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Henri Laurens, Still Life, from XXe Siecle, 1956 (after)1956
1956
$716
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£545.22
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€627.80
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CA$1,014.64
CA$1,268.2920% Off
A$1,091.39
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CHF 583.27
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NOK 7,353.64
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About the Item
This exquisite lithograph and pochoir after Henri Laurens (1885–1954), titled Nature morte (Still Life), from the album XXe Siecle, Nouvelle serie N°6 (double), Janvier 1956, originates from the 1956 edition published by Societe Internationale dArt XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Atelier Daniel Jacomet et Cie, Paris, 1956. A refined example of Laurens’s mature graphic work, it reflects the sculptural balance, geometric clarity, and rhythmic compositional harmony that define his celebrated oeuvre.
Executed as a lithograph and pochoir on velin paper, this work measures 12.5 x 9.75 inches. Signed in the plate and unnumbered as issued. Printed by Atelier Daniel Jacomet et Cie, Paris, renowned for its masterful pochoir craftsmanship.
Artwork Details:
Artist: Henri Laurens (1885–1954)
Title: Nature morte (Still Life)
Medium: Lithograph and pochoir on velin paper
Dimensions: 12.5 x 9.75 inches (31.75 x 24.77 cm)
Inscription: Signed in the plate and unnumbered as issued
Date: 1956
Publisher: Societe Internationale dArt XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris
Printer: Atelier Daniel Jacomet et Cie, Paris
Condition: Well preserved, consistent with age and medium
Provenance: From the album XXe Siecle, Nouvelle serie N°6 (double), Janvier 1956, published by Societe Internationale dArt XXe Siecle, Paris; printed by Atelier Daniel Jacomet et Cie, Paris, 1956
About the Publication:
Gualtieri di San Lazzaros XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 to unite the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor and champion of modernism, believed deeply in the synthesis of art and literature, creating a publication that served as both a scholarly platform and a collectors object. Across its many issues, XXe Siecle featured original lithographs, pochoirs, linocuts, and wood engravings by leading modern masters including Picasso, Matisse, Chagall, Miro, Braque, Leger, Kandinsky, and Calder, printed by premier ateliers such as Mourlot, Atelier Jacomet, and Lacouriere. The double issues of the 1950s reflect a flourishing period of postwar abstraction, sculpture, and avant garde experimentation. Today, XXe Siecle remains an essential reference point in 20th century art history, prized by collectors, museums, and scholars worldwide.
About the Artist:
Henri Laurens (1885–1954) was a pioneering French sculptor, collagist, and illustrator whose transformation of Cubist principles into sculpture made him one of the most influential artists of early modernism. Born in Paris, Laurens began as a stonemason and ornamental carver, a discipline that gave him a deep understanding of material and structure skills that became central to his mature artistic vision. After meeting Georges Braque and encountering the revolutionary work of Pablo Picasso around 1911, Laurens joined the Cubist movement, adapting its radical geometry and fractured planes into three dimensional space. His early carvings in wood and stone explored the interplay between solid mass and spatial rhythm, while his later works evolved into fluid, organic forms that bridged figuration and abstraction. A vital figure in the avant garde community of early 20th century Paris, Laurens moved in creative dialogue with Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray artists who, like him, redefined the boundaries of art and perception. Laurens’s sculptures, collages, and monumental public works celebrated the harmony of form, movement, and material, embodying both the intellect of Cubism and the warmth of human emotion. His synthesis of geometry and sensuality profoundly influenced later sculptors including Henry Moore, Barbara Hepworth, and Cesar, as well as generations of abstract and minimalist artists who admired his balance of architectural structure and organic vitality. Today, Laurens’s works are held in major museum collections such as the Centre Pompidou, MoMA, and the Tate, and continue to be prized for their timeless elegance, innovation, and humanism. His highest auction record was achieved by Le Boxeur, which sold for 2,660,433 USD at Sothebys, London, in 2020, affirming his enduring stature among the great sculptors of the modern era.
Henri Laurens, Nature morte, XXe Siecle 1956, lithograph and pochoir printed by Jacomet.
- Creation Year:1956
- Dimensions:Height: 12.4 in (31.5 cm)Width: 9.65 in (24.52 cm)
- Medium:
- Movement Style:
- After:Henri Laurens (1885 - 1954, French)
- Period:
- Condition:
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU1465216495232
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Pablo Picasso, Still Life, from Twelve Contemporaries, 1959 (after)
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This exquisite lithograph after Pablo Picasso (1881–1973), titled Nature morte (Still Life), from the album Douze Contemporains (Twelve Contemporaries), originates from the 1959 edition published by Editions d'art du lion, Paris, and Boston Book and Art Shop, Inc., Boston, rendered by Daniel Jacomet, Paris, and printed by Atelier Daniel Jacomet et Cie, Paris, December 1959. The work captures Picassos bold graphic energy, structural invention, and expressive distillation of form that reshaped the trajectory of modern art.
Executed as a lithograph and pochoir on velin paper, this work measures 18.25 x 13.25 inches (46.4 x 33.7 cm). Signed in the plate and unnumbered, as issued. The edition exemplifies the refined craftsmanship of Atelier Daniel Jacomet et Cie, Paris.
Artwork Details:
Artist: After Pablo Picasso (1881–1973)
Title: Nature morte (Still Life), from the album Douze Contemporains (Twelve Contemporaries)
Medium: Lithograph and pochoir on velin paper
Dimensions: 18.25 x 13.25 inches (46.4 x 33.7 cm)
Inscription: Signed in the plate and unnumbered, as issued
Date: December 1959
Publisher: Editions d'art du lion, Paris, and Boston Book and Art Shop, Inc., Boston
Printer: Atelier Daniel Jacomet et Cie, Paris
Condition: Well preserved, consistent with age and medium
Provenance: From the album Douze Contemporains (Twelve Contemporaries), published by Editions d'art du lion, Paris, and Boston Book and Art Shop, Inc., Boston; rendered by Daniel Jacomet, Paris; printed by Atelier Daniel Jacomet et Cie, Paris, December 1959
Notes:
Excerpted from the folio (translated from French), This album finished printing in December 1959 drawn to CMLXX examples numbered from I to CMLXX and XXX non-commerce examples numbered from I to XXX, was directed by Daniel Jacomet. Typography of L'Imprimerie Union in Paris.
About the Publication:
Douze Contemporains (Twelve Contemporaries), published in 1959 by Editions d'art du lion in collaboration with Boston Book and Art Shop, Inc., stands as a masterwork of mid-century French printmaking, uniting the visions of leading modern artists through a harmonious portfolio of lithographs and pochoirs. The album exemplifies Jacomets meticulous approach to color separation and hand-stenciled execution, preserving the tonal richness and structural clarity of each composition. Issued in a significant edition of numbered and non-commerce impressions, the publication reflects the vibrancy of postwar artistic culture and the ateliers central role in advancing modern printmaking.
About the Artist:
Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picassos career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picassos enduring legacy as one of the most influential and valuable artists in history.
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