Richard Prince Canal Zone 2008 Mixed Media Print, Framed, Excellent

2008

The poster "Prints to Date at Wetterling Gallery" features Hamilton's interpretation of Marilyn Monroe, based on famous media images of her, including photo shoots and film stills. I...

This is an original exhibition poster for Cindy Sherman's show titled "Parade," held at the National Gallery of Canada in 2004. The poster highlights Sherman's distinctive approach t...

Paper Size: 27.5 x 19.5 inches ( 69.85 x 49.53 cm ) Image Size: 27.5 x 19.5 inches ( 69.85 x 49.53 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional ...

The title Favor Rites for this poster references a theme or concept related to rituals, preferences, or influential practices in art or culture. Rauschenberg's use of titles often co...

"Untitled (Censor Painting Pink)" is a nude figurative acrylic on inkjet board painting by Richard Prince in 2009. The artwork is 35 1/2 x 30 inches and 37 1/2 x 32 x 1 1/2 inches wi...

Richard Prince, The Greeting Card Jokes #2: The Best Friend, 2011 Foil-stamped print, on heavy wove paper, folded. As new condition, never framed or displayed. Hand signed and numbered by the artist, verso. Private collection (UK). From a limited edition of 100. Edition 91/100 6.25 x 8.5 in (15.9 x 21.6 cm) Notes: Text image from Richard Prince's iconic Jokes series. Signed and numbered by the artist in ink on interior of card. Incorporating jokes reflective of the “borscht belt” humor prevalent in the 1950's, Prince's Joke works tap into social preoccupations of the national subconscious. Prior to Prince's use of the jokes, many had infiltrated popular culture, gradually losing their original authors to become adopted by a largely oral tradition. Beginning in 1984, Richard Prince began assembling one-line gag cartoons and ‘borscht belt’ jokes from the 1950's which he redrew onto small pieces of paper. "Artists were casting sculptures in bronze, making huge paintings, talking about prices and clothes and cars and spending vast amounts of money. So I wrote jokes on little pieces of paper and sold them for $10 each". Following the hand-written jokes and subsequent works in which cartoon images were silk-screened onto canvas, in 1987 Prince adopted a more radical, formulaic strategy of mechanically reproducing classic one liners and gags onto a flat monochrome canvas. Richard Prince's work has been among the most innovative art produced in the United States during the past 30 years. His deceptively simple act in 1977 of rephotographing advertising images and presenting them as his own ushered in an entirely new, critical approach to art-making — one that questioned notions of originality and the privileged status of the unique aesthetic object. Prince's technique involves appropriation; he pilfers freely from the vast image bank of popular culture to create works that simultaneously embrace and critique a quintessentially American sensibility: the Marlboro Man...

"Vietnam, Untitled" mixed media artwork by artist Raphael Mazzucco. Signed on front lower right corner.

Artist: Richard Prince Title: Untitled (from Upstate) Year: 1998 Medium: Ektacolor photograph on Kodak Professional paper Edition: 8; signed, dated and numbered (verso) Sheet: 20 x 24 inches (50.8 x 61 cm) Frame: Yes Certificate of Authenticity included This early, vintage work from 1998 by Richard Prince is part of his "Upstate" series. In 1996 Richard Prince moved to upstate New York and began a new series of creative investigations. After almost two decades of making work derived from images and phrases that already exist in popular culture, he took his camera outside and photographed the banal details of his everyday environment. Although this could be viewed as a radical departure, to Prince there is no essential difference between making photos of other photos and making photos of the world at large. He is always paying attention to what is around him with intense scrutiny. On one level, the "Upstate" photos chronicle a landscape of economic decline in an unremarkable semirural area. Pictures of above-ground swimming pools and melancholy images of abandoned-looking basketball hoops perched on the edge of overgrown fields suggest a region cut off from the cultural mainstream. However, Prince finds quiet moments of beauty in these overlooked and undervalued features of the landscape. The "Upstate" series typifies Prince's process of making art through the reproduction and displacement of pop culture iconography, often with a touch of mordant humor, an approach that has been deeply influential in the development of appropriation art since the 1960s, and which has invited comparisons between Prince and contemporaries such as Barbara Kruger, Sherrie Levine, and Jack Goldstein...