Unknown

Parco Men s Festa Exhibition Photography Japan

1989

Paper Size: 40.5 x 28.5 inches ( 102.87 x 72.39 cm ) Image Size: 40.5 x 28.5 inches ( 102.87 x 72.39 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Ad...

Original serigraph published in 1997, printed by master printer Alain Buyse. This work, titled Alter Ego, measures 14 x 19.5 inches and exemplifies Förg’s distinctive exploration of ...

Luca Barbarossa - Vintage Photograph is a vintage black and white photograph realized in the 1980s. Good conditions.

2021, Unique edition forex and glass 23 3/5 × 30 7/10 in - 60 × 78 cm The artwork is dated and signed by the Artist stamped with the logo of the studio of the Artist 'Crazy Noodles' on verso of the canvas The artwork come accompanied with a formal Certificate of Authenticity issued by the studio of the Artist and signed by the Artist serie "Spectral Eyes : Doll Glass Manga Mirage" In the twilight of his artistic journey, Yoshihiro Fujita embarked on a mesmerizing exploration that transcended the conventional boundaries of artistic expression. His latest series, aptly titled "Spectral Eyes: Doll Glass Manga Mirage," became a testament to his innovative spirit and a captivating fusion of the ethereal and the tangible. The inspiration for this series dawned upon Fujita as he sought to infuse new life into his iconic portrayal of Manga eyes. Departing from traditional mediums, he delved into the realm of dolls, each with its own unique set of glass eyes. These delicate orbs, carefully chosen and adhered to his canvases, introduced an otherworldly quality to the familiar expressions of Manga characters. One can trace the genesis of this artistic endeavor to Fujita's profound contemplation of the ephemeral nature of human emotions and the transient quality of visual perception. The glass eyes, once part of dolls that often evoke memories of childhood innocence, took on a new identity as vessels for conveying the nuanced emotions intrinsic to Manga characters. The series unfolded like a mirage, with each canvas presenting a spectral array of Manga eyes that seemed to transcend the physical constraints of the artwork. "Gaze 543210," the initial piece in the series, showcased the meticulous arrangement of doll glass eyes, each contributing to a harmonious symphony of expressions. The numerical title hinted at a structured sequence, a deliberate arrangement reminiscent of the orderly composition of Manga panels. In "888265" Fujita orchestrated a dance of gazes that defied the limitations of static portraiture. The glass eyes, gleaming with a spectral luminosity, became the focal points of a balletic performance, inviting viewers into a surreal realm where the boundaries between reality and illusion blurred. The series crescendoed with "526175" a masterful composition that encapsulated the artist's exploration of the illusory nature of perception. The glass eyes, bathed in a spectral glow, conjured a mirage of emotions, inviting viewers to delve into the intricacies of the Manga characters' souls. From a sociological perspective, Fujita's use of doll glass eyes carries a profound commentary on the commodification of emotion and the intersection of childhood nostalgia with contemporary visual storytelling. The dolls, once cherished playthings, now assumed a symbolic role in conveying the complexities of human experience through the lens of Manga art...