Neo-Constructivist Prints and Multiples

Andy Warhol Deluxe Signed Edition of Film Festival Lincoln Center (Feldman Schellmann, II.19), 1967 Silkscreen, die-cut on opaque acrylic Edition 2/200 (Signed and numbered on the back with engraving pen) Hand-signed by artist, As this work was done on acrylic, Warhol signed and numbered it by hand on verso with an engraving needle. Printed date with copyright Frame included: Elegantly framed in a museum quality wood frame with UV plexiglass. A die-cut window has been created in the back of the frame to reveal Warhol's incised signature and edition Publisher: Leo Castelli, New York Printer: Chiron Press, New York Catalogue Raisonne: Feldman Schellmann, II.19 This work is often hung and displayed both vertically and horizontally - see photos for inspiration This work is one of only 200 done on opaque acrylic rather than wove paper, signed and numbered on the opaque acrylic by Andy Warhol with an engraving pen. (Separately, there was an unsigned edition of 500 on wove paper). What distinguishes this rare, extremely desirable signed edition of 200, other than that it is signed and numbered by hand by Andy Warhol, is that the black graphic text FIFTH NEW YORK is placed directly over the text Film Festival of Lincoln Center; whereas in the edition of 500, the text black text FIFTH NEW YORK is placed on top of the white text. An innovative feature that appears in this special edition is a perforated line running across the surface of the print, at its triangular cut out sides, mimicking the tear line present in real commercial movie admissions tickets. Chiron Press commissioned by Lincoln Center, devised a special process expressly to imprint the edition with this perforation using a die cut stamp. This work is quintessential early Warhol, with characteristic bright neon colors, featuring text, along with the artist's very recognizable flower motif. The Lincoln Center ticket...

On Top of His Game (Vegas) is a lithograph on paper, 9 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 233/275 (there were also 100 Roman and...

Yayoi Kusama Infinity Umbrella, 2014 Silkscreen on 100% polyester umbrella with plastic handle 37 × 54 × 54 inches This limited edition silkscreened umbrella was created exclusively...

A very good impression of this scarce color etching and drypoint. Fourth state (of 4). Signed and numbered 54/100 in pencil, lower margin.

Alcazar d'Eté, Lidia (Plate 25) is an 1886 lithograph of Jules Chéret's poster, printed at Imprimerie Chaix by Jules Chéret and included in the famed collection of Belle Époque poste...

Interspaceograph - multidimensional silkscreen print on plexiglass pane and mirror. There is space between the silkscreen printed plexiglass pane and silkscreen printed mirror in th...

Wise Ass is a lithograph on paper, 9 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 215/275 (there were also 100 Roman and 20 AP). Framed i...

JACKSON POLLOCK (American, 1912-1956) Untitled, CR1093 (after painting Number 9, CR340), 1951–printed 1964 Screenprint, on Strathmore wove paper, numbered in pencil lower left, and with the Estate of Jackson Pollock 1964 blindstamp lower left(?) From the second posthumous printing of 50 authorized by his widow, Lee Krasner in 1964 (there was also a lifetime edition of 25) Published by Bernard Steffen...

A superb impression of this color aquatint. From an unnumbered edition of 280. Printed by Lacouriere, Paris. Published by Vollard, Paris. From "Cirque de l'Étoile Filante." Catalogu...

Spokes (1977) and Spokes: 2 State (1978). Each hand signed, dated, numbered and titled by the artist. Both prints have matching editions. Etching and aquatint on Pescia Italia paper....

Interspaceograph - multidimensional silkscreen print on two clear plexiglass panes. There is space between the two silkscreen print plexiglass panes in the custom frame giving the a...

The Clown in Love is a lithograph by Marc Chagall which was bound in Volume II of the Mourlot catalog raisonné of lithographs, printed in 1963. The image is catalogued in Volume III ...