Photorealist Prints and Multiples

Photorealist interior screenprint by American artist Lowell Blair Nesbitt of fellow artist Claes Oldenburg’s studio, signed and numbered in pencil. Claes Oldenburg’s Studio Lowell B...

Lowell Blair Nesbitt was an American painter and printmaker who’s work consists of unique and vivid depictions of flowers. Birds of Paradise (Red) Lowell Blair Nesbitt, American (19...

A lithograph print by Lowell Nesbitt from 1975. A colorful still life that combines both organic and geometric elements. Still Life with Grapes Lowell Blair Nesbitt, American (1933–...

Encounter-Paula Cooper Gallery Lowell Blair Nesbitt, American (1933–1993) Date: 1974 Poster Size: 40 x 30 in. (101.6 x 76.2 cm)

A large framed screenprint by Pop Artist Ron Kleemann of a shiny chrome prop plane, parked on a tarmac glistening with rainwater. The title "Mustang Sally Forth...

Richard Haas, American (1936 - ) - American Radiator Building (Blue). Year: 2005, Medium: Etching, signed and numbered in pencil, Edition: 30, Image Size: 20 x 16 inches, Size: 26 ...

"Double Bubble" silkscreen of gumball machine by Photorealist painter Charles Bell. Hand-numbered 117/150 in pencil in front lower left corner. Hand-signed Charles Bell in pencil in ...

Clifford Singer is an authority on reality. In February of 1977, Singer attended the Whitney Museum Biennial where he met Salvador Dali while viewing a Richard Estes painting. Both...

Fran Bull is a first generation Photorealist whose compositions are based on photographs including natural reflections of glass, water and other surfaces. Zebras by Fran Bull, Ameri...

Diasec® mounting is a time proven system that has set the benchmark for face mounting photographic and fine art prints. Developed in the late 1960’s Diasec® was the first system that...

Artist: Ron Kleemann, American (1937 - ) Title: Straight Shot Year: 1980 Medium: Screenprint on Somerset Paper, signed and numbered in pencil Edition: 250 Paper Size: 22 x 30 inches

Robert Cottingham (1935) Empire 2008 Screenprint in colors Image: 25.625 h x 39.875 w in (65 x 101 cm) Sheet: 32.75 h x 46 w in (83 x 117 cm) Signed, titled, dated and numbered to ...

Artist: Paul Sarkisian, American (1928 - ) Title: Trash Can (From Documenta, The Superrealists, New York) Year: 1972 Medium: Lithograph, signed and numbered in pencil Edition: 300 P...

Carbonous by Sarah Duncan [2021] limited_edition Etching print on paper Edition number 10 Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:70 cm x W:70 cm x D:0.2cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Carbonous is a limited edition signed etching print on paper by Sarah Duncan of a black and white forest...

A lithograph and silkscreen on aluminum by Richard Haas from 1999. A detailed sectional view of the support and suspension structure of the George Washingt...

Robert Longo, Ivy Mike Pigment print Edition of 15 113,9 x 86,4 cm (44.8 x 34 in.) Signed and numbered, accompanied by Certificate of Authenticity In mint condition, as acquired from...

Clifford Singer is an authority on reality. In February of 1977, Singer attended the Whitney Museum Biennial where he met Salvador Dali while viewing a Richard Estes painting. Bot...

Hand signed, titled, numbered and dated, lower margin. Screen print in colors on wove paper with full margins. Sheet size: 38 x 37 inches. Image size: 32 x 32 inches. Frame size approx 41 x 40 inches. Edition of 100. From American Signs portfolio. Certificate of Authenticity included. Published by Greg Smith...

JR Au Palais De Tokyo, 28 Aout 2020, 16h12, Paris, France, 2020 Contemporary, 21st Century, Lithograph, Limited Edition Lithograph Edition of 180 70 x 100 cm (27.5 x 39.5 in.) Signed on the bottom right corner (stamp and lead), numbered on the bottom left corner Accompanied by Certificate of Authenticity In mint condition, as acquired from the publisher The piece is offered unframed. Edition number might vary from what is shown in the images. The street artist and photographer JR started out his artist practice in the streets of Paris. Using the pseudonym JR, the artist is keeping his identity hidden from the public. As part of the "Jusqu'ici tout va bien", an exhibition by students from the Kourtrajmé school that JR is in charge of the art section of the school, JR created a pasting on the facade of the Palais de Tokyo, in Paris, through an anamorphic image. The collage was visible from August until September 2020, between the buildings of Clichy-Montfermeil and the Eiffel Tower, whose shadow is outlined on the visual in anamorphosis. What is very characteristic of JR’s art is the impermanence nature of the project, which the only way that the installation is captured, is through the creation of this lithograph - commemorating its presence, as the sun dries the glue, and the wind and rain tears the fragile paper with every moment. JR JR is a photographer and artist whose identity is unconfirmed. After he found a camera in the Paris subway...

JR, In the Container Wall, Le Havre, France Contemporary, 21st Century, Lithograph 20 colours lithograph Edition of 180 50 x 70 cm (19.6 x 27.5 in) Signed and numbered In mint condi...

Hand signed, titled, numbered and dated, lower margin. Screen print in colors on wove paper with full margins. Sheet size: 38 x 37 inches. Image size: 32 x 32 inches. Frame size approx 41 x 40 inches. Edition of 100. From American Signs portfolio. Certificate of Authenticity included. Published by Greg Smith...

From street artist and photographer JR, this artpiece depicts Charlie Chaplin in the legendary scene from "The Kid" as a celebration of the movie's 100th anniversary in 2021. JR Unframed, Charlie Chaplin revu par JR, The Kid, Charlie Chaplin & Jackie Coogan...

Robert Longo, Saturn Contemporary, 21st Century, Limited Edition, Pigment Print Pigment Print Edition of 30 39.6 x 59.9 cm (15.5 x 23.5 in) Signed and signed, accompanied by Certific...

Each hand signed, titled, numbered and dated, lower margin. Screen print in colors on wove paper with full margins. Each sheet size: 38 x 37. Each image size: 32 x 32. Certificate of Authenticity included. Complete Suite, edition 69/100. Published by Greg Smith...

Artist: John Baeder Title: Yankee Clipper Medium: Screenprint Signed: Hand Signed Edition: From the edition of 250 Measurements: 22" x 30" Note: Th...

Artist: Ching Jang Yao Title: Reflection Medium: Screenprint Signed: Hand Signed Edition: Edition of 250 Measurements: 28" x 23 1/2" Frame: This piece is sold UNFRAMED Conditio...

Hand signed and numbered by the artist. Silkscreen on Arches paper. Image size 30 x 30 inches. Artwork is in excellent condition. Certificate of Authenticity included. Published by C...

JR Trompe l'oeil, Les Falaises du Trocadéro (Portfolio of 4) 2021 Giclée Print Laminated with G-gloss, Mounted on 3mm Dibond 64 × 96 cm (25.2 × 37.8 in) In matching edition numbers I...

Hand signed and numbered by the artist. Silkscreen on Arches paper. Framed size approx 38 x 45 inches. Image size 30 x 40 inches. Artwork is in excellent condition. Certificate of Au...

Cy Twombly, Studio Lexington Contemporary, 21st Century, Dry-print, Limited Edition Dry-print on cardboard Edition of 50 43.1 x 27.9 cm (17 x 11 in) Embossed with the stamp ‘CT’ on t...

JR La Ferita, 25 Mars 2021, 19H07, Palazzo Strozzi, Florence, Italie, 2021 100 x 70 cm (39.3 x 27.5 in.) 14 colors lithograph printed on Marinoni machine White paper BFK Rives - 300...

Etching in colours, 2000-2001, on Hahnemühle etching paper, signed and numbered from the edition of 46 (there were also 6 artist’s proofs), published by Paragon Press, London, sheet:...

OPAC The Organization of Photorealist Artists and Collectors presents Seltzer, a signed and numbered giclee on canvas by famed photorealist Mark Schiff. This piece is 28" x 34". The ...

JR Trompe l'oeil, Death Valley, Billboard, March 4, 2017, 5:41 pm, California, USA, 2021 14 colors lithograph printed on Marinoni machine on White paper BFK Rives - 270 grammes Editi...

Created in 2007, this color soft ground etching with aquatint on paper is hand-signed and dated by Robert Bechtle (San Francisco, 1932 - Berkeley, 2020)...

JR Trompe l'oeil, Les Falaises du Trocadéro (Set of 2) 2021 Giclée Print Laminated with G-gloss, Mounted on 3mm Dibond 64 × 96 cm (25.2 × 37.8 in) In matching edition numbers In mint...

The complete set of six mezzotints. Each signed, dated and numbered from the edition of 24 in pencil. Printed on mold-made Hahnemüller paper. Published by Pace Editions, Inc., New...

ROBERT COTTINGHAM HI FI, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' a...

ROBERT COTTINGHAM Blues, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' a...

ROBERT COTTINGHAM M, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' and n...

ROBERT COTTINGHAM NIte, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' an...

ROBERT COTTINGHAM Rialto, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' ...

ROBERT COTTINGHAM Drinks, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009...

ROBERT COTTINGHAM Hot, from American Signs Portfolio, 2009 screenprint in colors, on wove paper, with full margins 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' and...

ROBERT COTTINGHAM Star, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' and numbered edition of 100 in pencil -- Robert Cottingham B. 1935, BROOKLYN, NEW YORK Born in 1935 in Brooklyn, Robert Cottingham is known for his paintings and prints of urban American landscapes, particularly building facades, neon signs, movie marquees, and shop fronts. After serving in the U.S. Army from 1955 through 1958, he earned a BFA at Pratt Institute, Brooklyn, in 1963. Cottingham began his professional artistic career as an art director for the advertising firm Young and Rubicam in the early 1960s. Although he is typically associated with Photorealism, Cottingham never considered himself a Photorealist, but rather a realist painter working in a long tradition of American vernacular scenes. In this respect, his work often draws parallels to a number of American painters such as Stuart Davis, Charles Demuth, Edward Hopper, and Charles Sheeler. Cottingham’s interest in the intersections of art and commerce derive from his career as an adman and the influence of Pop art. Many of his paintings convey an interest in typography and lettering, as well as an awareness of the psychological impact of certain isolated words and letters. In his facades, techniques from advertising, namely cropping and enlarging, often produce words of enigmatic or comical resonance such as “Art,” “Ha,” or “Oh.” Cottingham’s enlarged sense of scale is reminiscent of James Rosenquist’s work, while his interest in text suggests the influence of Robert Indiana and Jasper Johns. In general, Cottingham viewed his work as continuing the legacy of Pop artists such as Andy Warhol, who also had a background in advertising. In 1964, Cottingham relocated to Los Angeles for work. There, inspired by the drastically different environment of the West Coast metropolis, he began to commit seriously to painting. Fascinated by Hollywood’s exaggerated glitz and the downtrodden atmosphere of the downtown, Cottingham saw in Los Angeles the relics of a bygone commercial heyday and desired to capture its kitschy and uncanny atmosphere, bathed in the near perpetual sunlight of Southern California. In 1968, Cottingham ended his advertising career in order to devote all his time to painting. In the late 1960s, he started using photography in his practice, first as an initial reference point for his process. After selecting a photograph, he translates it into black-and-white drawings by projecting the image onto gridded paper...