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s the Fairest of Them All?..." Painted Wood
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Kyle Zubatsky"Miro, Miro, On the Wall... Who
s the Fairest of Them All?..." Painted Woodc. 1995
c. 1995
$2,025
£1,530.34
€1,757.87
CA$2,848.31
A$3,015.62
CHF 1,631.97
MX$36,042.20
NOK 20,342.27
SEK 18,602.28
DKK 13,129.05
About the Item
"Miro, Miro, On the Wall... Who's the Fairest of Them All?..." is a painted wood birdhouse homage to Miro signed by Kyle Zubatsky. This piece is surrounded by painting that is after Joan Miro. Reminiscent faces, eyes, and abstract inspired by Miro.
Sculpture: 8.5 x 5.5 x 8.5 in
Wisconsin artist Owner of the Tall Tree Gallery Used to co-own the Art Escape Gallery in Thiensville, WI with Diane Arenberg Volunteered her talents to Wisconsin Breast Cancer Coalition's "The Rare Chair Affair" an auction/event to raise awareness about Breast cancer; was a guest artist for ColettaScope 2008-10th Anniversary; Art Escape Gallery, Thiensville, was an honorable mention for the 2004 Business of the Year award for providing the community with a new venue for original art. Owners Kyle Zubatsky and Diane Arenberg are involved with Homestead High School's student art exhibit and internship program, the senior art league exhibit, Camp Heartland and the Tartan Ball.
- Creator:Kyle Zubatsky (American)
- Creation Year:c. 1995
- Dimensions:Height: 8.5 in (21.59 cm)Width: 5.5 in (13.97 cm)Depth: 8.5 in (21.59 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Milwaukee, WI
- Reference Number:Seller: 5387d1stDibs: LU60535531652
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Executed as a lithograph on velin paper, this work measures 11.024 x 22.28 inches, with stitch perforations and centerfold as issued. Signed in the plate and unnumbered as issued. Printed by Arte, Adrien Maeght, Paris, one of the foremost ateliers of the 20th century.
Artwork Details:
Artist: Joan Miro (1893–1983)
Title: Sans Titre (Untitled), from the album ceramiques de miro et artigas (Miro and Artigas Ceramics), 1974
Medium: Lithograph on velin paper
Dimensions: 11.024 x 22.28 inches (28 x 56.57 cm), with stitch perforations and centerfold as issued
Inscription: Signed in the plate and unnumbered as issued
Date: 1974
Publisher: Maeght Editeur, Paris
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Catalogue raisonne reference: Mourlot, Fernand, and Joan Miro. Catalogue des Lithographies de Miro. Vol. V. Andre Sauret, 1984, illustrations 926–927. Cramer, Patrick. Joan Miro: The Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1989, illustration 183.
Condition: Well preserved, consistent with age and medium
Provenance: From the 1974 album ceramiques de miro et artigas (Miro and Artigas Ceramics), published by Maeght Editeur, Paris; printed by Arte, Adrien Maeght, Paris
Notes:
Excerpted from the album (translated from French), The original lithographs were drawn in the ateliers Arte, Adrien Maeght, Paris. Completed printing on April 30, 1974.
About the Publication:
Ceramiques de miro et artigas (Miro and Artigas Ceramics) is a landmark 1974 album published by Maeght Editeur that documents and celebrates the long, fertile collaboration between Joan Miro and the master ceramicist Josep Llorens Artigas. The album serves as both an artistic tribute and an archival record of their shared exploration into the expressive possibilities of fire, clay, pigment, and surface. Maeght Editeur—renowned for its exceptional production standards and its close relationships with leading modern artists—commissioned original lithographs specifically for the album, each reflecting the tactile, gestural, and symbolic vocabulary that Miro developed through decades of experimentation in ceramics. Printed by Arte, Adrien Maeght in Paris, the production exemplifies the publisher’s commitment to uniting fine art printing with rigorous documentation. The album honors one of the most important artist–artisan partnerships of the 20th century, capturing the profound synergy between Miro’s visionary abstraction and Artigas’s mastery of traditional and experimental ceramic processes. As with all major Maeght publications, the album was conceived not merely as a catalogue but as a complete work of art, synthesizing text, image, and craftsmanship into an enduring contribution to the history of modernist printmaking and book arts.
About the Artist:
Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola dArt in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miros inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miros work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23561250 GBP (approximately 37 million USD) at Sothebys, London, on June 19, 2012.
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