Chandler McLellan

Seonaidh

2019

Artwork made by ipe, cherry, mahogany, walnut, boat nails, acrylic & reclaimed suede Scott Troxel has exhibited his work at numerous fairs and exhibitions ...

Artwork made with birch panel, teak oil, copper enamel backer on MDF Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Ot...

The constructions Masako Yoshida envisions are built by interlacing sheets of walnut bark with string made of nettle. 

Artwork made with acrylic on solid maple, walnut and matte clear coat Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and...

Artwork made by cherry, walnut, mahogany, boat nails, Acrylic, reclaimed suede & table legs Scott Troxel draws on the aesthetics of bygone technology and t...

Acrylic washes on Pine, walnut, acrylic & varnish Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Art Fair in NYC...

Black nylon over panel keywords; use of common materials, assemblage, abstract sculpture, wall-sculpture, process-oriented, abstract art, line, form and color, black, monochrome scu...

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. While typically, King Ferguson paints both sides of the canvas and cuts a flap on the the frontside to reveal the color of the back of the canvas, she unexpectedly does the opposite here. The painting is hung from the "frontside" of the canvas, revealing to us the raw edges of her linen canvas, stapled to the stretchers. Two oblong shapes of pink and red dominate the center of the painting. A thin semioval cut has been made inside of both of these shapes. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...

Abstract Sculpture. Can be outside or inside. Materials are concrete, steel and reclaimed lumber. About the Artist: Born in Montevideo, Uruguay to a family of artists, Aurelio was raised in New York City. His father, Horacio Torres, was an accomplished classically trained artist. Aurelio’s artistic training was in Barcelona, Spain, where he studied for several years with his uncle Augusto Torres, also a classically trained painter. Aurelio’s grandfather, was the acclaimed Modernist Master Joaquin Torres...

Stunning abstract with Native American symbols using earth tones and 3D aspect for increased depth and texture by listed artist Duane Armstrong (American, b. 1938). 1966. Signed and ...