Alison McGechie

Torso

2019

Menashe Kadishman (Israeli, 1932-2015) Birth Iron 17-1/2 inches (44.5 cm) high on a 6-1/4 inches (15.9 cm) high wood base Hand signed and Inscribed on base Sculpture with base measur...

BY Mahesh sharma Year: 2021 Material: Driftwood, Acrylic Paint, Epoxy Scuplture is a one of kind collectables and it portrays Nar-Nari Sculpture ( Man+Woman)

Materials: tree trunk, horseshoe, oil paint, square nails ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identit...

Wall Mounting Waxed Linen Sculpture with Mixed Media, Copper, Iron Mary Giles (1944-2018) received her BS in Art Education from Mankato State University in Minnesota. After receivi...

Carlos Betancourt, American (Born 1966) Abstract Sculpture Spray Paint and hand Painted Sculptural Wall Applique. Hand signed. Dimensions: 28.75" x 26.5" Three dimensional neo primitive wall relief I believe this is from The Sounds Symbols Project (2000), a monumental ephemeral installation in the sand in Miami Beach. Carlos Betancourt (born San Juan, Puerto Rico 1966) is an American multi-disciplinary artist. His artworks explore issues of memory, and his own experiences, while also dwelling in issues of nature, the environment and matters of beauty, identity and communication. He has worked as a curator, furniture designer and has collaborated in with Louis Vuitton as well as on architectural and site-specific private and public commissions with architect Alberto Latorre. Betancourt artwork is in part inspired by his relationship with nature as well as by the diverse cultures and history of the Caribbean basin, Florida and the Americas. Also by artist Ana Mendieta interventions, Robert Rauschenberg assemblages, Andy Warhol perceptions, Neo Rauch compositions, and a Federico Fellini-esque cast of characters for his photo assemblages. Additionally, he relates to some of theorist Jean Baudrillard views about art and his philosophy on objects; French artist Gustave Courbet's idea that "the only possible source for living art is the artist's own experiences", as well as the Martinican writer and theoretician, Edouard Glissant's belief that ..."the past resides in material objects that only release their hidden meanings when encountered imaginatively and sensuously. Betancourt admires the works of diverse artists such as Fernando Oller, Cisco Jimenez, Bill Viola...

Carlos Betancourt, American (Born 1966) Abstract Sculpture Spray Paint and hand Painted Sculptural Wall Applique. Hand signed. Dimensions: 23 X 23 inches approximately Three dimensional neo primitive wall relief I believe this is from The Sounds Symbols Project (2000), a monumental ephemeral installation in the sand in Miami Beach. Carlos Betancourt (born San Juan, Puerto Rico 1966) is an American multi-disciplinary artist. His artworks explore issues of memory, and his own experiences, while also dwelling in issues of nature, the environment and matters of beauty, identity and communication. He has worked as a curator, furniture designer and has collaborated in with Louis Vuitton as well as on architectural and site-specific private and public commissions with architect Alberto Latorre. Betancourt artwork is in part inspired by his relationship with nature as well as by the diverse cultures and history of the Caribbean basin, Florida and the Americas. Also by artist Ana Mendieta interventions, Robert Rauschenberg assemblages, Andy Warhol perceptions, Neo Rauch compositions, and a Federico Fellini-esque cast of characters for his photo assemblages. Additionally, he relates to some of theorist Jean Baudrillard views about art and his philosophy on objects; French artist Gustave Courbet's idea that "the only possible source for living art is the artist's own experiences", as well as the Martinican writer and theoretician, Edouard Glissant's belief that ..."the past resides in material objects that only release their hidden meanings when encountered imaginatively and sensuously. Betancourt admires the works of diverse artists such as Fernando Oller, Cisco Jimenez, Bill Viola...

I want the viewer to have a sense of wonder and awe when looking at my work. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark ...

Signature branded to base. Signed, dated, and titled underneath. Note: Hubert Long's work is in the collection of the Storm King Art Center, and he exhibited at Guild Hall, East Ham...

Black nylon over panel keywords; use of common materials, assemblage, abstract sculpture, wall-sculpture, process-oriented, abstract art, line, form and color, black, monochrome scu...

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. While typically, King Ferguson paints both sides of the canvas and cuts a flap on the the frontside to reveal the color of the back of the canvas, she unexpectedly does the opposite here. The painting is hung from the "frontside" of the canvas, revealing to us the raw edges of her linen canvas, stapled to the stretchers. Two oblong shapes of pink and red dominate the center of the painting. A thin semioval cut has been made inside of both of these shapes. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...