with Sydkraft Sweden, he painted a fresco for the municipality of Örebro on a 17m-high tank with a surface area of 3,000 m², located at the crossroads of major Swedish motorways, by the entrance to the Åbyverket industrial estate. He also created a 6.5m-high Tången sculpture made of painted concrete in Ånge, which was inaugurated on September 3rd in the presence of their Majesties the King and Queen of Sweden. 1997-1999 : He began working on ceramics in Albisolla, Italy. He also completed a new 30m-high fresco for the town of Örebro, located close to the tank he had painted in 1996 near Åbyverket. The year saw the inauguration of the Midlanda Contemporary Arts Centre in Sweden, which harbours the collection of the Bengt and Michèle Lindström Foundation, featuring the entire engravings collection (about 800 works), as well as a selection of paintings and sculptures. He completed a 4x10m mural in the lobby of the University of Eskilstuna, Sweden, and also completed two monumental frescoes on the Akkats dam and a mural on the power station facing Jokkmokk in Swedish Lapland. 2000-2003 : He painted all of the sides of a semi-articulated lorry for Scania, Sweden’s main truck manufacturer. In Italy, he completed a new series of crystal sculptures with Adriano Bérengo. He finished the Great Prophets, a series of 2x2m oil on canvass works. Swiss publisher Ides et Calendes published a small but luxurious monograph, with text by Françoise Monnin. A notebook was also published, Le Visage dans l’Art de Bengt Lindström (Faces in the Art of Bengt Lindström). He completed a substantial series of large blue acrylic paintings, Femmes (Women). 2003 : Bengt fell ill and was unable to paint, but the exhibitions went on. 2004 : Saw the release of the film by Dag Jonzon and Hans Östbom, produced by Dell’arte AB and Östbom Filmbild, about the life of Bengt Lindström. Entitled Lindström - Le Diable de la couleur et de la forme (Lindström – The Colour and Form Devil), the film was produced thanks to support from Film Västernorrland, Länsstyrelsen Västernorrland and Sveriges Television. It was broadcast on Swedish television channels. That same year, the Midlanda Contemporary Arts Centre was closed as a result of municipal policy. 2005-2007 : The 6m-high sculpture Le Loup (The Wolf), made for PEAB, was inaugurated in Botkyrka-Stockholm. Lindström – The Colour and Form Devil was screened at the Paris Swedish Cultural Centre and released on DVD. The Michèle and Bengt Lindström Foundation was donated and transferred to the Länsmuseet i Västernorrland in Härnösand, Sweden, where a special room was prepared to host Les Grands Dieux Ase. Edition of the 1998 Ceramics, created in association with Francis Dellile’s ”La Tuilerie” workshop. The Bengt Lindström Collection was inaugurated at, Murberget, the Länsmuseet i Västernorrland in Härnösand, Sweden. He illustrated Sinfonietta för Juliana, a collection of poems by Italian poet and art critic Sebastiano Grasso. On January 29th, 2008, Bengt Lindström passed away at his home in Sweden. 2008-2012 : The Fondation Krimaro presents the first volume of the works of Bengt Lindström in his collection. Numerous exhibitions-tribute to the work are presented in major cities in Europe. 2012 : Retrospective - Black and White in the engravings - Museum of Härnösand, Murberget, Sweden. Main exhibitions 1952 Fair Réalités Nouvelles – New realities, Paris, France. 1953 Craven Gallery, Paris, France. 1954 Gummeson Gallery, Stockholm, Sweden. Fair Salon d’Octobre, Paris, France. 1958 Breteau Gallery, Paris, France. 1959 Autour du Spontanéisme – Around the sontaneity, Stockholm, Sweden. L’Europe Nouvelle – The new Europe, LaUnited Statesnne, Switzerland. 1960 Rive Gauche Gallery, Paris, France. 1961 Tooth Gallery, London, England. Le Zodiaque Gallery, Brussels, Belgium. Fair Salon de Mai, Paris, France. 1962 Nouvelle Figuration – New Figuration , Mathias Fels Gallery, Paris, France, 1964 Nord-Sud – North-South, in several cities in Sweden. Ariel Gallery, Paris, France, 15 artists of my generation. Museum of Fine Arts in Gent, Belgium, Figuration-Défiguration – Figuration – Disfigurement. 1965 Rive Gauche Gallery. Paris, France. Nord Gallery, Lille, France. Birch Gallery, Copenhagen, Denmark. 1966 Museum of Modern Art, Gothenburg, Sweden. 1967 Veranneman Gallery, Brussels, Belgium. Carnegie Institute, Pittsburgh, United States. Seibu Gallery, Tokyo, Japan, 23 peintres in Paris. 1968 Ariel Gallery, Paris, France, followed by six exhibitions until 1976. 1969 La Pochade Gallery, Paris, France. Protée Gallery, Toulouse, France, who exhibited him in Paris, Gallery Protée II, from 1984. 1973 Galliera Museum, Paris, France. 1974 Gallery 111, Lisbon, Portugal. 1982 Gallery Protée-Arco, Madrid, Spain and Fair Foire de Cologne, Germany. 1983 Historia Museum, Stockholm, Sweden, The Ase gods and the Valkyries. 1984 Gallery Arcano XXI, Lisbon, Portugal. Gallery Christian Cheneau, Paris, France. Museum Château comtal, Carcassonne, France. 1985 Gallery Italia, Alicante, Spain. 1986 Gallery Sala Gaspar, Barcelona, Spain. Gallery Juan Mordo-Arco, Madrid, Spain. Gallery Italia, Alicante, Spain. Museum of Salamanca, Salamanca, Spain. Gallery Three Continents, New-York, United States. Gallery Protée, Toulouse France, Autour du Roi Lear – Around King Lear. 1987 Gallery Kostel, Paris, France. Gallery Zwirner, Cologne, Germany. Gallery Leu, Rottach-Egern, Germany. 1988 Maison du Lot, Figeac, France. Gallery Protée, Paris, France. Gallery Michèle Sadoun, Paris, France 1989 Gallery Michèle Sadoun, Paris, France, La terre des ancêtres - The Land pf the ancestors. Gallery Protée, Paris, France, Nomads. Gallery Raab, London, England. 1990 Gallery Michèle Sadoun, Paris, France. Centre Culturel de Brest, France. 1991 Gallery Michèle Sadoun, Paris, France. 1992 Archotèque, Saint-Denis, La Réunion, France. Museum of Vesoul, Vesoul, France. Gallery San Carlo, Milan, Italy. 1993 Gallery 111, Lisbon, Portugal. Tonnellerie du Cognac Monnet...

Screen Print on Munken Pure paper.. Hand signed and numbered by Ben Frost. From the edition of 36. Frame size approx 23 x 19 inches. Artwork is in exc...

Portrait is a lithograph realized by Graham Sutherland in 1971. Numbered edition 27/65. Hand signed. Good conditions. Original creation by the English painter Graham Sutherland ...

Allegories: Lies is a vintage poster realized by the Italian artist Renato Guttuso (Bagheria, 1911 – Rome, 1987) in 1981. Colored Offset on paper. The artwork was realized on t...

Woman in the Mirror is an Etching realized by Enrico Palù in 1973. Good condition included a cream colored cardboard passpartout (45x31.5 cm). Hand signed and dated by the artist o...

Poster. Measures 25 x 20 inches and is Unframed. Good/Fair Condition-signs of wear consistent with age and handling/pen mark near the title information (please see secondary image fo...

Poster. Measures 17.75 x 13.75 inches and is Unframed. Good Condition.

CONEY ISLAND, 3 Year: 1994 Medium: 9-color silkscreen Size: 29 x 29 inches (74 x 74 cm) Edition: 75 Price: $3,700 Donald Baechler was born in Hartford, Connecticut in 1956 and came...

Empowering the Internet generation is an artwork realized by Giosetta Fioroni in 1990s. 69,8x49,3 silkscreen on cardboard, eg. 195/250. Work signed and ...

Portrait is a Screen Print Artwork realized by Salvatore Fiume in 1970s. Very good condition on a cream colored cardboard. Hand-signed and numbered with pencil by the artist on th...

Hommage to Antonello da Messina is a lithograph realized by Renato Guttuso in 1980. Hand-signed on the lower. Numbered, edition of 100. Drystamp "La Spirale".

Poster. Design: Michael Weymouth/Consultants Cross Associates. Printed in U.S.A. Measures 19 x 28 inches and is Unframed. Good Condition.

Poppea is a lithograph realized by Tono Zancanaro in 1981. Hand-signed in pencil on the lower. Artist's proof. Very good conditions.

Woman is a lithograph print on paper, realized after Jean Paul Sauget for Maurice Magre's Les Soirs d'Opium. Published in 1921. Good conditions.

Poppea II is a lithograph realized by Tono Zancanaro in 1981. Hand-signed. numbered. Edition 125 prints. Good conditions.

In a Dream is a Contemporary Artwork realized in Italy by Guelfo Bianchini (Ancona, 1937) in 1995 . Original colored Etching on paper. Hand-signed and dated in pencil on the low...

Print. Measures 17 x 12.25 inches and is Unframed. Good Condition.

Interview is a Lithograph on wove paper BFK Rives realized in the 1970s by Christian Ricker. Edition of 65 prints, numbered and hand signed in pencil. Published by Wolfgang Ketter...

Portrait is a lithograph realized by Graham Sutherland in 1972. Numbered edition 58/65. Dimensions:65.5 x 50. In very good conditions. Original creation by the English painter Gr...

Poster. Measures 28.75 x 22.5 inches and is Unframed. Fair/Mildly Distressed Condition-signs of wear consistent with age and handling.

Serigraph on clayboard panel. Hand signed and numbered by the artist. Edition PA of 14. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offe...

Portrait of Herbert von Karayan, b/w photo is a photograph realized by Lauterwasser in the 1970s. Very good conditions.

Interview is a Lithograph on wove paper BFK Rives realized in the 1970s by Christian Ricker. Edition of 65 prints, numbered and hand signed in pencil. Published by Wolfgang Ketter...

Nude is an Etching and Aquatint realized by Enotrio Pugliese in 1970s. Artist's proof. signed by the artist. Good conditions. Enotrio Pugliese (May 11, 1920 - August 1989) was an...

Soldier is an Etching and Aquatint realized by Enotrio Pugliese in 1970s. Limited edition of 24 copies numbered and signed by the artist. Good conditions. Enotrio Pugliese (May 11...

Portrait of Old Woman is an Etching realized by Enotrio Pugliese in 1970s. Limited edition of 20 copies numbered and signed by the artist. Good conditions. Enotrio Pugliese (May 1...

Portrait of Woman is an Etching and Aquatint realized by Enotrio Pugliese in 1970s. Limited edition of 11 copies numbered and signed by the artist. Good conditions. Enotrio Puglie...

The Portrait is an Etching and Aquatint realized by Enotrio Pugliese in the 1970. Hand-signed by the artist on the lower. Numbered, Limited edition of 5/9 prints. Good conditions....

Poster. Measures 34.75 x 27.25 inches and is Unframed. Good/Fair Condition.

Mysterious Interior is a colored lithograph realized by the artist Roger Chapelain-Midy in 1973. Hand-signed by the artist on the lower right. Numbered on the lower left. Edition 80...

Irakere - Wilsau 1989. Silkscreen Irakere is an Afro-Cuban group. . Awards: Directors Club, New York Troxker's posters are represented in the most renowned design collections worl...

Poster. Measures 19.5 x 14.75 inches and is Unframed. Good Condition.

"Laurel and Hardy" Iconic Comedians Hollywood Royalty Comedy Movie Stars 135/150 Al Hirschfeld (1903 - 2003) Laurel and Hardy Hand-signed Limited Edition Etching Plate Size: 17 1/4 ...

The Rest is an original colored lithograph realized by the artist Roger Chapelain-Midy in the 1971. Hand-signed by the artist on the lower right. Numbered on the lower left. Edi...

Sunset is an original colored lithograph realized by the artist Roger Chapelain-Midy in the 1971. Hand-signed by the artist on the lower right. Numbered on the lower left. Edition ...

Bold monoprint of a blue mask by Patricia Pearce (American, b. 1948). Signed "Patricia Pearce" in the lower right corner. "Monoprint" is written in the lower left corner. Presented i...

Bold, slightly abstracted etching of an elderly woman by Claudette McElroy (American, b. 1943). Signed "Claudette McElroy" in the lower right corner. Presented in a new cream mat. No...

Poster. Measures 21 x 17.5 inches and is Unframed. Fair/Distressed Condition-please see secondary photos for details.