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Linda SteinAmerican Contemporary Sculpture - Linda Stein, Knight of Words 7052011
2011
$1,600
$2,00020% Off
£1,219.55
£1,524.4320% Off
€1,406.62
€1,758.2820% Off
CA$2,272.48
CA$2,840.6020% Off
A$2,442.02
A$3,052.5220% Off
CHF 1,310.28
CHF 1,637.8520% Off
MX$28,765.47
MX$35,956.8420% Off
NOK 16,475.37
NOK 20,594.2120% Off
SEK 15,050.14
SEK 18,812.6820% Off
DKK 10,512.53
DKK 13,140.6620% Off
About the Item
This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. This work is an edition of 30.
Stein's works are in more than 25 museum permanent collections, including Crystal Bridges Museum of American Art, Georgia Museum of Art, and Ringling Museum of Art in the US; Victoria Gallery
Museum and Manchester Art Gallery in the UK; Espoo Museum of Modern Art in Finland; and Konstmuseet i Skövde in Sweden.
- Creator:Linda Stein (1943, American)
- Creation Year:2011
- Dimensions:Height: 12 in (30.48 cm)Width: 3 in (7.62 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1818210738962
Throughout her artistic career, Linda Stein's work has addressed issues of persecution and protection, focusing on oppression of the “other” through the lens of anti-bullying and social justice. As result of running for an entire day from the falling Twin Towers in the Ground Zero area of Manhattan, her previously-abstract work after 9/11 became figurative, armor-like, and she realized that she was creating visual and visceral symbols of protection, androgynous sentinel-like figures to stand guard against the foe. Her work often incorporates a family of pop-culture and religious icons like Wonder Woman, Princess Mononoke, Lisbeth Salander, Lady Gaga, Storm and Nausicaa, that start conversations about issues of power and vulnerability. Her works are in more than 25 museum permanent collections, including Crystal Bridges Museum of American Art, Georgia Museum of Art, and Ringling Museum of Art in the US; Victoria Gallery
Museum and Manchester Art Gallery in the UK; Konstmuseet i Skövde in Sweden; and Espoo Museum of Modern Art in Sweden. More can be viewed on her website: https://www.lindastein.com/series
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From Wikipedia, the free encyclopedia
Melissa Zink
Born 1932
Kansas City, Missouri
Died 2009 (aged 76–77)
Taos, New Mexico
Nationality American
Occupation(s) Artist, Sculptor
Melissa Zink (1932-2009) was an American artist. An active member of the Taos, New Mexico art scene, she blended storytelling with sculpture, and described the enchantment of books and the imaginary worlds they evoked as the focus of her work.[1] Critics lauded her as a "late bloomer" because she only began to exhibit and sell her multi-media works of ceramics, cast bronze, and collage, when she was in her forties.[2] She became known for her "three-dimensional stories" and "dream-like dioramas" in clay, interior scenes that blend whimsy with surrealism.[2][1] Later she cast large bronze statues of human figures embossed with texts drawn from dictionaries and illuminated manuscripts.[2] In 2001 she won a Governor's Award for Excellence in the Arts from the state of New Mexico.[3] In 2021, one of her works featured in a special exhibit at the New Mexico Museum of Art entitled, "Southwest Rising: Contemporary Art and the Legacy of Elaine Horwich," which featured a group of artists in the 1970s and 1980s who together launched a movement described as "new Western art" or "Southwest pop".[4]
Education and career
Melissa Zink was born in Kansas City, Missouri. She attended the Emma Willard School, Swarthmore College, the University of Chicago, and the Kansas City Art Institute.[5] She later admitted that her professors' efforts to push her and her peers towards abstract expressionism during the 1950s deterred her from pursuing a career in art.[2] Instead she worked for many years by designing picture frames and operating an embroidery and craft shop while continuing to paint and experiment with various media in her free time.[6] In her forties, she married Nelson Zink, who encouraged her to pursue her artistic ambitions.
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