Charles Bell

The Viking, Pinball Machine by Charles Bell

1994

Lucky Lady is a pigment print on paper by the renowned photorealist Charles Bell. The image is 27 x 46" and the framed dimensions are 32.5 x 50.75. Framed in a contemporary, black mo...

Large oil painting of a pinball wizard playing a Playboy pinball machine. :: Painting :: Fine Art :: This piece comes with an official certificate of au...

"Double Bubble" silkscreen of gumball machine by Photorealist painter Charles Bell. Hand-numbered 117/150 in pencil in front lower left corner. Hand-signed Charles Bell in pencil in ...

For nearly twenty years, Thompson has focused primarily on painting old neon signs that have somehow avoided the wrecking ball - the signs that have live...

Artist: Charles Bell (1935-1995) Title: The Ultimate Gumball Year: 1981 Medium: Silkscreen with shellac overglaze on Masonite panel Size: 46.75 x 53.25 inches Inscription: Unsigned a...

'Billiards', oil on canvas, unframed and 30 x 48 inches. Terry Thompson looks for beauty in the often overlooked, painting in a photorealistic style various "Pop" culture products th...

"Rack Them Up" is part of my Glitch series which combines realism that blends with digital aesthetics This series is based on photos that I made and combined with some graphic effec...

Vintage 'DIXIELAND' themed pinball machine from 1968. Made by Bally's. In excellent working condition. Great visuals and sounds. Fun paced gameplay. Game has two small flippers, whic...

Signed, verso, 'Tom Kraa' and dated 1987 on stretcher; bearing original gallery label verso with artist name, date and title, 'Funny Money'. Previously with: DW Gallery, Dallas, Texas An exceptional trompe-l'œil still life showing illuminated party lights, United States currency and a crossword puzzle against the backdrop of a sheet of pegboard. This little known artist exhibited with the prestigious DW Gallery in Dallas in the year before it closed. Along with several other women, Linda Samuels (formerly Linda Surls) started the DW Gallery (DWG) as a small women's co-op at McKinney and Hall streets in 1975. In the first few years, the gallery was staffed by member artists, each of whom worked three days a month and paid a $33 monthly fee toward overhead costs. Throughout its 13-year history, the gallery developed a reputation for recognizing raw talent and eventually became one of the nation's most respected showcases for contemporary regional artists. DWG was the first to exhibit several "new" artists who are nationally recognized today, including Lee N. Smith, David Bates, and Clyde Connell. The gallery was also successful at promoting up-and-coming Dallas artists such as David McManaway, John Hernandez, and Sam Gummelt. In 1978, the gallery was incorporated after receiving backing from founding member Lou Alpert (formerly Frederickson). By 1980, when director Linda Samuels moved to California, the gallery had expanded twice. In 1981, Diana Block succeeded Samuels as DWG director. Under Block, the gallery continued its successful theme exhibits, including a popular Book/Art exhibition. In 1983, DWG expanded to a new space on Main Street in Deep Ellum and opened a bookstore in a renovated warehouse. In 1986, when the gallery again needed to expand, it moved to new space on Canton and Oakland Streets rented from John Tatum, Dallas developer and major stockholder in DWG. After a dispute over the lease, the gallery closed in September 1988. By this time, its operating budget had increased from $24,000 to $100,000 since 1981, with investors contributing less than 25 percent of the annual budget. The closing exhibition, The Last Show, was guest-curated by founding member Linda Samuel. It featured recent works by each of the 28 artists associated with the gallery over the past year. The gallery received postcard tributes from more than 80 artists who had exhibited there through the years, including Bob Wade, Peter Julian, Gilda Pervin, James Surls, Benito Huerta, Dan Rizzie, Danny Williams, Bill Komodore, and Frank Tolbert.

This large Super realism painting by New York artist Cesar Santander Is one of his masterpieces. It is titled "Rush Hour," and measures 38 x50". Painted in 2001, it is signed, titled, and dated on the verso and is acrylic on canvas and wood panel. Making this listing very Special, we have also included in this offering, all of the tin toys that inspired this painting and they are in a clear box with mirrors on the 2 sides, the back and the bottom of the lucite box and can be displayed along side the painting just how the toys are featured in the painting. You can see an image of that mirrored box in this listing. Santander first sets up the layout of these vintage tin toys...