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s Stone I (black with pink light)
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Kristina LarsonContemporary Scholar
s Stone I (black with pink light)2020
2020
$5,000
£3,811.09
€4,395.69
CA$7,101.50
A$7,631.30
CHF 4,094.64
MX$89,892.09
NOK 51,485.52
SEK 47,031.69
DKK 32,851.65
About the Item
Kristina Larson creates biomorphic three-dimensional works primarily out of clay. Within her multidisciplinary practice she seeks to blur the lines between art, craft, and design by creating contemporary sculpture and avant-garde designs out of traditional materials. She often juxtaposes her material by incorporating vibrant LED lights, inspired by neon art and the electric pop colors of the 1980s. While sculpting, she explores the limits of her material by hand building, wheel-throwing and assembling. Larson relies on gravity, chance, and accidental happenings to embrace the natural movement, which is present in her organic forms.
Kristina Larson is a New Orleans based artist. She holds a Master of Art in Arts Administration from the Savannah College of Art and Design and a Bachelor of Fine Arts from the School of the Museum of Fine Arts at Tufts University. She has exhibited nationally and internationally in solo and group exhibitions including Design Miami, FL; Ogden Museum of Southern Art, LA; Capitol Park Museum, LA; Shaw Center for the Arts, LA; Martin Lawrence Galleries, LA; Jonathan Ferrara Gallery, LA; Clock Gallery, Morocco; the Brooklyn Waterfront Artists Coalition, NY, among others. She has received grants from the Massachusetts Cultural Council (2002), from the Louisiana Division of the Arts (2015 and 2019) and a scholarship from Anderson Ranch, CO (2020). Larson’s work is in the collections of Besh Restaurant Group, LA; Memorial Sloan Kettering Cancer Center, NY; and the Savannah College of Art and Design, GA.
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s Stone II (white with blue light)
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For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials.
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