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Thomas McKnightChora Terrace (Patmos Suite)1993
1993
$985
£753.71
€862.63
CA$1,391.08
A$1,511.86
CHF 810.22
MX$18,356.72
NOK 10,171.84
SEK 9,432.83
DKK 6,442.76
About the Item
Chora Terrace from the Patmos portfolio is a serigraph on paper measuring 16 x 18 inches, signed 'McKnight' lower right and annotated lower left. Framed in a contemporary, black frame. Numbered CXXXIII/CC from the edition of 510 (there were also 60 AP, 200 Arabic, and 50 HC).
“Locals say that the builders of Mykonos made it a labyrinth ‘to confuse pirates,’ but more likely what they really meant to baffle was the wind: the meltemi, that dry, incessant late-summer wind that Thomas McKnight actually succeeds in painting. On a windy day, when the high sails of the Mykonos windmills are spinning, “you walk inside two or three streets and there’s a nice calm,” he says. The brilliant whiteness, often refreshed, is lime, which – as in Spain – may have been washed over adobe-colored buildings only since the eighteenth century, as a sanitation measure. If so, it was an ‘accidental’ stroke of genius – cleanliness being next to godliness – and it has had a major influence on the way Thomas McKnight paints.” – Annie Gottlieb (McKnight, Thomas; Gottlieb, Annie. Voyage to Paradise: A Visual Odyssey. Harper Collins, San Francisco, 1993.)
Martin Lawrence Galleries is an affiliate of Chalk
Vermilion Fine Arts, the original publisher of this print. This print is as new, with no prior ownership.
- Creator:Thomas McKnight (1941, American)
- Creation Year:1993
- Dimensions:Height: 29 in (73.66 cm)Width: 30.5 in (77.47 cm)
- Medium:
- Movement Style:
- Period:
- Condition:Excellent, as-new condition, no prior ownership.
- Gallery Location:Greenwich, CT
- Reference Number:Seller: 4111stDibs: LU2664213651082
Thomas McKnight
Thomas McKnight's imaginary images can be described as delightful visions. No matter the passage of fashion or the seasons, there are places of transcendent timelessness in his work where peace and beauty only exists. Besides the incredible beauty of this work, it is probably his creation of places that gives us a sense of home that is responsible for his rapport with such a large public audience.
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