Document Prints and Multiples

Etching on paper. Hand signed, titled and numbered by the artist. Sheet size 10 x 14 inches. Image size 5.75 x 8.75 inches. Edition of 300. Artwork is in excellent condition. Cer...

1869 "Vanity Fair" Office Vol. I. Fifth Edition A Show of Sovereigns on Statesman, Judges and Men of the Day 46 full-colour plates 14.5" x 9.75"

Graphic designer, co-founder of Les Ateliers du Nord, Lausanne. Member of the Alliance Graphique Internationale (AGI). Regular collaboration with an important number of cultural, social and commercial institutions, the Swiss Foundation for Photography in Zurich, the Collection de l’Art Brut, the Musée de l’Elysée, the Museum of fine arts Lausanne, le Museum of Ethnography Geneva (MEG), Geneva (OCG), the Photo gallery FNAC in Paris, Magnum Photos in Paris and Phaidon Press in London for whom he creates posters, the domain in which he achieved celebrity, He was the artistic director of communication for Weimar'99, Cultural Capital of Europe in 1999. Numerous national and international awards, amongst which the Award for exceptional Use of Photography in Graphic Design awarded by the International Center of Photography, New York, 1988; the First Prize for a new series of Swiss Bank...

"L'Estampe Moderne - David Barnett Gallery Exhibition, Feb. 18, 1978 - Mar. 25, 1978" is an offset poster limited edition, ed. 1/500. The poster...

"Merry Christmas" is an original color woodcut on paper by Sylvia Spicuzza. The artist stamped her signature lower right. This artwork features the an abstracted figure on orange p...

This poster depicts a photograph by Laton Alton Huffman and is advertising an exhibition at Pearl St. Gallery in Oregon from 1976. It depicts a sitting portrait of a Native American ...

"Bal AAAA Bullier" is an original color lithograph poster by Achille-Emile Othon Friesz, signed by the artist in the plate in the lower left. This p...

"Sixieme Biennale de Peinture" is an vintage Picasso exhibition poster printed in 1966 by Mourlot. It depicts a Picasso painting from 1965 and advertises a Biennial exhibition of pai...

"Philadelphia Sunday Press" is an original figurative lithograph poster of black and red. 1895. 21.75" x 15.3125" art 28.5" x 22.75" framed George Brill was born August 27, 1867 in...

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

Screenprint on paper. Hand signed, dated and numbered by the artist. Image size 35 x 24 inches. Sheet size 39 x 28 inches. Frame size approx 45 x 35.25 inches. From the EA edition...

A print by Shepard Fairey. “Alto Arizona” is a contemporary, popular culture screenprint in black, red, and white by American street artist Shepard Fairey. The artwork is signed iin pencil, lower right, "Shepard Fairey 10", lower middle, "EAY 10" (Ernesto Yerena...

Please note that the paper size is 24 x 24 inches Head of woman with black background :: Hand Printed Work :: Pop-Art :: This piece comes with an official...

Markus Pierson's work includes a vast array of paintings, drawings, sculpture, hand-pulled serigraphs and original found-object works. Framed Hand-Pulled Lithograph on Paper. Four ...

Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.

Rare large (2-sheet format) Italian stone lithograph original fashion poster by Aleardo Villa, 1890. This is an advertisement for G. Contratti ...

The set of two screenprints in colours, 1967, on wove paper, with wax-paper collage, and AP aside from the edition of 70, the full sheets, 74 x 40.4 cm the two screenprints are attac...

Screenprint in colours, 1991, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77 cm. (40.4...

TECHNICAL INFORMATION Shepard Fairey Corporate Violence for Sale 2011 Screenprint 24 x 18 in. Edition 109 of 450 Pencil signed and numbered Condition: This work is in excellent con...

Vintage Exhibition Poster - Henri Matisse - Drawings - New-York after Henri MATISSE 1967 75 x 52 cm References : Poster for the 1967 exhibition at Albert LOEB & KRUGIER Gallery in N...

Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.

Georges Braque - Original Lithograph 1963 Dimensions: 32 x 24 cm Andre Sauret, Monte Carlo The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote and Glass , then the packet envelope of tobacco Bock in 1912-1913, or an advertisement in Damier , 1913). Inputs and inclusions refer to an external object in the table, without “emulate” this object. Away from their appearances, objects are represented in closest essence of the objects in the real world sense. This is also the time of Synthetic Cubism that Braque invented paper sculpture. There are, unfortunately, and no one is living proof of a photograph makes it possible to realize: Paper and paperboard. Métamorphoses period(1961-1963). In 1961, Georges Braque worked on a Greek head for the Louvre, which obsesses him, and he wishes to free his mind. He tried several times to bring out the paint and the result was unsatisfactory. He thinks the ultimate metamorphosis its Greek head projected in three dimensions. He calls in his studio of Baron Heger Loewenfeld, master lapidary, and he communicates his enthusiasm during the “fateful encounter.” Nine months later, in honor of the eighty years of Georges Braque, Heger Loewenfeld offers the Master of the ring Circe: the famous Greek head finally exorcised, carved in an onyx. Braque Loewenfeld then asked to identify other issues that haunt him. From dated and signed by Georges Braque, Heger gouaches Loewenfeld shapes works in the fields of jewelery, lapidary art...

Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.

TECHNICAL INFORMATION Faile Torment In Orange 2007 Acrylic and Silkscreen on paper 24 1/2 x 18 in. Edition of 14 Unique Prints Pencil signed & numbered Accompanied with COA b...

TECHNICAL INFORMATION D*Face Feels so Good 2008 Screenprint and etching 54 1/4 x 33 in. Edition of 48 Pencil signed and numbered Accompanied with COA by Greg...

CHESTERTON, C.K. Darwen Finlayson 7 1/2" x 5 3/4" Original dust jacket design gouache artwork by Val Biro "Tales of the Long Bow are eight ingenious episodes concerning people w...

TECHNICAL INFORMATION John Crash Matos Dear Prudence 1989 Serigraph 36 x 28 1/2 in Artist Proof (A.P.) of 25 Pencil signed & numbered Accompanied with COA by Gregg Shienbaum...

Magnificent work by Yvon Taillandier his emblematic character whom he calls " Capitipee " (" Kapi" for the head and " footstool " for foot) silkscreened on a page of an antiphonary d...

Art Sz: 13 3/4"H x 10 1/4"W Carlo de Fornaro (sometimes spelled Carlo di Fornaro) (1872–1949) was an artist, caricaturist, writer, humorist, and revolutionary. Art Sz: 13 3/4"H x 1...

Includes a Certificate of Authenticity

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

Limited Edition Silkscreen Print Framed: 106.8 x 106 cm 42 1/8 x 41 3/4 in. Unframed: 91.4 x 91.4 cm 36 x 36 in. Edition of 10 (#2/10) Artist Signature bottom right corner ----------- Deborah...

The humor in Jerry Meyer's pieces taps into and gives voice to these worries, which are never too far from our awareness. “We have an incredible ability not to be in the moment…Hop...

MAX STEVEN GROSSMAN "Cinema E" Trans Mounted Metallic Print 48 x 100 in. Ed 1 of 5 (Other Sizes May Be Available) Please note, there is a 3 week printing lead time** Exploring the ...

MAX STEVEN GROSSMAN "Rock TM" Trans Mounted Metallic Print 48 x 100 in. Ed 1 of 5 (Other Sizes May Be Available) Please note, there is a 3 week printing lead time** Exploring the c...

MAX STEVEN GROSSMAN Paris Trans Mounted Metallic Print 37 x 75 in. Ed 2 of 5 Please note, there is a 3 week printing lead time** Exploring the changing accessibility and value of b...

MAX STEVEN GROSSMAN Golf AA Trans Mounted Metallic Print 37 x 75 in. Ed 5 of 5 Please note, there is a 3 week printing lead time** Exploring the changing accessibility and value of...

MAX STEVEN GROSSMAN Golf SQ Q (Square) Trans Mounted Metallic Print 48 x 53 in. Ed 2 of 5 Please note, there is a 3 week printing lead time** Exploring the changing accessibility a...

MAX STEVEN GROSSMAN Golf SQ Q (Square) Trans Mounted Metallic Print 40 x 44 in. Ed 4 of 5 Please note, there is a 3 week printing lead time** Exploring the changing accessibility a...

MAX STEVEN GROSSMAN ROCK SQ RA (Square) Trans Mounted Metallic Print 40 x 44 in. Ed 3 of 5 Please note, there is a 3 week printing lead time** Exploring the changing accessibility ...

MAX STEVEN GROSSMAN RAFF DM 25 Trans Mounted Metallic Print 37 x 75 in. Ed 1 of 5 Please note, there is a 3 week printing lead time** Exploring the changing accessibility and value...

MAX STEVEN GROSSMAN Surf H SQ (Square) Trans Mounted Metallic Print 48 x 53 in. Ed 3 of 5 Please note, there is a 3 week printing lead time** Exploring the changing accessibility a...

MAX STEVEN GROSSMAN Surf H Trans Mounted Metallic Print 48 x 100 in. Ed 3 of 5 Please note, there is a 3 week printing lead time** Exploring the changing accessibility and value of...

Roy Lichtenstein Crying Girl Mailer: Folded poster/mailer published to promote the Roy Lichtenstein exhibit at Leo Castelli gallery, New York, ...

The Kid First National Pictures, American (1917–1936) Date: of Original: 1921 Reproduction Three Sheets Poster, numbered in pencil bottom left Edition of 125 Size: 86 x 46.5 in. (218...

24 x 20.75 in (60.96 x 52.70 cm)

Rain Dance: A Benefit for the African Emergency Relief Fund, 1985: Rare original 1980s Keith Haring & Jean-Michel Basquiat illustrated poster published on the occasion of a UNICEF benefit exhibition at 292 Lafayette Street (February 2-23 1985) & benefit party at Larry Levan’s legendary Paradise Garage (January 30, 1985). Organized & curated by Keith Haring on behalf of UNICEF’s African Emergency Relief Fund. Medium: Offset lithograph in colors on smooth wove paper. 1985. Dimensions: 22.5 x 30.5 inches. Very good overall vintage condition. Well-preserved. Featuring printed signatures by hosts: Keith Haring, Jean-Michel Basquiat,  Andy Warhol, Roy Lichtenstein, & Yoko Ono. From an edition of unknown. Scarce. Literature / References: Keith Haring: Posters (Jürgen and Osten). More on Keith Haring Rain Dance: Curated and organized by Keith Haring, Rain Dance was a 1985 benefit for UNICEF’s African Emergency Relief Fund. Participating artists famously included: Jean-Michel Basquiat, Larry Levan, Fred Brathwaite, Christo, Francesco Clemente, George Condo, Crash, Futura 2000, Jenny Holzer, John Lennon, Roy Lichtenstein, Robert Mapplethorpe, Brice Marden, Robert Morris, Yoko Ono, Lee Quiñones, Robert Rauschenberg, Kenny Scharf, Julian Schnabel, Richard Serra, Cindy Sherman, Tseng Kwong Chi, and Andy Warhol. Related Categories: Keith Haring figurative drawings. Keith Haring activist posters. Keith Haring Dancers. Street art. Graffiti. 1980s. Keith Haring Larry Levan. Keith Haring Paradise...

This work of art is a screen print, relief, and collage with colored silver and gold leaf and thread on Sekishu Thick, Koso, French Black Hemptone, printed on Rives BFK. The language...

Marc Chagall Cover for Derriere le Miroir, 1964 is a vibrant cover detailing the artists whimsical rendering of a man gently falling from the sky, with t...

Created by the Alex Katz in 2018, Laura x4 is a photoengraving and aquatint on Saunders Waterford paper. Hand-signed in pencil and numbered, the artwork measures 42 x 168 in. (107 x ...

The Connor Brothers I Drink, Therefore I Can, 2021, (PP/150) giclée in colors with Screenprinted varnish 14.50 x 9.62 in

Agent X (Elvis) Suspicious Conversation Archival Pigment Inks on 310 gsm hahnemühle paper Year: 2022 Size: 33x33in Edition: 125 Signed, dated and numbered by hand COA provided Ref.: ...

MAX STEVEN GROSSMAN "Rock SA V" Trans Mounted Metallic Print 91 x 48 in. Ed of 5 Please note, there is a 3 week printing lead time** Exploring the changing accessibility and value ...

MAX STEVEN GROSSMAN "70's Rock Square" Trans Mounted Metallic Print 48 x 53 in. Ed of 5 *Please note there is a printing time of 14 Business Days** Exploring the changing accessibi...

Guerrilla Girls: Vintage original 1989 poster for: Guerilla Girls: Do Women Have To Be Naked To Get Into the Met. Museum? Pictured here is the much i...

MAX STEVEN GROSSMAN Fashion SQ 3 Trans Mounted Metallic Print 48 x 53 in. Ed of 5 Please note, there is a 3 week printing lead time** Exploring the changing accessibility and value...

Signed and dated in plate, u.l. Contact gallery for price This Work is offered by ClampArt in New York City.

"What makes his work unique is how he has made interiors look so absolutely vivid, as if they had a secret life of their own that only he knows how to portray. Listri has the extraor...

Jean-Emile Laboureur (1877-1943), Le Diner a L’Auberge, 1917-1922), engraving, signed in pencil lower left and numbered (45/55) lower right. Reference: Sylvain Laboureur 173, second ...