Nature Prints and Multiples

large scale photograph of iconic summer beach scene in Puglia by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Porto Miggiano...

The moody scene of a shady bend in a forest path was captured at dawn on a winter's day. The sky is beginning to brighten. The tall narrow format accentuates the height of the tower...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

Eyvind Earle (1916-2000) Ocean Splash, 1991 Serigraph in colors on wove paper Edition 119/150 Signed lower right With publishers/printers stamp to lower left margin Image: 36in H x ...

This is an exclusive handprinted limited edition cyanotype. "Pacific Sunset Waves" is an original cyanotype that abstractly shows the sunset reflections on the sea. Details: + Titl...

DOMINO is an original hand drawn, limited edition lithograph(not a photo reproduction or digital print) by Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography te...

This screen print, printed on Arches Cover White paper, is hand signed and numbered in graphite. The edition size is 108 plus 18 Artist Proofs. This print comes directly from the publisher, Lincoln Center Editions...

Limited Edition , 5 of 15, etching from this very collected Scottish artist. Signed. Excellent condition Image 9" x 7.5" Ian Laurie was born in 1933 and is a self taught artist who...

To see our other original vintage posters, scroll down to "More from this Seller" and below it click on "See all from this Seller." Taos New Mexico Vintage...

Ski paradise by Anne Storno [2021] limited_edition and hand signed by the artist Screenprinting Edition number 30 Image size: H:58 cm x W:40 cm Complete Size of Unframed Work: H:70 ...

Vicki McKenna’s “Lamb’s Ears/Comfort” is a 8 x 10 inch (image size), 14 x 16 inch (matted), handcrafted, platinum/palladium photographic print. The contemporary black and white botan...

ORIGINAL 1967 United Air Lines HAWAII Travel Poster by James Jebary - Mid-Century Modern Wall Art, 25"x40" This isn't a reprint! You're viewing a...

Though this may look like a woodcut or screen print, it is a kind of photography. Cyanotypes are a 19th century alternative (cameraless) photographic process. This monotype was print...

Artist: Michael Mazur, American (1935 - 2009) Title: Wakeby Island Year: circa 1990 Medium: Color woodcut with chine collé, signed and numbered in pencil Edition: 15 Image Size: 15 x...

1994, color aquatint, 48 x 36 inches, edition of 40 Although best known for his portraits, Katz has depicted landscapes both inside the studio and out of doors since the beginning o...

The Road by Frank Schott country road outside of town, from a series of impressions captured in and around the artist community of Marfa, Texas, longtime residence of minimalist art...

This 1986 reproduction presents Nicolas de Staël’s Boats in the Harbour, a composition originally painted in 1955 during the artist’s celebrated Antibes period. In this late body of ...

Louis Lozowick, 'Angry Skies (Andante Cantabile)', lithograph, 1935; edition 10, AAA 250; Flint 123. Signed in pencil. Signed in the stone, lower left. A fine, richly-inked impressio...

Antonio Peticov, Brazilian (1946 - ) - Mitocondria, Year: 1979, Medium: Screenprint, signed and numbered in pencil, Edition: 150, Image Size: 22 x 26.5 inches, Size: 23.5 x 27.5...

Kawase Hasui (Japanese, 1883-1957) Snow at Hie Shrine, circa 1946 -1957 (dated in the publisher's seal) Woodblock Sheet size 37.5 x 26.0 cm (vertical oban) Frame size 51.3 x 38.5 x 2...

This poster for the Tel Aviv Museum of Art, designed by Zigi Ben-Haim, features a striking abstract composition primarily in white and green. The poster exemplifies a blend of modern...

Though this unique monotype looks like a woodcut or linocut, it is not. This is a cyanotype, a kind of lensless photography dating back to the 1800s, but the artist altered the ratio...

Medium: original etching and drypoint with aquatint and roulette. "L’Hiver a Paris" is also known as "La Neige a Paris". Executed in 1879 and published in Paris in 1881 for L'Art; t...

Lloyd Lozes Goff, American (1918 - 1982) - Woodstock, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 30, Image Size: 19 x 23 inches, Size: ...

Frank Weston Benson (American, 1862-1951) Untitled, 20th Century Etching Sight: 10 1/3 x 12 1/8 in. Framed: 16 3/4 x 19 x 1/2 in. Signed lower left Numb...

large format photograph of a summer beach scene along Portugal's Atlantic coast by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Carcavelos Pier Paddle (2016) 61.25” x 81.68” / 155.60 cm x 207.46 cm limited edition of 6 + 2AP (signed, titled and dated on certificate of authenticity) original archival photography print with diasec (acrylic glass) face mount in contemporary white lacquered gallery frame Each limited edition original Massimo Vitali photograph is printed in Italy under artist supervision in strictly limited edition (6 + 2AP) , signed/titled/dated upon final inspection and expertly framed at renowned European art framing facility Disclaimer of authenticity: although it is possible to acquire (small size) single page offset prints from the book "A Portfolio of Landscapes and Figures" (published by Steidl) in the secondary market, the artist studio strongly dissuades collectors from purchasing these single page prints outside of the context and authenticity of the complete portfolio. About the artist: Massimo Vitali was born in Como, Italy, in 1944. He studied photography at the London College of Printing, in the 1970s initially working as a photojournalist, but at the beginning of the 80s a growing mistrust in the belief that photography had an absolute capacity to reproduce the subtleties of reality led to a change in his career path. Vitali worked in cinematography for film and television before beginning a fine art practice in 1995. Over the next two decades, he would gain recognition for his highly detailed, epic-scale panoramas — sociopolitical observations of the natural habitat of humankind at leisure. Vitali’s iconic series of beach panoramas, captured from a distance with an elevated large-format camera platform, began in the light of drastic political changes in Italy. Drawing inspiration from Renaissance and Old Flemish masters, in which the central space is fully exploited and the urban or natural landscape becomes the background, Vitali’s photographs grasp the viewer by capturing highly detailed observances of the recreational habitats of modern civilization. Vitali’s work has been collected in six monographs: Beach and Disco, Natural Habitats, Landscapes With Figures, Swimming Pools, Short Stories and Entering A New World. Additionally, his work is represented in the world’s major museums, including the Centro de Arte Reina Sofia in Madrid, the Guggenheim Museum in New York, the Museum of Contemporary Art in Denver, the Fond National Art Contemporaine in Paris, the Centre Pompidou in Paris, the Musée National d’Art Moderne in Paris, the Fondation Cartier in Paris and the Museo Luigi Pecci in Prato. Massimo Vitali lives and works in Lucca (Italy) and in Berlin (Germany). __________________________ SOLO EXHIBITIONS 2021 'PienoVuoto' Forte di Belvedere, Florence 2020 'Human Constellations' Museo Ettore Fico, Turin 2019 Massimo Vitali: Short Stories' Mazzoleni, London 2018 'Coastal Colonies' Spiral, Tokyo 2017 ‘Disturbed Coastal Systems’ Benrubi Gallery (New York, USA) 2016 ‘Landscapes with Figures’ Guido & Schoen Arte Contemponania (Genoa, Italy) 2016 ‘Massimo Vitali’ Crown Gallery (Knokke-Zoute, Belgium) 2016 ‘Massimo Vitali’ Ronchini Gallery (London, UK) 2015 ‘New Prints’ Hilger Next (Vienna, Austria) 2014 ‘Massimo Vitali’ Studio La Citta (Verona, Italy) 2014 ‘Into The White’ Erich Lindenberg Art Foundation (Porza, Switzerland) 2014 ‘Sempre più pallide. Towards Achrome’ Palazzo Tadea (Spilimbergo, Italy) 2013 ‘Between Normalities’ Bonni Benrubi...

Poster created for an exhibit at the Museum of Modern Art, New York in 1995. Greg Van Alstyne is a Canadian designer, researcher, and educator whose work bridges design, media, and f...

Aspen Study I by Frank Schott a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada ...

Linda Plotkin, American (1938 - ) - Early Fall, Year: circa 1965, Medium: Lithograph on Arches, signed, titled and numbered in pencil, Edition: 16/90, Image Size: 20.5 x 20 inche...

Although these look like screen prints or woodcuts, they are a form of 19th-century photography, cyanotypes. The normal color is dark blue. However, this unique celadon color that ca...

"La Peine Perdue (The Wasted Effort)" is a color lithograph after original 1962 painting by Rene Magritte. Two blue curtains are parted on either side. Two curtain shaped mirrors show a sky and clouds. A ball sits right to the left of the mirrors. Art: 12 x 9.75 in Frame: 22.75 x 20.38 in René-François-Ghislain Magritte was born November 21, 1898, in Lessines, Belgium and died on August 15, 1967 in Brussels. He is one of the most important surrealist artists. Through his art, Magritte creates humor and mystery with juxtapositions and shocking irregularities. Some of his hallmark motifs include the bourgeois “little man,” bowler hats, apples, hidden faces, and contradictory texts. René Magritte’s father was a tailor and his mother was a miller. Tragedy struck Magritte’s life when his mother committed suicide when he was only fourteen. Magritte and his two brothers were thereafter raised by their grandmother. Magritte studied at the Brussels Academy of Fine Arts from 1916 to 1918. After graduating he worked as a wallpaper designer and in advertisement. It was during this period that he married Georgette Berger, whom he had known since they were teenagers. In 1926, René Magritte signed...

This poster by James McMullan provides a detailed look into the wildlife of a seemingly barren grassland, revealing the hidden diversity of species that thrive within this unique eco...

Pablo PICASSO (1881-1973) Diurnes, Woman By the Sea, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 X 30 cm (c. 15.7 x 11.2 in) R...

Paul Landacre, 'Hill', wood engraving, 1936, edition 60 (only 54 printed); only 2 impressions printed in a second edition of 150. Signed, titled, and numbered '49/60' in pencil. Wien...

large scale original photograph with "frameless" glass face mounting from a series of conceptual motivational messages on classic Americana billboard signs in the iconic landscape of...

Medium: original etching. Published in 1912 by Gazette des Beaux Arts. Plate size: 5 x 9 1/4 inches (128 x 232 mm) on cream laid paper. Signed in the plate, not by hand. The Gazett...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

WILLIAM SELTZER RICE (1873 - 1963) THE THAW c 1915-20 Color woodcut, signed and titled in pencil. Image 8 7/8 x 12 inches, sheet 10 3/4 x 14 3/8 inches. On textured fibrous paper. V...

large scale original photograph of dramatic cloud formations and reflecting sea SEASCAPE VII by Frank Schott 48 x 48 inches ( 122 x 122cm ) signed edition of 7 58 x 58 inches ( 14...

Max Epstein, Canadian (1932 - 2002) - Nostalgic Path, Year: 1978, Medium: Screenprint, signed and numbered in pencil, Edition: 295, AP, Image Size: 17 x 26 inches, Size: 23 in. ...

IN PRISTINE CONDITION. A color Chromolithograph published by the Atchison, Topeka and Santa Fe Railroad in 1912 after the original oil painting, “Gr...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...

Dune 1984 Original Vintage Movie Film Poster One sheet Measures 27 in x 41 inches / 69 cm x 104 cm This is an original, rolled, one sheet movie poster from 1984 for Dune starring Ky...

The Pacific Coast Highway winding up the iconic Big Sur Coast in California. In the distance is Bixby Bridge. Signed, titled and nubmered by the artist. Medium: etching and aquatin...

FRANCES H. GEARHART (1869-1958) STORM LINED c.1936 Color block print, signed and titled in pencil 13 ¼ x 10 1/8, full sheet 14 3/8 x 11 ¼” with deckle edge on her typical fibrous Ja...

The 1956 original travel poster by Capon titled "The Alps: Discover France by Train" presents an enticing invitation to explore the scenic beauty of the Alps region via the SNCF rail...

Giclee print on archival cold press cotton rag, edition 9 of 25 with 5 APs. In this new series of paintings, Moore explores themes of wanderlust and memory. From glowing neon signag...

Woodcut Image Size H 50 x 66cm Framed Size H 73 x 88cm Edition of 100 Woodcut print on Paper Edition of 100 50 H x 66 W cm (19.69 x 25.98 in) Sold unframed Image size: Height: 50cm...

Fine Art Aquatint Etching of Gordes, in Provence, France - "Legendary Provence" by Ronald Stephen Riddick Beautiful aquatint etching of a sunset over iconic Provence French town, Go...

Title: Statue of Liberty II Year: 1999 Medium: Offset lithograph in colors on gloss archival paper Size: 36 x 24 inches Inscription: Hand signed by Peter Max in ink and unnumbered, a...

This is a photographic print on metal by Southern California photographer, Jon Barnes. Its dimensions are 20"x30". It is part of an edition of 200. It is signed by the artist. A certificate of authenticity will follow delivery. Jon‘s journey across the country with his good friend, Dan Cleary, when he was moving out to California is really where it all began as an artist. During the cross country trip Jon had nothing but an old hardly-used, film camera...

ABOUT THIS PIECE: My artistic journey on Burano Island has been a captivating exploration of its vibrant character. While initially drawn to its clotheslines and colourful walls in search of inspiration for my next clothesline animal, I soon discovered that each whimsical house possessed its own unique personality. My work seeks to highlight and amplify these distinctive features, celebrating the island's charm beyond its iconic laundry, embracing the quirks and individuality of every little dwelling. ABOUT THIS ARTIST: Helga Stentzel...

Size of sheet is ca. 21 x 29 cm (A4) Contemporary figurative giclee print by Polish artist Rafal Olbinski. Print is signed, numbered and has a stamp of an artist's atelier. It comes...

Color lithograph after a gouache by Georges Braque from the edition of 398 published by Armand & Georges Israel in 1988. Printed signature. Artwork en...

"Galumlee Beach Tree Taean Chungcheongnamdo South Korea" is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is ma...

Martin Lewis, 'Tree, Manhattan', drypoint, 1930, edition 91 (including 10 trial proofs), McCarron 87. Signed in pencil. A superb, atmospheric impression, in warm black ink, on cream...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a panoramic view of Shinmachi Bridge, Hodogaya, circa 1850. Signed in Kanji upper left, "Hiroshige Ga" for Utagawa (...

Serge FENECH (1951-) Provencal landscape, 1982 Original Lithograph Handsigned in pencil Numbered / 290 (the number you can see can be different) On Vellum 56 x 76 cm (c. 22 x 30 in)...

'St. Mark's Church on the Bowery', aquatint with etching, edition not stated but small, 1932. Signed in pencil. Signed in the plate lower left and titled in the plate lower right. A superb, atmospheric impression, on cream wove paper, with full margins (1 1/8 to 2 inches), in excellent condition. Matted to museum standards, unframed. Image size 9 3/4 x 7 3/8 inches (248 x 187 mm); sheet size 13 1/8 x 10 inches (333 x 254 mm). Impressions of this work are held in the collections of the Princeton University Art Museum and the Five College Museums. ABOUT THE ARTIST Born in Vienna, Leon Dolice left a secure position in the family business to pursue his artistic interests. He began his art education in his teens and early twenties when he traveled through Europe to study the works of the Old Masters. He immigrated to America in 1920 and made his home in Manhattan. As a printmaker, he chose as his subjects the architecture, back streets, dock scenes, and other aspects of New York City life that were being overtaken by the modern world. In 1950, learning of the coming demolition of the Third Avenue El, Dolice created a series of Third Avenue and other New York City landmarks that were threatened with extinction. His images from that period provide a record of a New York that has passed into history. During his lifetime, Dolice exhibited throughout Europe and the United States. Retrospectives of his work include a one-man show of his graphic work at Tribeca Gallery, New York; the traveling exhibition ‘Vintage New York’ with the New Rochelle Council on the Arts; and the Hofstra Museum, Hempstead. Dolice's works are in the permanent collections of the Museum of the City of New York, the National Gallery of Art, the New York Historical Society, Georgetown University, the Philadelphia Print Club, and the New York Public Library, as well as private and corporate collections. ABOUT ST. MARKS CHURCH St. Mark's Church in-the-Bowery is a parish of the Episcopal Church located at 131 East 10th Street, at the intersection of Stuyvesant Street and Second Avenue in the East Village neighborhood of Manhattan in New York City. The property has been the site of continuous Christian worship since the mid-17th century, making it New York City's oldest site of continuous religious practice. The structure is the second-oldest church building in Manhattan. In 1651, Petrus Stuyvesant, Director General of New Netherland, purchased land for a bowery or farm from the Dutch West India Company and, by 1660, built a family chapel at the present-day site of St. Mark's Church. Stuyvesant died in 1672 and was interred in a vault under the chapel. Stuyvesant's great-grandson, Petrus "Peter" Stuyvesant, sold the chapel property to the Episcopal Church for $1 in 1793, stipulating that a new chapel be erected to serve Bowery Village, the community which had coalesced around the Stuyvesant family chapel. In 1795, the cornerstone of the present-day St. Mark's Church was laid, and the fieldstone Georgian-style church, built by the architect and mason John McComb Jr., was completed and consecrated on May 9, 1799.[4] Alexander Hamilton provided legal aid in incorporating St. Mark's Church as the first Episcopal parish independent of Trinity Church in New York City. By 1807, the church had as many as two hundred worshipers at its summer services, with 70 during the winter. While the 19th century saw St. Mark's Church grow through its many construction projects, the 20th century was marked by community service and cultural expansion. Today, the rectory houses the Neighborhood Preservation Center, the Greenwich Village Society for Historic Preservation, and the Historic Districts Council, as well as other preservation and community organizations such as the Poetry Project, the Millennium Film Workshop, and the Danspace Project. St Mark's has supported an active artistic community since the 19th century. In 1919, poet Kahlil Gibran was appointed a member of the St. Mark's Arts Committee, and the next year, the two prominent Indian statues, "Aspiration" and "Inspiration" by sculptor Solon Borglum...

large format photograph of Cote d'Azur beach by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Plage des Catalans...