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Pavlína KvitaRhyton by Pavlína Kvita - Contemporary sculpture, unique work, mysterious, red2022
2022
$5,744.33
£4,300.26
€4,800
CA$7,907.79
A$8,644.77
CHF 4,573.47
MX$103,448.57
NOK 58,190.87
SEK 53,267.85
DKK 36,570.09
About the Item
Rhyton is a unique artificial stone, walnut wood and steel sculpture by contemporary artist Pavlína Kvita, dimensions are 45 × 40 × 22 cm (17.7 × 15.7 × 8.7 in), including a cylindrical support in walnut wood and a round steel base.
The sculpture is signed and comes with a certificate of authenticity.
It seems that this piece is a heron, as the title suggests. Although the bird's appearance is recognizable, the lines of the forms are stylized and alternate between more rigid geometries and organic curves to produce the ideal balance and harmony.
The mysterious figures with forms that are both archaic and futuristic emerge in the sculptures of Czech artist Pavlína Kvita as a result of her exploration of her inner world. These anthropomorphic or zoomorphic beings, silent entities existing outside of time, dominate space with a combination of strength and balance that is given to them by their dynamic, streamlined, and abstracting lines. The sculptures created by Pavlína Kvita are the end result of the artist manipulating shapes and their endless possibilities in a circular process of creation/transformation/destruction.
- Creator:Pavlína Kvita (1988, Czech)
- Creation Year:2022
- Dimensions:Height: 17.72 in (45 cm)Width: 15.75 in (40 cm)Depth: 8.67 in (22 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU803117210232
Pavlína Kvita
The sculptures of the Czech artist Pavlína Kvita come to life from the exploration of her inner world, resulting in the creation of mysterious figures with forms that are both archaic and futuristic. These anthropomorphic or zoomorphic creatures, silent presences outside of time, impose themselves in space with a blend of strength and balance, conferred on them by their dynamic, streamlined lines, tending towards abstraction. Pavlína Kvita’s sculptures are the end result of a circular process of creation/transformation/destruction which the artist establishes with the material, manipulating shapes and their infinite possibilities. “I really need to feel the work in my hands, to find it by breaking it down and destroying it, and then rebuilding it again. For me it is a process of destruction and creation, just like the process we see at work in life.”
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