Elizabeth Peyton

Elizabeth Peyton, Still Life - Linocut, Contemporary Art, Signed Print

2016

Elizabeth Peyton (American, b. 1965) Frederick Douglass, 2023 Medium: Linocut print on Japan paper, bookplate and artist’s book Dimensions: 61 x 46 cm (24 x 18 1/2 in) Edition of 30:...

Elizabeth Peyton (American, b. 1965) The Kiss, 2018 Medium: Etching on wove paper Dimensions: 33 x 37 cm Edition of 30: Hand-signed and numbered Condition: Mint

Elizabeth Peyton (American, b. 1965) Frederick Douglass, 2023 Medium: Linocut print on Japan paper Dimensions: 61 x 46 cm Edition of 30: Hand-signed, numbered, titled and dated Condi...

Elizabeth Peyton (American, b. 1965) Lou Reed + Rachel, 2017 Medium: Linocut on wove paper Dimensions: 57 x 44 cm Edition of 30: Hand-signed, numbered and dated Condition: Mint

Still Life is an original colored lithograph realized by Antonio Fomez between 1950 and 1974 . Hand-signed in pencil on the lower right. Numbered, edition of 99 prints, (handwritten...

Matons is a linocut print realized by Albert Flocon in 1987. Good conditions. Belongs to the series " from the "Scénographies au Bauhaus. Hommage à Osk...

Composition is an Original Woodcut realized by Madeleine Flaschner (1933-....). The artwork is an experience greatly enhanced by the artist. Mono...

'Flowers' is an original linocut by Wisconsin-based artist Schomer Lichtner. The composition presents a scattered floral still life amongst abstracted shadows and forms, rendered with Lichtner's quintessential abstract sensibilities. This print is one from a series that each depict abstracted subjects in black silhouette, taking pleasure in the materiality of the linocut technique. The free forms of the flower resemble the lyrical mid-century works of the French artist Henri Matisse, which combined with these material concerns demonstrate Lichter's modern sensibilities. The prints from this series are unusual because of how below the image, Lichtner also includes his Chinese seal and a linocut remarque of a cow, each of which act as an additional signature of the artist on the artwork. Linocut in black and red on Permalife white wove paper 4 x 5.25 inches, image 11.5 x 8.75 inches, sheet 16.5 x 13.63 inches, frame Signed in pencil, below image, lower right. Edition 1/100 in pencil, below image, lower left. Chinese signature stamp in red, below image, lower right. Remaque of a cow in red, below image, lower right. Permalife watermark to paper. Framed to conservation standards in a shadow-box style mounting, using 100 percent rag matting, museum glass, and housed in a silver-finish wood moulding. Overall excellent condition with no creases or discoloration. Milwaukee artist Schomer Lichtner was well known for his whimsical cows and ballerinas and abstract imagery. He and his late wife Ruth Grotenrath, both well-known Wisconsin artists, began their prolific careers as muralists for WPA projects, primarily post offices. Lichtner also painted murals for industry and private clients. Schomer was a printmaker and produced block prints, lithographs, and serigraph prints. His casein (paint made from dairy products) and acrylic paintings are of the rural Wisconsin landscape and farm animals. He became interested in cows when he and Ruth spent summers near Holy Hill in Washington County. According to David Gordon, director of the Milwaukee Art Museum, Schomer Lichtner had a tremendous joie de vivre and expressed it in his art. Schomer Lichtner was nationally known for his whimsical paintings and sculptures of black- and white-patterned Holstein cows...