Tree Prints and Multiples

Signed , dated and titled in pencil by the artist Artist proof from the second printing by Jon Clemens Annotated "To Jon from Ray"

Archival pigment ink print on canvas, edition of 15 - artwork can be shipped in a tube or framed in a crate Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in N...

This is a hand-printed photograph using a 19h century process. The view is of a very misty morning in the woods in the hills across the bay from San Francisco when one could only see...

A solitary oak tree is backlit by the glow of sunrise at dawn along a trail. The scene is a hiking trail in the hills of Oakland, California. This is a one-off mini studio proof. A h...

Jonas Wood Bonsai, 2022 13-colour screenprint on rising museum board 71.1 x 58.4 cm 28 x 23 in Edition 40 of 200 Published by Printed Matter, New York

This contemporary abstract landscape limited edition print by Ken Elliott features multi-colored tree trunks and foliage extend from the bottom of the canvas up to the top, with a ra...

This contemporary abstract landscape limited edition print by Ken Elliott features multi-colored tree trunks and foliage extend from the bottom of the canvas up to the top, with a ra...

"Trees" is an original wood engraving print by Betsy Ritz Friebert. It features a man walking down a large path underneath tall barren trees. Unsig...

This contemporary abstract landscape limited edition print by Ken Elliott features tall, lush trees, the leaves of which are cool blue and violet tones. Small portions of the bottoms...

Fall colors on Chuckanut Drive, south of Bellingham, WA. Signed, titled and numbered from the edition of 100. Born in Berkeley, California, on December 21, 1949, he was raised in a ...

Robert Longo White Snow Trees of the Back Forest 2020 Archival pigment print 71.1 × 55.8 cm (28 × 22 in) Signed and numbered Edition of 30 In excellent condition PLEASE NOTE: Editio...

A glimpse between tree trunks of distant Monterey pines dissolving into the light and fog. This is a hand-stained contact photo using the antique cyanotype process from the 1800s. Th...

This abstract landscape by Ken Elliott is a limited edition print. It depicts a forest of trees sitting in a blanket of snow, and a subtle sunset above the top of the forest. The thi...

Coastal View is a serigraph on paper, image size 32 x 32 inches, signed ‘Kerry Hallam’ lower right and numbered lower left. From the edition of 500, numbered CXIV/CL (there were also...

This artwork titled "Sub Culture" c1972 is an original color lithograph on wove paper by noted New Orleans artist Caroline Spellman Wogan Durieux, 1896-1989. It is hand signed, titled, dated and numbered 5/10 in pencil by the artist. The image size is 17.75 x 13 inches, sheet size is 19.85 x 15 inches. It is in excellent condition, some hanging tape from previous framing remaining on the back. About the artist: As a Southern female satirist, Caroline Spellman Wogan Durieux was a rare phenomenon in the early twentieth century. Today, she is highly regarded for her stinging lithographs that touch on human foibles as well as some of the important issues of her day. Born to a family of Creole descent in New Orleans, young Caroline was precocious; she began drawing at age four and completed a portfolio of watercolors depicting her city by the time she was twelve. She took lessons from Mary Butler, a member of the art faculty at Sophie Newcomb College, and, beginning in 1912, matriculated at the school full-time, where her instructors included Ellsworth Woodward, chair of the art department. She graduated with a bachelor’s degree in design in 1916 and one in education in 1917. Awarded a scholarship by the New Orleans Art Association, Durieux pursued further coursework at the Pennsylvania Academy of the Fine Arts from 1918 to 1920. Years later, she was encouraged to try lithography by Carl Zigrosser, an expert curator of prints at the Philadelphia Museum of Art, who became her mentor. With her husband Pierre Durieux—an importer of Latin American goods and later the chief representative of General Motors for South America—Caroline Durieux spent time in Cuba during the early 1920s. The couple moved in 1926 to Mexico City, where she met the great muralist Diego Rivera and became involved in the local art community. Following a short interval in New York City, Durieux went back to Mexico in 1931 and enrolled at the Academy of San Carlos (now the National University of Mexico) to study lithography. She returned to New Orleans seven years later and was hired to teach at her alma mater, Newcomb College, from 1938 to 1943. Starting in 1939, Durieux served as the director of Louisiana’s Works Progress Administration program, and her division was the only one in the state not to practice racial discrimination. This was a matter she felt strongly about, stating: “I had a feeling that an artist is an artist and it doesn’t make any difference what color he or she is.” From 1943 until her retirement in 1964, Durieux was a member of the faculty at Louisiana State University in Baton Rouge. Durieux’s forte was lithography, a technique popular in the mid-nineteenth century and long associated with social commentary, and her prints proved no exception. Her work in the 1930s and 1940s coincided with a rise in art that dealt with poverty, racism, and totalitarianism. She often presented stereotyped social climbers...

Uses and Customs - Napoleon's Tomb is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the ...

Pescara's Pine-wood is an artwork realized in 1979, by the Italian Artist Michele Cascella. Colored lithograph on paper of the Portfolio "Landscape", 1979, with six original lithograph and the poems of Franco Simongini titled "Twenty Landscapes 1953-1960" Hand-signed on the lower right in pencil and numbered edition of 29/125 ex. Lower right blind stamp of the Printer Graphis Art, Livorno The state of preservation of the artwork is very good. Michele Cascella (Ortona, 7 September 1892 - Milan, 31 August 1989) was an Italian twilight painter and landscape painter. Over the course of his long artistic life which spanned almost eight decades of intense activity, Cascella has been able to maintain a unique, unmistakable style which is practically immune to the contamination of the pictorial currents and avant-gardes of the twentieth century. His works, including canvases, panels, pastels and drawings, are exhibited in numerous Italian and international museums, including the Victoria and Albert Museum[1] in London, the Galerie nationale du Jeu de Paume in Paris, the National Museum of History and Art in Luxembourg, the Musée d'Art Moderne in Brussels and the De Saisset Art Gallery of the University of Santa Clara in...

Uses and Customs - Baths of Bormio is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the ...

Pescara's Pine-wood is an artwork realized in 1979, by the Italian Artist Michele Cascella. Colored lithograph on paper of the Portfolio "Landscape", 1979, with six original lithogr...

Uses and Customs - Massa Carrara is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the ...

Jack Hofflander, American (1920 - 2003) - Fishing Nets, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 250, 30 AP, Size: 24 in. x 36 in. (60.96 cm x 91....

Hobby Horse is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 189/275 (there were also 100 Roman and 20 AP). Fram...

Le Tronc de l'arbre is an artwok realized in 1935, by the French Artist Paul Emile Colin . Black and white etching on paper. Hand Signed on the right corner. Limited edition of 35, ...

"Divide" black and white soft ground etching and aquatint by April Gornik. Edition 23 of 30. Image size: 33 1/2 x 31 1/2 inches. Published by The S...

"I am primarily driven by an exploration of colour and form. My objective is to bring an emotional is to bring an emotional element and aesthetic balance to my work." "It came to me in the middle of the night - as these things often do - that to incorporate gold leaf into the finished print would neatly encapsulate some of the elements I am trying to express. Its application would obviously have to be done by hand with all its attendant imperfections and mistakes. Kintsugi - the Japanese art of patching broken ceramics with gold - shares its aesthetic with Wabi Sabi." - Valda Bailey...

Abe Gerlsma

An abandoned Holiday Inn sign in Marfa, Texas seems to be part of the native plants surrounding it. With a red flower on top! :: Digital :: Americana ...

A Bolt From the Blue is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 130/275 (there were also 100 Roman and 20 ...

Limited Edition photography by Tom Blachford. Mid Century Modern Architectural Design. What began for Tom Blachford as a fateful discovery one night has developed into an ongoing s...

Le Bamier is an etching realized by Jacques Baron in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good conditions.

Color woodcut. Rafael Ferrer depicts the intense life of the Caribbean in his paintings and prints. With hot colors, deep shadows and mysterious ...

Skeleton is an etching realized by Jean Gullaume Moitte in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Artis...

This is a hand-printed contact photograph using the antique cyanotype process and very big negatives which are the same size as the final print. These are the iconic Monterey Pines ...

This print considers how we view the contemporary sublime landscape and how easy it can be to experience when we take the time to look. We often don’t have to travel far: parks in ci...

Spotted Woodpecker is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published...

Crow is an artwork realized by the Contemporary Italian artist Leo Guida (1992 - 2017) in 1972. Original black and white etching on paper. Hand Signed on the lower right margin, da...

Landscapes Of Autumn is a modern artwork realized by the painter Rolandi, in the 1980s. Mixed colored screen print. Hand signed on the lower right margin. Artist's proof (as repor...

Archival pigment ink print on canvas, edition of 15 - artwork can be shipped in a tube or framed in a crate

This Fautrier - Galerie Di Meo is a vintage poster. This artwork was realized on occasion of the exhibition Fautrier œuvres 1940 - 1964 dedicated to the artist and held at Galerie...

Sur la Côte is a serigraph on paper, image size 29 x 36 inches, signed ‘Kerry Hallam’ lower right and numbered lower left. From the edition of 550, numbered 190/250 (there were also ...

Wild Birch - Forest. Fine Art Print. From the Niagara Escarpment: Another, in a series of digital prints. This one was born out of a photo that I took during my time living in a ...

In The Forest is a modern artwork realized by the Artist Rolandi, in the 1970s. Mixed colored screen print. Hand signed on the lower right margin. Artist's proof (as reported on th...

Ancient Roman Scene from the series "Antiquities of Herculaneum", is an etching on paper realized by Niccolò Vanni in the 18th Century. Signed on the pl...

In The Forest is an original modern artwork realized by the painter Rolandi, in the 1980s. Mixed colored screen print. Hand signed on the lower right margin. Artist's proof (as re...

In The Forest is an original modern artwork realized by the painter Rolandi, in the 1980s. Mixed colored serigraph. Hand signed on the lower right margin. Artist's proof (as repor...

Grossbill is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. Na...

Firecrest is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. Nam...

In The Forest is an original modern artwork realized by the painter Rolandi, in the 1980s. Mixed colored screen print. Hand signed on the lower right margin. Artist's proof (as re...

"Burnt Place" - After the fire swept through, the forest was left scorched and barren. The ground is still warm and the unstirring air is thick with the scent of charred wood. Scorched, lifeless pines stand solemn and mournful in the shadows of the Burnt Place. About the Twilight's Path project: "We spend our lives surrounded by the security of possessions, relationships and roles, but our futures hold nothing so substantial; one day we must all enter into true not- knowing - into a dark, unconscious place." Jasper Goodall...

In The Forest is an original modern artwork realized by the painter Rolandi, in the 1980s. Mixed colored serigraph. Hand signed on the lower right margin. Artist's proof (as repor...

Goldcrest is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. Nam...

The Tree with Poem is an original artwork realized by the french artist Jean Lurçat (1892 Bruyeres - 1966 St.-Paul-de-Vence) Lithograph print, mid-20th century. Very good conditi...

Tunisian View is an original photolithograph realized in the 1990s by the Italian politician Bettino Craxi. Hand-signed. Artist's proof. Good conditions with some folding. In the...

Michel Delacroix Arrivee du Tour de France sur le Champs Elysees, 1990 Original lithograph Hand signed in pencil lower right Numbered XIX/CC lower left Sheet size: 78.5 x 91.5 cm P...

Print detail: Painting like photographic Fine Art Print, Printed on Museum Glass and Hand Gilded with Gold leaf in custom made frame. 41 x 57 cm (Framed) Glass Print from Edition of 1/5 Series: Blossom Blizzard (New Print on Glass edition 2022) About the work: "Despite T.S. Eliot's assertion that 'April is the cruellest month', I invariably feel a sudden surge of wellbeing and optimism when the first scent of spring hangs in the air. I know I'm far from alone in this - photographers and artists surely feel that sense of excitement as keenly as any gardener eagerly rifling though their seed packets. Mother Nature, it seems, is handing us our images on a plate. The light is soft and benign, the colours, gentle, and the countryside seems to suddenly be filled with boundless enthusiasm. Quotes such as 'Spring is nature's way of reminding us that every day is worthy of celebration' pop up on social media with unfailing regularity - long before the first cuckoo is heard. This image was taken at Stanmer Park, just outside of Brighton. A blustery day in early April, the air was filled with the sweet smell of April and the profligacy and exuberance of the new growth emerging was inspirational. Blossom-laden branches were everywhere but I concentrated on one small tree that stood apart from the rest. For reasons unclear, its tiny flowers seemed whiter, fluffier, altogether more generous than that of any of its neighbours. It was bitterly cold. The type of cold that can only be experienced when one has left home in overly optimistic clothing, only to realise that the wind chill factor hadn't been accounted for when getting dressed. I struggled on for about half an hour - reluctant to retreat to the warmth of the nearby cafe and the very enticing appeal of a cup of coffee. Fortunately, my inspiration came quickly - as the tiny petals blew around my head and I stood there shivering in all my reckless optimism, I realised it felt like nothing more than being encased in one of those half-domed snow globes. The fiercest blizzard was surely never this intense. I certainly couldn't imagine it ever being this cold. Photographic perfection is not my objective. Its obedient conformity initially attracts, but, for me, leaves little enticement to investigate further. So it was that the tangled complexity of branches and the disparate arrangement of blossom engaged, rather than frustrated my aspirations. By layering image upon image, frame upon frame, I was able to build up the layers of blossom and emphasise the movement of the branches. All photographic images represent a moment in time. The way I make my images combine several. I walked around the tree, back and forth trying to engage with the long-limbed gaucheness of its extended branches. The colour palette needed little intervention; I don't think anybody makes a paint called 'blustery blue' but perhaps they should. This contrasted beautifully with the jade and emerald grass, subsequently overlaid with soft white snowflakes and created, what for me, was a very pleasing and fresh arrangement of seasonal colours." - Valda Bailey

Flowerpot is an original artwork realized by French artist Hervé Le Bourdelles (Paris, 1928). Etching print. Hand-signed on the lower right in pencil. O...

Hand Signed. Edition of 25 pieces in Roman Numbers. Very good conditions.

Portrait is an original lithograph realized by Bettino Craxi in 1992. The artwork is from the portfolio "The World", Ed. Serigraph, 1992. Signed and numbered in the bottom by the a...

Color spitbite aquatint and aquatint with drypoint. Edition of 35

Original vintage exhibition poster Color lithograph - created on the occasion of the exhibition in Barcelona 1983 In great condition