Eduardo Lacoma

Pareja 05 - contemporary modern abstract geometric steel sculpture

2020

Pareja 07 is a unique contemporary modern abstract sculpture by Spanish artist Eduardo Lacoma from his latest series Pareja, Spanish for couple. The sculpture consists of two handmade constructions from cut, welded and polished steel, that are mounted together to form a true complementary couple. The outer element is 5 mm carbon steel which has been varnished, the inner element is 5 mm corten steel which has been oxidized. Due to the manual process of building and finishing, each element has its own characteristic look, sometimes very smooth, sometimes a little rough but always very sophisticated. From all sides it offers intriguing views, now more closed, then more open. It fits perfectly in a contemporary modern interior setting, on a side table, on a shelf or even on a plinth. It evokes feelings of mid-century modern design whilst being a one-of-a-kind 21st century piece. Eduardo Lacoma (1968, Spain) is a practicing sculptor since many years, in addition to his career as an electronics technician. Being profoundly inspired by art during a trip to Barcelona in his teens, he taught himself the fine art of sculpting, combining materials such as iron, steel and stone. Living and working in Pamplona in the Basque region of Spain, he was originally inspired by the architecture of Gaudi. Gradually his interest shifted however to the sculptural forms of Eduardo Chillida and Jorge Oteiza...

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A suite of 2 sculptures. Lovers, man and woman nestled together. sleek minimalist mod sculpture. polished finish on one side. not sure if theese are stell or aluminium. they are cast and signed in Hebrew with initials and numbered 9/9. It is 2 parts that nest together. Aharon Bezalel (born Afghanistan 1926) Born in Afghanistan in 1926 and immigrated to Israel at an early age. As a youth was engaged as a silversmith and craftsman, and was a student of the sculptor Zev Ben-Zvi from whom he absorbed the basic concepts of classic and modernist art and interpreted, according to them, ideas based on ancient Hebrew sources. Aharon Bezalel works and resides in Jerusalem, he taught art for many years. “I saw myself as part of this region. I wanted to find the contact between my art and my surroundings. Those were the first years of Jean Piro’s excavations at the Beer-Sheba mound. They found there, for example, the Canaanite figurines that I especially liked and that were an element that connected me with the past and with this place.” “…a seed and sperm or male and female. These continue life. The singular, the individual alone, cannot exist; I learned this from my father who dabbled with the Kabbalah.” (Aharon Bezalel, excerpt from an interview with David Gerstein) “The singular in Aharon Bezalel’s work is always potentially a couple if not a threesome, the one is also the many: when the individual is revealed within the group he will always seek a huddling, a clinging together. The principle of modular construction is required by this perception of unity and multiplicity, as modular construction in his work is an act of conception or defense. Two poles of unity, potentially alone, exist in Aaron Bezalel’s world: From a formal, sculptural sense these are the sphere and pillar, metaphorically these are the female in the final stages of pregnancy and the solitary male individual. Sphere-seed-woman; Pillar-strand-man. The disproportional, small heads in Aharon Bezalel’s figures leave humankind in it’s primal physical capacity. The woman as a pregnancy or hips, the man as an aggressive or defensive force, the elongated chest serves as a phallus and weapon simultaneously. (Gideon Ofrat) EIN HAROD About the Museum's Holdings: Israeli art is represented by the works of Reuven Rubin, Zaritzky, Nahum Gutman, Mordechai Ardon, Aharon Kahana, Arie Lubin, Yehiel Shemi...

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