Surrealist Prints and Multiples

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

After Salvador Dali (Spanish, 1904-1989), Headless Man and Fly, Lithograph in Colors, signed in pencil lower right, numbered edition "65/350" lower left, ebonized wood frame. Image: ...

T'ou't  se tient is an Artwork realized in 1975 by Roberto Sebastián Antonio Matta Echaurren (Santiago, Chile, 1911 - Civitavecchia, Italy, 2002). Colored Litograph on paper.Realize...

Leonor Fini (Argentine-French, 1907 - 1996) was an independent and visionary artist whose work defied categorization within Surrealism, despite her association with its key figures i...

Created by Surrealist Fanny Brennan from 1992-96, Shell City is an original lithograph in colors on wove paper, hand-monogrammed by the artist in pencil and numbered from the edition...

Medium: lithograph (after the drawing). Printed in 1953 for the art revue Derrière le Miroir (issue number 52) and published in Paris by Maeght. Sheet size: 15 x 22 inches (378 x 560...

This framed reproduction of Jours de lenteur ("Days of Slowness") by surrealist painter Yves Tanguy presents a dreamlike, abstract landscape filled with soft, biomorphic forms and in...

Joan Miro (1893-1983) - Lapidari (Lapidary) Etching and aquatint from 1981. The edition E.A. printed with large margins on Guarro Extra Blanc paper and mounted onto Arches vellum p...

Salvador Dali Le Nu à la Jarretière, from The Hippies Etching with hand coloring on Japon Signed in pencil and embossed signature to lower right Edition V/C to lower left Published ...

Medium: original lithograph. Printed in Paris by Mourlot and published by Pierre à Feu and Maeght Editeur for the Marcel Duchamp / André Breton project Surréalisme en 1947. Issued in...

Lithograph on wove paper, after drypoint etching. Image dimension 36.5x49.5. Edition of 163/275. Hand signed and numbered in pencil. Browned. Ref. Michler-Lopsinger 450.

Joan Miro (1893-1983) - Règne végétal (Plant Kingdom) Aquatint with carborundum from 1981. The edition of 64/75 on Arches paper. Dimensions of work: 74.3 x 57.7 cm. Hand signed. ...

Color lithograph on Arches paper. Hand signed and numbered in pencil. Edition of LXVII/CCXXV (67/125). Ref. Michler-Lopsinger 1328b. Carmen's Death  is the last original colored l...

Le Troisième Oeil (The Third Eye) Lithograph on Arches paper Hand signed and numbered 1981 Dimensions: 21.5 X 30 inches Marcel Marceau (French: born Marcel Mangel; 1923 – 2007) was ...

Lithograph realized by Abel Pann in 1920 ca. Hand signed lower right. Good condition except for a big repaired rip in the top right.

This exquisite lithograph by Joan Miro (1893–1983), titled L'origine extreme (The extreme origin), from the album XXe Siecle, Nouvelle serie, XXXVIIIe Annee, No. 47, originates from ...

Rufino Tamayo, Mexican (1899 - 1991) - Cabeza Sobre Fondo Verde, Portfolio: Rufino Tamayo 15 aquafuertes, Year: 1979, Medium: Etching, signed and numbered in crayon, Edition: 14/...

Paul KLEE (after) Analysis of Various Evils Lithograph and stencil (Jacomet process) Printed signature in the plate On canson vellum 50 x 38.2 cm (19.6 x 14.9 in) INFORMATION : Thi...

Created by Surrealist Fanny Brennan from 1992-96, The Visitor is an original lithograph in colors on wove paper, hand-monogrammed by the artist in pencil and numbered from the editio...

Salvador Dalí (Spanish, 1904–1989) Frère Ogrin l’ermite (Brother Ogrin the Hermit) Drypoint etching in colour From the 1970 Tristan and Iseult series, British book edition, printed o...

Andre Masson, French (1896 - 1987) - Consumed, Portfolio: Dessins Erotiques, Year: 1971, Medium: Lithograph on Arches, signed and numbered in pencil, Edition: 23/125, Image Size:...

The work comes directly from the artist, is numbered, signed and made on sealed paper. Limited edition of 20. RAFAŁ OLBIŃSKI (born in 1943) He graduated from the Faculty of Archite...

ARTIST: Salvador Dali TITLE: Hamadryades Mimetiques Arborescentes MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: EA MEASUREMENTS: 19.3" x 12.4" YEAR: 1971 FRAMED: No CO...

Andre Masson, French (1896 - 1987) - Beach Scene, Portfolio: Dessins Erotiques, Year: 1971, Medium: Lithograph on Arches, signed and numbered in pencil, Edition: 23/125, Image Si...

Vir et Mulier in paradiso voluptatis ("Man and Woman in the Garden of Pleasure") is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ...

Hank Laventhol, American (1927 - 2001) - Tree of People, Year: circa 1980, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 300, AP XXXV, Image Size: 19.5 x 16 i...

This exquisite lithograph by Alexander Calder (1898–1976), titled Composition aux Spirales (Composition with Spirals), from the folio Derriere le miroir, No. 173, originates from the 1968 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1968. Composition aux Spirales exemplifies Calder’s mastery of rhythm and form, translating his sculptural language of balance and motion into vivid, dynamic compositions on paper that capture his signature sense of energy and harmony. Executed as a lithograph on velin paper, this work measures 15 x 22 inches, with centerfold, as issued. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Alexander Calder (1898–1976) Title: Composition aux Spirales (Composition with Spirals), from the folio Derriere le miroir, No. 173 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.88 cm), with centerfold, as issued Inscription: Unsigned and unnumbered as issued Date: 1968 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 173, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1968 Notes: Excerpted from the folio (translated from French), The illustrations in this issue are original lithographs by Alexander Calder drawn in the workshops of the Arte printing shop. This issue of "Behind the Mirror" has a luxury edition drawn on velin de Lana and limited to CL examples numbered and signed by the artist on the colophon. The text of G. Carandente was translated from Italian by Alain Veinstein. About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Alexander Calder (1898–1976) was an American sculptor, painter, and printmaker whose pioneering innovations in kinetic art revolutionized 20th-century sculpture and transformed modern visual language. Born in Lawnton, Pennsylvania, into a family of artists, Calder initially trained as a mechanical engineer at the Stevens Institute of Technology before turning to art at the Art Students League in New York—a combination of technical precision and creative imagination that defined his career. Moving to Paris in 1926, he immersed himself in the avant-garde and formed friendships with Pablo Picasso, Alberto Giacometti, Joan Miro, Wassily Kandinsky, Salvador Dali, Marcel Duchamp, and Man Ray, whose ideas profoundly shaped his artistic philosophy. From Picasso, he absorbed structural invention; from Miro, lyrical abstraction; from Kandinsky, spiritual geometry; and from Duchamp and Man Ray, the courage to merge intellect and play. In Paris, Calder created his famous Cirque Calder, a miniature mechanical circus that introduced motion and performance as central components of sculpture, and by the early 1930s, he invented the mobile—a term coined by Duchamp—to describe his delicately balanced, moving sculptures that responded to air currents. Later, Jean Arp would name his stationary counterparts stabiles. These two inventions—sculptures that could either float and spin gracefully or stand monumentally still—transformed art into a dynamic dialogue between movement, balance, and space. Calder’s signature forms, painted in vivid reds, blacks, blues, and yellows, embodied both joy and precision, creating an art that was at once abstract, organic, and deeply human. Like Kandinsky and Miro, he viewed art as a form of rhythm and emotion; like Duchamp, he embraced innovation and humor; and like Giacometti and Dali, he was fascinated by perception, structure, and the unseen forces of motion. His monumental public sculptures—such as La Grande Vitesse (1969) in Grand Rapids and Flamingo (1973) in Chicago—redefined public art as a symbol of civic optimism and modern progress. A key bridge between European modernism and American abstraction, Calder’s influence extended to artists including Jean Tinguely, George Rickey, Donald Judd, Ellsworth Kelly, Richard Serra, and Olafur Eliasson, whose works in kinetic and spatial art continue to echo his vision. His gouaches, prints, and jewelry carried the same balance and movement as his sculptures, revealing a unified language of rhythm across media. Represented in every major modern museum—including MoMA, the Guggenheim, the Tate, and the Centre Pompidou—Calder remains celebrated for merging engineering, color, and poetry into an art of pure equilibrium. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he remains one of the cornerstones of modern art—a visionary whose works breathe with motion, grace, and joy. His highest auction record was achieved by Poisson Volant (Flying Fish) (1957), which sold for $25.9 million at Christie’s, New York, on May 15, 2014, reaffirming Alexander Calder’s enduring legacy as one of the most inventive, dynamic, and collectible artists in the history of modern art. Alexander Calder Composition...

From Historia de Don Quichotte de la Mancha. Etching and aquatint on Japon paper. Edition AP 23/50. Sheet size 29.875 x 22.125 inches. Image Size 15.75 x 17.5 inches. Frame size ap...

ICY SLICE is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arche...

Medium: original lithograph. Printed in 1938 and published in Paris by Teriade for the art revue Verve (Volume 1, Number 3). Four artists were commissioned to contribute compositions...

From the portfolio containing six reproductions of some of Fini's famous images, such as: La Passagere, Vesper Express, Heliodora, La Serrure and Le Bout du Monde. Published by Frede...

Henri Matisse (1869-1954) - Le Destin (Destiny) Lithograph from 1983. Dimensions of sheet: 61 x 39 cm Dimensions in frame: 73 x 53 cm Publisher: George Brazilier, New York. Prin...

Henri Matisse (1869-1954) - Le Lagon II (The Lagoon II) Lithograph from 1983. Dimensions of sheet: 61 x 39 cm Dimensions in frame: 73 x 53 cm Publisher: George Brazilier, New Yor...

Henri Matisse (1869-1954) - Le Toboggan (The Slide) Lithograph from 1983. Dimensions of sheet: 61 x 39 cm Dimensions in frame: 73 x 53 cm Publisher: George Brazilier, New York. ...

Henri Matisse (1869-1954) - Le Codomas (The Codomas / The Acrobat on the Trapeze) Lithograph from 1983. Dimensions of sheet: 61 x 39 cm Dimensions in frame: 73 x 53 cm Publisher:...

Le Lézard aux Plumes d'Or is a beautiful and rare color lithograph on parchment, realized in 1967 by the Spanish Surrealist artist Joan Miró (Montroing, 1893 - Mallorca, 1983). Num...

Color lithograph on vellum. Artist proof out of an edition of 180. Hand signed in pencil. Published: XXe Siècle, Paris, Galleria Schwarz, Milan, Leon Amiel, New York. Arches map, ...

"Northward" Black & White Photography 31" x 31" in Ed. of 7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. ...

Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching with the addition of hand watercolor painting ...

ARTIST: Salvador Dali TITLE: Imaginations & Objects of The Future Cyclopean Make-Up MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Merril Chase, Chicago/Alan Ric...

ARTIST: Salvador Dali TITLE: Florals Carnation Keys MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Editions Graphiques Internationals EDITION NUMBER: 62/350 ME...

This exquisite lithograph by Alexander Calder (1898–1976), titled Une famille de là-bas II (A Family from Over There II), originates from the historic 1975 folio Derriere le Miroir, ...

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

Medium: original color etching. Printed in 1965 for the "Paroles Peintes II" portfolio, and published in Paris by Lazar-Vernet. This magnificent, rich impression is one of 150 printe...

This lithograph in colours is hand signed in pencil by the artist "Miró" at lower right corner. It is also hand numbered in pencil 199 from the edition of 400, at the lower left cor...

Jean Solombre, French (1948 - ) - Tu aimerais ce que j'aime et ce qui m'aime: l'eau, la images, le silence et la nuit, Year: 1981, Medium: Etching with Aquatint on Arches, signed, ...

ANDREAS PAUL WEBER (German 1893-1980) THE LAST PRIVATE PERSON - DER LETZIE PRIVATIER Lithograph signed in pencil and with the artist's Clan Press Stamp l...

Salvador Dali Individual Etchings: Diane de Poitiers, Published 1971 Medium: Copper Etching on Arches Paper Edition: 108/150 Artwork Size: 25 x 20 in Framed Size: 33 x 28 in T...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

Salvador Dali (1904-1989) - Femme à la guitare Etching from 1967. The edition of 122/145 on Japan paper. Enhanced with watercolor.. Dimensions of work: 38 x 28.5 cm. Hand signed....

Andre Masson, French (1896 - 1987) - Orifice, Portfolio: Dessins Erotiques, Year: 1971, Medium: Lithograph on Arches, signed and numbered in pencil, Edition: 23/125, Image Size: ...

Lithograph on vélin de Rives paper. Inscription: hand signed and unnumbered, as issued. Good condition. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philipp...

La Femme 100 Têtes is an original modern rare book illustrated by Max Ernst (1891 - 1976) in 1929, and extraordinary first example of conceptual art Original first edition. Publish...

This exquisite lithograph by Joan Miro (1893–1983), titled La femme et l'oiseau (The Woman and the Bird), from the folio Derriere le miroir, No. 139–140, originates from the 1963 edi...

Salvador Dali (1904-1989) - Le Téléphone (The Telephone) Drypoint etching with stencil from 1975. The edition 165/450 on Arches paper. Dimensions of sheet: 75 x 56 cm Dimensions ...

Salvador Dali (1904-1969) Casanova : Spiky Woman, 1967 Original etching Signed in the plate On vellum Rives 38 x 28 cm (c. 14.9 x 11 inch) REFERENCES : - Catalog raisonné Field #67...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph X, from the album Joan Miro Lithographs, Volume I, originates from the 1972 edition published by Tudor Publishin...

Maurice Pasternak has created a surreal landscape that includes several spirit-like creatures seeming to wander in an unknown landscape He moves images around on the paper to create ...

Jean Cocteau and Raymond Moretti Célébration Original lithograph Printed signature in the plate, handsigned by Raymond Moretti Numbered EA 1/10 - Very look for proof bearing n°1 On ...

This artwork titled, "Apollon" from the suite, "l'Art d'Aimer d'Ovide" 1976. is an original wood engraving on Japan nacre paper by artist Salvador Dali 1904-1989. It is hand signed...