Pajaro Gomez

0195 Serie Nexo 2

2015

Pájaro Gómez relies on a minimal number of elements to achieve a maximum degree of tension in his glass, stainless steel, and wooden sculptures. Elegant yet dynamic, his sculptures display clean and delicate lines where different components intricately connect with each other and the environment. The result being a juxtaposition of sturdy and fragile, heavy and ethereal objects commanding attention. Gómez has received numerous awards and has been featured in many solo and collective exhibitions worldwide. He has also become increasingly involved with site-specific projects, recently installing large-scale outdoor sculptures...

Untitled Space I, 2018 Oil on canvas 77h x 63w in

Abstract sculpture by American artist, Jack Youngerman (b.1926). Nexus, 1990. 24.5 inches. Aluminum, numbered 2/3. Signed and numbered on base. 1926 Born, St. Louis, Missouri; moved with family to Louisville, Kentucky in 1929 1943-44; 1946-47 Attended University of Missouri 1944-46 U.S. Navy, University of North Carolina 1947-49 Ecole des Beaux-Arts, Paris 1949-55 Lived and worked in Paris 1956 Returned to the United States; lived in New York City 1956-1995 1995-current Resides in Bridgehampton, New York ONE MAN EXHIBITIONS: 1951 Galerie Arnaud, Paris 1958 Betty Parsons Gallery, New York (1960, 1961, 1964, 1967, 1968) 1959 Museum of Modern Art, New York, "Sixteen Americans" 1962 Galerie Lawrence, Paris (also 1965) 1963 Galeria dell' Ariete, Milan Everett Ellen Gallery, Los Angeles, California The Phillips Collection, Washington, D. C. 1971 Pace Gallery, New York (also 1972, 1975) 1972 Portland Center for the Arts, Oregon Seattle Art Museum, Washington 1973 The Arts Club of Chicago, Illinois Galerie Denise Rene, Paris 1975 Hopkins Center, Dartmouth College, Hanover, New Hampshire 1976 Parrish Art Museum, Southampton, New York 1981 Washburn Gallery...

Artist Commentary: Anachronic is a piece in a body of work exploring sound and the way that it inhabits space in the built environment. The pattern, repetition, and weaving represent the rhythm, texture, and syncopation of sound. This piece represents an envelope of sound, a finite piece of time, a controlled environment. It is heavily influenced by my time as a DJ and the practice of connecting patterns. It is about a controlled process - the merging of a creative practice with an understanding of materials and technique. In this object the marks of process are left bare, witness to the hand, craft, and labor. It is an homage to skilled work and the workers I learned from. Keywords: 3D, plane, wood, metal Artist Biography: Leaning into a bias toward abstraction/intuition, artist Francisco Rosario...