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Style: Victorian
Set of Six Hand-Colored Engravings from Curtis
s Botanical Magazine /// Botany
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799)
Title: Set of Six Hand-Colored Engravings
Portfolio: The Botanical Magazine; or, Flower-Garden Displayed
Year: 1800-1810 (First-second ser...
Category
Early 1800s Victorian Still-life Prints
Materials
Watercolor, Engraving, Intaglio
Soldanella Alpina Alpine Soldanella /// English Botanical Flower Engraving Print
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799)
Title: "Soldanella Alpina Alpine Soldanella" (Vol. 2, Plate 49)
Portfolio: The Botanical Magazine; or, Flower-Garden Displayed
Year: 1788 ...
Category
1780s Victorian Still-life Prints
Materials
Watercolor, Laid Paper, Engraving, Intaglio
Set of Six Hand-Colored Engravings from Curtis
s Botanical Magazine /// Botany
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799)
Title: Set of Six Hand-Colored Engravings
Portfolio: The Botanical Magazine; or, Flower-Garden Displayed
Year: 1800-1815 (First-second ser...
Category
Early 1800s Victorian Still-life Prints
Materials
Watercolor, Engraving, Intaglio
Set of Six Hand-Colored Engravings from Curtis
s Botanical Magazine /// Botany
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799)
Title: Set of Six Hand-Colored Engravings
Portfolio: The Botanical Magazine; or, Flower-Garden Displayed
Year: 1794-1812 (First-second ser...
Category
1790s Victorian Still-life Prints
Materials
Watercolor, Engraving, Intaglio
Impatiens puberula (Soft Pink Balsam) /// Antique Botanical Flowers Plant Print
Located in Saint Augustine, FL
Artist: Nathaniel Wallich (Danish, 1786-1854)
Title: "Impatiens puberula (Soft Pink Balsam)" (Plate 193)
Portfolio: Plantae Asiaticae Rariores; or, Descriptions and Figures of a Select Number of Unpublished East Indian Plants
Year: 1830-1832
Medium: Original Hand-Colored Lithograph on J. Whatman paper
Limited edition: 254
Printer: Engelmann, Graf, Coindet & Co., London, UK
Publisher: Richard Taylor for Treuttel & Würtz, London, UK
Reference: Nissen BBI No. 2099; Pritzel No. 9957; Stafleu-Cowan No. 16583; Dunthorne No. 326
Sheet size: 21.13" x 14.13"
Condition: Has been professionally stored away for decades. In excellent condition with strong colors
Rare
Notes:
Provenance: private collection - Aspen, CO. Lithography by Maltese artist...
Category
1830s Victorian Still-life Prints
Materials
Watercolor, Lithograph
Set of Six Hand-Colored Engravings from Curtis
s Botanical Magazine /// Botany
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799)
Title: Set of Six Hand-Colored Engravings
Portfolio: The Botanical Magazine; or, Flower-Garden Displayed
Year: 1796-1829 (First-third seri...
Category
1790s Victorian Still-life Prints
Materials
Watercolor, Engraving, Intaglio
Set of Three Hand-Colored Lithographs from Roscoe
s "Monandrian Plants"
Located in Saint Augustine, FL
Artist: William Roscoe (English, 1753-1831)
Title: "Phrynium Myrosma", "Costus Maculatus", and "Kaempferia Galanga (Aromatic Ginger)"
Portfolio: Monandrian Plants of the order Scitam...
Category
1820s Victorian Still-life Prints
Materials
Watercolor, Lithograph
Dark Flora: Fly Argaric - mounted print and framed in oak
Located in London, GB
Inspired by Victorian era taxidermy dioramas, 'Dark Flora' is a series of photographs using wild plants and flowers in a curated yet naturalistic arrangement. The plants are foraged ...
Category
2010s Victorian Still-life Prints
Materials
Photographic Paper, Color, Archival Pigment, Glass, Oak
Dark Flora Autumn Weald in Floral arrangement of wild flowers and plants, Framed
Located in London, GB
Dark Flora #4 - Autumn Weald: An arrangement of cloth of gold, pine, beech, and bracken surrounding a nest of exquisite blue eggs.
Archival Pigment Print, Mounted on Aluminium, in bespoke Oak Framed, Edition 3/8
Print size: 75 x 54 cm
Framed: 80 x 60 cm approx.
Inspired by Victorian era taxidermy dioramas...
Category
2010s Victorian Still-life Prints
Materials
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Set of Nine Botanical Floral Colored Prints, Ideal Gallery Wall Project
Located in Cirencester, Gloucestershire
Set of Nine Floral Colored Prints
Each print is unframed and measures 14 x 11 inches.
A range of floral bouquets and plants - ideal for many interior design projects.
Condition:...
Category
20th Century Victorian Still-life Prints
Materials
Acrylic
Set of Six Hand-Colored Engravings from Curtis
s Botanical Magazine /// Botany
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799)
Title: Set of Six Hand-Colored Engravings
Portfolio: The Botanical Magazine; or, Flower-Garden Displayed
Year: 1801-1809 (Second series)
M...
Category
Early 1800s Victorian Still-life Prints
Materials
Watercolor, Engraving, Intaglio
Set of Six Hand-Colored Engravings from Curtis
s Botanical Magazine /// Botany
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799)
Title: Set of Six Hand-Colored Engravings
Portfolio: The Botanical Magazine; or, Flower-Garden Displayed
Year: 1803-1819 (Second series)
M...
Category
Early 1800s Victorian Still-life Prints
Materials
Watercolor, Engraving, Intaglio
Iris /// Antique Natural History Botany Botanical Flower Art Science Garden
By Pierre Corneille Van Geel
Located in Saint Augustine, FL
Artist: Pierre Corneille Van Geel (Flemish, 1796-1838)
Title: "Iris"
Portfolio: Sertum Botanicum
Year: 1828 (First edition)
Medium: Original Hand-Colored Lithograph on wove paper
Lim...
Category
1820s Victorian Still-life Prints
Materials
Watercolor, Lithograph
Ornamentale Tatowierung (Ornamental Tattoo) Antique Chromolithograph, circa 1895
Located in Melbourne, Victoria
'Ornamentale Tatowierung'
(Ornamental Tattooing)
German chromolithograph. 1895.
240mm by 150mm (sheet)
Category
Late 19th Century Victorian Still-life Prints
Materials
Lithograph
"Church of St. Aignan Chartres" Etching in Ink on Paper (Demonstration Plate)
Located in Soquel, CA
"Church of St. Aignan Chartres" Etching in Ink on Paper (Demonstration Plate)
Delicate and detailed drypoint etching of the Church of St. Aignan in Chartres, France by John Taylor Arms (American, 1887-1953). The viewer stands in an alley near the church, looking out of the shadows at the sunlit towers. The architectural details of the church are well-captured, including the texture of the stone walls, the roof, and ornamental detail.
Titled, signed, dated, and inscribed along the bottom edge:
Sketch, Saint Aignon, Chartres John Taylor Arms 1950
The inscription includes details about production, as well as a dedication "To my friends Georgia and Jasper Mathews, with my sincerest good wishes"
Presented in a wood frame with an off-white mat.
Frame size: 12.5"H x 9.25"W
Image size: 7"H x 4.5"W
John Taylor Arms was born in Washington, DC in 1887. He studied law at Princeton University, transferring to the Massachusetts Institute of Technology, Boston, to study architecture, graduating in 1912. After serving as an officer in the United States Navy during World War I, he devoted himself full-time to etching. He published his first original etchings in 1919.
His initial subject was the Brooklyn Bridge in New York City near which he worked. Arms developed a successful career as a graphic artist in the 1920s and 1930s, specializing in series of etchings of Gothic churches and cathedrals in France and Italy. In addition to medieval subjects, Arms made a series of prints of American cities.
He used sewing needles and magnifying glasses to get a fine level of detail. A member of many printmaking societies, Arms served as president of the Society of American Graphic Artists. An educator, Arms wrote the Handbook of Print Making and Print Makers (1934) and did numerous demonstrations and lectures. Arms was elected into the National Academy of Design as an Associate member in 1930, and became a full member in 1933. His work was also part of the painting event in the art competition at the 1932 Summer Olympics...
Category
1940s Victorian Still-life Prints
Materials
Paper, Ink, Drypoint, Etching
A Set of Two Hand-Colored Engravings of an Ancient Roman Vase and a Tazza (Cup)
Located in Alamo, CA
This is a pair of framed hand-colored engravings of an ancient vase in the Palizzy Wares style and a silver gilt tazza (cup) with a cover, both from the 16th century. These were engraved under the supervision of Philip De La Motte...
Category
Mid-19th Century Victorian Still-life Prints
Materials
Engraving
Salvia cana (Woolly Sage) /// Botanical Botany Flowers Plants Science Art Print
Located in Saint Augustine, FL
Artist: Nathaniel Wallich (Danish, 1786-1854)
Title: "Salvia cana (Woolly Sage)" (Plate 116)
Portfolio: Plantae Asiaticae Rariores; or, Descriptions and Figures of a Select Number of Unpublished East Indian Plants
Year: 1830-1832
Medium: Original Hand-Colored Lithograph on J. Whatman paper
Limited edition: 254
Printer: Engelmann, Graf, Coindet & Co., London, UK
Publisher: Richard Taylor for Treuttel & Würtz, London, UK
Reference: Nissen BBI No. 2099; Pritzel No. 9957; Stafleu-Cowan No. 16583; Dunthorne No. 326
Sheet size: 21.13" x 14.25"
Condition: Some scattered tiny handling creases to sheet. Has been professionally stored away for decades. In excellent condition with strong colors
Rare
Notes:
Provenance: private collection - Aspen, CO. Lithography by Maltese artist...
Category
1830s Victorian Still-life Prints
Materials
Watercolor, Lithograph
Pears (Bergamot de Chantilly, Bouchee, Winter Sweet Sugar Pear, Bishop
s Thumb)
Located in Saint Augustine, FL
Artist: George Brookshaw (English, 1751-1823)
Title: "Pears (Bergamot de Chantilly, Bouchee, Winter Sweet Sugar Pear, Bishop's Thumb)" (Plate LXXIX)
Portfolio: Pomona Britannica, or A Collection of the Most Esteemed Fruits
Year: 1808 (First edition)
Medium: Original Aquatint and Stipple Engraving with Printed and Hand-Coloring on wove paper
Limited edition: Unknown
Printer: T. Bensley, London, UK
Publisher: George Brookshaw, London, UK
Reference: Dunthorne No. 50; "Great Flower Books" - No. 81; Nissen BBI No. 244; "An Oak Spring Pomona" No. 40a; Prideaux No. 295
Framing: Recently framed in a wood and gold moulding with 100% cotton rag matting and Museum Glass
Framed size: 28.5" x 24.44"
Sheet size: approx. 22.25" x 17.5"
Image size: 16.25" x 12.25"
Condition: Some minor scuffing to image. In excellent condition
Rare
Notes:
Provenance: private collection - Orlando, FL; acquired from The Old Print Shop, New York, NY retaining their original gallery label upper center on verso. Comes from Brookshaw's famous book volume "Pomona Britannica", (1804-1812) which consists of 90 aquatint engravings some with stipple printed...
Category
Early 1800s Victorian Still-life Prints
Materials
Watercolor, Engraving, Aquatint
Glaucium Violaccum (Violet Horned-Poppy) /// James Sowerby Botanical Flower Art
Located in Saint Augustine, FL
Artist: James Sowerby (English, 1757-1822)
Title: "Glaucium Violaccum (Violet Horned-Poppy)" (Vol. 3, Plate 201)
Portfolio: English Botany; or, Coloured Figures of British Plants
Year: 1794 (First edition)
Medium: Original Hand-Colored Engraving on cream wove paper
Limited edition: Unknown
Printer: J. Davis...
Category
1790s Victorian Still-life Prints
Materials
Watercolor, Engraving, Intaglio
Chironia Baccifera Berry-Bearing Chironia /// English Botanical Flower Engraving
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799)
Title: "Chironia Baccifera Berry-Bearing Chironia" (Vol. 7, Plate 233)
Portfolio: The Botanical Magazine; or, Flower-Garden Displayed
Year...
Category
1790s Victorian Still-life Prints
Materials
Watercolor, Engraving, Intaglio
Cyrilla Pulchella Scarlet-Flowered Cyrilla /// English Botanical Flower Print
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799)
Title: "Cyrilla Pulchella Scarlet-Flowered Cyrilla" (Vol. 11, Plate 374)
Portfolio: The Botanical Magazine; or, Flower-Garden Displayed
Ye...
Category
1790s Victorian Still-life Prints
Materials
Watercolor, Engraving, Intaglio
Set of Two Hand-Colored Lithographs from Roscoe
s "Monandrian Plants" /// Botany
Located in Saint Augustine, FL
Artist: William Roscoe (English, 1753-1831)
Title: "Maranta Arundinacea (Arrowroot)" and "Phrynium Grandiflorum"
Portfolio: Monandrian Plants of the order Scitamineae, Chiefly Drawn ...
Category
1820s Victorian Still-life Prints
Materials
Watercolor, Lithograph
Glaucium Phoenicium (Red Horned-Poppy) /// James Sowerby Botanical Flower Plant
Located in Saint Augustine, FL
Artist: James Sowerby (English, 1757-1822)
Title: "Glaucium Phoenicium (Red Horned-Poppy)" (Vol. 7, Plate 1433)
Portfolio: English Botany; or, Coloured Figures of British Plants
Year...
Category
Early 1800s Victorian Still-life Prints
Materials
Watercolor, Engraving, Intaglio
Set of Two Hand-Colored Lithographs from Roscoe
s "Monandrian Plants" /// Botany
Located in Saint Augustine, FL
Artist: William Roscoe (English, 1753-1831)
Titles: "Hedychium Glaucum" and "Zingiber Elatum"
Portfolio: Monandrian Plants of the order Scitamineae, Chiefly Drawn from Living Specime...
Category
1820s Victorian Still-life Prints
Materials
Watercolor, Lithograph
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Victorian still-life prints for sale on 1stDibs.
Find a wide variety of authentic Victorian still-life prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. Many Pop art paintings were created by popular artists on 1stDibs, including William Curtis, John Taylor Arms, and Pierre Corneille Van Geel. Frequently made by artists working with Engraving, and Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Victorian still-life prints, so small editions measuring 5.5 inches across are also available. Prices for still-life prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $475 and tops out at $1,741, while the average work sells for $800.