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Henri Laurens, Still Life, 1929 (after)1929
1929
$1,916
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£1,454.34
£1,817.9320% Off
€1,667.77
€2,084.7120% Off
CA$2,704.42
CA$3,380.5320% Off
A$2,902.94
A$3,628.6820% Off
CHF 1,545.67
CHF 1,932.0920% Off
MX$34,382.13
MX$42,977.6620% Off
NOK 19,533.04
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SEK 17,839.11
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DKK 12,458.97
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About the Item
This exquisite lithograph and pochoir after Henri Laurens (1885–1954), titled Nature morte (Still Life), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (Cubist Art, Theories and Achievements, Critical Study), originates from the 1929 edition published by Editions Charles Moreau, Paris, and printed by Atelier Daniel Jacomet, Paris, May 1929. Nature morte (Still Life) reflects Laurens’s masterful translation of Cubist principles into form and volume, capturing the structural rigor and poetic balance that defined his artistic vision. The composition’s interwoven planes and geometric contours reveal Laurens’s deep understanding of spatial rhythm and material harmony—qualities that would later shape his sculptural work. Through the refined color layering of the pochoir process, Laurens infuses his still life with both solidity and grace, offering a glimpse into the sculptor’s exploration of the intersection between architecture and abstraction.
Executed as a lithograph and pochoir on velin paper, this work measures 10.83 x 8.27 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the exceptional craftsmanship of Atelier Daniel Jacomet, Paris, under the direction of Editions Charles Moreau, Paris.
Artwork Details:
Artist: After Henri Laurens (1885–1954)
Title: Nature morte (Still Life), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (Cubist Art, Theories and Achievements, Critical Study), 1929
Medium: Lithograph and pochoir on velin paper
Dimensions: 10.83 x 8.27 inches (27.5 x 21 cm)
Inscription: Signed in the plate and unnumbered as issued
Date: May 1929
Publisher: Editions Charles Moreau, Paris
Printer: Atelier Daniel Jacomet, Paris
Condition: Well preserved, consistent with age and medium
Provenance: From the album L'Art Cubiste, Theories et Realisations, Etude Critique, published by Editions Charles Moreau, Paris, and printed by Atelier Daniel Jacomet, Paris, May 1929
Notes:
Excerpted from the album (translated from French): This album was composed in Didot Characters and completed to print in May 1929 by Ducros et Colas, Maitres-Imprimeurs in Paris. Boards have been executed by D. Jacomet in an edition of D examples, numbered on the colophons.
About the Publication:
L'Art Cubiste, Theories et Realisations, Etude Critique (Cubist Art, Theories and Achievements, Critical Study), published in 1929 by Editions Charles Moreau, represents one of the finest tributes to the intellectual and aesthetic evolution of the Cubist movement. Combining theoretical essays with exquisitely printed color plates by the foremost Cubist masters—including Pablo Picasso, Georges Braque, Juan Gris, Fernand Leger, Albert Gleizes, Andre Lhote, Louis Marcoussis, Auguste Herbin, Georges Valmier, and Henri Laurens—the album stands as both a historical document and a work of art in itself. Each plate was executed in lithography and enhanced by hand-stenciled pochoir coloring under the supervision of Daniel Jacomet, whose craftsmanship preserved the tonal depth and vibrancy of the original works. The result was a publication that united fine printing, theory, and artistic mastery—a cornerstone of modern art publishing and an enduring testament to the formal brilliance and philosophical depth of Cubism.
About the Artist:
Henri Laurens (1885–1954) was a pioneering French sculptor, collagist, and illustrator whose transformation of Cubist principles into sculpture made him one of the most influential artists of early modernism. Born in Paris, Laurens began as a stonemason and ornamental carver, a discipline that gave him a deep understanding of material and structure—skills that became central to his mature artistic vision. After meeting Georges Braque and encountering the revolutionary work of Pablo Picasso around 1911, Laurens joined the Cubist movement, adapting its radical geometry and fractured planes into three-dimensional space. His early carvings in wood and stone explored the interplay between solid mass and spatial rhythm, while his later works evolved into fluid, organic forms that bridged figuration and abstraction. A vital figure in the avant-garde community of early 20th-century Paris, Laurens moved in creative dialogue with Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like him, redefined the boundaries of art and perception. Laurens’s sculptures, collages, and monumental public works celebrated the harmony of form, movement, and material, embodying both the intellect of Cubism and the warmth of human emotion. His synthesis of geometry and sensuality profoundly influenced later sculptors including Henry Moore, Barbara Hepworth, and Cesar, as well as generations of abstract and minimalist artists who admired his balance of architectural structure and organic vitality. Today, Laurens’s works are held in major museum collections such as the Centre Pompidou, MoMA, and the Tate, and continue to be prized for their timeless elegance, innovation, and humanism. His highest auction record was achieved by Le Boxeur, which sold for $2,660,433 at Sotheby’s, London, in 2020, affirming his enduring stature among the great sculptors of the modern era.
After Henri Laurens Nature morte, Laurens L'Art Cubiste, Laurens Atelier Daniel Jacomet, Laurens Editions Charles Moreau, Laurens pochoir lithograph, Laurens Cubism.
- Creation Year:1929
- Dimensions:Height: 10.83 in (27.51 cm)Width: 8.27 in (21.01 cm)
- Medium:
- Movement Style:
- After:Henri Laurens (1885 - 1954, French)
- Period:
- Condition:
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU1465215469282
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Executed as a lithograph and pochoir on velin paper, this work measures 18.25 x 13.25 inches (46.4 x 33.7 cm). Signed in the plate and unnumbered, as issued. The edition exemplifies the refined craftsmanship of Atelier Daniel Jacomet et Cie, Paris.
Artwork Details:
Artist: After Pablo Picasso (1881–1973)
Title: Nature morte (Still Life), from the album Douze Contemporains (Twelve Contemporaries)
Medium: Lithograph and pochoir on velin paper
Dimensions: 18.25 x 13.25 inches (46.4 x 33.7 cm)
Inscription: Signed in the plate and unnumbered, as issued
Date: December 1959
Publisher: Editions d'art du lion, Paris, and Boston Book and Art Shop, Inc., Boston
Printer: Atelier Daniel Jacomet et Cie, Paris
Condition: Well preserved, consistent with age and medium
Provenance: From the album Douze Contemporains (Twelve Contemporaries), published by Editions d'art du lion, Paris, and Boston Book and Art Shop, Inc., Boston; rendered by Daniel Jacomet, Paris; printed by Atelier Daniel Jacomet et Cie, Paris, December 1959
Notes:
Excerpted from the folio (translated from French), This album finished printing in December 1959 drawn to CMLXX examples numbered from I to CMLXX and XXX non-commerce examples numbered from I to XXX, was directed by Daniel Jacomet. Typography of L'Imprimerie Union in Paris.
About the Publication:
Douze Contemporains (Twelve Contemporaries), published in 1959 by Editions d'art du lion in collaboration with Boston Book and Art Shop, Inc., stands as a masterwork of mid-century French printmaking, uniting the visions of leading modern artists through a harmonious portfolio of lithographs and pochoirs. The album exemplifies Jacomets meticulous approach to color separation and hand-stenciled execution, preserving the tonal richness and structural clarity of each composition. Issued in a significant edition of numbered and non-commerce impressions, the publication reflects the vibrancy of postwar artistic culture and the ateliers central role in advancing modern printmaking.
About the Artist:
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