Framed Abstract Sculptures

Memento Clear Cell is a unique contemporary modern glass object made by Australian glass artist Emily McIntosh. This sculpture is made up of three blown clear glass components, small, medium and large, that are all lathe worked with a brushed translucent finish. The artist has been pursuing themes of touch as human memory through marking the glass skin. Her sculpture is focused upon surface finishes that amplify translucency, shadow & the reflection of light within the glass creating impressions of fragility & the suggestion of vulnerability. They are reminiscent of time capsules or cells capable of holding onto transient thoughts and memories, these structures are intended to preserve and protect one’s precious ephemeral recollections that through time may otherwise become forgotten. Emily McIntosh (1978, Australia) graduated with a MA in Fine Art and earlier with a BA First Class Honours in Fine Arts in Ceramic Design - Glass from the Monash Unversity in Caulfield. After her study she spent several months in Japan at the Ezra Glass Studio working with renowned glass artist Hiroshi Yamano...

Farbenlichthaut no. 160 is a brand new unique small size contemporary modern organic sculpture painting relief by German artist Freddie Michael Soethout. The relief is made from doze...

Metallic Enamel and Epoxy Resin on solid maple Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and mid-century modernism ...

Hand carved aspen wood sculpture torched burnished and painted Greg Joubert was born in 1977 and raised in the seaside New England town of Hingham, Massachusetts. Joubert gained hi...

Hand carved aspen wood sculpture torched burnished and painted Greg Joubert was born in 1977 and raised in the seaside New England town of Hingham, Massachusetts. Joubert gained hi...

Hand carved aspen wood sculpture torched burnished and painted Greg Joubert was born in 1977 and raised in the seaside New England town of Hingham, Massachusetts. Joubert gained hi...

Hand carved aspen wood sculpture torched burnished and painted Greg Joubert was born in 1977 and raised in the seaside New England town of Hingham, Massachusetts. Joubert gained hi...

Faith, Hope, Love are the fundamental values of humanity. Faith gives meaning to our existence and helps us cope with life's difficulties. Hope allows us to look into the future wit...

Sylvia Schwartz In her structures, silicone molds are cast from both natural and hand-made forms, including clay coils, volcanic rock patterns, seaweed, and the artist’s own fingerprints. Leaving the human trace evident through the repetition of shapes and textures in both the natural and man-made elements, provides a measure of stability, a reference point. These manmade and natural forms merge, revealing our inexplicable dependence on nature. Through this melding of two entities, new life is breathed into the art object. Paper as a primary medium allows Schwartz to sculpt, draw and paint simultaneously. The flow of the pulp (a natural phenomenon in itself) meshes with the molded forms creating a structure that seems to rest on the edge between painting and sculpture. The duality between light and heavy, interior and exterior, planned and accidental, order and chaos, leading ultimately to a sense of life. Red...

The artistic collaboration of Kelly Bugden + Van Wifvat has produced a thought-provoking body of sculptures, paintings, and constructions. Nature, childhood memories, and everyday ar...

Hand carved aspen wood sculpture torched burnished and painted Greg Joubert was born in 1977 and raised in the seaside New England town of Hingham, Massachusetts. Joubert gained hi...

"Magic Mushroom" contains those repetitive features of mantras or mandalas patiently made by hand. It projects a psychedelic image thanks to the chaotic...