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Style: American Modern
Surrealist Architectural Landscape "Fall for it" 1970s Chicago Modernist
Located in Surfside, FL
This serigraph has never been framed. Chicago born Modernist. Showed at Andrew Crispo Gallery and Tibor de Nagy Gallery. Schwedler could not help but be influenced by the local artistic milieu particularly with those contemporaries and friends who formed the Hairy Who in the Mid - 1960's Schwedler's Paintings from the beginning to his young end were ripe with a surreal, abstract poetry filled with references to landscapes, architecture, texture (cracked), line (broken,chopped, and Pulled to pieces), and delicate, but voluptuous color. Studying at the Art institute of Chicago with his friends Cynthia Carlson, Jim Nutt...
Category

1970s American Modern Prints and Multiples

Materials

Screen

Metamorphosis, American Modernist Abstract Etching
Located in Surfside, FL
Born in Newark, New Jersey, Robert Birmelin became a professor of fine arts at Queens College in New York, and is known for paintings that magnify through texture the realism of natu...
Category

20th Century American Modern Prints and Multiples

Materials

Etching

Skowhegan Exterior, American Modernist Abstract Etching
Located in Surfside, FL
Born in Newark, New Jersey, Robert Birmelin became a professor of fine arts at Queens College in New York, and is known for paintings that magnify through texture the realism of natu...
Category

20th Century American Modern Prints and Multiples

Materials

Etching

Ontario St. Grading and Temporary Ramps
Located in Fairlawn, OH
Ontario St. Grading and Temporary Ramps Drypoint, August 1929 Signed in pencil lower right (see photo) From: The Cleveland Set (23 plates), this being No. 13 Edition: Small A brilliant example of American industrial art. A wonderful, rich impression, with lots of burr and contrasts. Louis Conrad Rosenberg 1890-1983 An American architectural etcher and engraver of the 1920's and 1930's era, Louis Conrad Rosenberg first studied at the Massachusetts Institute of Technology. He then enrolled at the Royal College of Art, London, to study etching techniques under Malcolm Osborne...
Category

1920s American Modern Prints and Multiples

Materials

Drypoint

Third Liberty Loan, My Daddy Bought Me a Government Bond original World War 1
Located in Spokane, WA
Original WW1 poster: MY DADDY BOUGHT ME A GOVERNMENT BOND OF THE THIRD LIBERTY LOAN. DID YOURS? Archival linen-backed and in very good condition. Print...
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1910s American Modern Prints and Multiples

Materials

Lithograph

Cleveland Center for Contemporary Art 1968/ 1983
Located in Fairlawn, OH
Cleveland Center for Contemporary Art 1968/ 1983 Off-set lithographic poster, 1983 Signed in ink by the artist in the bottom margin (see photo) Poster celebrating the 15 year anniver...
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1980s American Modern Prints and Multiples

Materials

Offset

1970s Pop Art "Dancing Lessons #2" Green, Pink Silkscreen Mod Ballet Girl Print
Located in Surfside, FL
there is a companion piece on a silver paper. A depiction of a ballet dancer, superimposed upon canceled dance class checks. Joanne Seltzer was born in Philadelphia, Pennsylvania a...
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1970s American Modern Prints and Multiples

Materials

Screen

Reclining Nude
Located in Buffalo, NY
An original linocut print by American artist Irene Zevon. The reclining nude is one of Zevon's most coveted subject matters. This 1959 print is one of a series of ten prints.
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1950s American Modern Prints and Multiples

Materials

Linocut, Paper

Crawford Notch at Night
Located in Buffalo, NY
An original etching by American artist Wes Olmsted depicting Crawford Notch in New Hampshire.
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1960s American Modern Prints and Multiples

Materials

Etching, Paper

View of Venice I - San Giorgio
Located in New York, NY
Antonio Frasconi created the color woodcut entitled "View of Venice I – San Giorgio" in 1968. It is signed, titled, dated, and inscribed “17/20” in pencil. The paper size is 24 x 36 ...
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1960s American Modern Prints and Multiples

Materials

Woodcut

Walruses
Located in Fairlawn, OH
Walruses Engraving, 1952 Signed, dated, titled and numbered (see photos) Edition: 100, this from the second printing with the artist's initials in an edition of 25 (16/25) Condition:...
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1950s American Modern Prints and Multiples

Materials

Engraving

"Homo" Verne
By Geoffrey Archbold
Located in Fairlawn, OH
"Homo"Verne, (Still Life with wine bottle, wine glass, glass of beer and dice) Pochoir printed on black textured colored paper, c. 1930 Signed and numbered in white pencil by the art...
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1920s American Modern Prints and Multiples

Materials

Screen

Western Hills Viaduct Under Construction
Located in Fairlawn, OH
Western Hills Viaduct Under Construction Drypoint, June 1931 Signed in pencil lower right (see photo) Initialed and dated in the plate lower right above pencil signature (see photo) From: Cincinnati Series, 1930-1931, 8 plates, this No. 5 Small edition, not specified From Greenfield Hill Condition: Excellent Image/Plate size: 8 1/2 x 15 1/4 inches Sheet size: 11 1/4 x 18 1/2 inches Louis Conrad Rosenberg 1890-1983 An American architectural etcher...
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1930s American Modern Prints and Multiples

Materials

Drypoint

Deerflake (The artist s first work celebrating the Solstice / deer as snowflake)
Located in New Orleans, LA
Carol Wax describes her circular images as "most often quasi abstract works that refer to ancient islamic designs using the shapes and attributes of animals, in this case the deer. T...
Category

Late 20th Century American Modern Prints and Multiples

Materials

Mezzotint

Will Barnet Early Important Figural B&W Etching American 1940 Framed Rare
Located in Buffalo, NY
A nice rare early etching by the noted American Artist Will Barnet titled "Mary", created in 1936.
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1930s American Modern Prints and Multiples

Materials

Paper, Etching

Waves
Located in New York, NY
Richard Florsheim created this color lithograph entitled “Waves” in 1973 in an edition of 50 pieces. Printed by Mourlot Press, Paris, this impression is signed and inscribed “3/50” – the third print of fifty. It is in good condition with full original color. The printed image size is 16 3/8 x 23.75 inches and the paper size is 19.75 x 26.50 inches. RICHARD ABERLE FLORSHEIM...
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1970s American Modern Prints and Multiples

Materials

Lithograph

Monoprint Monotype American Modernist Gregory Amenoff Abstract Expressionist
Located in Surfside, FL
Gregory Amenoff (Contemporary American abstract painter, b. 1948), Monotype Monoprint (1990) Hand signed in pencil lower right plate: 16 x 16 inches frame dimensions: 35 1/8 x 29 1/8 x 1 5/8 inches, wood frame with glazing Provenance: Corporate Collection of Bank BNP Paribas Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts and Letters, National Endowment for the Arts, New York State Council on the Arts and the Tiffany Foundation. He has had over fifty one-person painting exhibitions in museums and galleries throughout the United States and Europe. His work is in the permanent collections of more than thirty museums, including the Whitney Museum of American Art, the Museum of Fine Arts in Boston, the Museum of Modern Art in New York and the Metropolitan Museum of Art. His work has the influence of both Abstract Expressionism and Pop Art in it, biomorphic forms in rich hues and thick textures with heightened colors and abstracted, organic forms, late American Modernism. He moved to New York in 1979, the artist rose to critical acclaim in the 1980s alongside Terry Winters, Bill Jensen, and Katherine Porter. The artist lives and works between New York, NY and his Hudson Valley residence. He works in woodcut, lithograph and monoprint techniques. He was a collaborating artist illustrating Bradford Morrow, Bestiary along with Joe Andoe, James Brown, Vija Celmins, Louisa Chase, Eric Fischl, Jan Hashey, Michael Hurson, Mel Kendrick, James Nares, Ellen Phelan, Joel Shapiro, Kiki Smith, David Storey, Michelle Stuart, Richard Tuttle, Trevor Winkfield, Robin Winters. Linoleum cuts with pochoir and woodcuts for the Grenfell Press, New York. Amenoff served as President of the National Academy of Design from 2001-2005. He is a founding board member of the CUE Art Foundation in New York City and serves as the CUE Art Foundation's Curator Governor. Amenoff has taught at Columbia for the last eighteen years, where he holds the Eve and Herman Gelman Chair of Visual Arts and is currently the Chair of the Visual Arts Division in the School of the Arts. He is currently the Vice-President of the National Academy. In 2011 he received the John Solomon Guggenheim Fellowship. Museum Collections Albright-Knox Art Gallery; Buffalo, NY Art Institute of Chicago; IL Baltimore Museum of Art; Brooklyn Museum of Art; Brooklyn, NY Butler Institute of American Art; Youngstown, OH Cleveland Museum of Art; Cleveland, OH Currier Gallery of Art; Manchester, NH Frances and Sidney Lewis Foundation; Richmond, VA Hood Museum of Art; Hanover, NH Honolulu Academy of Art; Honolulu, HW Kemper Museum of Contemporary Art; Kansas City, MO Maier Museum of Art; Lynchburg, VA Metropolitan Museum of Art; New York, NY Milwaukee Museum of Art; Milwaukee, WI Minneapolis Institute of Art; MN Muscarelle Museum of Art, College of William and Mary; Williamsburg, VA Museum of Fine Arts; Boston, MA Museum of Modern Art; New York, NY National Museum of American Art; Washington, DC Neuberger Museum, State University of New York at Purchase; NY New York Public Library, Spencer Collection...
Category

1980s American Modern Prints and Multiples

Materials

Lithograph, Monoprint, Monotype

Birds of Paradigm
Located in New Orleans, LA
Carol Wax describes her circular images as "most often quasi abstract works that refer to ancient islamic designs using the shapes and attributes of animals, in this case the elephan...
Category

1980s American Modern Prints and Multiples

Materials

Mezzotint

Crosstown Traffic
Located in New York, NY
“Crosstown Traffic” is a color lithograph by Emilio Sanchez. Created in 1998, this impression is unsigned and came to us directly from the Emilio Sanchez Estate (circular estate stam...
Category

Late 20th Century American Modern Prints and Multiples

Materials

Lithograph

Trunk Lines (Interweaved faces, ears and the trunks of elephants form design)
Located in New Orleans, LA
Carol Wax describes her circular images as "most often quasi abstract works that refer to ancient islamic designs using the shapes and attributes of animals, in this case the elephan...
Category

1980s American Modern Prints and Multiples

Materials

Mezzotint

The Rabbit original woodcut engraving by Clarice George Logan
Located in Milwaukee, WI
In 'The Rabbit,' Wisconsin artist Clarice George Logan presents the viewer with a multi-figural scene: under a wood-frame structure, four children crouch on the ground, gathered around a young woman who presents a rabbit. Under normal circumstances, such an image of children with a bunny would recall childhood storybooks. In this case, however, the image is more ambiguous and suggests the unfortunate economic circumstances many children suffered during the interwar years. Nonetheless, the group could also be interpreted as a nativity play, with the rabbit taking the place of the Christ child, shining light on the children like in a painting by the Italian Renaissance artist Correggio. The careful line-work of the woodblock engraving adds a sense of expressionism to the scene, leaving the figures looking distraught and dirty, though the image nonetheless falls into the Social Realist category that dominated American artists during the Great Depression. This print was published in 1936 as part of the Wisconsin Artists' Calendar for the year 1937, which included 52 original, hand-made prints - one for each week of the year. Clarice George Logan was born in Mayville, New York in 1909 but moved to Wisconsin in 1921. She attended the Milwaukee State Teachers College from 1927 to 1931 where she studied with Robert von...
Category

1930s American Modern Prints and Multiples

Materials

Engraving, Woodcut

Untitled
By Charles William Smith
Located in Fairlawn, OH
Untitled Color woodcut, 1939 Unsigned as issued Signed and dedicated by the artist on the justification page (see photo) From: Abstractions By Charles Smith Forward by Carl O. Schnie...
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1930s American Modern Prints and Multiples

Materials

Woodcut

Location Proposal Iris Print Ed. 12 Architectural Study LA CAlifornia Modernist
Located in Surfside, FL
Cindy Bernard’s career spans nearly three decades and she is best known for photographs and projections that explore the relationship between cinema, memory, and landscape including the widely exhibited series Ask the Dust (1988-92), now in the collections of the Museum of Contemporary Art, Los Angeles (21 part set), the Pompidou, MOMA and the Whitney Museum of American Art. She is a recipient of grants and fellowships from the J. Paul Getty Trust Fund for the Visual Arts, California Arts Council, Creative Capital, Anonymous Was a Woman, the Harpo Foundation, California Community Foundation, the John Simon Guggenheim Memorial Foundation and the MacDowell Colony. Her work has been exhibited in museums and galleries in the US, Canada, Mexico, Europe, and Japan, and was included in the Whitney and Lyon Biennials. In addition to her visual practice, Bernard takes an active interest in the spaces and production of social exchange. She was a director and advisor to Foundation for Art Resources from 1985 to 1990, a founding director of the Coalition for Freedom of Expression, and co-founder of MOCA Mobilization. Bernard is also the founder and director of The Society for the Activation of Social Space through Art and Sound (SASSAS), an organization she began in response to the need for a flexible and sustainable association dedicated to experimental music in Los Angeles. She has curated and produced more than 50 concerts for SASSAS including Welcome Inn Time Machine for Pacific Standard Time in 2012. Her interest in sound has spurred several projects including a series of photographs of municipal band shells which Bernard sees as an architecture of public exchange and The Inquisitive Musician, an adaptation of a 17th century German satire, Musicus Curiosus, or Battalus, the Inquisitive Musician; the Struggle for Precedence between the Kunst Pfeifer and the Common Players. The Inquisitive Musician pits itinerant “beer fiddlers” against the city sanctioned “Kunstpfeifer” in an argument over who has the right to perform and be compensated. Presented as a staged reading incorporating video and live music, The Inquisitive Musician has been performed in New York, in Los Angeles at the LA County Museum of Art, and most recently at the Stedelijk Museum in Amsterdam in June 2013. Current projects include Vinland, a meditation on the complex and continually shifting relationships between spaces, social and economic structures, and personal and collective histories and, more recently, an “episodic” series based on the history of social nudism: Your Personal View of (Social) Nudism. Bernard is a Adjunct Professor of Graduate Fine Art at Art Center College of Art and Design and was appointed the inaugural Ruffin Distinguished Artist-In-Residence at the University of Virginia for the academic year 2013/2014. She was a 2016 National Endowment for the Arts Fellow at the MacDowell Colony and will be in residence at the UCross Foundation in 2017. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp, text and photo combinations by Bill Barminski and Nancy Dwyer...
Category

1990s American Modern Prints and Multiples

Materials

Color

Monoprint Lithograph American Modernist Gregory Amenoff Abstract Expressionist
Located in Surfside, FL
Gregory Amenoff (Contemporary American abstract painter, b. 1948), Monotype Monoprint (1990) Hand signed in pencil lower right plate: 16 x 16 inches frame dimensions: 35 1/8 x 29 1/8 x 1 5/8 inches, wood frame with glazing Provenance: Corporate Collection of Bank BNP Paribas Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts and Letters, National Endowment for the Arts, New York State Council on the Arts and the Tiffany Foundation. He has had over fifty one-person painting exhibitions in museums and galleries throughout the United States and Europe. His work is in the permanent collections of more than thirty museums, including the Whitney Museum of American Art, the Museum of Fine Arts in Boston, the Museum of Modern Art in New York and the Metropolitan Museum of Art. His work has the influence of both Abstract Expressionism and Pop Art in it, biomorphic forms in rich hues and thick textures with heightened colors and abstracted, organic forms, late American Modernism. He moved to New York in 1979, the artist rose to critical acclaim in the 1980s alongside Terry Winters, Bill Jensen, and Katherine Porter. The artist lives and works between New York, NY and his Hudson Valley residence. He was a collaborating artist illustrating Bradford Morrow, Bestiary along with Joe Andoe, James Brown, Vija Celmins, Louisa Chase, Eric Fischl, Jan Hashey, Michael Hurson, Mel Kendrick, James Nares, Ellen Phelan, Joel Shapiro, Kiki Smith, David Storey, Michelle Stuart, Richard Tuttle, Trevor Winkfield, Robin Winters. Linoleum cuts with pochoir and woodcuts for the Grenfell Press, New York. Amenoff served as President of the National Academy of Design from 2001-2005. He is a founding board member of the CUE Art Foundation in New York City and serves as the CUE Art Foundation's Curator Governor. Amenoff has taught at Columbia for the last eighteen years, where he holds the Eve and Herman Gelman Chair of Visual Arts and is currently the Chair of the Visual Arts Division in the School of the Arts. He is currently the Vice-President of the National Academy. In 2011 he received the John Solomon Guggenheim Fellowship. Museum Collections Albright-Knox Art Gallery; Buffalo, NY Art Institute of Chicago; IL Baltimore Museum of Art; Brooklyn Museum of Art; Brooklyn, NY Butler Institute of American Art; Youngstown, OH Cleveland Museum of Art; Cleveland, OH Currier Gallery of Art; Manchester, NH Frances and Sidney Lewis Foundation; Richmond, VA Hood Museum of Art; Hanover, NH Honolulu Academy of Art; Honolulu, HW Kemper Museum of Contemporary Art; Kansas City, MO Maier Museum of Art; Lynchburg, VA Metropolitan Museum of Art; New York, NY Milwaukee Museum of Art; Milwaukee, WI Minneapolis Institute of Art; MN Muscarelle Museum of Art, College of William and Mary; Williamsburg, VA Museum of Fine Arts; Boston, MA Museum of Modern Art; New York, NY National Museum of American Art; Washington, DC Neuberger Museum, State University of New York at Purchase; NY New York Public Library, Spencer Collection...
Category

1980s American Modern Prints and Multiples

Materials

Lithograph, Monoprint, Monotype

Robert Indiana, "Santa Fe Opera, " Hand signed, numbered, 1976
Located in Chatsworth, CA
Robert Indiana Santa Fe Opera 1976 Silkscreen in colors Hand signed in pencil 37.5 x 27 inches
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1970s American Modern Prints and Multiples

Materials

Screen

Financial District
Located in New York, NY
Howard Cook (1901-1980), Financial District, lithograph, 1931, signed and dated in pencil lower right and numbered 75 lower left. Reference: Duffy 155, from the stated edition of 75....
Category

1930s American Modern Prints and Multiples

Materials

Lithograph

Tulips
Located in New York, NY
Sally Mara Sturman studied art at the University of Michigan, the Rhode Island School of Design, ands the École des Beaux Artes, Paris, France. She has exhibited widely in the Unite...
Category

Late 20th Century American Modern Prints and Multiples

Materials

Aquatint

Tulips
$800 Sale Price
20% Off
Four Pieces of White (Suite of Four)
Located in New York, NY
Julia Jacquette is an American artist based in New York City and Amsterdam. Her work has been shown extensively at galleries and museums around the world, including the Museum of Mo...
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Late 20th Century American Modern Prints and Multiples

Materials

Etching

Modern Romeo Juliette - Original handsigned lithograph - 100 copies
Located in Paris, IDF
Jean HELION Modern Romeo & Juliette Original lithograph Handsigned in pencil Numbered / 100 copies On Arches vellum 65 x 50cm (c.26 x 20") Excellent condition
Category

1980s American Modern Prints and Multiples

Materials

Lithograph

Expulsion
Located in New York, NY
Donald Newman studied at the California Institute of Arts and at the Whitey Independent Study Program during the 1970s. His work has been shown in solo exhibitions at Artists Space in New York, at the Mary Boone and the Annina Nosei Galleries in New York, at the Barbara Balkin Gallery in Chicago, the Akira Ikeda Gallery...
Category

Late 20th Century American Modern Prints and Multiples

Materials

Lithograph

Expulsion
$720 Sale Price
20% Off
Temptation
Located in New York, NY
Donald Newman studied at the California Institute of Arts and at the Whitey Independent Study Program during the 1970s. His work has been shown in solo exhibitions at Artists Space in New York, at the Mary Boone and the Annina Nosei Galleries in New York, at the Barbara Balkin Gallery in Chicago, the Akira Ikeda Gallery...
Category

Late 20th Century American Modern Prints and Multiples

Materials

Lithograph

1938 Charles E. Pont Heave up!
By Charles Ernest Pont
Located in Brooklyn, NY
Paper Size: 9.25 x 9 inches ( 23.495 x 22.86 cm ) Image Size: 5 x 6.75 inches ( 12.7 x 17.145 cm ) Framed: No Condition: A: Mint Additional Details: Part of AMERICAN BLOCK PRIN...
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1930s American Modern Prints and Multiples

Materials

Woodcut

Female Nude - Standing Female Nude (Havard)
Located in Fairlawn, OH
Female Nude - Standing Female Nude (Havard) Drypoint, 1920 Unsigned, as issued in the portfolio No signed impression are known to exist From: The Drypoint...
Category

1920s American Modern Prints and Multiples

Materials

Drypoint

This Way Out, colorful graphic amusement park with text
Located in Brooklyn, NY
Silkscreen Edition of 125 + 1AP Philomena Marano has spent decades “penetrat[ing] the soul of Coney Island to reveal its twin promises of candy-colored paradise and garishly ornate nightmare,” as Ann Aptaker describes, through the prints and cut-paper collage in her “American Dream-land” series (1979-). These colorful, graphic style works evoke the energy and amusement of Coney Island through depictions of the rides, the boardwalk, clowns, and food vendors. Many are large-scale papier collé installations, a technique Marano learned from Robert Indiana in whose studio she formerly assisted. In conjunction with “American Dream Land,” in 1981 Marano and Richard Eagan co-founded the Coney Island Hysterical Society, which undertakes projects such as restoring old rides in response to the alarming rate at which they were shutting down in the fabled amusement park of their childhood. Ms. Marano is a daughter of Brooklyn. She holds a BFA from Pratt Institute, is an intimate of the visual poetry of Coney Island, created the winning poster for the first Spirit of Brooklyn poster...
Category

2010s American Modern Prints and Multiples

Materials

Archival Ink, Archival Paper

Light Study with Mirrors #1
By Leigh Behnke
Located in New York, NY
Leigh Behnke was born in Hartford, Connecticut in 1946. She studied at both the Southern Connecticut State College and at the Pratt Institute of Brooklyn New York. She also received...
Category

Late 20th Century American Modern Prints and Multiples

Materials

Lithograph, Screen

Mid Century Steve McQueen Pool, Midnight Modern Architecture Palm Springs
Located in Brooklyn, NY
Mid Century Modern Palm Springs Architecture. Steve McQueen vintage car photographed for the first time at his pool in Palm Desert. A...
Category

2010s American Modern Prints and Multiples

Materials

Cotton, Archival Ink, Photographic Paper

Frida and Diego, lithograph, abstract composition w portraits of iconic artists
Located in Brooklyn, NY
Frida and Diego- image bled to plate size ~ 26” x 24” - printed on 100% cotton rag - Architectural elements
Category

Early 2000s American Modern Prints and Multiples

Materials

Archival Ink, Archival Paper, Rag Paper, Lithograph

Say Yes to New Adventures
By Jaycie Womack
Located in Kansas City, MO
Jaycie Womack Say Yes to New Adventures Year: 2018 Pigment Print Visible Size: 16 x 13 inches Framed: 28.5 x 20.75 inches Signed, titled and dated by hand COA provided *Gold sprayed...
Category

2010s American Modern Prints and Multiples

Materials

Pigment

"Victoria" original lithograph signed by Malvin Marr "Zsissly" Albright
Located in Milwaukee, WI
The present print, "Victoria," is the most iconic example of the printmaking of Malvin Marr Albright, called Zsissly. The composition for the image comes from Albright's painting from about 1935, done while he was studying at the Art Institute of Chicago. We can see clearly in the image how he possesses the same skill for unsettling, magic realist images as his more famous twin brother Ivan Le Lorraine: The lady Victoria sits at a dining room table, surrounded by luxurious still-life objects. All the textures and surfaces of the image express a horror vacui as seen in his painted works, such as "The Trail of Time is Dust" at the Pennsylvania Academy of Fine Art. The door in this print recalls one of the more famous works by his brother, "That Which I Should Have Done I Did Not Do (The Door)" at the Art Institute of Chicago. 1947, after ca. 1935 original painting 8 1/2 x 13 inches, image 12 x 16 inches, sheet 16 1/4 x 20 1/2 frame Signed in pencil, lower right Title in pencil, lower left Published by Associated American Artists Inc. Unnumbered from the edition of 250 A painter and sculptor, Malvin Albright was born in Chicago, one of twin sons of Adam Emory Albright, famous Chicago figure painter of juvenile subjects, who often used Malvin and his brother Ivan Le Lorraine as models. Malvin's middle name, Marr, was after Wisconsin artist Carl von Marr...
Category

1940s American Modern Prints and Multiples

Materials

Lithograph

"Brahma vs. Leghorn, " Farm Scene Wood Engraving by Howard Thomas
Located in Milwaukee, WI
"Brahma vs. Leghorn" is an original wood engraving by Howard Thomas. In front of an understated farm house, Brahma and Leghorn face off, ready to battle. An unidentified plant sits on the center. Unsigned. Image: 6" x 7.44" Framed: 13.75" x 15.18 Thomas Howard (1899-1971) born a Quaker in Ohio, trained in the Midwest at Ohio State University and the Chicago Art Institute. He taught in the Art Department of the Milwaukee State Teachers College (now University of Wisconsin-Milwaukee) where he became good friends with Carl Holty, Edward Boerner, Robert von Neumann...
Category

1930s American Modern Prints and Multiples

Materials

Woodcut

Midnight Modern Classic Porsche 911 Mid Century Architecture
Located in Brooklyn, NY
The latest and final release in Australian photographer Tom Blachford’s long-running project, Midnight Modern, will be exhibited for the first time at TOTH Gallery in New York. Loos...
Category

2010s American Modern Prints and Multiples

Materials

Photographic Paper, Archival Pigment

Exhibition of Designs by Frank Lloyd Wright at Unity Temple. Lake St. Kenilworth
By Alfonso Iannelli
Located in New York, NY
i Exhibition of Designs by Frank Lloyd Wright at Unity Temple. Lake St. Kenilworth, Oak Park. (Published by the Chicago Heritage Committee with the Cooperation of the Unitarian Unive...
Category

1960s American Modern Prints and Multiples

Materials

Offset

Ethel Magafan Modernist Rodeo Lithograph "Riding the Brahmas", Signed, Framed
Located in Denver, CO
Discover the raw energy and bold style of acclaimed Colorado artist Ethel Magafan with this original modernist lithograph titled Riding the Brahmas. This striking mid-20th-century pr...
Category

Mid-20th Century American Modern Prints and Multiples

Materials

Lithograph

1933 Arnold Rönnebeck Lithograph Colorado Mountain Mine Winter Scene, Framed
Located in Denver, CO
This rare 1933 lithograph by renowned modernist artist Arnold Rönnebeck depicts a striking winter scene of a Colorado mountain mine blanketed in snow. Rendered in dramatic black-and-...
Category

1930s American Modern Prints and Multiples

Materials

Lithograph

1933 American Art Lithograph, Clear Creek Canyon by Ross Braught, Colorado
By Ross Eugene Braught
Located in Denver, CO
This striking original lithograph, Clear Creek Canyon I (Colorado), was created in 1933 by acclaimed American artist Ross Eugene Braught (1898–1983). A master of landscape and form, ...
Category

1930s American Modern Prints and Multiples

Materials

Lithograph

1960s Original Lithograph Del Monte "Pineapple Chunks I"
Located in Arp, TX
Artist unknown "Pineapple Chunks" c. 1960s Lithograph on paper 18.5"x29" unframed unsigned
Category

1960s American Modern Prints and Multiples

Materials

Paper, Lithograph

Olivetti
Located in New York, NY
Pintori, Giovanni. Olivetti. 1967. 2nd printing. 1st Printing 1946. Offset Lithograph. Rare Giovanni Pintori (1912 – 1999) was an Italian graphic designer and painter. His most famous works are the advertisement posters for Olivetti typewriters...
Category

1960s American Modern Prints and Multiples

Materials

Offset

1933 Black White Lithograph of Yacht Races on Grand Lake, Colorado, Sailboats
Located in Denver, CO
A rare and striking original 1933 black and white lithograph by noted modernist Arnold Rönnebeck (1885–1947), titled Yacht Races, Grand Lake, Colorado. This limited-edition coastal a...
Category

1930s American Modern Prints and Multiples

Materials

Lithograph

Mid Century Modern Architecture Palm Springs Tom Blachford
Located in Brooklyn, NY
Limited Edition photography by Tom Blachford. Mid Century Modern Architectural Design. What began for Tom Blachford as a fateful discovery one night has developed into an ongoing s...
Category

2010s American Modern Prints and Multiples

Materials

Archival Pigment

Arnold Ronnebeck 1930s Lithograph – Grand Lake Colorado Yacht Races, WPA Era
Located in Denver, CO
This striking vintage 1930s black-and-white lithograph by celebrated Colorado artist Arnold Ronnebeck (1885–1947) captures the dynamic energy of the Grand Lake...
Category

1930s American Modern Prints and Multiples

Materials

Lithograph

"Reflecting Thoughts About Remembering" - Monoprint on Paper
Located in Soquel, CA
"Reflecting Thoughts About Remembering" - Monoprint on Paper Sepia colored monoprint of a male figure "reflecting and remembering." A nude male figure sits with his head facing down...
Category

1970s American Modern Prints and Multiples

Materials

Oil, Laid Paper

WPA-Era Central City, Colorado, 1930s Modernist Lithograph, Cityscape 3/25
Located in Denver, CO
This 1933 lithograph, Central City, Colorado 3/25, by Arnold Rönnebeck, captures the architectural essence of a historic mining town during the Great Depression. Rendered in black an...
Category

1930s American Modern Prints and Multiples

Materials

Lithograph

"Swimmers, " Seascape Linoleum Cut by Clarice George Logan
Located in Milwaukee, WI
"Swimmers" is an original linoleum print by Clarice George Logan. It features five figures enjoying a swim, jumping off from a small boat. Image: 4.94" x 6" Framed: 13.87" x 14.87" Clarice George Logan was born in Mayville, New York in 1909 but moved to Wisconsin in 1921. She attended the Milwaukee State Teachers College from 1927 to 1931 where she studied with Robert von Neumann...
Category

1930s American Modern Prints and Multiples

Materials

Linocut

Sub Culture
Located in San Francisco, CA
This artwork titled "Sub Culture" c1972 is an original color lithograph on wove paper by noted New Orleans artist Caroline Spellman Wogan Durieux, 1896-1989. It is hand signed, titled, dated and numbered 5/10 in pencil by the artist. The image size is 17.75 x 13 inches, sheet size is 19.85 x 15 inches. It is in excellent condition, some hanging tape from previous framing remaining on the back. About the artist: As a Southern female satirist, Caroline Spellman Wogan Durieux was a rare phenomenon in the early twentieth century. Today, she is highly regarded for her stinging lithographs that touch on human foibles as well as some of the important issues of her day. Born to a family of Creole descent in New Orleans, young Caroline was precocious; she began drawing at age four and completed a portfolio of watercolors depicting her city by the time she was twelve. She took lessons from Mary Butler, a member of the art faculty at Sophie Newcomb College, and, beginning in 1912, matriculated at the school full-time, where her instructors included Ellsworth Woodward, chair of the art department. She graduated with a bachelor’s degree in design in 1916 and one in education in 1917. Awarded a scholarship by the New Orleans Art Association, Durieux pursued further coursework at the Pennsylvania Academy of the Fine Arts from 1918 to 1920. Years later, she was encouraged to try lithography by Carl Zigrosser, an expert curator of prints at the Philadelphia Museum of Art, who became her mentor. With her husband Pierre Durieux—an importer of Latin American goods and later the chief representative of General Motors for South America—Caroline Durieux spent time in Cuba during the early 1920s. The couple moved in 1926 to Mexico City, where she met the great muralist Diego Rivera and became involved in the local art community. Following a short interval in New York City, Durieux went back to Mexico in 1931 and enrolled at the Academy of San Carlos (now the National University of Mexico) to study lithography. She returned to New Orleans seven years later and was hired to teach at her alma mater, Newcomb College, from 1938 to 1943. Starting in 1939, Durieux served as the director of Louisiana’s Works Progress Administration program, and her division was the only one in the state not to practice racial discrimination. This was a matter she felt strongly about, stating: “I had a feeling that an artist is an artist and it doesn’t make any difference what color he or she is.” From 1943 until her retirement in 1964, Durieux was a member of the faculty at Louisiana State University in Baton Rouge. Durieux’s forte was lithography, a technique popular in the mid-nineteenth century and long associated with social commentary, and her prints proved no exception. Her work in the 1930s and 1940s coincided with a rise in art that dealt with poverty, racism, and totalitarianism. She often presented stereotyped social climbers...
Category

Late 20th Century American Modern Prints and Multiples

Materials

Lithograph

Harry Sternberg, Mount Zion Cemetery, from My Life in Woodcuts, 1991
Located in New York, NY
In 1991 Harry Sternberg published a book with Brighton Press, San Diego. It was My Life in Woodcuts. At the time it was the only known woodcut autobiography. The deluxe editions of...
Category

1990s American Modern Prints and Multiples

Materials

Woodcut

SLEEPING MAN (REST)
Located in Portland, ME
Barnet, Will. SLEEPING MAN (REST). Szoke 42, Cole 41, Johnson 40. Woodcut, 1937. Edition of 10. Titled "Sleeping Man" at left, and signed at right, both in pencil. This print is usua...
Category

1930s American Modern Prints and Multiples

Materials

Woodcut

Olympics. Milano Cortina. 2026
Located in Henderson, NV
Clifford Singer has a strong history of poster design. This year Singer has introduced a new representation of the Olymnpic Ring for American Realism. Offered as a Limited Edition ...
Category

2010s American Modern Prints and Multiples

Materials

Canvas, Archival Pigment

Strong Girl
Located in New York, NY
Walt Kuhn (1877-1949), Strong Girl, drypoint, 1916 [signed in pencil by Kenneth Hays Miller and inscribed “Zinc sheet E printed by Howard Moore Park 1928”). In very good condition, printed on a cream wove paper, 7 1/2 x 5 1/4, the sheet 11 1/8 x 8 1/2 inches. Provenance: ex Collection: The Metropolitan Museum of New York, with their stamp verso. ex Coll: Jonathan Greenberg, New York City A very good impression of this rare early Kuhn print. This is listed as number 48 in the Kennedy Galleries Walt Kuhn Checklist, made for an exhibit of his prints in 1967; it is cited as a print where no more than 6 impressions are known to exist. Kuhn was of course intimately familiar with circuses and carnivals...
Category

1910s American Modern Prints and Multiples

Materials

Drypoint

Ernest David Roth, Toledo, The Approach
Located in New York, NY
Working in the tradition of the Etching Revival, Ernest David Roth made this amazingly conceived and detailed study of the entrance to the Spanish ci...
Category

Early 20th Century American Modern Prints and Multiples

Materials

Etching

Mid Century Vintage 356 Porsche, Midnight Modern Architecture Palm Springs
Located in Brooklyn, NY
Mid Century Modern Palm Springs Architecture. Steve McQueen. Classic Vintage 356 Porsche, Midnight Modern Series Architecture Palm Springs. Archival Inkjet Print on Cotton Paper. Mi...
Category

2010s American Modern Prints and Multiples

Materials

Cotton, Archival Ink, Photographic Paper

American Modern prints and multiples for sale on 1stDibs.

Find a wide variety of authentic American Modern prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, yellow and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Destro, John Taylor Arms, Tom Blachford, and Carol Wax. Frequently made by artists working with Lithograph, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large American Modern prints and multiples, so small editions measuring 1.5 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $36 and tops out at $80,000, while the average work sells for $800.

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