City Prints and Multiples

Limited Edition Print of Brooklyn Bridge New York City NYC Skyline United States of America. This painting captures the New York Skyline with ...

The reference number on this work is Kraeft 88. It's from an edition of 100 and is signed, dated, and numbered, in pencil. Always an intaglio printmaker, Landeck switched from a mor...

Maurice de VLAMINCK Main Street of a Traditional French Village, 1951 Original etching with aquatint Printed signature in the plate On vellum 33 x 43 cm (c. 13 x 17 in) REFERENCES ...

Heinz Wehlisch Building Color etching Signed by hand Size: 15.2 × 22.4 on 20.1 × 26.9 inches COA provided Heinz Wehlisch was a modern artist of the late 20th century and worked in Berlin. He was a member of the professional association of visual artists in Berlin from 1946-1980; his specialty were etchings but also watercolors based on old postcard...

Pierre BELLIER (1936-) RIVIERA : The Negresco Palace, 1982 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On high end Coated Paper...

Arch of St. Marco, Rome- Vintage Postcard is a colored vintage postcard realized in the 1980s. Copyright and information on the rear. Good conditions, aged with foxing.

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Manhattan Island looking out to the Statue of Liberty and Brooklyn as viewed from Rockefeller Centre. One of the greatest views in the world, I will always love you New York... John ...

This exquisite collotype after Max Ernst (1891–1976), titled Il tombera loin d'ici (He Will Fall Far from Here), from the album Max Ernst, Histoire Naturelle (Natural History), origi...

This stunning 1960 travel poster, featuring a photograph by Fronval, captures one of the most breathtaking perspectives of Paris—a bird’s-eye view from the top of Notre-Dame Cathedra...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

ECLIPSE was born out of Milton's interest in the photographer Eugene Atget. Work on the image went through many transformations and reversals, until finally settling on Atget's Pari...

London Pride by Anne Storno Limited edition and hand signed by the artist Giclee Print Limited edition of 30 Image size: H:60cm x W:80cm Complete size of unframed work: H:60cm x W:80cm x D:0.1cm Please note that insitu images are purely an indication of how a piece may look With the colourful gay flag...

Palace of the Chancellery is an original etching realized by the italian artist Giovanni Battista Piranesi in 18th century. Signed on the plate on the lower. Very good conditions ...

Etching hand watercolored realized by Giuseppe Malandrino in 1970s. Edition of 93/199. Excellent condition.

Philippe BENOIST Paris : Saint Paul and Saint Louis Church - 1861 Original two tones stone lithographs Printed name of the artist bottom right On vellum 33.5 x 49 cm (c. 13 x 20 inc...

This captivating lithograph by Alain Gauthier, created around 1960, presents a surreal and atmospheric vision of Place Vendôme, blending classical elegance with imaginative symbolism...

Lithograph on grand vélin des Papeteries de Lana paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Au Temps de Paris Seine...

A wonderful mid-century poster illustration of Doggett's Coat & Badge. The Badge is the prize and name for the oldest rowing race in the world. Up to six apprentice watermen of the R...

Barracks in Piazza Navona is an artwork realized after the Italian artist  Renato Guttuso  (Bagheria, 1911 – Rome, 1987) in 1950. Phototype print..  Good condition. Italian title ...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, July 14, 1937. Notes: From the folio, A La gloire à Paris, 1937. Excerpted from the folio (translated from French), The Glory of Paris. This dedicated album by the Paris municipality was written, illustrated, engraved and printed in the year MCMXXXVII. This album was decorated and printed by J.-G. Daragnes for the City of Paris. This album has been completed to print on Vélins des Manufactures de Canson et Montgolfier et des Papeteries on July 14, 1937, D examples, the first CC of which were reserved for the subscribers of the album. EDMOND CÉRIA (1879-1954) From his childhood, Edmond Ceria showed a predisposition for music, drawing and painting. After studying at the Évian college, he entered the Geneva School of Fine Arts. Disappointed by teaching, he went to Paris in 1904, entered the Académie Julian and attended the Louvre museum where he discovered the work of Paul Cézanne which shocked him. He becomes a disciple of this new vision of the world, where sensitivity and love of nature replace genre and anecdote. According to René Barotte, “its incisive pages are reminiscent of Guardi or Canaletto. His style gradually frees itself from a certain rigor in execution. The touch becomes a sign, almost an ideogram, and the small painting appears written like a love poem. He began his career by exhibiting at the Salon des Indépendants in 1908, then at the Salon des Tuileries and the Salon d'Automne of which he was a member. In 1919, he spent a year in Tuscany which made him aware, like Corot, of the importance of light in painting. During this stay, he copied the great Italian masters including Giotto, Uccello, Masaccio. Back in France, Ceria discovered the light of Provence, painting mainly in Marseille and Sanary. In Paris, he set up in a workshop near the Observatory and frequently went down to the quays to paint the Seine, the bridges, the Concorde, the Tuileries and the Luxembourg. In 1934, he stopped his travels in Provence to discover Brittany where he spent many years. Indifferent to fashions and unfailingly attached to the nature that he stylizes, he pursues a landscape work whose light touches highlight the accidents or reflections. When the climate forced him to paint in the studio, he devoted his talent to still lifes, which testify to his love of life, just as his landscapes reflect his taste for nature. Ceria participated, with his friends Charles Dufresne, Othon Friesz and Henry de Waroquier, in the first exhibition of the Masters of Independent Art at the Petit Palais in 1937. Always alongside Dufresne, to whom he entrusted the artistic education of his son Jacques Despierre, he decorated the small foyer of the Chaillot theater with Le Théâtre...

Lithograph on Magnani-Pescia paper. Paper size 17,5 cm x 24,5 cm work size 14,5 cm x 22 cm .Excellent condition, no defects. Aldo Riso was born in 1927 in Santa Maria di Leuca, in t...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Franz Xavier Habermann, German (1721 - 1796) - Vue de Boston, Year: circa 1750, Medium: Hand colored engraving on laid paper, Image Size: 9.75 x 15.5 inches, Size: 13 x 17.5 in. (3...

Ari Gradus, Israeli (1943 - ) - Notre Quatiere, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP, Size: 22 x 30 in. (55.88 x...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. We also have a series of prints and original oil paintings by Trevelyan. Julian Otto Trevelyan, RA (1910 -1988) Peterhouse, Cambridge College (1959/1962) Proof print aside from the edition of 70. Signed by the artist and numbered in pencil. 38 x 44 cm (15×17 in.) This comes from Julian Trevelyan’s Cambridge Suite which consisted of 10 lithographs: Caius College, Caius College II, Christ’s College, Corpus Christi College, Downing College, Emmanuel College, Jesus College, Peterhouse, St Catharine’s College and Sidney Sussex...

Etching on Vélin de Rives paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Shakespeare, Macbeth, Eaux-fortes de Gromaire, 1958. Published by Tériade,...

In Cologne, the city of art in Germany, painter and graphic artist Jurgen Kuhl met Andy Warhol for the first time. The American Pop Art artist had come on ...

Etching by Ziveri. Hand signed. Signed and numbered in the bottom. Editions of 20 pieces (3/20). Passepartout included. Very good conditions.

Ari Gradus, Israeli (1943 - ) - Old New York, Year: 1980, Medium: Lithograph, signed in pencil, Edition: AP, Image Size: 18 x 26 inches, Size: 22 in. x 30 in. (55.88 cm x 76.2 c...

Russia-born Ray Euffa studied at the Detroit School of Fine Arts, the Educational Alliance Art School, and Art Students League in NYC. It is New York City i...

The 1962 original poster for BEA (British European Airways), titled "Londres: The Tower of London", was created as part of a campaign to promote London as a prime destination for international tourists. The poster specifically highlighted the Tower of London, one of the city’s most iconic landmarks, as a symbol of England’s rich history and cultural significance. During the 1960s, British European Airways played a pivotal role in shaping modern air travel within Europe and beyond. This poster was part of their effort to combine the allure of travel with the timeless appeal of London's historic sites. The Tower of London, with its storied past as a royal palace, prison, and treasury, was an ideal subject to attract history enthusiasts and travelers seeking a quintessentially British experience. The choice of the Tower of London as the focal point of this campaign underscored the growing interest in cultural tourism during the post-war era. As more people gained access to affordable air travel, cities like London sought to position themselves as must-visit destinations, offering a blend of historical charm and cosmopolitan appeal. BEA’s marketing strategy with this poster aligned with their broader mission of connecting travelers to Europe’s most captivating destinations. The Tower of London, a UNESCO World Heritage Site and a symbol of resilience and intrigue, served as a powerful emblem of what London had to offer. Today, this 1962 BEA poster...

Firmada a lápiz por el artista en la parte inferior y con tiraje 1/250 En buen estado de conservación Sin enmarcar Medidas: 49 cm x 58 cm.

Signed, numbered, and with extensive dedication to the artist Norman Kent. Titled in lower margin in another hand. Really, no one could draw on a lithograp...

Landscapes and seascapes are a specialty for McMillan, but capturing the night-time lights of the Grand Canal in Venice is an unusual subject for this artist who usually specializes ...

Lecce is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good condition.

One of eight prints completed for this set based on Henry James Aspern Papers. Signed and numbered digital print from the editon of 75. Peter Milton is one of the most honored and respected printmakers in the world today. His work is in most major museums, and he continues to produce stunning and masterful prints in his 6th decade of printmaking. Since 2008 he has been a major proponent for digital printmaking. THE ASPERN PAPERS is a classic tale by Henry James of duplicity foiled and love denied. Taking place in Venice, this is one print from a portfolio set of eight prints...

View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979). Etching on cardboard. Hand-si...

James Penney was widely known for his New Yorker covers as well as his paintings and prints. Penney was from Saint Joseph, Missouri. He trained in NYC at the Art Students League. Th...

Lithograph on grand vélin des Papeteries de Lana paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Au Temps de Paris Seine...

Max Epstein, Canadian (1932 - 2002) - NYC #1, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 99, Size: 30 in. x 44 in. (76.2 cm x 111.76 cm)

Lithograph in brown ink on lightweight, cream laid Japon paper with a deckle edge, 10 3/4 x 17 inches (274 x 432 mm), full margins. Signed and numbered 9/35 in pencil in the lower ma...

To see our other views of Oxford and Cambridge, or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us ...

Uses and Customs - Duomo Square in Siena is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History o...

Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Présence de Marquet, 1962. Pu...

Braunschweig is a beautiful color lithograph on paper, printed by von Led Kempner and published by von Schaffstein and C. Koln, Rhein. This modern artwork represents a urban and historical view of the German city of Braunschweig,in Lower Saxony, Germany, was a powerful and influential center of commerce in medieval Germany...

Antonio Peticov, Brazilian (1946 - ) - Amsterdam Rainbow, Year: 1979, Medium: Screenprint, signed and numbered in pencil, Edition: 200, Size: 27.5 x 35 in. (69.85 x 88.9 cm)

Based on an early visit to Primrose Hill in the winter to watch the sun come up. This piece is created using techniques that blend photography, painting and screenprinting. Built up with multiple blend layers to capture the spectacular atmosphere of that morning. Emma Reynolds...

Friedensreich Hundertwasser, Austrian (1928 - 2000) - XIV Olympic Winter Games, Year: 1983, Medium: Poster, Edition: 5000, Size: 33.5 x 24.25 in. (85.09 x 61.6 cm)

This amazing bird's-eye-view of an ancient European town is a wonder to behold. There is such detail and interesting perspective. Maybe the artist (unknown...

Uses and Customs - Temple of S Maria is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of th...

Navona Square - Rome is an original artwork realized by Giuseppe Malandrino. Original print in etching technique. Hand-signed by the artist in pencil on the lower right corner. Nu...

Uses and Customs -  Ducal Palace in Modena is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History...

Artist: Mori Shizume Title: New York Skyline 1 & 2 Year: 1979 Medium: Two Screenprints, each signed and numbered in pencil Edition: 210, AP 25 Paper Size: 30 x 18 inches (each) Fra...

This artwork, "La Fete a Honfleur" c.1980 is a original colors serigraph on Wove paper by French artist (Fanch) Francois Ledan, born 1949. it is hand signed an...

Blanche Grambs, known to friends as 'Grambs' (1916-2010) was born in China. She came to New York as a very young woman to study at the Art Students Leag...

New York has one of the best skylines in the world - wherever you look there is an iconic landmark or view. The Big Apple is the perfect muse for my art. This is such a classic Manha...

Ducal Palace of Ferrara is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government,...

Palazzo Madama is an etching of the Late 18th century realized by the Artist Giuseppe Vasi. Signed and titled on plate lower margin.  Good conditions. Giuseppe Vasi  (Corleone,1710 - Rome, 1782) was an engraver, architect, and landscape artist. Between 1746 and 1761, Vasi published 10 volumes with 240 engravings of the monuments of Rome...

In the 1930s, Corot, a notable artist of the era, crafted a captivating poster for "Le Beffroi de Douai" to promote travel via the Chemin de fer du Nord. This poster beautifully enca...