Roger König

"1398 antique girl" 5/20 Fine Art Print, Portrait, 21st Century

2024

Portrait 01 by artist Jànos Huszti is a white, grey, contemporary, figurative and portrait painting made of oil paint on canvas that measures 80 x 63 and is priced at $8,000. A challenging portraitist and emerging creator with a conceptual thinking. Huszti elaborates his constantly changing topics with momentum and precision. He depicts historical times, special characters and places from the past, using all kinds of materials to express his interpretations. About János Huszti "Can things be deprived of their origins?" A challenging portraitist and emerging creator with a conceptual thinking. Huszti elaborates his constantly changing topics with momentum and precision. He depicts historical times, special characters and places from the past, using all kinds of materials to express his interpretations. In addition he is also interested in contemporary street art. His art consists of attributing new origins to things thus establishing new relations. He had got his diploma at University of Pécs, as a painter in 2005. Hungary. He spent one term at University of Hertfordshire, Hatfield, England. It was an experimential learning particularly regarding the conceptual art. He has been working in a professional studio at PP Center in Budapest for more than four years. Meet there the Hungarian Contemporary art scene each day, especially Budapest based artists and curators. Education Studies 1999-2000 Eszterházy Károly College, Eger, Faculty of Graphic and Visual Arts 2000-2005 University of Pécs, Faculty of Visual Arts and Music, Painter Branch 2004 Erasmus Exchange Programme,University of Hertfordshire, Hatfield, England Scholarships: 2014 Artist in residence program, Kunst AnDer Grenze, Art By The Border, Jennersdorf, Austria 2006 PRO ARTE – Scholarship of Komárom-Esztergom County 2005 Residence Programme at Bundanon, North Nowra, Australia 2004 Erasmus Exchange Programme, University of Hertfordshire, Hatfield, England Exhibitions: Common exhibitions: 2015 Apostrophe, The Whale, Budapest, Contemporary Arts Festival Subject matter, Ateliers Pro Arts (APA), Budapest 2014 Monument is falling into decay, PP Center, Budapest And You, Where Do You Live, Jennersdorf, Austria On The Production Line, Flash Art Magazine, PP Center 2013 Finishing Exhibition, PP CENTER 2012 Finishing Exhibition, Partizán PP CENTER, Budapest 2011 ERICSSON HUNGARY LTD. MUSEUM OF FINE ARTS, BUDAPEST, Esterházy Contemporary, "sponsored by UNIQA” 2007 ANOTHER PLACE, Young artists from Pécs, Inda Gallery, Budapest DIGITAL MESSAGE FROM EAST-EUROPE, Vaszary Gallery, Kaposvár CHRISTMAS EXHIBITION, K.A.S. Gallery, Budapest 2006 HOUSE of GENERAL EDUCATION, Tatabánya (with Áron Hidvégi and Kovács László Kammerlohr) 2006 BUDAPEST ART EXPO FRESH, Art Mill, Szentendre 2005 NEOFOTON photoprint exhibition, Art Mill, Szentendre STREET ART exhibition, Millenáris Park, Budapest PAINTER DEGREE 2004/2005, Swan House...

Artist: Dagmar Mezricky (Czech, 1944-) Title: "Act III with Portrait" *Signed by Mezricky in pencil lower right Circa: 1988 Medium: Original Lithograph on unbranded heavy white wove ...

Masri Hayssam (Lebanese, born 1965) "Her" 2022 Oil and acrylic paint on paper adhered to a stretched canvas Signed on the bottom right and back of the painting. "Her" by Masri captu...

Clemens Wolf declares himself a champion of sensuality: 'I'm really interested in the process of transforming something trivial into a sensual object.The ...

Artist: Robert Kuszek Title: Untitled 1 Year: circa 1990 Medium: Lithograph and Woodcut, Signed and numbered in Pencil Edition: 35 Paper Size: 30 x 22 inches (76.2 x 55.88 cm)

Edition of 50 Ger Doornink's limited editions are based on a high resolution scan of the original artwork. They are printed on archival Hahnemühle German Etching paper. This techniq...

From the "Edition Domberger 1980" Signed and numbered with publisher embossing

SOMEONE, Original Signed Contemporary Minimal Abstract Painting, 2022 20" x 20" x 1.5" (HxWxD) Acrylic on Gallery-Wrapped Canvas Hand-signed by the artist in verso. There is a calm simplicity to this abstract work by artist KR Moehr...

Lazzaro Donati (Italian, 1926-1977) Untitled (Abstract Woman), Mid-20th Century Oil on board 20 x 16 in. Framed: 25 3/4 x 21 7/8 in. Signed lower right Lazzaro Donati (1926-1977) was born in Florence in 1926 and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. Mr. Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d'art and antique furnishings. Light poured in through the sloping glass wall on the north side. A dramatic stairway led to an overhanging balcony which served as a private gallery where the artist hung some of his favorite early works. To the left of the entrance was a smaller studio where Donati sculpted, with a window overlooking the famous old English cemetery where tourists laid flowers on the grave of Elizabeth Barrett Browning. In the main studio itself, where Donati received his clients in an atmosphere as polished as an office of a top executive, one hardly realized that it was here that the artist actually painted. His easel was covered with Persian blue velvet, the painting on the easel was already framed, his chair was upholstered in red velvet and on his palette the colors were arranged with the precision of a Byzantine mosaic. In a corner stand were his latest works, framed and ready to be sent off to his next exhibition in Europe or America. Donati was a born host with a warm welcome, an elegant man who possessed enormous charm a good nature and a keen sense of humor. Apparently shy, he preferred to speak on subjects extraneous to his art, purposely distracting you from his paintings, then leading you back to them, tactfully and without pretension. He spoke fluent French and English as well as some Spanish and German. "After all", he said, "you've got to know how to sell a painting to everyone." He had no sympathy for the "drip and splash" studios of his contemporaries, preferring to keep his studio tidy and spotless. "Painting is a matter of precision", he said, "If a painter can't put his paint where he wants it to go, I don't see how he can call himself a painter. For me it is absolutely necessary to control the paint." When asked to reveal the technique he used to achieve the enamel-like finish typical of his paintings he answered, "That is a secret between me and my butler. Actually, most of my paintings are done by him!" But in fact behind the façade, Donati was a serious craftsman who devoted to his painting as a way of life and means of expression. From the beginning of his career, his paintings revealed a striving for perfection and continual research in problems of style and technique. His early works indicated a momentary interest in surrealism and abstract art; they were predominantly two dimensional, depending on line and strong color. But by 1958, with his painting The Lady with a Fan...

Abstract portrait of a Woman Finely Detailed Collotype on paper Finely detailed abstract collotype of a woman by Heather Speck a San Francisco. Californi...