Outdoors Prints and Multiples

Medium: original etching. This impression on laid paper was printed in 1875 and published in Paris by L'Art. Image size: 5 1/8 x 9 inches (132 x 225 mm). Signed in the plate; not han...

Bengt Bockman Main Street 82-84 Year: 1974 Color Lithograph Size: 25.5 x 33.5 in. Edition: 175 Signed and numbered in pencil by the artist One of Sweden...

This artwork titled "Los Banos" 1969 in an original color serigraph by American artist Virgil Trasher b.1943. It is hand signed, dated and titled in pe...

The calm serenity of a frozen forest at night. An image of silence. – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the viewer rapt, lost in the detail as if listening to the echoes of a half-remembered symphony. Poetical visions of paths and glades, ancient woods reflected in flood waters, nature revealed in its almost mythological beauty. Cawston’s images from the UK, Europe and America, convey a deeply-felt reverence for the natural world. – A larger format bespoke edition is also available on request. This custom edition of 3 pieces is produced to a client’s specifications. Typically this is for pieces greater than 250cm side. Please contact us for further details. Edition of 15 Presentation: Photographic print 5cm white border all around Signed by the Artist Certificate of Authenticity from the gallery Location: Mammoth Lakes...

Old Battersea Bridge View, Chelsea, 1879 - Etching on Paper Black and white 1897 etching titled "Old Battersea Bridge View" by Charles John Watson (British, 1846-1947). View at Chelsea from the bank of the Thames, with boats moored in foreground at left, Old Battersea Bridge in background, and Chelsea Old Church beyond. Signed and dated "Charles J Watson...

Lake Sillustani sits at over 4000m above sea level in the high altiplano of Peru. Overlooking the lake on a raised plateau a series of tall Incan Funerary towers dominate the lansdca...

Photography, edition of 30, signed by the author, gallery certificate, could be also delivered upon request framed/ price will be negotiated.

Both the natural world and architectural grit have a place in Lisa Breslow's work, highlighting the pull of New York City that is created by these opposing forces side-by-side. She ...

Landscape is a print realized by Monique Journod in the Mid-20th Century. Signed on the plate Woodcut on paper Numbered. Edition, 30/200. Good cond...

Artist: Roger Hebbelinck (Belgian, born 1912) Title: Somme, Coucher De Soleil Year: Circa 1965 Medium: Color Etching Edition: Numbered 109/300 i...

Aodh is a god of the underworld and prince of the Daoine Sidhe in Irish mythology. The crashing waves in this cave made its legend as a gateway to the realm of the Gods entirely u...

Kämpfende Kentauren (Fighting Centaurs), is an etching and aquatint realized by  Max Klinger in 1881. Plate V from “Intermezzi” Opus IV, 2nd state on 2,  first edition. Here the art...

Moonlit Night from Intermezzi belongs to a series of prints called Intermezzi realized by Max Klinger, published by Nurnberg: Stroefer, 1881. Etching on paper. Signed in the plate ...

Scene of cliffs shaped by the waaves of the california coastline. Suggestions of human forms can be seen in some rock formations. Werger's mezzotint prints are masterful at capturin...

Medium: Lithograph on vélin d'Arches paper Year: 1973 Paper Size: 20 x 26 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Les Réalistes Lyriques, VIII, ...

During the Waning Crescent Moon phase, the illuminated part of the Moon decreases from the lit up semicircle at Third Quarter until it disappears from ...

The dimensions are for the image; there are large margins. This lithograph is signed in pencil. A native New Yorker, Ann Nooney (1900-1970) recorded the urban scene while on the Works Progress...

The light of the moon creates an otherworldly ethereal world, a stillness and calm across the spiritual landscaper of the Bagan valley in Burma. J...

Harry Schaare, American (1922 - 2008) - The Seagull, Year: circa 1979, Medium: Screenprint, signed and numbered in pencil, Edition: 300, AP 50, Image Size: 21 x 29 inches, Size: ...

Once again, a splendid poster made by Bernard Villemot 🇫🇷 (1911-1989), in 1954 to promote tourism in the South West of France and more particularly, the Basque coast. The works of ...

This large reproduction of Timeless Splendor by Diane Romanello, published by Bruce McGaw Graphics in 1995, is a stunning example of her tranquil and p...

This artwork "Dam Construction" c.1920 is a very rare large original colors etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed and numbered 27/100 in pencil by the...

Fishermen at dawn on Lake Inle in Burma in total harmony with their surroundings. – Cawston won the BJP Nikon Endframe Award in 2009. His prize was funding for a dream project and he...

Paysage is an original print in e thing technique on ivory paper, realized and by Charles Pinet, engraver a sculptor, after Jules Dupré (French Painter; 1811-1889) . Good condition...

Hand signed and numbered. Edition of 150 prints. Excellent condition.

Artist: Urbain Huchet (French, 1930-2014) Title: "Sunday in the Isle de France" *Signed by Huchet in pencil lower right Year: 1985 Medium: Original Lithograph on unbranded white wove...

Lu Fang, Chinese (1932 - ) - Music in Morning, Year: 1983, Medium: Woodcut and water-soluble ink and Chine colle, signed, titled and dated in pencil, Image Size: 15 x 21 inches, S...

Serge FENECH (1951-) Riviera : View on Clyclades, 1982 Original Lithograph Handsigned in pencil Numbered / 390 (the number you can see can be different) On Vellum 56 x 76 cm (c. 22 ...

Serge FENECH (1951-) Riviera : Flowery Boat at Santorini, 1982 Original Lithograph Handsigned in pencil Numbered / 390 (the number you can see can be different) On Vellum 56 x 76 cm...

Farmer is an original etching, realized by French artist Félix Henri Bracquemond. Sheet dimension: 52.5 x 64.5 cm. Image Dimensions: 42.5 x 51 cm Hand Signed on the lower right. ...

A landscape from the Somerset Levels. – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the viewer rapt, lost in the detail as if listening to the echoes of a half-remembered symphony. Poetical visions of paths and glades, ancient woods reflected in flood waters, nature revealed...

Introducing "There is No Planet B" by Marcin Owczarek, a thought-provoking and manipulated photographic work by the Belgian-based artist. This piece is created on Fine Art Hahnemühle...

A last quarter or waning quarter moon appears half-lit by sunshine and half-immersed in its own shadow. It rises in the middle of the night, appears at it...

Waxing means that it is getting bigger. Gibbous refers to the shape, which is less than the full circle of a Full Moon, but larger than the semicircle shape of the Moon at Third Quar...

The ladybird, locally known in Norfolk as a bishy barnabee… Guy Allen’s etchings inspired by the fauna of Norfolk have a remarkable level of detail. His...

The first visible phase after the New Moon. The Moon has had an importance in human culture since the dawn of history and likely before. Often revered as a feminine deity and count...

Tibet is a place of ancient and modern myth. Today’s reality is far from the picture postcard of Lhasa’s monasteries… it is instead a world rapidly being subsumed into modern China....

Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Annecy - Le Pont Morens. Year: circa 1980, Medium: Lithograph, signed in pencil, Edition: EA, Image Size: 18 x 13.5 inches, S...

Rebecca Skinner’s “In the Thick of It” is part of her "Rust to Dust" series documenting the beauty of the decaying automobile. The 20 x 30 inch color photograph is of two antique car...

EARLY CATCH is an original hand drawn lithograph(not a photo reproduction or digital print) by the American woman artist Sally Caldwell-Fisher, printed using hand lithography techniq...

A spectacular wave breaking under a stormy sky . Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story for the viewer to complete. Signed and numbered f...

An avenue of ancient oaks… – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the viewer rapt, lost in the detail as if listening to t...

Fishermen at dawn on Lake Inle in Burma in total harmony with their surroundings. – Cawston won the BJP Nikon Endframe Award in 2009. His prize was funding for a dream project and he...

A deserted multi-storey car park in Bristol. – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortable interiors. It is rather of a Bla...

Along the road to the promised land of California…. an abandoned shack on the dry side of the mountains – Cawston’s eye for colour, structure and the beauty of the mundane finds a wo...

There is a something about being a child on the beach where the sheer exuberance of running into the waves transcends the normal social barriers, and the shared exhilarance allows fo...

Brian Cobble’s landscapes tend to particularly focus on the interplay of man and his surroundings, whether natural or built. A signature attention to the liminal aspects of a scene, ...

This lithograph titled La Charrue (The Plow) is a reproduction of an original work, published in the first edition of Derrière le Miroir (DLM) No. 119 in 1960. Presented as a double-...

Medium: lift-ground etching and engraving Edition: 15 Year: 1961 Plate: zinc 9 x 15 inches (22.9 x 38.1 cm) Paper: Murillo, 16 x 21 inches (40.6 x 53.3 cm) Signed, titled and number...

Moonlit Cliff Top, gorgeous signed limited edition, numbered 4 of 25, etching from this collected artists studio. Image 7" x 6.5" matted 11" x 14" Ian Laurie was born in 1933 ...

ARTIST: Salvador Dali TITLE: LEs Chantes de Maldoror Memory of Music MEDIUM: Etching Arches paper SIGNED: Not signed PUBLISHER: Albert Skira, Paris MEASUREMENTS: 10" x13" YEAR...

The symmetry of flooded fields on a cold day on the Somerset levels – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the viewer rapt...

Glastonbury Tor rises from the mists in this mythical vision of the Somerset levels – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the viewer rapt, lost in the detail as if listening to the echoes of a half-remembered symphony. Poetical visions of paths and glades, ancient woods reflected in flood waters, nature revealed in its almost mythological beauty. Cawston’s images from the UK, Europe and America, convey a deeply-felt reverence for the natural world. – A larger format bespoke edition is also available on request. This custom edition of 3 pieces is produced to a client’s specifications. Typically this is for pieces greater than 150cm and up to 230cm on the longest side. Please contact us for further details. Edition of 15 Presentation: Photographic print with acrylic face mount...

Arch by Monica Denevan - Photography, Silver Gelatin Print with Wooden Frame Monica Denevan studied photography at San Francisco State University. She has travelled extensively in ...

A tapestry-like landscape of flowers and fields – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave the viewer rapt, lost in the detail...

This artwork titled "Heron Moon" c.1990, is a color woodblock print on paper by noted Canadian/Japanese artist Suezan Aikins, b.1952. It is signed, titled and numbered 58/150 in pencil by the artist. The artwork (image) size is 8.5 x 21 inches, framed size is 15.75 x 28.25 inches. Custom framed in a silver metal frame, with double off white matting. It is in excellent condition, the frame have some small minor rubs, barely visible. About the artwork: This artwork required have 5 different carved wood blocks and 9 layers of colors to complete. About the artist: Born in Montreal in 1952, Suezan was influenced early in her life by the works of modern Japanese woodblock printmakers which hung throughout her parents’ home. She attended the Fine Arts programme at Mount Allison University in Sackville, New Brunswick (1969 - 1971), The Ontario College of Art (1971-73), L’ ecole du Musee des Beaux Arts (1974), Nova Scotia College of Art and Design -BFA (1975) as well as a very intensive year of study with Toshi Yoshida in Tokyo (1984-85). She has exhibited extensively in both public and private galleries throughout North America and Japan. Recent exhibitions include solo shows in Tokyo, Osaka, Okinawa, and Boston with group exhibitions at the Wenniger Gallery, Boston, Royal Canadian Academy in Toronto and the Canadian Museum of Nature in Ottawa. Her paintings and woodblock prints are found in many collections such as The Canada Council Art Bank, The Nickle Art Museum, The Art Gallery of Nova Scotia, The Royal Bank of Canada, Prince Takamanonamiya Norihito, the Embassy of Canada in Tokyo, The Thomas Moore Institute as well as private collections. Suezan Aikins was awarded the Elizabeth Greenshields Foundation grant in 1983, Nova Scotia Department of Culture - Development Grants in 1980, 1987 and 1988. She was elected to the Royal Canadian Academy of Art in 1990 and received the Canadian Progress Club- Women of Excellence Award for Culture in 1993. Her work has been featured in a number of television documentaries as well as many Canadian magazines. STUDIES: Yoshida Woodblock Print Studio Tokyo, 84-85 Nova Scotia College of Art & Design, Halifax, 74-75 BFA Ecole du Musee des Beaux Arts, Montreal, 74 Ontario College of Art, Toronto, 71-73 Mt. Allison University, 69-72 SELECTED SOLO SHOWS: 25 Year Retrospective of Woodblock Prints traveled to three Public Galleries in Germany: Dornum Castle; Tollhousverein, Leer; Rastede Palace, Oldenberg 2000-2001 color catalog and reviews. Private Exhibitions, Falmouth, Mass., July 1996; Montreal, November 1996; Gibson Island, Md., April 1999. Gold Paintings and Woodblock Retrospective, travelling: Kabutoya Gallery, Tokyo; Genkan Gallery, Tokyo American Club; Blue Nile Gallery, Osaka; Kanda's Gallery BOQ, Okinawa; May 1994 (color catalogue) Edo Gallery, Boston, November 1992, Private Exhibitions, Chatham, Mass, July 1992, Toronto, Oct. 1991 New Paintings and Woodblocks Kabutoya Gallery, Tokyo, May 1991, and also in 1987. Japanese Garden and Pavilion Foundation, Montreal, September 1990, Ownens Art Gallery, Mount Allison University 1988 Zwickers Gallery, Halifax, NS, 1979; Gallery 78; Fredericton, November, 1983; Robertson Galleries, Ottawa, November, 1982 SELECTED GROUP SHOWS: "A New Leaf" 30 foot instalation of mixed media/ goldleaf reliefs, Artsplace, Annapolis Royal, N.S., 2000 color catalog "Far and Wide" Juried Bienials, Art Gallery of Nova Scotia; 1996 to '99, travelling, catalogs "Moku Hanga Travelling Exhibition: Contemporary Japanese Woodcuts...

Bernar Venet Sit on Steel (Hand Signed & Inscribed), 1991 Offset lithograph poster. hand signed. dated. dedicated. Boldly signed, dated and inscribed in silver sharpie on the front 26 3/4 × 18 1/4 inches Unframed Rare vintage poster, hand signed and dedicated by Bernar Venet to the legendary sculptor Isaac Witkin...

SNCF Normandie is a 1952 French travel advertisement by artist Raoul Dufy for the French Railway. The French Railway is commonly known as SNCF, Societe Nationale de Chemin de Fer. Th...

Printer’s ink from rubber stamp on vélin d’Arches 88 paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Published by Parasol Press, Ltd., New York; distributed by Museum of Modern Art (MoMA), New York; rubber stamp engraved by Unity Engraving Company Inc, Englewood; printed by Parasol Press, Ltd., New York, under the direction of Aaron Arnow, New York, from an edition of M, 1977. JOSEPH IRWIN ZUCKER (1941-2024) was an American artist. Born in Chicago, he received a B.F.A. from the Art Institute of Chicago in 1964 and an M.F.A., from the same institution in 1966. His art was quirky and idiosyncratic, and most often related to the materials, such as cotton and plastic. His Porthole #4 from 1981, in the collection of the Honolulu Museum of Art, demonstrated his innovative use of unusual materials. The Art Institute of Chicago, the Carnegie Museum of Art (Pittsburgh, Pennsylvania), the Honolulu Museum of Art, the Mary and Leigh Block...

Etching on Montval wove paper, realized by Marc Chagall in 1931-39 and published by Tériade in 1956. Belongs to the series "The Bible". Edition of 275+30 out of commerce copies. N...