Robert Longo Edmund 1985- Invitation Framed

1985

Original Andy Warhol vintage poster with Michael Jackson for Time Magazine March 1984. This vintage poster created by Andy Warhol was the image used for the cover of Time Magazine ...

Ed Ruscha Reading Ed Ruscha (Hand Signed by Ed Ruscha), 2012 Offset Lithograph Poster Boldly signed in black marker by Ed Ruscha on the lower front, edition of approx. 50 hand signe...

'Keith Haring Painted Man'/Keith Haring Into 84: A set of 2 announcement cards for Keith Haring’s well-documented exhibition, 'Into 84' at Tony Shafrazi Gallery, New York, 1983. For this series Haring borrowed Jones' body — from head to toe — as the canvas to his work. A bodily canvas defined by much of the bold pictograms characteristic of Haring's artistic signature. Photos by Haring's long-time friend and collaborator Tseng Kwong Chi. Looks fantastic framed as a set. Off-set printed gallery announcements, 1983. Dimensions: 6 x 4 inches (applies to each individual). Good overall condition with well-preserved colors. Some surface creating to red card. Unsigned from an edition of unknown. Further About: In 1983 Keith Haring teamed up with award-winning choreographer and dancer Bill T. Jones, founder of the Bill T. Jones/Arnie Zane Dance Company. Keith and Bill met in London in 1983 at a time when the graffiti artist was opening a major show at the Robert Fraser Gallery, and together they produced a series of exceptional collaborations in both performance and drawing. Keith Haring was an American artist and social activist known for his illustrative depictions of figures and symbols. His white chalk drawings could often been found on the blank poster marquees in New York’s public spaces and subways. “I don't think art is propaganda,” he once stated. “It should be something that liberates the soul, provokes the imagination and encourages people to go further. It celebrates humanity instead of manipulating it.” Born on May 4, 1958 in Reading, PA, he grew up in neighboring Kutztown, where he was inspired to draw from an early age by Walt Disney cartoons and his father who was an amateur cartoonist. After briefly studying commercial art in Pittsburgh, Haring came across a show of the works of Pierre Alechinksy and decided to pursue a career in fine art instead. He moved to New York in the late 1970s to attend the School of Visual Arts, and soon immersed himself in the city’s graffiti culture. By the mid-1980s, he had befriended fellow artists Andy Warhol, Kenny Scharf, and Jean-Michel Basquiat, and collaborated with celebrities like the singer Grace Jones. Diagnosed with HIV/AIDS in 1988, Haring’s prodigious career was brief, and he died of AIDS-related complications on February 16, 1990 at the age of 31. Before his death, Haring established the Keith Haring Foundation, a non-profit committed to raising awareness of the illness through art programing and community outreach. Throughout his career, Haring made his art widely available through the location of his murals, as well as through the Pop Shop—Haring's own storefront which he used to sell his memorabilia.The artist’s mural Crack is Wack (1986), can still be seen today on a retaining wall along FDR Drive in Manhattan. Haring’s works can be found in the collections of The Museum of Modern Art in New York, the Los Angeles County Museum of Art, the Art Institute of Chicago, and the Smithsonian American Art Museum in Washington, D.C. Related Categories Modern Dance. Ballet. Keith Haring Figurative Drawings. Keith Haring Into 84 poster. Keith Haring and Tony Shafrazi. Haring Shafrazi.

David Hockney Paintings and Drawings for Parade - Metropolitan Museum (Hand Signed by David Hockney), 1981 Offset Lithograph. Hand signed by David Hockney...

ROBERT INDIANA Hirshhorn Museum & Sculpture Garden Opening Exhibition (Signed & Numbered Edition), 1974 Lithograph on wove paper 32 × 26 inches Signed and numbered 4/100 in pencil on...

Original “Aretha” vintage music promotional poster featuring Aretha Franklin with the artwork created by Andy Warhol. Archivally backed linen is in very good condition and ready to...

1986 Andy Warhol record art featuring Debbie Harry. Featured prominently in 'Andy Warhol: The Record Covers, 1949-1987, a Catalog Raisonne' by Warhol scholar Paul Marechal. Off-set lithograph on vinyl record cover. 12 x 12 Inches (30.48 x 30.48 cm). Excellent condition. Includes original record (likewise excellent). Looks super cool framed. Further Background: Obsessed with celebrity, consumer culture, and mechanical reproduction, Pop Art king, Andy Warhol created some of the 20th century’s most iconic images. Warhol was widely influenced by popular consumer culture, with this being evident in some of his most famous works: 32 Campbell's soup cans, Brillo pad box sculptures, and portraits of Marilyn Monroe Mick Jagger, for example. Rejecting the standard painting and sculpting modes of his era, Warhol embraced silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. The artist mentored Keith Haring and Jean-Michel Basquiat and continues to influence contemporary art around the world: His most bold successors include Richard Prince, Takashi Murakami, and Jeff Koons. Warhol has been the subject of exhibitions at the Whitney Museum of American Art, Museum of Modern Art, Tate Modern, and Centre Pompidou, among other institutions. Related Categories Stephen Sprouse graffiti. Warhol Debbie Harry. Blondie. 1980s pop art...

This vintage poster from 1984, designed by doll historians Stéphanie Farago and Bob Dennison, features seven Lenci dolls in a setting related to the 1984 Summer Olympic Games in Los Angeles. The image plays on mimicry: dolls imitating children, children dressed as adults, and adults observing them. These iconic dolls, made of pressed felt by the Lenci company in the early 20th century, are dressed in adult sports attire: boxing gloves, jockeys, golfers' uniforms, riding jackets, and fencing gear. Their gaze is turned sideways, not toward each other or the viewer, but offstage. This sidelong glance, detached and unreadable, is the hallmark of Lenci's design and one of its earliest formal signatures. Dressed for adult games, but motionless, they do not play—they pose, returning to their status as objects. The poster unsettles by staging this discrepancy between the theatricality of adult roles and the inert form of the doll. What should remain two-dimensional takes on unexpected volume, as if the viewer were reanimating a fragment of childhood. The image, likely tied to Farago and Dennison’s 1986 publication "The Magic Romance of Art Dolls", presents the quintessential Lenci figure...

Jasper Johns Jasper Johns at Ileana Sonnabend, 1962 Offset Lithograph exhibition poster/invitation Plate signed on the front 31 3/4 × 21 inches Unframed This rare, collectible vintag...

Raymond Pettibon illustrated Black Flag flyer published on the occasion of: Black Flag at the Elite Club, Oct. 31 1981; with D.O.A., Saccharine Trust, & Overkill. A rare early Petti...