Lithograph Still-life Prints

'279. Bulgaria inquinans 280. Elaphomyces variegatus 281. Xylaria hypoxylon 282. Tuber melanosporum (Truffle) 283. Tuber aestivum (Summer truffle)' Antique French mushroom / fungi c...

This exquisite lithograph after Rene Magritte (1898–1967), titled Sans titre (Untitled), from the album Poems 1923-1958, Dix dessins de Rene Magritte (Ten Drawings by Rene Magritte),...

'Furze (Ulex Europaeus, Linne)' Colour lithograph, 1909.

'220. Hydnum Erinaceus 221. Hydnum coralloides 222. Hydnum repandum' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swiss, and Belgian fungi, illustrated by chromolithographs from watercolours by the illustrator Aimé...

'Bindweed (Convolvulus arvensis)' Colour lithograph, 1909.

Tennis, Olympic Games Beijing 2008   is a wonderful colored screen print realized by Fabio Mauri in occasion of the  Olympic Games  held in  Beijing  in  2008.  This artwork is a pa...

Dark Still Life Photography Fine Art Print for Sale - Natura Morte 6 by Evangelos Koukouwitakis From the series "Natura Morte" still life: The photographic image of the withered flo...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, In Memory of M...

This exquisite lithograph after Henri Matisse (1869–1954), titled Danseuse Créole (Creole Dancer), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates from the 1958 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1958. Danseuse Créole celebrates Matisse’s mastery of rhythm and movement through his iconic cut-out technique, transforming color and form into pure visual music. The composition captures a dancer in motion—her form abstracted into vibrant, flowing shapes that express both energy and grace. Evoking the sensuality and vitality of dance, this work embodies Matisse’s lifelong quest to unite color, joy, and human expression in perfect harmony. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, faithfully capturing the coloristic richness and compositional rhythm of Matisse’s late paper cut-outs. Artwork Details: Artist: After Henri Matisse (1869–1954) Title: Danseuse Créole (Creole Dancer), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, 1958 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches Inscription: Signed in the plate and unnumbered as issued Date: 1958 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Duthuit, Claude. Henri Matisse: Catalogue raisonne des ouvrages illustres. Editions Claude Duthuit, Paris, 1988, illustration 139 Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, published by Editions de la revue Verve, Paris, 1958 Notes: Excerpted from the publication, Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, published under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1958. This double issue of Verve was entirely devoted to the final works of Henri Matisse, composed of his celebrated gouache cut-outs, which the artist called “painting with scissors.” Completed shortly before his death, this issue represents the culmination of Matisse’s lifelong exploration of color, rhythm, and spiritual joy through the simplest means of expression. About the Publication: Verve, Revue Artistique et Litteraire was one of the most influential art periodicals of the 20th century, founded in Paris in 1937 by the visionary Greek-born publisher Teriade (Stratis Eleftheriades). Conceived as a synthesis of art and literature, Verve brought together the greatest modern artists and writers of its time—Henri Matisse, Pablo Picasso, Marc Chagall, Georges Braque, Joan Miro, Fernand Leger, and others—alongside poets and philosophers such as Paul Eluard, Albert Camus, and Jean-Paul Sartre. Each issue was a work of art in itself, luxuriously printed by master lithographers such as Mourlot Freres and produced in collaboration with leading typographers and designers. Verve became a platform for avant-garde creativity, publishing original lithographs and essays that reflected the evolving spirit of modernism. Matisse collaborated closely with Teriade from the magazine’s inception, producing some of its most iconic issues, including those devoted to his paper cut-outs. The final Verve issue of 1958, which featured La Tristesse du Roi, the Nu Bleu series, Poisson Chinois, and Danseuse Créole, stands as a testament to Matisse’s enduring genius and to the publication’s legacy as the definitive meeting of art, poetry, and printing craftsmanship in 20th-century France. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisse’s influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately $80.8 million USD, achieved in 2018 at Christie’s New York for Odalisque couchee aux magnolias (1923). Henri Matisse Danseuse...

'200. Polyporus umbellatus 201. Polyporus frondosus' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," an atlas of Frenc...

Flowers Color lithograph Signed in pencil (see photo) Annotated in pencil "Eprueve HC" (see photo) A trial proof reserved for the artist Printed by Mourlot, Paris First edition was 1...

'Masdevallias' Flowers are numbered with a key to the varieties below the image. Antique English flower botanical chromolithograph.

'Mistletoe (Loranthus celastroides, Sieber) Colour lithograph, 1909.

This exquisite lithograph after Juan Gris (1887–1927), titled Guitare (Guitar), from the folio Au Soleil du Plafond (In the Sunlight of the Ceiling), originates from the 1955 edition...

'158. Psalliota Bernardii 159. Psalliota arvensis' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," an atlas of French,...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie A, var. 5 (Series A, Variation 5), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

Grape Varieties - 'Mrs Pince's Muscat, Royal Muscadine, Chasselas Vibert, Foster's Seedling, Mrs Pearson, Gros Maroc'. Early 20th century fruit chromolithograph, from Horace Wright'...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 156, originates from the 1966 edition published by Mae...

Salvador Dali - Strawberry Heart - Original Hand-Signed Lithograph 1970 Dimensions: P. 57 x 37 cm Sheet: 75 x 56 cm Handsigned, EA (Epreuve d'Artiste) Excellent Condition Reference:...

Ed Baynard Blue Vase on Antique Paper, 2002 Pochoir and relief in colors on vintage handmade paper Signed, dated and numbered lower right ‘AP 3/4 Ed Baynard 02’. This work is artist'...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Dark Still Life Photography FIne Art Print - Natura Morte 3 by Koukouwitakis From the series "Natura Morte" still life The photographic image of the withered flowers, rotten fruit, ...

Robert Kipness was an American painter and printmaker who’s work focused on forms and a pronounced moodiness. This print is signed, numbered, dated, and...

Artist: Ronald Julius Christensen – American (1923-1999) Title: Zannias (sic) Year: circa 1980 Medium: Color Lithograph on BFK Rives paper Image size: 24 x 19 inches. Sheet size: 30 x 22.5 inches Signature: Signed lower right Edition size: 295 This one: 114/295 Condition: Very good Unframed This exceptional vivid lithograph is by noted artist Ronald Julius Christensen (1923-1999). It makes use of vivid colors and bold strokes. The print is in very good condition. Born in Quincy, Massachusetts, Ronald Christensen established a fine-art career as a printmaker, painter and muralist in Boston where he had studied at the Boston Museum School of Fine Art and the Vesper George School of Art. He became a teacher in Color Theory at the New England School of Art in Boston in 1963. Exhibition venues included the National Academy of Design (1965) and the Rhode Island Art...

Medium: Lithograph on vélin Acropole Papeteries de Renage paper. Year: 1967 Paper Size: 12.25 x 9.5 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the ...

Antique 19th century fern colour woodblock by Benjamin Fawcett after AF Lydon. From Edward J. Lowe’s 'Ferns: British and Exotic', 1867. Accompanied by a sheet of descriptive text. ...

Walk Downtown is a photolithograph on paper realized after a painting by Maurice Utrillo. Includes frame: 54.5 x 44.5 cm

Lithograph on vélin papier pur chiffon paper. Paper Size: 10 x 7.375 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Les chants de Maldoror, illustrat...

'99. Collybia butyracea 100. Collybia fusipes' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swi...

Rene Genis (French 1922-2004) Still Life. Mainly oranges and browns, fruits and flowers, against a background of browns with a pitcher central. The browns contain a subtle mixture ...

'230. Clavaria cristata 231. Clavaria Botrytis 232. Clavaria cinerea 233. Clavaria rugosa' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, ...

These works were printed in November 1967 by Fernand Mourlot, master lithographer in Paris.

'45. Clitocybe clavipes 46. Clitocybe cartilaginea 47. Clitocybe nebularis' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgi...

'265. Helvella sulcata 266. Helvella lacunosa' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swi...

'Onion Weed (Asphodelus fistulosus, Linne)' Colour lithograph, 1909.

'209. Polyporus lucidus' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swiss, and Belgian fungi,...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 157, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

This artwork titled "Abundance" 1988 is a original color lithograph on paper by noted artist Max Coyer, 1954-1988 It is hand signed, dated, titled and number...

This exquisite lithograph by Georges Braque (1882–1963), titled La Bouteille de Marc (The Bottle of Marc), from the album XXe Siecle, Nouvelle serie N°6 (double) Janvier 1956, origin...

Artist: Cesar Title: Automobile Compression Year: circa 1980 Medium: Lithograph, signed and numbered in pencil Edition: 300; 40 AP Image Size: 30 x 22 inches; 76.2 x 55.88 cm Pape...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Une Aventure méthodique, 1950; published by Fernand Mourlot, Paris, a...

Artist: Lady Jane Webb Loudon (Brittish, 1800 - 1858) 9.5 x 8 in. page. 12 x 14 in. frame. A color lithographic plate from The Ladies' Flower-Garden of British Wildflowers. By Mrs. ...

Watermelon is a mixed colored lithograph by the Sicilian artist Renato Guttuso in 1982 The artwork is from XXeme Siècle Paris/New York; Printer Graphis Arte Livorno/Roma. Referenc...

Moshe Castel PRAYER - 1979 Print - Lithograph on Somerset paper 21.5'' x 28.25'' Edition: Signed in pencil and marked 98/150 Unframed In Excellent Condition Moshe Castel (1909-1992...

Lithograph on vélin papier pur chiffon paper. Paper Size: 10 x 7.375 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Les chants de Maldoror, illustrat...

'African Boxthorn (Lycium horridum, Thurnberg)' Colour lithograph, 1909. Plate number printed at the top of the image.

'241. Auricularia Auricula Judae 242. Auricularia mesenterica' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," an atla...

'58. Hygrophorus pudorinus 59. Hygrophorus virgineus' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," an atlas of Fren...

'275. Aleuria vesiculosa 276. Otidea onotica 277. Peziza aurantia 278. Mitrula paludosa' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Su...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Guitariste (Guitarist), from the album, Picasso, Oeuvres 1920-1926, 1926, originates from the 1926 editi...

This exquisite lithograph after Fernand Leger (1881–1955), titled Feuilles vertes et fond orange (Green Leaves and Orange Background), from the album XXe Siecle, numero special hors abonnement, Cahiers d'art publies sous la direction de G. di San Lazzaro, Hommage a Fernand Leger, originates from the 1971 edition published by Societe Internationale d'Art XXe siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Mourlot Freres, Paris, 1971. Feuilles vertes et fond orange exemplifies Leger’s mastery of modern form and color, uniting bold geometry and organic vitality in a celebration of rhythm, balance, and the harmony between nature and mechanized abstraction. Executed as a lithograph on velin paper, this work measures 9.75 x 12.5 inches. Unsigned and unnumbered, as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Fernand Leger (1881–1955) Title: Feuilles vertes et fond orange (Green Leaves and Orange Background), from the album XXe Siecle, numero special hors abonnement, Cahiers d'art publies sous la direction de G. di San Lazzaro, Hommage a Fernand Leger Medium: Lithograph on velin paper Dimensions: 9.75 x 12.5 inches (24.77 x 31.75 cm) Inscription: Unsigned and unnumbered, as issued Date: 1971 Publisher: Societe Internationale d'Art XXe siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Leger, Fernand, and Lawrence Saphire. Fernand Leger: The Complete Graphic Work. Blue Moon Press, 1978, illustration 120. Condition: Well preserved, consistent with age and medium Provenance: From the album XXe Siecle, numero special hors abonnement, Cahiers d'art publies sous la direction de G. di San Lazzaro, Hommage a Fernand Leger, published by Societe Internationale d'Art XXe siecle, Paris; printed by Mourlot Freres, Paris, 1971 About the Publication: Gualtieri di San Lazzaro's XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs printed by the foremost ateliers of Paris, London, and New York, including Mourlot, Curwen, and Universal Graphics, creating a uniquely rich dialogue between text and image. Through XXe Siecle, San Lazzaro preserved the creative spirit of the avant-garde during and after World War II, championing freedom of expression and the evolution of abstraction, surrealism, and modern thought. Over nearly four decades, the journal shaped international taste and defined the intellectual landscape of postwar art publishing. Today, XXe Siecle remains celebrated for its extraordinary synthesis of art, literature, and design, an enduring testament to Gualtieri di San Lazzaro's belief that the visual arts are the soul of the modern age. About the Artist: Fernand Leger (1881–1955) was a French painter, sculptor, and filmmaker whose pioneering fusion of modern life, mechanization, and visual abstraction made him one of the most influential artists of the 20th century. Emerging from the Cubist movement, Leger developed a highly personal style distinguished by bold contrasts, cylindrical forms, and rhythmic compositions that celebrated the beauty of industrial progress and the vitality of modern urban life. Deeply influenced by the innovations of Paul Cezanne and the structural experimentation of Pablo Picasso and Georges Braque, Leger transformed Cubism’s fragmented perspective into a dynamic, machine-age aesthetic that bridged fine art, architecture, and design. His work often depicted workers, machinery, and everyday objects as monumental symbols of harmony between humanity and technology, reflecting both his optimism for modernity and his belief in the democratization of art. During his career, Leger was part of an extraordinary artistic circle that included Henri Matisse, Marc Chagall, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—visionaries who shared his commitment to pushing the boundaries of artistic form and expression. A leading figure in the international avant-garde, Leger also explored large-scale murals, public art, and film, expanding the reach of modern art beyond the gallery. His works are represented in major museum collections worldwide, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire admiration for their bold geometry, humanist vision, and timeless modernity. The highest price ever paid for a Fernand Leger artwork is approximately $70 million USD, achieved in 2017 at Christie's New York for Contraste de formes (1913). Fernand Leger Feuilles vertes et fond orange, Leger Green Leaves and Orange Background, Leger 1971 XXe siecle, Leger Mourlot...

The artist describes this work as follows: “Anemones were Matisse’s favorite flowers to paint. Their curvaceous forms, jewel-like colors. Drawing anemones always makes me feel close...

Cristobal Toral (Spain, 1940) 'Bodegón', ca. 1990-2000 lithograph on paper 21.3 x 17.8 in. (54 x 45 cm.) Edition of 225 ID: TOR1167-001-225 Hand-signed...

'Chinese Scrub (Cassinia arcuata, Rob. Brown) Colour lithograph, 1909.

'Common Horehound (Marrubium vulgare, Linne)' Colour lithograph, 1909.

"Bodegon - Still Life: Apple, Pear & Funnel in Box" is an original color lithograph by Armando Morales. The artist signed the piece and this piece is the presentation proof for the e...

These works were printed in November 1967 by Fernand Mourlot, master lithographer in Paris.

Alvar (b.1935). Still Life with Watermelon, ca. 1970. Lithograph on paper, image measures 16 x 24.5; 24.5 x 29 inches framed. Signed and numbered in pencil by artist, lower margin. E...

'Cape Tulip (Homeria collina, variety miniata, Sweet)' Colour lithograph, 1909.