Abstract Expressionist Prints and Multiples

Stockton by Tom Holland, American (1936 - ) Date: 1971 Lithograph, embossing and collage on Rives, signed, titled, numbered and dated in pencil Edition: 25/50 Image Size: 17 x 23 inc...

Diablo by Tom Holland, American (1936 - ) Date: 1971 Lithograph, embossing and collage on Rives, signed, titled, numbered and dated in pencil Edition: 25/50 Image Size: 18 x 24 inche...

Stanley Boxer Hand Signed and Inscribed Abstract Expressionist Poster, 1979 Offset Lithograph Poster Hand signed and warmly inscribed by ...

Artist: Richard Smith, British (1931 - 2016) Title: Times Square Remembered 2 Year: 1973 Medium: Lithograph, Screenprint, and Collage, Signed and numbered in pencil Edition: 42 Size:...

**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** THIS PRICE WON'T BE REPEATED AGAIN THIS YEAR - TAKE ADVANTAGE OF IT** Celebrating Spain in this original unique series by Mauro Oliveira....

Jacques Lipchitz The Bull and the Condor, 1962 Lithograph on Rives BFK Paper Signed in pencil and numbered 30/100 by the artist; with the blind stamp of the publisher, Tamarind Works...

Thomas Nozkowski Flare: Thomas Nozkowski Images (hand signed by Thomas Nozkowski), 2009 Limited Edition monograph on fine art paper (hand signed and dated by Thomas Nozkowski on the ...

**ANNUAL SUPER SALE UNTIL APRIL 15th ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* Celebrating Spain in this original unique series by ...

**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** **This Price Won't Be Repeated Again This Year - Take Advantage** Celebrating Spain in this original unique series. The colo...

Celebrating Spain in this original unique series by Mauro Oliveira. The colors represent the friendship between the matador and the bull. Limited edition of 30 museum quality Giclee...

Artist: Jasper Johns (1930) Title: Cup 2 Picasso (Sparks 113; Field 168; ULAE 123) Year: 1973 Medium: Color lithograph on wove paper Edition: 1,500 Size: 14 x 10.5 inches Inscription: Signed & dated with the artist's plate-signed signature. Condition: Excellent Notes: This image, as well as a companion print Cups 4 Picasso, is based on Marcel Duchamp’s 1958 collage Self-Portrait in Profile. Printed by Bill Goldston and James V...

"America" is a unique eagle design by Mauro Oliveira. This exquisite piece is for the patriotic at heart. The colorful stripes symbolize the diversity of the USA. Limited edition o...

**ANNUAL SUPER SALE UNTIL MAY 15TH ONLY** THIS PRICE WON'T BE REPEATED AGAIN THIS YEAR - TAKE ADVANTAGE OF IT** "America" is a unique eagle design by Mauro Oliveira. This exquisite...

**ANNUAL SUPER SALE UNTIL JUNE 15TH ONLY** *This Price Won't Be Repeated Again This Year-Take Advantage Of It* Celebrating Spain in this original unique series. The co...

Dramatic and compelling abstract lithograph of an abstracted lava-like form or glowing skyline under a full moon on a pitch black background by Patricia A. Pearce (American, b. 1948)...

Artist: (after) Robert Motherwell (American, 1915-1992) Title: "Art 1981 Chicago" *Issued unsigned, though signed and dated by Motherwell in the plate (printed signature) upper right Year: 1981 Medium: Original Lithograph, Exhibition Poster on Dove paper Limited edition: 2,000. (There was also a signed and numbered edition of 150 on Arches Cover paper without margins or text) Printer: Roger Campbell and Lee Funderburg of Tyler Graphics Ltd., Mount Kisco, NY Publisher: Lakeside Group, Chicago, IL Reference: "The Prints of Robert Motherwell - A Catalogue Raisonné 1943-1984" - Belknap No. 249, page 247; "Robert Motherwell - The Complete Prints 1940-1991" - Engberg No. 282; "Tyler Graphics - Catalogue Raisonné, 1974-1985" - Tyler No. 410:RM29, page 246 Sheet size: 39.5" x 27.5". Condition: Never framed, has been professionally stored away for decades. Some minor edge wear. In excellent condition Notes: Printed in four colors: light tan, orange, deep red, and black. Poster produced for a special exhibition of various artists' work at the Chicago International Art Exposition, Chicago, IL from May 14-19, 1981. The image featured on this poster is Motherwell's 1977 collage "Untitled". This poster was the official poster for the 1981 Chicago International Art Exposition. Printer's imprint and artist's copyright lower center. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: Robert Motherwell was born January 24, 1915, in Aberdeen, Washington. He was awarded a fellowship to the Otis Art Institute in Los Angeles at age 11, and in 1932 studied painting briefly at the California School of Fine Arts in San Francisco. Motherwell received a B.A. from Stanford University in 1937 and enrolled for graduate work later that year in the Department of Philosophy at Harvard University, Cambridge, Massachusetts. He traveled to Europe in 1938 for a year of study abroad. His first solo show was presented at the Raymond Duncan...

Triangle on Axis by Alexander Liberman, Ukranian/American (1912–1999) Date: 1970 Lithograph, signed, numbered and dated in pencil Edition of 18/92 Size: 35 x 23 in. (88.9 x 58.42 cm)

Johnny Friedlander:1912-1992. Well listed German abstract expressionist artist. He has had an auction record price for a single print over $2400. this powerful piece is either an et...

Miniature contemporary black and white abstract expressionist lithograph of a highly abstracted face in white by Bay Area artist Peter Foley (American, 20th/21stCentury). Signed "P.F...

Deadpan Pink - Monoprint EV on Paper Original transfer monotype painting by California artist Heather Speck (American, 20th C). Heavily textured in hues...

Artist: Lebadang, Vietnamese (1922 - 2015) Title: Nature Prays Without Words X Year: 1967 Medium: Lithograph on Arches, signed and numbered in pencil Edition: CL Size: 30 x 22 in. (7...

This original lithograph of an abstract depiction of Van Gogh by Jose Luis Cuevas was printed at the Atelier Mourlot in 1968 and is dated in the plate on the bottom right of the image. Certificate of Provenance: Each individual work of art carefully curated by Mourlot Editions comes with a Certificate of Provenance, signed, dated, stamped, and numbered by Eric Mourlot. Stored in a clear protective sleeve accompanying your piece, this certificate guarantees the origin and authenticity of your personal lithograph. About the Artist: José Luis Cuevas is a Mexican artist who worked primarily with etchings, illustrations, sculptures, and paintings, though he is perhaps best known for his drawings. According to Cuevas, “perhaps because I was born in a paper mill and pencil factory, paper has always had a great fascination for me.” He briefly attended the eminent Mexican institution Escuela de Pintura, however Cuevas considers himself a self-taught draughtsman in search of an alternative to the Mexican Muralists and their social messages. For Cuevas, his drawings represent the isolation of man and an inability to communicate, many of his drawings featuring distorted human figures and figures transformed into animals. His work was inspired by the graphic styles of Francisco de Goya, Pablo Picasso, and José Guadalupe Posada...

This artwork "Sans Titre" c.1980 is an original etching on Arches paper by noted French abstract expressionist artist Francois Rouan, b.1943. It is hand...

Trying my best to decipher the name I get Leo Tanenbaum. Well, (Sergeant) Sgt. Leo Tanenbaum. Sorry that I haven't been able to find a mid-century artist with this name. It's such an...

Sam Francis, American (1923 - 1994) - Heland Thorden Wetterling Galleries, Year: circa 1985, Medium: Poster, Size: 39.5 x 27.75 in. (100.33 x 70.49 cm)

Frank Stella; An Illustrated Biography (Hand signed and dated by Frank Stella), 1995 Hardback monograph (hand signed and inscribed on the title page) Hand signed and dated by Frank Stella on the title page 12 1/4 × 9 1/2 × 1 inches Unframed This lavish First Edition 1995 hardback monograph is hand signed and dated by Frank Stella on the title page. Makes an excellent gift. Publisher's Blurb: A friend and colleague of Frank Stella's for forty years, Sidney Guberman presents a unique view of this seminal figure of contemporary American art...

Artist: Darryl Hughto, American (1943 - ) Title: Almost Saturday Night I Date: 1981 Screenprint with Acrylic Painting, signed, titled and dated in pencil Image Size: 24 x 39 inches...

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled 24 Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 70 Size: 23 x 30 inches

Henri Michaux - Original Zinchograph 1958 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. Henri Michaux (1899 - 1984) The French writer, painter and graphic artist Henri Michau...

Artist: Marisol Escobar, French/Venezuelan (1930 - 2016) Title: Rainbow People Year: 1979 Medium: Lithograph, signed and numbered in pencil Edition: 120 Size: 42 x 29.5 in. (106.68 x...

A fine mezzotint engraving, after an original oil painting by Sir Henry Raeburn RA. Published by Henry Graves & Co ltd, London 1933. Mounted in an elegant Hogarth-style frame. On pap...

This print by Robert Indiana is part of an 8-piece portfolio published by The New York Graphic Society in 1983 and includes works from Red Grooms, Robert Indiana, Alex Katz, R.B. Kit...

An original mid century modern abstract expressionist monotype print by American artist Toma Yovanovich. Toma Yovanovich (1931-2016) Yovanovich was a painter/printmaker whose ...

Untitled Abstract Medium: Color lithograph Year: 1989 Signed and dated by hand Size: 39.0 × 27.3 inches Thomas Kleemann (* 1954 in Geesthacht , Schleswig-Holstein ) is a German painter. His mostly large-format works are in private and public collections in Germany and abroad. He lives and works in Berlin and Melz in the district Mecklenburgische Seenplatte. Kleemann studied after graduating from high school in Kiel and civil service from 1975 to 1981 painting and art education at the College of Arts in Berlin, now University of the Arts . In 1981 he was a master student of Professor Johannes Geccelli . In 1981 Kleemann passed the first state examination, 1984 the second state examination for teaching at grammar schools. In 1982 he was a scholarship holder of the Finnish city Kuopio , 1983 of the state government Schleswig-Holstein in the Casa Baldi in Olevano Romano near Rome (Italy). In 1985 he decided to work freelance. From 1986 to 1988 he had a studio scholarship from the Karl Hofer...

Mono prints with litho on Fabriano paper. Edition of 1

Larry Brown Long-time established New York painter as well as faculty member the The Cooper Union, Brown works in oil on canvas and tempera paints on paper. He deals with themes of science and universality. EDUCATION: 1970 M.F.A. in Painting, University of Arizona 1967 BA in Painting, Washington State University SELECT GROUP EXHIBITIONS: Mixed Company: Women Choose Men, AIR Gallery, New York, NY Easy Breezy, Sears-Peyton Gallery, New York, NY From Stone and Plate: Contemporary Prints from Tamarind Institute, California State University Change of View Tamarind Institute Gallery, Albuquerque, NM Animal As Muse, The Norton Museum of Art, W. Palm Beach, FL Painting--Larry Brown, Joseph Haske, David Schoffman, Helander Gallery, New York, NY Paper Houses, David Beitzel Gallery, New York, NY Curators Choice, Albright-Knox Art Gallery, Buffalo, NY Current Trends in Abstraction-- Larry Brown, Bill Drew...

Artist: John Chamberlain Title: Flashback VII Year: 1981 Medium: Lithograph, signed and numbered in pencil Edition: 175 Paper Size: 28 x 20 inches

Artist: Jay Milder, American (1934 - ) Title: Homage to Robert Jones Medium: Lithograph, signed and numbered in pencil Edition: 275 Size: 27.5 x 39.5 in. (69.85 x 100.33 cm)

Artist: Larry Rivers (1923-2002) Title: Dutch Masters Year: 1991 Medium: Lithograph and silkscreen on wove paper Edition: 23/500, plus proofs Size: 25 x 3...

John Altoon (1925-1969) UNTITLED, 1966, color lithograph, hand signed in pencil and inscribed trail proof II, sheet 29 ¾ x 41 ¼, printed by Gemini G.E.L., with their blind stamp low...

Untitled is an original artwork realized by Sam Francis in 1992. Mixed colored lithograph on velin paper. Hand signed and numbered oon the lower margin. Edition of 12/50 The Litho...

Working Man is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1937. Signed o the plate on the lower. The print suite was realize...

Will Petersen, a painter, master printer and a poet, was born in Chicago. (Amer. 1928-1994) created this limited edition Etching on Arches paper at the Lakeside Studio. The LITHOGRAPH PRINT is from a limited edition of 25 (Roman Numerals), printed in black on Arches Cover White (archival paper). with chopmarks and blindstamps. published by The Lakeside Studio (chopmark lower right). THE LITHOGRAPH IS SIGNED TITLED AND ANNOTATED BY THE ARTIST in pencil EXCELLENT condition. Will's formal art education began with classes at the Chicago Academy of Fine Arts. As a student at the city's Steinmetz High School, Petersen succeeded Hugh Hefner (of Playboy magazine fame) as the HS newspaper cartoonist, the Steinmetz Star. During this time, Petersen recovered from polio. In 1947 Petersen enrolled at Chicago's Wilbur Wright College. While there, he painted with oils for the first time. Two years later he enrolled at Michigan State University where he developed a strong interest in literature and writing and began printmaking. By 1951 he had begun to exhibit paintings and prints nationally. A year later he completed his master's degree. Petersen served in the United States Army from 1952-54, spending one year as an education specialist in Japan. This encounter with the Japanese culture affected his entire life. He became interested in calligraphy and Noh, classical Japanese Buddhist performance that combines elements of drama, music and poetry. Upon completion of his military service in Japan in 1955, Will Petersen settled in Oakland, California, where he met some of the most active poets of the Beat Generation: Gary Snyder, Allen Ginsberg, Jack Kerouac, Phil Whalen, Mike McClure and others. Petersen was attracted to the group by their intelligence and belief in Zen Buddhism. In 1956 in his small studio in Oakland, he printed the poems of Jack Kerouac. He attended for the first time, the reading of Ginsberg's Howl at Six Gallery. His relationship with Gary Snyder had begun when both were in Kyoto, Japan; later Snyder wrote for the Plucked Chicken. Petersen returned to Japan in 1957, pursuing painting, printmaking and writing for eight years while living in Kyoto. In 1965 he accepted a faculty appointment at Ohio State University, teaching drawing, painting and printmaking. Four years later Petersen took his teaching skills to West Virginia University in Morgantown, where he concentrated on printmaking. He taught there until 1977 when he began publishing Plucked Chicken, a journal of art and poetry. In 1978 in Morgantown, Petersen and his wife, Cynthia Archer, established Plucked Chicken Press, which they later moved to Chicago and then Evanston. Petersen operated the Press until his death on April 1, 1994. From 1955-57 Petersen along with Mel Strawn founded the Bay Printmakers Society. He resumed exhibiting: International Color Lithography, Cincinnati Art Museum; Gravures Americaines d’aujourd’hui, Paris; & received an MFA on the GI Bill (with Nathan Oliveira) from the California College of Arts and Crafts where Richard Diebenkorn was on the faculty. Petersen meets Kerouac, Gary Snyder, Phil Whalen, Allen Ginsberg, McClure, and Rexroth. Petersen’s now famous “Stone Garden” essay is published in Evergreen Review. 1956 In storefront studio in Oakland, California, creates serigraphs and lithographs. Prints poems of Jack Kerouac. 1961 Back in Japan, acquires a lithography press and stones and resumes printing lithographs. Exhibits regularly with Kyoto Printmakers. 1969 Resident lithographer at the Lakeside Studio, Lakeside, Michigan. Prints for the first time Richard Hunt lithographs. 1978 Establishes Plucked Chicken Press in Morgantown, West Virginia. Resident lithographer at Lakeside Studio in Michigan. 1980 Plucked Chicken Press moves to Chicago. Publishes lithographs by Don Crouch and Art Kleinman. 1982 Publishes Blossom, a lithograph/collage by Tom Nakashima. 1983 Series I of Plucked Chicken Press is published with work by Archer, Duckworth, Godfrey, Heagstedt, Himmelfarb, Hoff, Hunt, Martyl, Miller, Nakashima and Petersen. 1984 Plucked Chicken Press moves to Evanston. Series II of Plucked Chicken Press is published with works by Croydon, Ho, Archer, Torn, Osver, Middaugh, Roseberry, Petersen, Spiess-Ferris and Hoppock. 1985 Series III of Plucked Chicken Press is published with works by Driesbach, Hunt, Trupp, Gregor, Pattison, Conger, Evans, Weygandt, Archer, Ho and Petersen. Prints Suite I, Northern Illinois University Collectors Series, with lithographs by Renie Adams, David Bower, David Driesbach, Carl Hayano and Ben Mahmoud...

Artist: Charlie Hewitt, American (1946 - ) Title: Untitled - B Medium: Woodblock, Signed and Numbered in Pencil Edition: 100 Size: 20 in. x 24 in. (50.8 cm x 60.96 cm)

Artist: Joan Miro (Spanish, 1893-1983) Title: Maravillas Con Variations Acrosticas en el Jardin de Miro Year: 1975 Medium: Color lithograph Edition: Unu...

Cleve Gray, American (1918-2004) Composition, (1976) serigraph or lithograph Hand signed lower right, and editioned 9/50 Dimensions: 19.25 X 23.75 inches sheet. unframed Cleve Gray (1918 – 2004) was an American Abstract expressionist painter, who was also associated with Color Field painting and Lyrical Abstraction. Gray was born Cleve Ginsberg, the family changed their name to Gray in 1936. Gray attended the Ethical Culture School in New York City (1924–1932). From the age of 11 until the age of 14 he had his first formal art training with Antonia Nell, who had been a student of George Bellows. From 15 to 18 he attended the Phillips Academy, in Andover, Massachusetts; where he studied painting with Bartlett Hayes and won the Samuel F. B. Morse Prize for most promising art student. In 1940 he graduated from Princeton University summa cum laude, with a degree in Art and Archeology. He was a member of Phi Beta Kappa. At Princeton he studied painting with James C. Davis and Far Eastern Art with George Rowley, under whose supervision he wrote his thesis on Yuan dynasty landscape painting. Best known for his calligraphic abstractions which melded elements of Abstract Expressionism, Color Field painting, and traditional Chinese scroll painting. After graduation in 1941 Gray moved to Tucson, Arizona. In Arizona he exhibited his modernist landscape paintings and still lifes at the Alfred Messer Studio Gallery in Tucson. In 1942 he returned to New York and joined the United States Army. During World War II, he served in the signal intelligence service in Britain, France and Germany, where he rose to the rank of sergeant. After the liberation of Paris he was the first American GI to greet Pablo Picasso and Gertrude Stein. He began informal art training with the French artists André Lhote and Jacques Villon, continuing his art studies in Paris after the war. Gray returned to the United States in 1946. In 1949 he moved to the house his parents had owned on a 94-acre property in Warren, Connecticut, and lived there for the rest of his life. In the 1960s he formed a close friendship with Barnett Newman. It was during this time that he experienced an artistic metamorphosis, dissolving his earlier cubist compositions in a sea of distilled color. This dramatic body of work marked the beginning of an artistic meditation that would last for over 40 years. The rigors of French modernism, the ethos of Abstract Expressionism and the meditative restraint of Chinese and Japanese scroll painting commingle with astounding affect. The atmospheric, subdued tones of his 1960s paintings gradually gave way to bright, monochromatic fields of color, hazily washed onto the canvas in stain like swathes. Much of his work from the last three decades of his career feature striking graphic brushwork that conjures the influence of Japanese and Chinese calligraphy. He married the noted author Francine du Plessix on April 23, 1957. They worked in separate studios in two outbuildings with a driveway in between. Gray was a veteran of scores of exhibitions throughout his career, as listed below, from the early days Tucson, through to postwar Paris and New York, and most recently in 2002 at the Berry-Hill Gallery in New York City. His paintings are held in the collections of numerous prominent museums and institutions. In 2009 the art critic Karen Wilkin curated a posthumous retrospective of his work at the Boca Raton Museum of Art, Florida, and other posthumous exhibitions have been held. Museum collections Addison Gallery of American Art, Phillips Academy, Andover, MA Albright-Knox Art Gallery, Buffalo, New York Boca Raton Museum of Art, Boca Raton, Florida The Brooklyn Museum, New York City Columbia University Art Gallery, New York City Columbus Museum of Art, Ohio The Corcoran Gallery of Art, Washington, D.C. Grey Art Gallery and Study Center, New York University, New York City Solomon R. Guggenheim Museum, New York City Honolulu Museum of Art, Honolulu, Hawaii The Jewish Museum, New York City The Metropolitan Museum of Art, New York City Museum of Art, Rhode Island School of Design, Providence Museum of Fine Arts, Boston Museum of Fine Arts, Houston Museum of Modern Art, New York City The Neuberger Museum, State University of New York at Purchase New Britain Museum of American Art, Connecticut The Newark Museum, New Jersey Norton Gallery of Art, West Palm Beach, Florida Oklahoma City Art Center, Oklahoma The Phillips Collection, Washington, D.C.[14] The Art Museum, Princeton University, New Jersey[6] Rose Art Museum, Brandeis University, Waltham, Massachusetts Sheldon Museum of Art, University of Nebraska, Lincoln Smithsonian American Art Museum, Washington, D.C. The Wadsworth Atheneum, Hartford, Connecticut Whitney Museum of American Art, New York City Yale University, New Haven, Connecticut Williams College Museum of Art, Williamstown, Massachusetts Yale University Art Gallery, New Haven, Connecticut He was included in the show 1977, Group Exhibition, Betty Parsons Gallery. Mino Argento...

Artist: Alfonso Ossorio (Filipino, 1916-1990) Title: Amordie Year: 1983 Medium: Etching, signed and numbered in pencil Edition: 36 Image Size: 11 x 7 inches Paper Size: 18 x 12 in. ...

Romas Viesulas, Lithuanian (1918 - 1986) - Skull, Year: 1953, Medium: Lithograph, signed, titled and dated in pencil, Image Size: 12.25 x 16.25 inches, Size: 16.25 x 20.5 in. (41...

A very good impression of this color offset lithograph on Arches. Signed and numbered 17/75 in pencil by Francis. Printed by Imprimerie Arte, Paris. Published by the Fondation Maeght...

Artist: Phil Sims (American, born 1940) Title: Untitled #3 Year: 1984 Medium: Monotype Paper: Wove Image size: 4 x 4 inches paper size: 11.25 x 10 inches Framed size: 18.5 x 17.25 inches Signature: Signed and dated (1984) in pencil lower right Printer: The artist Condition: Very good Frame: Framed in the custom original frame The print and mat are in very good condition. The frame is in fair to good condition with some light scratches and very slight separation in the lower left and upper right corners.. Phil Sims is born in 1940 in Richmond, California. Before turning to painting, Sims was a potter and a ceramic artist. In the mid- 1960s he attends the San Francisco Art Institute, and he is now considered a master in the use of color as an expressive medium. At the beginning of his artistic education, he looks at the use of color by the Abstract Expressionism artists. His early career develops as part of the artistic group Radical Painters (Marcia Hafif, Joseph Marioni...

Intriguing modern figurative print with fantastical animals and a nude female figure with a blue cast in the foreground by artist and printmaker Robert R. Mal...

Seymour Lipton Oracle: Study for Clairvoyant, 1969 Lithograph on wove paper 24 1/2 × 18 inches Pencil signed "Lipton" lower right recto Pencil numbered 44/100, lower left recto pencil titled and dated, verso Unframed Uncommon mid century modern pencil signed and numbered lithograph by renowned abstract expressionist sculptor Seymour Lipton. "Study for Clairvoyant", also known as "Oracle", is a study for a famous monumental modernist masterpiece by Lipton. Other editions of this lithograph are in major collections such as that of the Brooklyn Museum. Rarely to market. Provenance: Swann Galleries

"Fish Dish" by Morag Muir (Scottish, b. 1960). Screen print on paper Signed "Morag Muir" and dated "87" lower right. Titled "Fish Dish" center and numbered "...

Abstracted Cityscape - Transfer Monotype in Oil on Paper Original transfer monotype painting by California artist Heather Speck (American, 20th C). An a...

Not Quite Green - Minimalist Transfer Monotype in Oil on Paper Original hand painted and transfer monotype painting by California artist Heather Speck (American, 20th C). A layer of...

A print from John Chamberlain's Suite "Ten Coconuts". Although known widely for his sculptural work, John Chamberlain was a prolific printmaker. The etching is hand-signed and numbe...

Richard Diebenkorn (American, April 22, 1922 – March 30, 1993) is associated with abstract expressionism and the Bay Area Figurative Movement of the 1950s and 1960s. This piece title...

This artwork titled "Love" 1978 is an original color serigraph on Wove paper by Canadian/American artist Howard Bradford, 1919-2008. It is hand signed,...

John Altoon (American, 1925-1969) From the 'About Women' Series. Color lithograph 1965/66, Hand signed and editioned in pencil with the chop mark of Gemini G.E.L. publishers John Altoon (1925 - 1969), an American artist, was born in Los Angeles to immigrant Armenian parents. From 1947–1949 he attended the Otis Art Institute, from 1947 to 1950 he also attended the Art Center College of Design in Los Angeles, and in 1950 the Chouinard Art Institute. Altoon was a prominent figure in the LA art scene in the 1950s and 1960s. Exhibitions of his work have been held at the Museum of Contemporary Art San Diego, Whitney Museum of American Art, New York, Corcoran Gallery, Washington D.C, Fine Arts Museums of San Francisco, The Baxter Museum, Pasadena, and The Los Angeles County Museum of Art (LACMA). Altoon's work was influenced by the Abstract Expressionism Movement although he is best known for his figurative drawings of the 1960s, with as Leah Ollman describes "a vocabulary of vaguely figurative, botanical and biological forms that he pursued until his death." He was part of the "Ferus group" of artists so called for their association to the Ferus Gallery that operated in Los Angeles in 1957–1966. Some of the other artists included in this group are Edward Kienholz, Larry Bell, Robert Irwin, Billy Al Bengston. He was featured in the Cool School documentary, a film about Altoon and other Ferus Gallery artists such as Walter Hopps and Ed Kienholz...

A large, unique print on canvas by American Artist, Mitch Lyons (1938-2018), signed lower right. The canvas is unstretched and will be shipped rolled in a tube.