Bird Prints and Multiples

Ancient Roman Fresco from Herculaneum , is an etching on paper realized by Vincenzo Campana in the 18th Century. Signed on the plate. Good conditions. The etching belongs...

Crow is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by Stuttgart ...

Edition of 80. Signed and numbered in pencil. Really, no one could draw on a lithographic stone like Stow Wengenroth. He drew many animals and birds...

Original stone lithograph with hand-coloring from "Birds of North America." First Octavo Edition, by John James Audubon. Plate 383. Philadelphia, J.T. Bowen, ca. 1839-44.

This artwork titled "Bird Form" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British artist Graham Vivian Sutherl...

Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an etching on paper realized by Carlo Oratij in the 18th Century. Signed on the plate. Good conditions. ...

Le Coq is an etching realized in 1771 by Louis Legrand (1723-1807). Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière a...

Flamingo is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by Stuttg...

Gibraltar From The Sea is a lithograph realized by James Charles Armytage in 1940. Signed on the plate and titled on the lower. Included a Pasepartout:24 x 30 cm Good conditions w...

Birds Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Giuseppe Aloja in the 18th Century. Signed on the plate. Good condit...

Street artist DALeast joined a graffiti crew after growing disillusioned with his conservative art education in China. The artist, who doesn’t reveal his real name and whose pseudony...

Image dimensions: 24.5 x 31.5 cm. Centaur In The Smithy is an original print, realized in 1898. Black and white xylograph on applied Japon paper. Good conditions except for yellowing of paper (especially along the margins), and very light foxings on lower part of paper. The print was realized by Johann Jacob Weber and it's part of the series Meisterwerke der Holzschneidekunst (original title: SECHZEHN HOLZSCHNITTE NACH GEMÄLDEN ARNOLD BÖCKLIN...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Original engraving, hand-colored at publication, after the work of Mark Catesby by Johann Michael Seligmann from "Sammlung verschneider auslandischer und seltener Vogel." Nuremberg:...

Griffon Vulture is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 187...

Hand-signed and numbered. Edition of 50 prints. In Excellent condition. Wonderful etching, representing a surreal ram in the perfect Clerici's style.

Eurito Echione e Etalide Argonote Etching, 1664 after Remigio Cantagallina From: La manifique carousel fait sur le fleuve de l"Arne a Florence, pour le Mariage du Grand Duc, (18 plates, this no. 14) Depicts Three Argonauts conveyed on aquatic peacock Published by Pierre Giffart, Paris Note: This image is a record of the celebration on the Arno River in Florence of the marriage of Cosimo II de Medici and Maria Madaglena of Austria, 1608 Condition: Trimmed to the border line of the image Slight foxing and staining to the sheet Tipped on an "English Mount" Image size: 3 9/16 x 4 15/16 inches Reference: Bartsch XX.63.37 (copy after) Drugulin 1179 Balthasar Moncornet printmaker; publisher/printer Tapissier, engraver and print publisher in Paris, specialist in ornament prints...

Antiquities of Herculaneum  - Letter of the Alphabet A,  from the series "Antiquities of Herculaneum", is an original etching on paper realized by Giovanni Mignani in the 18th centur...

The work comes directly from the artist, is numbered, signed and made on sealed paper. Limited edition of 20. RAFAŁ OLBIŃSKI (born in 1943) He graduat...

This exquisite lithograph after Georges Braque (1882–1963), titled Oiseaux sur fond bleu (Birds on a Blue Background), from Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, originates from the 1955 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1955. This serene and evocative composition reflects Braque’s lifelong fascination with the motif of birds—symbols of freedom, transcendence, and spiritual equilibrium. Oiseaux sur fond bleu captures the artist’s delicate synthesis of abstraction and nature, where the silhouettes of birds emerge in lyrical harmony against a radiant blue field. The image embodies Braque’s mature artistic vision: a perfect balance between movement and stillness, light and shadow, emotion and intellect. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Unsigned and unnumbered as issued. The edition exemplifies the superior craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the foremost modern artists of the 20th century. Artwork Details: Artist: After Georges Braque (1882–1963) Title: Oiseaux sur fond bleu (Birds on a Blue Background), from Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, 1955 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Unsigned and unnumbered as issued Date: 1955 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, published by Editions de la revue Verve, Paris, 1955 Notes: Excerpted from the album (translated from French), The illustrations in this album are printed from the sketch-books—carnets de travail—which Georges Braque has been keeping up for thirty years and more, and which constitute a daily record of fragments of the visible world that have caught his attention and ideas for paintings that have occurred to him. In fact the only difference between these sketch-books and the diaries kept by so many writers is that here the entries are not written but take the form of gouache or watercolor sketches. Hitherto Braque has always refused to make public these albums, which he takes with him wherever he goes and which comprise the bulk of his work as a draftsman. Now at long last he has authorized the printing of a number of pages of these albums, selected by himself with our co-operation. About the Publication: Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, published in 1955, represents one of the most intimate and revealing projects in Georges Braque’s career and one of the final great achievements of the legendary Verve periodical. Under the direction of Teriade, Verve became a beacon of artistic collaboration, uniting the finest artists and writers of the modern age. This special issue departs from the grand thematic volumes of previous years to offer a rare glimpse into Braque’s personal creative process. The lithographs—printed by Mourlot Freres—faithfully reproduce pages from Braque’s private sketchbooks, which span three decades of his artistic evolution. Each image captures the immediacy of his thought, the fluidity of his brush, and the disciplined spontaneity that defined his practice. The 1955 issue of Carnets intimes stands as both an artistic document and a deeply human record of the artist’s inner vision, exemplifying Verve’s enduring mission to unite art, poetry, and philosophy in perfect harmony. About the Artist: Georges Braque (1882–1963) was a French painter, printmaker, sculptor, and collagist whose visionary innovations and lifelong pursuit of balance, structure, and poetic form made him one of the most influential figures in 20th-century art. Born in Argenteuil-sur-Seine and raised in Le Havre, Braque began as a decorative painter before studying at the Ecole des Beaux-Arts and the Academie Humbert in Paris, where he absorbed the vibrant colorism of the Fauves and the structural logic of Paul Cezanne. His encounter with Pablo Picasso in 1907 led to one of the most groundbreaking collaborations in art history—the invention of Cubism—a movement that redefined visual perception by fragmenting form, rejecting single-point perspective, and reconstructing reality into a multidimensional experience. Between 1908 and 1914, Braque and Picasso revolutionized painting through Analytical Cubism, a style characterized by muted palettes, overlapping planes, and a focus on underlying structure rather than surface appearance. In 1912, Braque pioneered papier colle, the first use of collage in fine art, incorporating wallpaper and printed paper into his compositions and forever changing the relationship between art and the material world. After World War I, he returned to painting with renewed sensitivity, developing a lyrical and introspective form of Synthetic Cubism distinguished by harmony, rhythm, and a meditative sense of stillness. His still lifes, musical instruments, and interior scenes became metaphors for balance and contemplation, uniting intellect and emotion in perfect equilibrium. Immersed in the Parisian avant-garde, Braque worked alongside and exchanged ideas with Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom shared his passion for redefining the boundaries of modern art. His innovations in form, collage, and spatial construction deeply influenced later artists, including Jean Dubuffet, Nicolas de Stael, Henry Laurens, Ellsworth Kelly, Richard Diebenkorn, and Jasper Johns, shaping the course of postwar abstraction and modern design. In 1961, Braque became the first living artist to have a solo exhibition at the Louvre, a recognition of his monumental impact on modern aesthetics. His works are now housed in major museums worldwide, including the Museum of Modern Art in New York, the Tate Modern in London, and the Centre Pompidou in Paris, and remain sought after for their intellectual depth and timeless serenity. His highest auction record was achieved by Paysage a la Ciotat, which sold for $15.8 million at Sotheby’s, New York, in 2013, reaffirming Georges Braque’s legacy as one of the founding architects of Cubism and a master whose art continues to define the modern age. Georges Braque Oiseaux...

Antiquities of Herculaneum Exposed, original etching from the end of the 18th century, made by Various Old Masters. Good condition.. The etchin...

Virginian Partridge is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917). Woodcut print on ivory-colored paper. Hand-colored, published by...

The Prophecy of Joel is an artwork realized by Marc Chagall, 1960s. Lithograph on brown-toned paper, no signature. Lithograph on both sheets. Edition of 6500 unsigned lithographs....

Ex Libris Minimal is an original Contemporary Artwork realized in the 20th Century. Original B/W woodcut on ivory-colored paper. The work is glued on cardboard. Total dimension...

Le Gerfaut is an etching realized in 1771 by Bernard Baron. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du C...

This artwork titled "Key West Beach" 1947 is an original lithograph on paper by noted American artist Adolf Arthur Dehn, 1895-1968. It is hand signed in penci...

Wonderful mid century modern wood cut of wild Penguins by Israeli artist Hannah Yakin Hiyze (Dutch/Israeli, b. 1933), 1967. 13/33. Signed, number, dated and titled lower left edge. Condition: some waviness to paper. Presented under glass with vintage painted wood frame. Image size: 14"H x 37"W. Born Hannah van Hulst in Amsterdam, during World War II, Hannah developed her artistic talents, experiencing "happy times in which necessity bore creativity." After the war she went to high school and studied art at Academia Artibus, Utrecht, the Netherlands and in Paris with famous poster designer and graphic artist Paul Colin. In 1956 she emigrated to Israel where she met and married the artist Abraham Yakin...

In the world of graphic design and visual art, few names resonate as strongly as that of Raymond Savignac (1907-2002). Known for his distinctive and whimsical style, Savignac's work ...

Ex Libris Mario Marino is an original Modern artwork realized in the 20th Century by Attilio Giuliani. Original B/W Woodcut. Inscripted on the lower margin on plate. Mint condit...

The Rat is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published i...

Signed, titled and numbered lithograph.. Edition of 150. A beautiful botanical study of grapes, their vines and hand written poetry by the artist. Trevor Southey was born in Rhodesi...

Artist: Roger Chapelain Midy (French, 1904-1992) Title: Untitled 4 Year : Circa 1975 Medium: Color lithograph Edition: Unknown Paper: Silk paper Image size: 18 x 25.25 inche...

Still Life Fresco With Birds from "Antiquities of Herculaneum" is an etching on paper realized by Vincenzo Segoni in the 18th Century. Signed on the plate. Good conditions with som...

A bemused elephant performs for an audience of birds and monkeys who seem unimpressed in this slightly surreeal image. The animal presence is in Seyedin's work provides an allegorical representation for mankind. Marjan has a contemporary and poetic reinterpretation of classical engraving techniques, mostly etching, aquatint and drypoint. Medium: Etching, aquatint and roulette with gouache Year: 2024 Edition: unique Image Size:  12 x 15.75 inches Marjan's work was awarded the 2007 Grav'x prize in Paris, as well as the 2010 Pierre Cardin prize of the Academy of Fine Arts. She has also taken part in several solo and group exhibitions in France, Iran and the United States. After a solo exhibition in 2017 at the Shirin Gallery, Tehran (Iran), Marjan Seyedin...

Aaron Horkey – The Snare (and matching COA Print) Gilded Age Collection 2015 Thinkspace Gallery Debut Signed & Numbered Edition of 665 Includes Certificate of Authenticity Original...

One of 9 humorous portraits of birds engaged in conversation by Franco-Iranian artist Marjan Seyedin. In her works, birds and animals provide an allegor...

One of 9 humorous portraits of birds engaged in conversation by Franco-Iranian artist Marjan Seyedin. In her works, birds and animals provide an allegor...

Ari Gradus, Israeli (1943 - ) - Afternoon Stroll, Year: 1980, Medium: Lithograph, Signed and Numbered in Pencil, Edition: AP, Image Size: 18 x 26 inches, Size: 21.5 in. x 29 in....

The Monkey is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was publishe...

A Chicken Family is an original print realized by William French (1815 ca.-1898) in the late 19th century. Black and white lithograph. Original Title: ...

L' Été Éclater is an original hand drawn limited edition lithograph printed on archival Somerset printmaking paper 100% acid, free, by the Dutch artist known as CORNEILLE(Guillaume v...

Judith Bledsoe, American (1938 - 2013) - Red Bird and Crow. Year: circa 1970, Medium: Lithograph, signed and dedicated in pencil, Edition: EA, Image Size: 15 x 21 inches, Size: 22 x...

Ancient Roman Fresco from Herculaneum, is an etching on paper realized by Ferdinando Campana in the 18th Century. Signed on the plate. Good conditions. The etching belongs to the ...

Macarena and Penguin is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, publish...

Artist: Gordon Grant, American (1875 - 1962) Title: Arching Elms Year: circa 1940 Medium: Lithograph, signed in pencil Image Size: 9 x 11 inches Size: 11 in. x 16 in. (27.94 cm x 40....

Diseases of the Peritoneum is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal,Human Anatomy, Printers Batelli and Ridolfi, realized in 1843. Signed on p...

L'Ecorcheur is an etching realized by R. De Launay in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Pa...

Le Cocquar is an etching realized in 1771 by Louis Legrand (1723-1807). Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particuliè...

Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...

Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Dent Prompte, Dix poèmes inédits illustrés par Max Ernst, ...

Albatross is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by Stutt...

Lithograph/Serigraph. Hand signed and numbered. Edition of 350 prints. From the suite "Alphabet". Excellent condition.

Artist: Roger Chapelain Midy (French, 1904-1992) Title: Untitled 2 Year : Circa 1975 Medium: Color lithograph Edition: Unknown Paper: Silk paper Image size: 18 x 25.25 inche...

Buonaparte's Gull is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 18...

Le Faucon Sort is an etching realized by N. De Launnay in 1771. The Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Paris:...

Mechanical Parrots is a contemporary artwork realized by the artist Fifo Stricker in 1997. Mixed colored aquatint and etching.  Hand signed and dated by the artist on the lower rig...

Hooper is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. Name o...

Artist: LeRoy Neiman, American (1921 - 2012) Title: Punchinello with Text Year: 1970 Medium: Lithograph on Arches, signed in pencil Edition: AP Paper Size: 30 x 24 inches

Composition is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect ha...

POPE Jr., Alexander Group of Six Water Fowl. Group of Six chromolithographs of game-birds, each laid on to contemporary card (as published). [Charles Scribner's Sons, New York, 1878]. Alexander Pope...