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Jaynie Gillman CrimminsEquanimity #11, shredded New Yorker mag, envelopes, mixed media2023
2023
$2,500
£1,889.31
€2,170.21
CA$3,516.43
A$3,722.99
CHF 2,014.78
MX$44,496.54
NOK 25,113.91
SEK 22,965.78
DKK 16,208.71
About the Item
Jaynie Crimmins’s abstract, wall-mounted sculptures embody transfiguration. Constructed of meticulously handled shreds of magazines, catalogs, and security envelopes, her materials facet into intricate explorations of craft and design. Though maximalist, there is a latent sense of frugality and purpose in Crimmins’s works, their meaning transcending the hints of text and array of colors. Her work has been shown at ART on PAPER NYC; and exhibited at the Sharjah Museum of Art during the Islamic Arts Festival in the United Arab Emirates; SPRING/BREAK Art Show, NYC; Governors Island Art Fair, NYC; the National Museum of Romanian Literature in addition to museums throughout the United States including the Muscarelle Museum of Art at the College of William and Mary, VA; The Hudson Valley Museum of Contemporary Art [HVMOCA], Peekskill, NY; Hunterdon Art Museum, NJ; Zuckerman Museum of Art, Kennesaw State University, GA; Alexandria Museum of Art, Alexandria, LA.
- Creator:
- Creation Year:2023
- Dimensions:Height: 8 in (20.32 cm)Width: 8 in (20.32 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:Seller: JGC0041stDibs: LU416313352582
Jaynie Gillman Crimmins
Jaynie Gillman Crimmins, a Brooklyn based artist, has been creating art from her shredded financial statements and mail since 2009. She currently works with her junk mail, which is difficult to recycle because the inks have high concentrations of heavy metals. Elevating the ordinary and overlooked aspects of our daily existence, her intimate pieces use an economy of means and restraint of process, inspired and influenced by Ruth Asawa’s practice and work. Frank Wilczek’s book A Beautiful Question reveals that symmetry and economy are the distinctive features of beauty in nature. Her shredded junk mail is sewn and rolled meditatively to create textural surfaces reflecting these notions. In this recent body of work, The Enlightenment will not bow to the Inquisition, Crimmins deftly manipulates shredded non-profit and political solicitations, health care statements and magazine articles, material choices that are clever, resonant and far from random.
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