Medium Abstract Sculptures

Stormwarning VI NY State slate/pigmented and sealed steel 25" (height) x 12" (width) x 5" (depth) Stone and metal, usually granite or slate, and found object steel are central in my...

Farbenlichthaut no. 140 is a contemporary modern organic sculpture painting relief by German artist Freddie Michael Soethout. The relief is made from a few hundred of hand-cut two mi...

Orange Skyline is an abstract sculpture by Joe Sorge, made from stainless steel with an orange dye and clear coat. The white pedestal pictured beneath the sculpture base is not included. Connecticut sculptor Joe Sorge says about his work, "The works express fluidity and the resulting tension inherent in the material is balanced by the ensuing harmony of the sculptural object. The result is an expression that comes from a comprehensive understanding of the material and method. The work draws from the modernist vocabulary to create abstract, sometimes whimsical objects...

"Tipping Iris" in purple, free standing sculpture. Enamel on aluminum and steel sculpture created by artist Gary Bukovnik that reflects the cascading beauty in his watercolors and dr...

"Tipping Tulips" in light orange, free standing sculpture. Enamel on aluminum and steel sculpture created by artist Gary Bukovnik that reflects the cascad...

ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. These Form Studi...

Orange Tipping Tulips free standing sculpture in a limited edition of three. enamel on aluminum and steel sculpture created by artist Gary Bukovnik that reflects the cascading beauty...

ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. These Form Studi...

Organic, clean, minimal, white and yellow gold sculptural wall relief that is ceramic on painted wood panel. 24 x 30 x 2 inches. A beautiful and tactile work of art from Pop Art pion...

Artist: Mirkò Guida (Italian, b. 1980) Title: Kiss Year: 2006 Medium: Painted terracotta artistic vase, signed and dated Size: 31 x 19 x 13 in. (78.74 x 48.26 x 33.02 cm)

Where am I going? They offer us no clues that might help us answer these questions. Instead, they give us all the more scope for associations and imagination. They appeal to our subc...

"Small Mandala 2" by Rogan Brown Laser and hand cut paper, framed in plexiglass shadowbox Available by commission. Please allow 8-12 weeks production time. Rogan Brown creates abst...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Val Bertoia was born in Santa Monica, California in 1949. In the 1950s, his family moved from California to Pennsylvania where he has lived and worked here ever since. In the1960s, V...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Y...

Artist: Stefan Vladescu, Romanian/American (1952 - ) Title: Epiphany Year: 1994 Medium: Bronze Sculpture, signature and date inscribed Size: 25 inch diameter x 1.5 wide Base 3 x 8...

"Trash Fish" is an original piece byJedediah Morfit made from fiberglass reinforced plaster, googly eyes, paint. This piece measures 10.75"h x 24.75"w x 2.5"d and comes with a galler...

white pine bark and vine

Carole Eisner's indoor sculptures, averaging two to four feet tall, are made from a welded collage of drops and cut-out steel pieces from the same series of scrap she found in a Conn...

"Navarro"- From the Small Pops Collection "Navarro" is a minimalist and modernist solid wood wall sculpture that brings bold statement to wherever it is placed. The piece was inspir...

"Union" by Mark Leichliter Abstract Sculpture 29x8x6" Stainless Steel 1/10 ABOUT THE ARTIST: ​I was born in Loveland, Colorado and now reside in nearby Fort Collins. The natural beauty of this region was instrumental in my aesthetic development. The language of the land and its features has guided me toward sculpture as my means of artistic expression. I discovered my love of art in high school, having been exposed to advanced creative concepts through a self-developed independent study program. I grew up surrounded by construction tools...

Roberto Estopinan, Cuban, 1920 - 2015 Dimensions: 24.5" wide x 13" high plus 6" high base. Roberto Estopiñán (1921–2015) was a Cuban American sculptor known for his sculptures of the human form, including political prisoners. Born in Camaguey, Cuba, he lived in the United States for over fifty years. His works are held by major institutions such as the Museum of Modern Art, the Whitney Museum and the Smithsonian Museum of American Art. Roberto Gabriel Estopinan, a sculptor, draftsman, and printmaker, was born in Havana, Cuba on March 18, 1921. Estopiñán enrolled at the San Alejandro Academy when he was just 14 years old and became the protegé and studio assistant of the sculptor Juan José Sicre. After graduation he traveled first to Mexico, where he met and befriended Francisco Zuniga, and studied Pre-Columbian sculpture. In 1949 he traveled to Europe, visiting England, France and Italy. In these trips he encountered the sculpture of Henry Moore and Marino Marini, and their humanistic yet formal visions would be influential on Estopinan's work. Estopiñán was a pioneer of direct carvings using wood and of welding techniques in Latin America. Throughout the 1950s, Estopiñán received important prizes at various national exhibitions in Havana. In 1953 he was the only semi-finalist from Latin America at the Tate Gallery's international sculpture competition for a Monument to the Unknown Political Prisoner. In 1961, the artist moved to New York, where he resided until 2002. Roberto Gabriel Estopiñán a Cuban emigre sculptor who emigrated to exile in the United States not long after Fidel Castro’s revolution in 1959, is considered one of Latin America’s most important 20th-century artists. His work, which includes drawings and prints as well as sculptures in wood and bronze, is in the collections of New York’s Museum of Modern Art, the Smithsonian’s American Art Museum, the Art Institute of Chicago, and the Detroit Institute of Art, among many locations. He is best known for his stark, disturbing renderings of political prisoners, the fruit of his own experiences as a dissident under both Castro and his predecessor, the dictator Fulgencio Batista, and for his representations of the female torso that can remind viewers of both classical statuary and the high-modern, abstractly elongated work of Henry Moore.mHe was born in Havana to a father from Asturias in northwest Spain and a mother of African descent. Estopiñán was something of a prodigy. At the age of fourteen, he won the first prize in drawing at the Centro Asturiano, a regional association for Cubans of Asturian descent. Shortly afterward he received special permission to enter the San Alejandro Academy of Fine Arts in Havana. At the school he was mentored first by its director, the painter Armando Menocal (1863-1941), then by the landscape artist Antonio Rodríguez Morey (1872-1967), and finally by Juan José Sicre (1898-1974), regarded as one of Cuba’s greatest sculptors. Sicre, a professor of sculpture at the Academy, had helped introduce European modernist art to Cuba, and from the 1930s through the 1950s had sculpted monumental figures in Havana of José Martí and other Cuban national heroes that stand to this day. Estopiñán was first Sicre’s student, then his assistant, and, finally, his colleague for the next fifty years. After graduating from San Alejandro in 1942, Estopiñán began simultaneously teaching art at the Ceiba del Agua School for young men, assisting Sicre in public art projects and developing his own artistic vision. He also traveled widely, to Mexico, New York, France, and Italy. From the late 1940s through the 1950s his sculpture evolved from an early neoclassical phase under the influence of Maillol to what he defined as “formalist humanism”: emphasizing the abstract beauty of the shapes he sculpted while not abandoning the human figure as the basis of his work. As the 1950s progressed he chose to carve in native Cuban woods...

Named "Prince d'Égypte", this sculpture was created by artist Lutfi Romhein using locally sourced stone from Aveyron, France. Dimensions & Weight : This artwork has a total height o...

My work bridges the divide between sculpture and painting and drawing. Paintings are geometric masses of color in oil paint and wood dowels, on shaped canvas. Often grouped in d...

W. R. Stevenson's abstract bronze sculpture titled "Bird". The unique sculpture stands on a sleek wooden base and has a plaque that includes the artist and title. Artist Biography: William Robert Stevenson was born in 20 May 1925 in Eugene, Oregon. His family moved to Minneapolis, MN but he promptly returned to Oregon and Washington during the Great Depression to work in the Works Progress Administration (WPA). Hoping to study Art, his future was sidetracked when he was drafted into the United States Army at age 17 years old in early 1942. Being a strong swimmer, and having worked at stables as a child, he initially served in the last US Cavalry Corps, and also as a Swimming Instructor for the United States Army. Upon the abolition of the Cavalry Corps, he was trained as a Gunnar and Tank Commander for the M-4 Sherman Tank under General Patton...

Georges Charpentier, French (1937 - 2024) - Nude in Abstract, Year: circa 1980, Medium: Bronze sculpture with gold patina, signature and numbering inscribed, Edition: EA, Size: 3...

Outstanding traditional Castilian millstone, wheel, or millstone, circular in shape. The piece is made of granite, and various radial grooves can be seen, which were used to grind wh...

This flat file installation is a kind of Wunderkammer – a Cabinet of Wonder or Curiosity containing a small idiosyncratic collection of select wonders and oddities of the natural wor...

A limited edition, yellow powder coated mild steel sculpture on a black steel base. The sculpture is typical to Uwe Pfaff's tongue in cheek approach, depicti...

Jesús Curiá Perez Troyano bronze and methacrylate 29.50h x 7.50w x 7.50d in 74.93h x 19.05w x 19.05d cm JCP058 Jesús Curiá's sculptures arouse something more than purely aesthetic p...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Norma Marquez Orozco explores concepts of impermanence, perception, form and balance through physical movement of the work itself in a lucid, game-like context, like puzzles. All the elements are made of paper, molded into three-dimensional forms. The repetitive geometric shapes are assembled inside boxes built out of translucent paper. The arrangement is random and unfixed to allow movement and unpredictable composition. The harmonies and tensions in the work arise from different exchanges between the colors, the patterns, and the geometric and organic shapes, as well as the sense that change is constantly occurring as the elements shift and move. When one looks at these compositions, you see them for the first time, every time, because what is creating and completing the artwork is always changing; such as light, weather and forms merge and interact. As a result of these dynamic relationships, the work extends beyond her personal hand, sustaining an appearance and composition entirely of its own. Norma Márquez Orozco was
 born
 in
 Chicago,
Illinois,
 and
 raised
 in
 Guadalajara,
 Jalisco,
 Mexico. Her work can be seen as an investigation into the way relationships emerge and evolve when elements like color, form, shape, lines, angle and pattern are blended, shifted and layered. She currently lives and works in New York City. Marquez Orozco
 has
 curated
 exhibitions throughout
 New
 York
 and
 has hosted
 lectures
 and
 artist
 talks
 for
 the
 public. In
 2001
 she founded
 Floor4Art, an
 alternative
 space
 in
 West
 Harlem
 that
 houses
 artist’s
 studios
 and
 exhibition
 space
 aimed
 at
 producing,
 promoting
 and
 connecting
 artists.
 Exhibition venues include: ODETTA, Brooklyn, NY, Longwood Art Gallery, Queens Museum, The (S)Files 007/ El Barrio...

A structural and powerful piece by Pascal Pierme, with soulful and warm accents of oranges and reds. Unique piece signed by the artist. Pascal Pierme approaches his art as an ongoin...

This is an 3-part painting / construction (assemblage) created from acrylic paint, wood, glass, and found objects. It includes several historic photograph of figures as well as many scenes from Black African American cultural history. Each piece measures 23" x 7.75" x 2.5", and they can be hung close together or far apart, depending on the buyer's preference. All pieces are wired with the appropriate hanging hardware and are ready to install, no additional framing needed. PROVENANCE: Exhibited in "Portals + Revelations: Richard J. Watson," the African American Museum in Philadelphia, Oct 2021 - Mar 2022. "Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements of 'real life' collaged and collapsed, as dreams are prone to do. If connections are made, all the better. I feel that life should remind us of our dreams." - Richard J. Watson Richard J. Watson is an icon in the Philadelphia art world. Much of his work relates to his experiences as a Black African American man. He is a graduate of Pennsylvania Academy of the Fine Arts (1968), has taught at his alma mater, and has served in the Exhibitions Department at the African American Museum in Philadelphia since the 1980s. He has been exhibiting his work for decades, and has an extensive bibliography. His work is held in the Petrucci Family Foundation Collection of African American Art; the Pennsylvania Academy of the Fine Arts; the Uniworld Corporation; Sony; the Federal Reserve Bank; the City of Philadelphia; Sprint; the Church of the Advocate; the poet Dr. Sonia Sanchez; and the Woodmere Museum...

Geometric process white E is a unique one-of-a-kind contemporary modern painting relief by Dutch artist Eef de Graaf. The relief is made from meticulously hand-cut plain white cardbo...

Jesús Curiá Perez Kendo II bronze and artificial stone 30.75h x 12.50w x 7.75d in 78.11h x 31.75w x 19.68d cm JCP067 Jesús Curiá's sculptures arouse something more than purely aesth...

Spray acrylic, latex, MDF & matte varnish Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Art Fair in NYC, Texas ...

Architecture and functional objects inform the vocabulary of Richard Bottwin’s sculpture. The plywood surfaces, laminated with wood veneers or painted with acrylic colors, are confi...

Tom Nussbaum is known for a variety of work including drawings, paper cuts, prints, sculpture, children’s books, animations, functional design objects, and site-specific commissions....

Weaving is a form of drawing, of plotting and connecting lines. Fabricating a three-dimensional, transparent object using thin strips of paper with differing colors on either side re...

Emily Feinstein grew up with a father who was a cabinetmaker with a shop in the basement. She spent a lot of time making things and constructing with wood. Her ongoing interest in r...

Geometrically shaped copper sculpture. The piece is the tone of shiny bright copper and has circular and triangular shapes to the work. It is not signed. Artist Biography: Matthew ...

Serendipity hand-fabricated steel 24 x 24.5 x 24" There are two sides to any circle: the inside and the outside. In a similar way, there are two elusive forces at work when ex...

"To Each His Own" is a painted steel sculpture by Ralph Wickstrom, created in 2000. The sculpture is that of a tower with four levels, each level showcasing a unique set of shapes. T...

Artist: Mirkò Guida (Italian, b. 1980) Title: Jazz Musicians Year: circa 2007 Medium: Painted terracotta jug, signed Size: 27.5 x 9 x 9 in. (69.85 x 22.86 x 22.86 cm)

Spinnaker is a modern mixed media wall sculpture. Made from MDF, acrylic and repurposed Black cherry wood. This is the second piece I made as I begin to experiment with additional ma...

"Maybe" is an abstract artwork by Stan Olthuis composed of acrylic paint on polystyrene mounted in a painted wood frame. Maybe measures 26" high by 30" wide by 2.5" deep. Typical of the artist, this minimal geometric abstraction resonates with a rich charge. It's a sculpture and a painting. The circles, the discs, almost touch but not quite. The artist's obsession with geometry and shapes in proximity is a clear gesture here. The eye delights in the formal play of shape and color, while the mind engages the material force of the wood and paint. From Stan Olthuis – "My work has always involved tactility and expressionistic energy. I visualize the story and imagery simultaneously, allowing the work to surprise me and come to life as I work. I am almost careless in how I use color and texture, facing the fear of improvising on-the-fly. I like to leave the obvious raw record of the process visible, but I believe a mystery remains." Stan Olthuis looks for expressive opportunities in found and harvested raw material – wood, stone, metal, rubber – and brings a fabricator's expertise to the work of making minimalist, joyful sculptures. Geometry is key, as are a sense of play and an adept's feel for sacred energies. His work is exhibited and collected internationally, including private and corporate commissions in Canada, United States, France, Japan and Norway. Stan is represented by Gagné Contemporary in Toronto and New York City, and has select works available through the Art Gallery of Ontario (AGO), and Motokawa Gallery in Japan. Stan Olthuis' formal education began in Chicago with Henk Krijger, the celebrated master printmaker, type designer, painter and sculptor. Back in Toronto, Olthuis graduated (with distinction) with a degree in Experimental Arts at Ontario College of Art & Design (OCAD), studying under artists Fred Hagen, Tom Hodgson...

"Quantum Foam" by Rogan Brown Laser and hand cut paper, framed Available by commission. Please allow 8-12 weeks production time. Rogan Brown creates abstract and sculptural wall rel...

The sculpture "Reflection" is a modern abstract work made of shiny golden metal. Its shape resembles parts of the human body or armor, but the interpretation remains open to the view...

He and She reach for manifestation. He opens the way, She holds the foundation, grounds. He is spirit, She is matter. He is gold, She is silver. They are in the harmony of Creativity...

Lunge 17 Slate/pigmented and sealed steel 17" (height) x 27" (width) x 5" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The ...

Contemporary Wall Hanging Sculpture, Framed Composition of Hand Made Paper Glover did not begin her career as an artist. After receiving an MBA from Harvard Business School, she ser...

A very personal piece from this artist. Human figures are carved in this horse sculpture, one of which is in the back of the horse neck and opens its back ...

"Synopsis" by Elsbeth Halvorsen Vever (American, b. 1929). Box sculpture combines aluminum, sand, bone, glass and a magnifier. Signed "Elsbeth Vever 1982" on verso. Image, 24.50"L x 13.75"H x 4"W. Using bone as the central image Elsbeth has assembled an optical and visual experience. One view is the magnification and juxtaposition of the floating effect of the curvature in the stainless steel background; stand back and it's a hologram effect. The first image shows clearly the hologram effect available to the eye of the viewer. From a review of her show of box constructions in Providence, Rhode Island: "Viewing her box constructions is a lot like a walk in the moonlight. What we know, or think, to be true in the hard brightness of daytime reality dissolves into an amorphous space of multiple possibilities and perspectives." Born in Purdys, New York, Elspeth Halvorsen is the daughter, granddaughter, and mother of professional artists. She has studied at prestigious academic and artistic institutions includingthe New School for Social Research, the Art Students League, and the Académie de la Grande Chaumière. In 1955, she moved to Provincetown, Massachusetts, establishing her home and studio in the former residence of Mark Rothko. Provincetown not only remains her home but also acts as a personal, social, and artistic source of inspiration for her work. Shortly after arriving in Provincetown, Halvorsen and her husband, the late Tony Vevers...

Twister '23 Slate/pigmented and sealed steel 32" (height) x 12" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. T...

This series by Chloe Hedden and Bill Hedden explores the growth forms of the mineral pyrite.  Pyrite or 'fools gold' grows in organic ever expanding interconnected cubes. This father...

Alan Johnston (Scottish, born 1945), Untitled, 1988, cast bronze, edition of 2, cast #2 Incised A.J. 2/2 88 on underside Provenance: Jack Tilton Galler...

"Louise II" is an original piece by NDA made from acrylic on cut wood. This piece measures 24"h x 26.75"w and is signed en verso. The visible florescent glow comes from the back pain...

Kathryn Shriver is a visual artist from Buffalo, New York, and holds a BA in Studio Arts from Wells College (Aurora, NY) and an MFA in Painting and Drawing from Concordia University (Montreal). She has received training from the Art Students League in New York and as a copyist in the Musée du Louvre, Paris, and has attended residencies with the Vermont Studio Center, MOMUS, and most recently, Sager Reeves...

"Untitled IV" is an original piece by NDA made from acrylic on cut wood. This pieces measures 28.5”h x 21.25”w. NDA is a public and gallery artist based out of Philadelphia. Althoug...