Expressionist Prints and Multiples

Pierre AMBROGIANI (1907-1985) Family Gathering in Provence, 1974 Original Lithograph (Gourdon Workshop) Signed with the artist's stamp On vellum 38 x 56 cm (c. 14.9 x 22 in) Excell...

Medium: original lithograph. Printed on laid paper in 1919 and published in Berlin by Paul Cassirer. Sheet size: 6 3/4 x 9 inches (175 x 229 mm). Not signed.

The cobweb is an original offset and lithograph realized by George Grosz. The artwork is part of the suite of 10 offset and lithographs realized by Grosz for the book "Kobes". 1st ...

Medium: original lithograph. Published in 1919 for Genius. Image size: 9 1/2 x 8 1/2 inches (240 x 214mm). Printed on laid paper. Signed in the plate, not by hand.

Medium: original etching. This impression on wove paper was printed in 1908 and published in Paris for the Revue de l'art ancien et moderne. Plate size: 5 3/4 x 8 1/2 inches (143 x 2...

Il Revoit le Thabor Georges Rouault, French (1871–1958) Woodcut, initialed in the block Size: 12 x 8 in. (30.48 x 20.32 cm) Frame Size: 18.5 x 14.5 inches

The Hypochondriac is an original offset and lithograph print realized by George Grosz. The artwork is the plate n.21 from the portfolio Ecce Homo published between 1922/1923, editio...

Medium: original lithograph. Printed on laid paper by Anstalt Eigner in 1925 for the Ganymed portfolio "Das funfte Jahrbuch der Marees Gesellschaft" and published in Munich by Marees...

Arthur Kolnik was born in Stanislavov, a small town in Galicia, which was then part of the Austro-Hungarian Empire. His father, who was originally from Lithuania, worked as an accoun...

Joan Snyder has been called an autobiographical, even confessional artist, who draws from her experiences and surroundings to create her paintings. While her subjects vary widely, Sn...

Medium: original lithograph. This is one of the scenes of the Berlin art world executed by Rudolf Grossmann. Printed in 1919 at the Wolf & Sohn atelier for the Ganymed portfolio (vol...

Artist: Romare Bearden (1911-1988) Title: Introduction for a Blues Queen (Gelburd/Rosenberg 70-77) Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 47/175, plus proofs ...

Karl Michel, 'Viel Gluck 1923 Wunscht Karl Michel', etching, 1923, edition not stated but small. Signed, dated, and numbered 'op. 136' in pencil. Signed in the image, lower right. A...

Artist: Jack Levine, American (1915-2010) Title: Unknown Year: 1970 Medium: Etching Paper: Arches Image size: 10 x 7.75 inches Paper size: 15 x 11.25 inches Signature: Signed and dat...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Roi (The King), from Contes de Boccace, peintures du manuscrit des ducs de Bourgogne, Bibliotheque de l'Arsenal (Ms. ...

Medium: original etching. Also called "Etude de nu". Printed in 1907 and published in Paris by the Revue de l'art ancien et moderne. Plate size: 7 1/4 x 5 1/2 inches (183 x 138 mm). ...

Medium: pochoir (after the watercolor). Printed in Germany in 1922 for the Ganymed portfolio "Das vierte Jahrbuch der Marees Gesellschaft" and published in Munich by Marees-Gesellsch...

Medium: original lithograph. Printed in 1920 on a light brown tinted wove paper for the German Expressionist art revue Das Kunstblatt, published in Berlin by Verlag Gustav Kiepenheue...

"Lope de Aguirre" Etching of Spanish Conquistador by Carlos Poveda (Costa Rican b.1940.) This dry point etching by Carlos Poveda depicts the notorious Spanish conquistador Lope de A...

This exquisite lithograph by Marc Chagall (1887–1985), titled Isaie (Isaiah), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Joseph, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by An...

Medium: original lithograph. This is one of the Berlin Scenes executed by Rudolf Grossmann during the years before World War I and published in Germany by Bruno Cassirer from 1911-14...

Medium: original lithograph. Catalogue reference: Jentsch 91. This impression on wove paper was printed in 1919 for Das Kestnerbuch, an important collection of original prints publis...

Alberto Giacometti, Swiss (1901 - 1966) - Profile Of Seated Woman Derriere Le Miroir no. 127, Year: 1961, Medium: Lithograph, Edition: ~2500, Size: 15 x 11 in. (38.1 x 27.94 cm),...

Medium: original etching. Published in Vienna in 1901 by Vervielfaltigende Kunst for the "Kunst in Wien" portfolio. A rich, magnificent impression with plate tone printed on heavy wo...

This exquisite lithograph by Marc Chagall (1887–1985), titled Devant St-Jeannet (Before St-Jeannet), from the album Les Ceramiques et Sculptures de Chagall (The Ceramics and Sculptur...

Studies is an original offset and lithograph realized by George Grosz. The artwork is the plate n.10 from the portfolio Ecce Homo published between 1922/1923, edition of Der Malik-V...

Artist: Francisco Corzas (Mexican, 1936-1983) Title: Three Men Year: 1968 Medium: Color lithograph Edition: Numbered 17/30 in pencil Paper: Wove Image ...

"Painting, we do not talk about it, we do not analyse it, we feel it." - Bernard Buffet About the Artist: (10 July 1928 – 4 October 1999) was a French painter of Expressionism and a member of the anti-abstract art group L'homme Témoin (the Witness-Man) Certificate of Provenance: Each individual work of art carefully curated by Mourlot Editions comes with a Certificate of Provenance, signed, dated, stamped, and numbered by Eric Mourlot...

Alberto Giacometti, Swiss (1901 - 1966) - Profile Of Standing Woman Derriere Le Miroir no. 127, Year: 1961, Medium: Lithograph, Edition: ~2500, Size: 15 x 11 in. (38.1 x 27.94 cm...

Femme Nue Assise from Le Reincarnations du Pere Ubu Georges Rouault, French (1871–1958) Date: 1928 Aquatint on Arches, signed in the plate Image Size: 10.5 x 6.5 inches Size: 17.5 x ...

Medium: original soft ground etching. Signed in pencil and annotated "Artist's Proof". Printed in 1967 for the Dreigroschen Film portfolio and published by Touchstone Publishers. Thi...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Couple a l'Arbre (The Couple at the Tree), from the album The Lithographs of Chagall, Volume II, originates from the ...

Arnulf Rainer (1929) Paris : Louvre Museum with Orange Scratch (Fire) Original etching On vellum 40 x 50 cm (c. 16 x 20 in) Authenticated with the blind stamp of the editor Chalcogr...

Artist: Karel Appel Title: Salto Sobre La Cabeza Year: 1988 Medium: Etching with aquatint Signed and dated '88, numbered 5/60 in pencil Dimensions: 19.25" x 4.5" Provenance: Gallery ...

Pierre AMBROGIANI (1907-1985) Relaxing in the Countryside, 1974 Original Lithograph (Gourdon Workshop) Signed with the artist's stamp On vellum 38 x 28 cm (c. 14.9 x 11 in) Excelle...

Medium: Lithograph on vélin Acropole Papeteries de Renage paper. Year: 1967 Paper Size: 12.25 x 9.5 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the ...

This exquisite lithograph by Marc Chagall (1887–1985), titled La Ferme et le Ciel Bleu (The Farm and the Blue Sky), from the folio Derriere le miroir, No. 225, originates from the 19...

Artist: Teo Tobiasse (French/Israeli, 1927-2012) Title: "The Songs of Songs of King Solomons" Year: 1975 Medium: Color lithograph Edition: Numbered LVII/C in pencil Paper: Jap...

Jean Jansem (1920-2013) Le tambour, 1984 Lithographie sur papier Arches, justifiée EA Signée en bas à droite 67,5 x 47 cm / 76 x 54 cm Bibliographie: CR Jansem, 1993, n°1 "Ma pre...

Max Weber, Untitled 'Feast of Passover', woodcut, 1920, edition proofs—this impression from the edition of 25 printed in 1956, Rubenstein 30. Signed in pencil...

Edvard Munch (1863 - 1944) (after) Redhead Woman Original vintage lithograph poster Printed in Mourlot Workshop in offset lithograph from Munch's original woodcut "The Sin (Woman wi...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Clown Amoureux (The Loving Clown), from the album The Lithographs of Chagall, Volume II, originates from the 1963 edi...

ROBERT PHILIPPI (Austrian 1877-1959) LIEBESPAAR (LOVERS) ca.1923 (in Rifkind Collection, LACMA: From a portfolio of 10 prints. Rifkind indicates the e...

Robert Kipniss, painter and printmaker, was born in New York City in 1931. Born to two artists, Kipniss quickly fostered his love for art. His formal artistic education began at New ...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

Arthur Kolnik was born in Stanislavov, a small town in Galicia, which was then part of the Austro-Hungarian Empire. His father, who was originally from Lithuania, worked as an accoun...

This exquisite lithograph after Marc Chagall (1887–1985), titled Le Lac des Cygnes (Swan Lake), from the album Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Par...

This exquisite lithograph by Marc Chagall (1887–1985), titled Ruth glaneuse (Ruth the Gleaner), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, originates from the September 1956 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1956. This lyrical composition depicts Ruth gleaning in the fields of Boaz, a story of devotion, faith, and humble perseverance that reflects Chagall’s profound empathy for biblical humanity. Through flowing lines and radiant harmonies, he transforms the pastoral act into a vision of grace and spiritual renewal, suffused with divine light and poetic serenity. The work captures Chagall’s enduring ability to elevate everyday acts into timeless expressions of love, dignity, and divine purpose. The piece forms part of Chagall’s celebrated series of lithographs and drawings created for Dessins Pour La Bible, a monumental project uniting art, scripture, and mysticism in one of the artist’s most important achievements. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the greatest modern masters of the 20th century. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Ruth glaneuse (Ruth the Gleaner), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, September 1956 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Unsigned and unnumbered as issued Date: 1956 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cain, Julien, and Fernand Mourlot. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustrations 117–46. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustrés. P. Cramer ed., 1995, illustration 25. Condition: Well preserved, consistent with age and medium Provenance: From Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, published by Editions de la revue Verve, Paris, 1956 Notes: Excerpted from the album (translated from French), This double issue of Verve is dedicated to the full reproduction in heliogravure of the one hundred-five plates etched by Marc Chagall, between 1930 and 1955, for the illustration of the Bible. The artist composed especially for the present work, sixteen lithographs in color and twelve in black, as well as the cover and the title page. This volume was completed and printed on September 10, 1956, by the Master Printers Draeger Freres for heliogravure, and by Mourlot Freres for lithography. About the Publication: Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), published as Verve Vol. VIII, No. 33–34 in September 1956, represents one of the crowning achievements of Chagall’s lifelong dialogue with the sacred. Conceived and directed by the visionary publisher Teriade and printed by the master lithographers Mourlot Freres, the issue features thirty-four color lithographs and numerous black-and-white drawings inspired by biblical figures and stories. Chagall’s works for this edition unite text and image in a luminous meditation on divine creation, moral struggle, and spiritual renewal, imbued with his signature dreamlike symbolism and radiant color. Produced in postwar Paris, this landmark publication reaffirmed the enduring union of art and faith, establishing Dessins Pour La Bible as one of the most important illustrated works of the 20th century. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Ruth...

This exquisite lithograph by Marc Chagall (1887–1985), titled Asuerus chasse Vasthi (Ahasuerus Banishes Vashti), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Ve...

Jim Jonson, American (1928 - 1999) - Tennis Serve, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300; AP, Size: 28 in. x 21 in. (71.12 cm x 53.34 ...

Jean Jansem (1920-2013) Joëlle aux jambières vertes, 1995 Lithographie sur papier Arches Signée en bas à droite et justifiée en bas à gauche 65 x 50 cm / 76 x 56 cm D'une édition ...

Richard Seewald, 'Der Hirte (The Shepherd)', woodcut with hand coloring, c. 1919. Unsigned as published in 'Genius', Vol 1, no. 1, 1919. A fine, richly...

Original collotype created from a detail of Gustav Klimt’s Beethoven Frieze. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und Staatsdruckerei, Vienna, in an e...

Medium: original etching. Printed on laid paper in 1919 for Genius. Plate size: 9 1/2 x 7 1/2 inches (240 x 190mm). This etching is from GENIUS: Zeitschrift fur Werdende und Alte Kun...

This is an exclusive handprinted limited edition cyanotype. "Fireworks Lights" is a minimal cyanotype diptych that shows path of the fireworks over the sky. Details: + Title: Firew...

Etching on vélin de Rives BFK paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Everything That Rises Must Converge, 2005. Published by The Limited Editions Club, New York; printed by Wingate Studio, Hinsdale, under the direction of Peter Pettengill, Hinsdale, 2005. Excerpted from the folio, This edition of CCC examples of Everything That Rises Must Converge was printed on BFK Rives. Dan Carr and Julia Ferrari designed the typography, cast the Kis-Janson type in metal, set the type by hand and printed the text at Golgonooza Letter Foundry & Press, Ashuelot, New Hampshire. The six color etchings were printed by hand on BFK Rives by Peter Pettengill at Wingate Studio in Hinsdale, New Hampshire. BENNY ANDREWS (1930-2006) was an African-American artist, activist and educator. He is known for his expressive, figurative paintings that often incorporated collaged fabric and other material. Andrews helped found the Black Emergency Cultural Coalition, which agitated for greater representation of African-American artists and curators in New York’s major art museums in the late 1960s and 70s. He also led the group in founding an arts education program in prisons and detention centers. Andrews taught art at Queens College for three decades, and from 1982 to 1984, served as the Director of the Visual Arts Program for the National Endowment for the Arts. He received many awards, including the John Hay Whitney...

Bolero Mallorquin original ceramic painting Spanish painter maximum representative of the art of Mallorca at the end of the 20th century. Costumbrista work. With different own museu...

Champagne is an offset lithograph, realized by George Grosz. The artwork is the plate n. 77 from the porfolio Ecce Homo published between 1922/1923, edition of Der Malik-Verlag Berl...

Medium: original lithograph. Printed in 1920 on smooth wove paper for the Deutsche Graphiker der Gegenwart portfolio, and published in Leipzig by Klinkhardt & Biermann in an edition ...