Modern Art Prints and Multiples

Paper Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Image Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: T...

René Gruau LES IRIS - 1998 Print -Lithograph on Arches Archival Paper    46'' x 20'' inches Edition: signed in pencil, titled and marked 285/300 Embossed with the printers stamp M...

The 1974 original exhibition poster for Tadanori Yokoo at the Stedelijk Museum Amsterdam is a striking piece that encapsulates the vibrant and eclectic style of the renowned Japanese...

Coloured etching 
Published in 1952 Limited edition of 200 copies
 Artist's signature and numbering in pencil
 Numbered copy: 194/200 
Paper size: 49 x 64 cm
 good condition, slightl...

Artist: Peter Max (1937) Title: Quiet Lake Year: 2000 Edition: 306/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 7.375 x 8.5 inches Condition: Excellent Inscriptio...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Naphtali, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by ...

Pablo PICASSO (1881-1973) (after) Harlequin, 1971 Lithograph (atelier Mourlot) Signature printed in the plate On paper 76 x 50 cm (c. 30 x 20 inch) Created for the exhibition in Gal...

Medium: pochoir (after the painting). Issued for XXe Siecle (No. 7) and printed by Daniel Jacomet. Published in Paris by San Lazzaro in 1956. Sheet size: 12 1/4 x 9 1/2 inches (313 x...

Island is an original screen print artwork, realized by Maurilio Catalano. Hand-signed, numbered edition of 2/60 prints. The state of preservation is very good. The artwork repres...

Richard Lindner, German/American (1901 - 1978) - Couple, Portfolio: After Noon Portfolio, Year: 1969, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Size: 25 x...

Marc Chagall (1887-1985) - Job Praying Lithograph from 1960. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condit...

Wolf VOSTELL (1932-1998) The Scream : The Soprano Original lithograph Handsigned in pencil Numbered / 85 copies Or Arches vellum 64 x 100 cm (c. 26 x 40 ...

Artist: (Romain De Tirtoff) Erte (Russian, 1892-1990) Title: Melisande Year: 1983 Medium: Color serigraph Paper: Arches Edition: Numbered 175/300 in pencil Image size: 22.5 ...

Camille HILAIRE Undressing Model, 1973 Original lithograph (Mourlot Workshop) Handsigned in pencil Numbered /120 copies On Arches vellum 76 x 54 cm (c. 29,9 x 21,2 inch) Excellent ...

Paper Size: 18 x 13.25 inches ( 45.72 x 33.655 cm ) Image Size: 10.75 x 8.5 inches ( 27.305 x 21.59 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional...

Ex-Libris - Jirt Stratil is an Artwork realized in Mid 20th Century. Woodcut on paper. Good conditions. The artwork represents a minimalistic, clean design, through preciseness .

Laminated Giclée print on aluminium composite panel Edition of 3308 The artwork is digitally signed by the artist and numbered Excellent Sold in the original Heni packaging

Belle lithographie de Jean Lurçat. Créateur infatigable, Lurçat est un artiste aux multiples facettes : peintre, poète, illustrateur, il se passionne pour les techniques de la céramique et de la tapisserie dont il est le plus illustre représentant du XXe siècle. ​ Engagé dans son époque, et passionnément curieux du monde, Jean Lurçat est né dans les Vosges à Bruyères, où Lucien, receveur des postes, et Charlotte engendrent une descendance de créateurs : Jean le peintre et André l’architecte. Jean Lurçat se forme dans l’atelier de Victor Prouvé, chef de file de l’École de Nancy, puis vient s’immerger dans l’effervescence artistique et intellectuelle de Paris, il a alors vingt ans. Il complète sa formation en marge des circuits officiels, fonde avec des amis la revue Les feuilles de mai, et décide alors d’entamer une carrière de peintre fresquiste, mais le projet tourne court à cause de la guerre. Jean Lurçat, engagé volontaire, subit le sort terrible des fantassins ballottés dans la tourmente : cela le marquera à vie. Un Lurçat, impatient et ne tenant pas en place, s’exprime durant la décennie des années vingt. Il se fait connaître par sa peinture, en France et aux Etats-Unis. Peintre de renommée internationale, il figura parmi les artistes les plus significatifs de son temps, tout en restant en marge des courants esthétiques contemporains. Il collabore avec Pierre Chareau, architecte-décorateur connu par l’intermédiaire de ses amis Jean et Annie Dalsace, les commanditaires de l’iconique maison de verre rue Saint-Guillaume. Il produit aussi de grands canevas brodés par son épouse et donne des projets de tapis. La collectionneuse Marie Cuttoli fait tisser à Aubusson des tapisseries d’après des œuvres de Lurçat et des autres artistes de sa collection, et cette expérience ouvre la voie de la renaissance de la tapisserie par son ambition esthétique. Parallèlement, aux Manufactures nationales, un salon des Illusions d’Icare est tissé ; destiné à l’ambassade de France en URSS, il ne sera jamais mis en place à cause de la guerre. ​ Lurçat, à cette époque, abandonne la peinture de chevalet. L’étape décisive est franchie lorsqu’il s’approprie la technique de la tapisserie de lisse et s’implique dans la technique du langage de la laine. L’Apocalypse d’Angers qu’il découvre en 1938 confirme son intuition. Il perçoit le potentiel immense et l’originalité de cet art. Grosseur du point, gamme limitée et carton chiffré, il n’aura de cesse de prôner les avantages d’une méthode qui revient aux fondamentaux de la technique du Moyen âge, période qu’il estime celle des plus grands chefs...

Andre Minaux, French (1923–1986) Date: circa 1975 Lithograph, signed and numbered in pencil Edition of EA Image Size: 22.5 x 16.5 inches Frame Size: 34 x 27 in...

This image depicts a leopard lying in a tree, surrounded by a vivid and surreal landscape. The leopard, with its yellow and black spotted coat, takes center stage, capturing attentio...

Max ERNST (1891-1976) Ficus Elastica, c. 1965 Original lithograph Unsigned Numbered / XXV copies On Japanese paper 57 x 42 cm INFORMATION: Edition produced by Lucien Treillard, pub...

This exquisite lithograph after Marc Chagall (1887–1985), titled Tribe of Issachar, from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition published by ...

Color lithograph on Arches paper, Edited in 1961 Limited edition of 50 copies Current copy numbered: 30/50 on the lower left corner signed in pencil by artist in lower right corner p...

Fernand Léger's original 1956 poster for the Musée des Arts Décoratifs, taken from a 1924 work and printed by Mourlot, is a remarkable example of art combining past and present. Fern...

Artist: Andre Brasilier (French, born 1929) Title: Cavaliers dans les Dunes Year: 1974 Medium: Color lithograph Edition: Inscribed "Bien Amicalement" (With Friendship) and "Epr...

Print Offest Ink on Linen Ships in a well-protected tube from Nigeria Signed on the front side and accompanied by a Certificate of Authenticity.

Leon Bibel, 'Clown', color serigraph, 1939, edition 20. Signed, dated, titled, and numbered '/20' in pencil. A fine, richly-inked, painterly impression, with fresh colors, on buff la...

This artwork "Cityscape" 1964 is a original colors lithograph on Arches paper by noted French artist Jean Carzou, 1907-2000. It is hand signed, dated and numbered 143/150 in pencil b...

Pierre AMBROGIANI (1907-1985) Family Gathering in Provence, 1974 Original Lithograph (Gourdon Workshop) Signed with the artist's stamp On vellum 38 x 56 cm (c. 14.9 x 22 in) Excell...

Artist: Guillaume Cornelis van Beverloo, Corneille (1922-2010) Title: Iveresse Year: 1981 Edition: 176/200, plus proofs Medium: Lithograph on wove paper Size: 25.5 x 19.5 inches Insc...

The Collaborator, White, by Cleon Peterson. An Urban Art piece from a limited edition of 150. Cleon Peterson is known for his sculptures, prints, and large murals. Hand pulled 18x24...

George Rouault "Le Christ et Mammon" from The Passion Original etching with aquatint and hand coloring, initialed lower right Paper size: 19 x 15.5 inches Im...

A celadon decorated Chinese vase with flowers, with a full moon and clouds in the background. Intaglio print with Chine Colle, signed, titled and numbered by the artist. While the i...

'Nagel Commemorative Eleven' (NC 11), 1987 Serigraph on 100% cotton archival grade heavyweight rag paper Published by Mirage Editions, a limited run edition, signed in plate Printed ...

Xisco Mensua (Spain, 1960) Untitled from Portfolio "Junio - Julio", 1995 engraving on paper 12.6 x 9.5 in. (32 x 24 cm.) Edition of 6 Frame 16x20 in. ID: MEN1253-007 Hand-signed by a...

Sergio Hernández (Mexico, 1957) 'Untitled', 2016 woodcut on paper 46.9 x 82.7 in. (119 x 210 cm.) Edition of 30 Unframed

Going in Circles is a vibrant colorful print with colors of blue, orange and green.

Reza Yahyaei (born 1948, France). Three nude females crouching against bold color strokes. Matisse like simplicity of lines. A very striking piece, unframed though within a mattin...

Medium: original lithograph. Printed in 1968 for the art revue Derriere le Miroir (issue number 170) and published in Paris by the Maeght atelier. Sheet size: 15 x 10 1/2 inches (378...

Sombrero Rojo, Eduardo Oropeza Day of the Dead, skeleton, gold tooth, red hat Hand pulled serigraph edition at Self Help Graphics in Los Angeles, Californi...

This original poster, titled Slush Thrust, was created by the renowned artist James Rosenquist for an exhibition held at Galerie Ricke in Köln, Germany. The poster is pencil-signed b...

This artwork "Woman Sitting" c.1990 is an offset lithograph by American artist Barbara A. wood, born 1926. It is hand signed and numbered 222/975 in penc...

Lithograph and stencil on grand Velin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Édouard Pignon, Arbres et Voi...

French Sailboats by Peter Edwards, British (1934–2017) Date: circa 1975 Lithograph, Signed and Numbered in Pencil Edition of 11/275 Image Size: 15.5 x 21 inches Frame Size: 24 x 30 i...

Portrait de Calderon is a contemporary artwork realized in 1971. Plate n. 1 from the series “Caldéron. La Vie est un Songe". Colored aquatint etching by Bracons and J.J.J. Rigal af...

Joan Miro Denmark Leon Amiel, New York Lithographe Originale Signed in the plate along the bottom Mint Condition 1975

AJ Masthay - The Wheel (Eclipse) - Contemporary Prints Artists: Masthay, AJ Manufacturer: Furnace, The - Hartford, CT Edition Details Year: 2021 Class...

ARTIST: Salvador Dali TITLE: Currier & Ives American Trotting Horses No. 2 MEDIUM: Lithograph + Collage SIGNED: Hand Signed PUBLISHER: Phyllis Lucas, New York EDITION NUMBER: 1...

This art work titled "Femme a l'Ombrelle" 1972 is an original color lithograph on Arches paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and numbered 29/150 in pencil by the artist. Referenced and pictured in the artist's catalogue raisonne by Sauret plate #42. The image size is 22.25 x 16 inches, framed size is 36.15 x 28.25 inches. Custom framed in a wooden gold leaf frame, with fabric matting and gold color spacer. It is in excellent condition. About the artist: Jean-Pierre Cassigneul is a French painter known for his serene portraits of women in hats that recall the French Post-Impressionist avant-garde, including the works of Pierre Bonnard and Edouard Vuillard. He was born on July 13, 1935, in Paris. He studied at the École des Beaux-Arts in Paris and went on to exhibit in various group exhibitions, including the Salon d' Automne in Paris (of which he was member), the Salon de la Jeune Peinture, He exhibited at the Beaubourg Center in Paris in 1977 and solo as of 1952, on a regular basis in France but also in New York, and Tokyo and worldwide Jean PierreCassigneul is known for his charming and extremely popular Van Dongen-influenced paintings of women in floral hats, complete with frequent allusions to other aspects of the Années Folles. 1952 First private exhibition at the Galerie Lucy Kroge in Paris aged 17. 1954 Enters into the Académie Charpentier and then decides to study under Jean Souverbie at the Ecole des Beaux-Arts de Paris. 1955 He passes his entrance exam a year later and enrolls at the "Ecole Nationale Superieure" des Beaux-Arts de Paris. Works in Chapelain-Midy’s studio. 1958 First exhibition at the Galerie des Beaux-Arts. 1959 Appointed member of the Salon d’Automne. 1956–1960 Instructed by the French painter Roger Chapelain-Midy. 1963 Present at the Salon de la Jeune Peinture for the first time. 1964 Private exhibition at the Galerie Tivey-Faucon, Paris. Meets Kiyoshi Tamenaga, who becomes his art dealer for Japan. 1965 Creation of his first lithographic works. Exhibition at the Galerie Bellechasse, Paris. 1966 Present at the International Exhibition of Figurative Art, Tokyo. Exhibition at the Galerie Bellechasse, Paris. 1968 Exhibition at the Galerie Juarez in Palm Beach, USA. Private exhibition at la Galerie Vital, Paris. 1969 Exhibition of lithographic works at the Mitsukoshi Gallery, Tokyo. 1970 January : Exhibition at the Wally Findlay Gallery, Palm Beach, then in New York. First trip to Japan, where he stays for three months. Important private exhibition at the Mitsukoshi Gallery, Tokyo. 1973 Exhibition at the Wally Findlay Gallery in Palm Beach, then in New York. Private exhibition at the Tamenaga Gallery, Tokyo. Meets art publisher Alain Mazo. 1974 Private exhibition at the Galerie Wally Findlay, Paris, then in New York. 1975 Exhibition at the Wally Findlay Gallery, New York. 1976 Private exhibition at the Mitsukoshi Gallery, Tokyo. Publication of the album “Parcs” by Editions Mazo-Paris. 1977 June : Private exhibition at the Galerie René Kieffer, Paris Private show of paintings and pastels at the Galerie Wally Findlay, Paris. 1978 Retrospective exhibition of lithographic works at Vision Nouvelle. June-July : Exhibition at the Wally Findlay Gallery, New York. Important private showat the Mitsukoshi Gallery, Tokyo. 1980 Designs his first tapestry, executed by Atelier 3...

Susan Davidoff Night Walk 3 (Natural Structures, Shifting Daylight) Year: 2013 Medium: Lithograph Edition: 36 Paper: Rives BFK, White Paper Size: 22″ x 21.75″ Image Size: 16″ x 15.25...

While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate more closely to contemporary life and western sensibilit...

This exquisite heliogravure after Georges Rouault (1871–1958), titled De Profundis (Out of the Depths), from the album Georges Rouault, Stella Vespertina (Evening Star), originates f...

page size: 12 x 12 in. frame size: 21.5 x 21.5 in. Signed: lower right Numbered: "180/300" This striking Serigraph, features the figure of a woman, bold and central, in a reclining...

Les Canards is a beautiful original xylograph on wove paper, realized by the French artist Giselle Halff in the mid 20th Century. Monogrammed "G.H" on lowe...

NEW MOON is an original hand drawn lithograph by the renowned American Pop artist, Peter Max, printed in an edition of 150, using traditional hand lithography techniques on archival Arches paper, 100% acid free. NEW MOON is a mesmerizing, transcendental composition depicting a large red moon rising among the clouds, as a long robed Zen monk...

Serigraph in colors on paper. Hand signed and numbered by Linda Le Kinff. From the edition of 350. Sheet size 12 x 15.5 inches. Image size 9.5 x 13 inches. Artwork is in excellent c...

Paper Size: 10 x 7.5 inches ( 25.4 x 19.05 cm ) Image Size: 10 x 7.5 inches ( 25.4 x 19.05 cm ) Framed: No Condition: A: Mint Additional Details: Lithograph by Maurice Briancho...

Marcel GROMAIRE Macbeth, Shakespeare : Banquo's ghost, 1958 Original etching Handsigned in pencil On laid paper of Montval 38 x 28.5 cm References: François Gromaire n°187-206 and ...

(after) Georges Braque, (1882 - 1963) La Mandoline (1943) Lithograph and stencil On vellum 40 x 48 cm (c. 16 x19 inch) Printed signature in the plate Edition of 300 Very good co...

Printed in 1972 at the Mourlot atelier and published for the "Miro Lithograph I" catalogue raisonne. Size: 12 1/2 x 19 1/4 inches (320 x 490 mm). This work was published as a folded ...