Unknown

Large Portrait of a Man in Black and While Print, Signed and Numbered by Artist

2000s

One hundred years ago 1805-1905 original print signed and dated 1905 by Albert w holden (British, 1848-1932) features a royal naval seaman admiring portraits and art wall in the form...

A limited edition archival pigment photography print numbered 1/15 and entitled "Smile" by the contemporary artist Luciana Pampalone ( America, 1963). The print features a lady takin...

An exceptional mixed media photo collage printed on ultra premium photo luster by the contemporary artist Marc Vandermeer ( American, 1950's). The art work entitled "End of Days" and depicts a city in flames. Dimensions: 21” H x 27” W x 0.5” D About the artist : Marc Vandermeer Art has been a part of Marc's DNA since birth. His mother, a New York-based artist, sculptor, and teacher, continually exposed him to the world of galleries and museums, between their home in SoHo and summers spent in Provincetown, MA. He began practicing early, attending high schools specializing in art and summer workshops in Provincetown, and studying art history in Florence, Italy. In 1971 he enrolled at The Philadelphia College of Art, initially as a painter but ultimately graduating with a BFA Film in 1976. He studied under photographer Ray K...

A contemporary digital print titled " Med School Doodle" by the visual artist Marc VanDermeer ( American, 1950's). The art work portrays the human body in earthy colors with geometri...

Abraham Walkowitz (March 28, 1878 - January 27, 1965) was an American painter grouped in with early American Modernists working in the Modernist style. Walkowitz was born in Tyumen,...

Portrait is an original print on paper realized by an Anonymous artist of the 20th Century. Original lithograph on paper. Good conditions. The artwork represents a portrait of n a...

David Sharpe, second-generation Chicago Imagist — 1991 figurative portrait, graphite on paper. A psychologically charged head-and-shoulders portrait rendered entirely in graphite, emphasizing Sharpe’s incisive draftsmanship. Without color, the image leans on tonal shifts, cross-hatching, and faceted marks to build a mask-like visage that oscillates between observation and invention—classic post-Imagist Chicago: bold figuration, surreal inflection, and emotional intensity. Dated 1991, this work embodies the Chicago school’s distinctive blend of wit and bite while remaining intimately drawn and friendly in scale. Institutional collections (selection): Art Institute of Chicago; Museum of Contemporary Art Chicago; Smart Museum of Art, University of Chicago; Scottish National Gallery of Modern Art; Mary & Leigh Block...

Original artwork by artist Jean Olds. Olds’ work often combines bold colors and expressive brushstrokes to evoke a sense of movement and energy. Her pieces have been exhibited in gal...