Sabrina Merayo Nuñez

Nature Apart - Hypothesis Series

2019

Pájaro Gómez relies on a minimal number of elements to achieve a maximum degree of tension in his glass, stainless steel, and wooden sculptures. Elegant yet dynamic, his sculptures display clean and delicate lines where different components intricately connect with each other and the environment. The result being a juxtaposition of sturdy and fragile, heavy and ethereal objects commanding attention. Gómez has received numerous awards and has been featured in many solo and collective exhibitions worldwide. He has also become increasingly involved with site-specific projects, recently installing large-scale outdoor sculptures...

DNA extraction process: 1. branch / 2. leaves milled with liquid nitrogen / 3. leaves ground with primer. test tubes, bronze, copper, steel

Encapsulated DNA tree sample in a test tube, tree branch sample in a laboratory glass equipment bronze, copper, steel.

Bifurcated Structure, 2018 Variegated leaf on wood 27h x 19w x 2d in Cecilia Biagini was born in Buenos Aires, Argentina in 1967. She studied painting with Guillermo Kuitca in Buen...

Medium: poplar, dye, concrete As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual l...

Sherry Owens Reawakening the Spirit, 2019 Crepe myrtle, steel, milk paint, dye, oil, wax 108 1/2 x 36 x 31 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...

Life can be scary, fast, and discordant. Adulthood, the compilation of myriad experiences, can bury youthful dreams. Alejandra España resists this dark potential, using a common, joy...

Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authentic sculptures where weight...